• 한국멀티미디어학회논문지
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• 제25권10호
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• pp.1457-1467
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• 2022

The relationship between film and culture is established through a shared focus on people's lives. Culture changes at different times, which makes a dynamic and complex relationship between film and culture. Understanding this relationship helps to provide better support for current filmmaking. The purpose of this study is to provide insights into the macro issue of film and culture by exploring the relationship between film theme and culture concept. To this end, we used a case study to explore the connection between themes and culture concepts in Disney's Mulan (1998, 2020) through literature and analyses of culture concepts (Chinese "imagery" and Postmodernism). The study concludes that, "Culture assemblage" and "Vision is king" have become cultural trends that influence the creation of film theme and style to a certain extent; how to balance the relationship between the core idea of film theme and the external forms is an important issue in current filmmaking. The article contributes to promote thinking about culture in film creation, and its research perspective on different cultures and histories is innovative.

• 한국초지조사료학회지
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• 제16권3호
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• pp.215-218
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• 1996

This study examines the possibility of early production of forage rape (cv. Akela and Velox) in the period of wintering. Bolting date was Feb. 2 to Feb. 9 in PE film house culture by non-heating and Mar. 3 to Mar. 12 in open field culture. And flowering date was Feb. 24 to Mar. 3 in PE film house culture by non-heating, so it was 30~50 days faster than the open field culture of Apr. 17 to Apr. 22. Fresh matter yield was 8, 356~4, 887 kg/10a in PE film house culture by non-heating, so it was 1, 431~1, 603 kg/10a yield increase than in the open field culture of 7, 253~7, 456 kg/10a Dry matter yield was 953~963 kg/10a in PE film house culture by non-heating, so it was 71~284 kg/10a yield increase than in the open field culture of 669~892 kg/10a.

• 한국자원식물학회지
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• 제12권3호
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• pp.179-185
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• 1999

본 연구에서 얻어진 느타리버섯 멀칭재배의 결과를 요약하면 다음과 같다. 1) 상자재배 방법은 관행시 1695g/상자, 흑색비닐 멀칭시 24.2%가 증수된 2237g/상자, 백색비닐 멀칭시 16.4%가 증수된 2028g/상자이었다. 2) 균상재배 방법은 관행시 48.2kg/3.3m$^2$ 흑색비닐 멀칭시 57.5kg/3.3m$^2$, 백색비닐 멀칭시 52.1kg/3.3m$^2$로 각각 16.2%와 7.5%의 증수 효과가 있었다. 3) 자루재배시 느타리버섯의 발이구멍 직경은 5~30mm, 간격은 10cm일 경우 양호하였다. 4) 느타리 버섯 멀칭재배는 세균성갈변병, 푸른곰팡이, 버섯파리의 예방효과가 있었다. 5) 느타리버섯 흑색 비닐멀칭 자루재배는 균상, 상자, 봉지재배 보다 수량이 많고 품질이 좋았다. 6) 멀칭 수확도구는 45~120cm $\times$ 45~200cm 길이가 적당하였다.

• 분석과학
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• 제27권1호
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• pp.27-33
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• 2014

This study described about preparation of the cross-linked silk fibroin (SF) film by ${\gamma}$-irradiation of the casted SF film, which is fabricated from aqueous solution regenerated via fibers of cocoons and their application as supports for human cell culture. The properties of cross-linked SF film were evaluated by FT-IR spectroscopy, contact angle, solubility to water, thermal analysis, surface area analyzer, and morphology via scanning electron microscopy (SEM). The cross-linked SF films were not dissolved in water and exhibited the rough surface morphology, large surface area, and good thermal properties. The human fibroblast cell (CCD-986sk) and embryo kidney-ft cell were well growed on the surface of cross-linked SF film supports prepared by ${\gamma}$-irradiation. The cross-linked SF film prepared by ${\gamma}$-irradiation can be used as biomaterials for human cell culture.

• International journal of advanced smart convergence
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• 제13권2호
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• pp.136-141
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• 2024

Chang'an (Chinese: 长安三万里), also known as 30,000 Miles from Chang'an, is a 2023 Chinese 3D animated historical drama film directed by Xie Junwei and Zou Jing.This thesis aims to explore the visual expression of traditional culture in the 3D animated film Chang'an as an example to reveal the reasons for the success of this type of film. The study analyses in detail the design of the character models and costumes, as well as the use of the traditional landscape painting technique of 'white space' in the composition of the screen from the visual aspect. Through the analysis of character design and screen composition, the thesis concludes that the success of Chang'an lies in its elaborate visual design and clever use of traditional culture, which makes it a 3D animation film with both artistic and commercial values. Finally, the thesis concludes that the production of a successful 3D animation film needs to combine the visual elements of 3D animation with traditional culture in order to win audience recognition and achieve commercial success.

• 한국작물학회지
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• 제42권6호
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• pp.647-651
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• 1997

무피복 재배조건에서 생육특성 및 수량성 그리고 종실의 단백질과 지방함량, 지방산 조성을 조사하여 무피복 재배법 확립을 위한 기초자료를 얻고자 대광땅콩, 대풍땅콩을 공시하고 흑색 비닐 피복재배와 비교하여 시험한 결과는 다음과 같다. 1. 출현기는 대광땅콩, 대풍땅콩 모두 피복재배보다 6일정도 지연되었으며 개화기는 각각 9일, 6일 지연되었고 입모율도 각각 3.7％, 16％감소되었다. 2. 분지장은 피복재배보다 대광땅콩 24％(11.2cm), 대풍땅콩 17％(6.9cm) 감소되었으나 분지수는 감소되지 않았다. 3. 성숙협수,100립중, 협실비율, 주당 종실수량등은 피복재배보다 현저히 감소되었으나 밀식재배로 인한 재식밀도의 증가로 1ha당 종실수량은 대광땅콩의 경우 피복재배와 비슷하였고 대풍땅콩의 경우는 26％ 증수되었다. 4. 단백질함량은 대광땅콩의 경우, 피복재배보다 4％ 증가하였으나 대풍땅콩은 3％ 감소하였으며 지방함량은 두 품종 모두 각각 7％, 9％ 감소되었다. 5. 지방산 조성에서 oleic acid는 대광, 대풍땅콩 모두 피복재배보다 증가하였으나 linolelc acid는 감소하였으며 O/L비율도 작아졌다.

