• 융합정보논문지
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• 제10권8호
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• pp.259-264
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• 2020

본 연구는 아시아 최대 저비용 항공사인 A 항공사에서 비행 근무 중인 객실승무원의 헤어스타일 유형을 분류하였다. 객실 승무원들은 일정한 출퇴근 시간을 유지하는 것이 아니라 비행스케줄에 따라 출퇴근 시간의 다양화로 헤어스타일도 변화되기 마련이다. 따라서 여성 객실승무원의 경우 출근하기 전 시간적 여유가 있을 때는 쪽머리나 업스타일과 같은 헤어스타일을 유지하기도 한다. 그러나 머리를 다듬는 시간이 적을 때는 원랭스 커트와 그래쥬에이션과 같은 일상의 헤어스타일을 유지하거나 포니테일과 같은 묶은 머리를 선호한다. 객실승무원들은 다양한 헤어스타일을 유지하지만 모발의 색조는 자연 갈색이나 약간 밝은 염색을 선호하고 과도한 탈색에 의한 밝은 명도 모발은 선호하지 않는다.

• 복식
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• 제57권2호
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• pp.143-154
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• 2007

This study's purpose is how express gender image according to sex in editorial fashion photography. This study's objectives are the women's magazine Vogue, Harper's Bazaar and man's magazine GQ, Esquire published 2000-2005 within the country. The photography was classified with established a standard based on the precede studies. The photo is classified Gender image according to dress and its ornaments, model character and atmosphere by Sex Expression of femininity woman has exposure of body parts and emphasizing thin eyebrows and red lips, soft and mild image, modest and static pose. Man expressed femininity used ladylike color and pattern, erotic exposure of body and long hair style. Commonly emphasizing red lips, natural background of flower plant, S-line. For expression of masculinity man and woman are used masculinity item, short hair-style and thick eyebrows. And also emphasize square like chin and shoulder. Specially, woman used direct silhouette to conceal soft body curved line. The expressions of androgynous woman and man are colorful dress and make-up. Woman emphasized male face to show and man expressed soft image through hull of abundant material of fur. All two sex selected method that conceal body curved line and face to express sexless. Hiding characteristics of body and face make indistinct of sex. The gender is affected by atmosphere such as model and illumination background as much as clothes because of the editorial fashion photography.

• 한국의류학회지
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• 제27권7호
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• pp.735-745
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• 2003

This paper looks at perceived images of female university students concerned with various wedding hair coordination including wedding hair styles, veil details and fitting positions and head dresses. Ta design an experimental test of a wedding dress and hair coordination variables, the content analysis of magazines was performed and hair experts were interviewed. 17 stimuli representing the variables of wedding hair coordination were manipulated and included with hair styles(2), veil details(2), veil fitting Positions(2), head dresses(2) and a wedding hat(1). The questionnaire of 445 was carried out and data were statistically processed. As a result, five images of wedding hair coordination were factors loaded, that is, favorable, decorative, smooth, personal and pretty one. Various main and interaction effects were found in images of it regarding to changing hair styles, different veil details and fitting positions and head dresses. favorable images, they affected by interactions between hair styles and veil details, hair styles and veil fitting positions, hair styles and head dresses and between veil details and the fitting positions. For personal images, interactions between veil details and the positions of veil fitting had effects on female students; for smooth images, That is, for hair style, female university students were influenced by favorable and smooth images; for veil details, by decorative and smooth images; for the positions of fitting veil, by decorative and favorable ones Then the researcher examined effects by dual interactions between factors of wedding hair coordination. For decorative images, they were found influenced by interactions between hair styles and veil details and between hair styles and head dresses. For personal ones, interactions between veil details and the fitting positions; for pretty images, interactions between the fitting positions and head dresses. These findings will provide sellers of the wedding dress with the idea of how females to perceive wedding hair coordination according to the variation of it.

• 산업과 과학
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• 제2권3호
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• pp.29-36
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• 2023

본 연구의 목적은 헤어컬러디자인 기법 중 그라데이션 기법 분석을 통해 디자이너의 헤어컬러디자인 제작물을 일관되게 제작할 수 있는 헤어 컬러 작업 계획의 기초자료로 제시하고자한다. 연구 방법은 2022년부터 2023년 9월 15일까지 대중 매체에 나타난 여성의 사진 10개를 선정하여, Adobe Photoshop CS6의 Eyedropper Tool로 컬러 칩과 RGB 값을 추출하여 컬러 칩의 RGB 값을 Munsell Conversion(version 12.1.13a)의 HV/C 값으로 데이터화하였다. 추출된 데이터를 바탕으로 배색 스케일에 데이터를 표기하여 여자 대중 스타들의 그라데이션 헤어컬러를 분석하였다. 그 결과 I.R.I 배색 이미지 스케일에서 여성 대중 스타의 배색 스케일은 부드러움보다 딱딱함의 이미지가 두드러지게 나타났다. 또한 동적임 보다는 정적임에 집중되어 있음을 확인할 수 있었다. 헤어 컬러에 따른 배색 이미지로는 고상한, 점잖은, 우아한, 은은한 과 같은 형용사로 추출되었다. 이를 적용한 주제로 3점의 헤어스타일을 제작하였다.

• 패션비즈니스
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• 제4권3호
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• pp.79-90
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• 2000

On the beginning of 21C, in which it is a facing problem that the expansive image of future in fashion should be proposed from the comprehensive analysis for the fashion trend. Therefore, in this study, the trends of capricious fashion are distinctly quantified by investigating the cue of fashion in each styles. Also, the systematic evaluation is carried out of analyzing photographs to which the four important fashion styles. In particular, this study takes the practical and numerical results through quantitative analysis by statistical treatment as well as through qualitative analysis that has been formerly used in the other studies. The purposes of this study are to examine fashion trends expressed in important styles in the 1990s, and to formulate productive fashion of the future. In the qualitative analysis, the four important fashions of neo-mods/jazz, neo-hippie/grunge, sportive-casual and techos/cyber-punk are grouped. In the quantitative analysis, statistical data are sampled from Collection II of the 1990s A/W. It takes frequency, percentage, $x^2$-test and etc, by using the comprehensive tools for statistical treatment. There were significant differences between the A/W fashion. According to the cues, there are also significant differences between the fashion in the 1990s. The results of this study are summarized as follows: (1) In 'Neo-Mos/Jazz' style shows highly androgynous look, deep and strong tone, green/blue colors, natural fabric, stripe pattern, long hair style, and hided make-up. (2) 'Neo-hippie/gnenge' style shows highly folklore look, vivid tone purple colors, seethrough/knit fabric, natural /traditional pattern, decorative hair special make-up. (3) 'Sportive casuals' style shows highly sportive look, greish tone, white/grey colours, natural fabric, solid patten, bobbed hair, and natural make-up. (4) 'Techno/cyber punk style shows highly comocorps look, pale tone black colors avangard fabric, solid patten, punk/dyed hair special make-up.

• 한국의류산업학회지
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• 제9권5호
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• pp.538-544
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• 2007

We usually try to accomodate ourselves to our nature surroundings interacting with nature. There fore I've decided to apply nature materials, esp. the pine to Hair Art as a way of expressing our feelings from Nature. 'Hair Art' is a follow-up study based on the various artistic point of view. There has been various works of 'Hair Art' with nature materials. However, it is rare to see a work of 'Hair Art' with the pine. That's why I've decided to study more about this. This study is a new experiment in 'Hair Art' against a conventional idea "Hair Art values practicability." Therefore, the primary goal of this study is to do much for the cause of learning in 'Hair Art' and encourages some development of 'Hair Art' industry. I've researched an image of a pine tree in art of Joseon Dynasty and contemporary art. Then I've tried to apply the image to a work of 'Hair Art'. First of all, in a view of expression technique for the symbolism of the pine, the artists in Joseon Dynasty drew pictures of a pine tree with a paintbrush but the modern artists make a new attempt from the thought of Modernism. We can find it in some photos. Next, to express traditional oriental idea such as 'unconventional and elegance', comtemporary artists chose the symbolism of the pine tree as an object of their works like pen and ink sketches from the thought of Modernism. Third, in a fusion style picture which contains features of both oriental paintings and western paintings and in a sexualism style picture that depicts a harmony of a male and a female as a shape of a pine, we can find colorful images of a pine tree and Their figurative beauty in art. Those are another symbols of the pine. In conclusion, the implication of the pine tree still hasn't changed even there are differences of drawings of pine tree in the past and the present. I've tried to combine these symbolic ideas of the pine with 'Hair Art' and made 5 hair styles. Throughout the process of researching this topic which is 'The Study of Hair Art Using The Symbolism of The Pine', I've realized that pine trees make it possible to express intrinsic tough spirit of human being and abundance in color and figurative beauty in art. I hope this can contribute to the field of 'Hair Art' and would become an important educational resource for further study.