• 대중서사연구
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• 제27권1호
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• pp.13-51
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• 2021

본 논문은 식민지 시기 경성의 극장에서 발행된 영화 관련 인쇄물(film ephemera)에 대한 기초 조사를 바탕으로, 경성 남촌 지구의 영화 문화에 대한 역사적 접근을 시도한 사례 연구이다. 이 연구는 192·30년대 경성 남촌 지구의 극장에서 발행된 인쇄물들을 중심에 두고 당시의 일본어 신문과 잡지의 기사를 교차적으로 검토했으며, 이를 통해 '북촌'과 '남촌'으로 이원화된 문화 환경 속에서 재경성 일본인들의 극장과 영화 문화를 실증적으로 재구성했다. 무성영화시대 경성에서 남촌 지구 극장들은 일본의 영화사들과 계통(系統)을 맺어 일본 본토에서 제작된 영화를 유통·상영했을 뿐 아니라, 식민 본국에서 식민지로 건너와 정착한 재경성 일본인들의 문화적 커뮤니티를 구축하는 역할을 했다. 각 극장이 발행한 인쇄물들은 단순히 프로그램에 대한 정보를 제공하는 데 그치지 않고, 식민도시에 거주하는 일본인들을 일본 제국의 균질적인 시공간으로 연결해주었다고 할 수 있다. 인구로는 소수이지만 식민자라는 지위에 있었던 일본인들은 경성 남촌 지구에서 영화 관람을 통해 피식민 조선인과 자신들을 '구분'하는 동시에 문화적 차원에서 일본 내지와 연결되는 '결속'을 경험했다. 이는 일종의 '원거리 민족주의(long distance nationalism)'를 강화하는 문화 실천이라 할 수 있다. 재경성 일본인의 영화 문화를 극장 발행 인쇄물들을 통해 검토하는 작업은 2천년대 이후 본격화되어온 근대 극장 문화와 관객성에 대한 연구 성과들을 심화할 뿐 아니라 비필름 자료를 통한 영화사 연구의 방법 및 방향을 모색하는 데에도 유의미한 시도가 되리라 기대한다.

• International Journal of Advanced Culture Technology
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• 제11권2호
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• pp.64-72
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• 2023

This paper discusses the technical exploration of Ang Lee's cinematic works and the unique visual beauty he presents. Ang Lee has successfully tackled various themes and genres, creating films that harmoniously blend Eastern and Western cultural sensibilities. These films are technologically innovative and show the interaction between technology and art, industry and culture. Therefore, this paper analyses the correlation between film technology and visual beauty in Ang Lee's works, and explores the discourse on how the relationship between film technology and art has changed with the development of film. Furthermore, this paper aims to provide insights into how technological innovation can enhance artistic creativity. The contribution of this study lies in the in-depth exploration of the relationship between film technology and art, with a focus on technological innovation and the visual beauty in Ang Lee's works. The research findings reveal that Ang Lee's films showcase the application of advanced technologies, captivating audiences with their unique visual aesthetics. The utilization of emerging technologies enables his films to possess not only visual impact but also convey profound emotions and themes. We conclude that technological innovation in film not only provides artists with more creative tools and expressive techniques but also, when combined with artistic sensibilities, creates captivating and visually expressive cinematic works. This discovery offers a new perspective for film production and opens up greater possibilities for collaboration between artists and technology experts.

• 한국농업기계학회:학술대회논문집
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• 한국농업기계학회 1996년도 International Conference on Agricultural Machinery Engineering Proceedings
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• pp.1021-1030
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• 1996

The mechanism of the mulch film cutter assembly designed as an integral part of a rice transplanting device was developed for mulching cultivation of early season culture rice. This mulch film cutter assembly was directly attached to the transplanting device of the rotary type Japanese transplanter. The principle is that the knife cut a planting slit on the polyethylene film while the planting finger immediately plants seedling into the soil through the planting slit. Computer results implied that the knife of the mulch film cutter assembly can make appropriate planting slit on the polyethylene film as the planting finger effectively plants the seedlings into the paddy soil through the same planting slits.

• 비교문화연구
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• 제19권
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• pp.205-232
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• 2010

The purpose of this paper is to examine the possibility of application of some French and German movies to teaching of multi-culture in elementary, middle and high schools. Three different films are selected. (2005), a French animation film directed by B?n?dicte Galup and Michel Ocelot, is appropriate for the education of understanding cultural relativity and improving multi-cultural sensitivity in elementary school. is a French short film directed by Walter Salles and Daniela Thomaso and included in omnibus style film (2006). This short film relating a story of an immigrated woman who leaves her baby in a cr?che and travels through Paris to work for a bourgeois mother can be used for developing a bond of sympathy between natives and immigrants. It is recommended for the class of junior high school. Finally (2007), a German film directed by Fatih Akin, provide a learning model for the education of multi-culture in high school classrooms. The cinematographic aesthetic of this film is focused on a process of reconciliation with others over the cultural, racial, national and generational differences. Analyzing the structure of the film and being guided by teachers the students can understand better in improving abilities to understand others.