• 복식문화연구
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• 제19권1호
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• pp.104-118
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• 2011

Since Sirimavo Bandarinaike became the first female prime minister in 1960, women all over the world has been trying to break the highest glass ceiling. In a place where men had been dominating throughout history, women political leaders had to find a way to look the part by wearing power suits. Feminity was out of the question until the digital era of 21st century started. The world has evolved into a place where feminity could be strength instead of weakness. Now women political leaders are showing body curves, cleavage, using vivid and pastel colors, soft fabrics, elaborate details, accessories, long and curly hair. The padded shoulders of dark coloured power suits were replaced by soft colorful flowing feminine suits. Yulia Tymoshenko of Ukraine is the best example of 21st century woman political leader using feminity in her fashion style while enacting her role. When she first started politics in 1990's, she wore dark colored power suits like all other women political leaders did with short dark hair. As time passed her suits became more feminine with light colors and elaborate details. She has changed her hair into a neat braid, based on a traditional Ukrainian hair style. She used orange color for the Orange Revolution and white for pure image. Yulia Tymoshenko's fashion style as a way of role enactment showed professionalism, feminity, integrity, and ethnicity.

• 문화기술의 융합
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• 제9권5호
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• pp.501-508
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• 2023

본 연구는 대한민국의 남성과 여성의 다양한 헤어스타일을 헤어이미지를 활용하여 분류하고, 이를 기반으로 3D 헤어 모델을 제작하는 것을 목표로 한다. 헤어스타일 분류는 육안으로 확인 가능한 큰 특징을 기준으로 하여 14가지 카테고리로 구분하였다. 남성 6가지 스타일과 여성 8가지 스타일로 분류하였으며 헤어이미지에 가장 적합한 헤어스타일을 매칭하여 메타버스 저작환경에서 헤어 제작을 위해 필요한 헤어모델을 추천하는데 사용하도록 하였다. 메타버스와 같은 플랫폼에서 원격지에서 접속한 사용자의 헤어를 촬영하거나 이미 획득한 헤어이미지와 가장 유사한 3D 헤어 모델을 매칭하는 데 활용될 수 있다. 이를 통해 사용자에게 가장 유사한 3D 헤어 모델을 제안하는 데 사용할 수 있다.

• 디지털융복합연구
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• 제10권11호
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• pp.651-658
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• 2012

아이돌 스타는 각종 예능프로그램을 비롯해 라디오, 드라마, 뮤지컬까지 다양하게 활동하는 만능 엔터테이너가 되었으며 팬 층도 10대 여성 중심의 팬 문화에서 20대는 물론 30~40대로 확대되었다. 아이돌 스타의 뷰티이미지를 "우리 결혼했어요" 프로그램 출연 아이돌을 중심으로 살펴 본 결과는 <표 3과 5>와 같으며 [사진 5]을 통해 이특-강소라 커플과 이준-오서연 커플이 주는 이미지는 비슷했으며, 조권과 황광희의 경우도 까부는 이미지가 유사함을 확인할 수 있었다. 뷰티이미지는 주로 내추럴한 이미지의 메이크 업를 하였으며 헤어스타일과 헤어염색을 통해 이미지를 변화시켰다. 이준의 경우는 스모키 화장을 음반이나 프로그램 속에서 보여 주었다. 아울러, 각 아이돌 그룹들은 각자의 고유 스타일 고수보다는 발표되는 음악에 맞춘 메이크업과 헤어스타일을 하고 있음을 확인할 수 있었다.

• 복식
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• 제55권6호
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• pp.51-66
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• 2005

Fashion is to emphasize the importance of total coordination in creating an image. Therefore, modern fashion is not the conformation of fixed beauty but it exist in the expressed form of the variety and the completion according to the individual's personality for the self image of the clothes, the hair and make-up, the accessories and the like. This study Is aimed at reviewing one of the tendency of modern fashion coordination and the characteristics of John Gallianos fashion work and there upon, analizing the characteristics of John Galliano's fashion show, who is one of the most leading fashion designer, by dividing them Into four categories in large: 1) The maximum effect of fashion image by make-up and hair style 2) Adventurous fashion coordination with daring decoration 3) Fascinating fashion coordination Harmonized with color 4) Enlargement in the concept of fashion coordination by experimental way of clothing