• 한국의류산업학회지
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• 제15권5호
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• pp.682-693
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• 2013

Camouflage is evaluated by scientific principle in the fields of biology, military science, and art. It has a strong influence on contemporary fashion and means exposure with concealment. This study analyzed the visual characteristics of camouflage patterns in fashion design through documentaries and fashion photos. The fashion design results areas follow. The simple blending of a disruptive motif indicated an inaccurate repetition of a disruptive motif, the discontinuous or continuous connection of disruptive motif, the irregular repetition of a disruptive animal silhouette, the collage of a different disruptive motif, the craft of a disruptive motif and the intensive color match of a disruptive motif. It represented the maximization of complication, fantastic and fanciness. The overlap of a disruptive motif showed the overlap of disruptive print patterns with transparency and an overlap of different fabrics with a disruptive pattern. It represented spatial relationships of three dimensions as well as the maximization of visual illusion and the reinforcement of attractiveness. The blurring of a disruptive motif showed the pointage of disruptive motif, the pointage of image, value gradation, the whole blurring of a disruptive pattern cluster and stained appearance. It represented the obscurity of motif form, the uncertainty of object and double meaning. The trompe l'oeil of a partial background object showed the realistic and the painterly imitation of color and texture for partial objects through a close-up. It represented amazement and pleasure by illusion, scarcity and the decoration of surface and synecdochical remind. In conclusion, camouflage in fashion was weakened and modified from a classical military context by a unique expression of various motifs.

• 문화기술의 융합
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• 제6권4호
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• pp.31-37
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• 2020

본 연구는 드라마 <절정>(2011)을 통해서 드라마에서 시 텍스트가 삽입되는 방식과 시인의 표상화 방식을 검토한다. 이 드라마는 시인이자 독립 운동가였던 이육사를 중심인물로 내세우고, 그의 생애를 따라가는 서사 구조를 택하고 있다. 드라마는 시인의 생에서 가장 극적인 순간에 그의 시를 환상적인 이미지와 함께 삽입함으로써 드라마의 서정성과 영상미를 극대화한다. 시와 함께 제시되는 이미지는 이육사의 치열한 고난을 극대화하는 한편으로, 시를 이 고난의 결정체로 그려낸다. 이로써 드라마 <절정>은 이육사의 시를 활용함으로써 중심인물 이육사의 내면세계를 영상으로 형상화한다. 이육사의 시를 이미지와 함께 활용하여 시의 아름다움과 곧은 정신세계를 지닌 시인의 표상화를 동시에 꾀하는 것이다. 이는 시인이자 독립 운동가였던 이육사를 행동하는 지식인으로서 균형감 있게 그려낸 결과이다. 드라마 <절정>은 영상을 통하여 시와 시인의 표상화를 진정성 있게 수행한 주요한 텍스트이다.

• 건축역사연구
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• 제3권1호
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• pp.161-172
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• 1994

This is part of a study on the origin of modernist forms and settings. Forms in Modern Architecture are totally new as though they seemed to be originated from some remote culture. Archaeological studies and Laugier's primitivist attitude to the classical architecture provided a way leading, in the end, to pure structures and abstract forms. An application of the classical elements was combined with the ultimate image of nobility, simplicity and rationality. What the seventeenth and eighteenth century theorists realized in the ruines of the classical structures were not the ones with their original organic vitality but the deteriorated, naked and abstracted ones. The essence of the classical structures has been the one of the main references of the modern white architecture. Ration and Nature were the quintessential terms in the design process of the Enlightenment architects of the late eighteenth and nineteenth centuries as they were in the twentieth century architecture. Pure geometric and symbolic forms were new inventions for the new revolutionary age after the development of architectural Styles, successive until Baroque and Roccoco, ceased to go on to the next phase. Many of their buildings appeared so modem in character, for they were omitted all but the essential structure and decoration. Other sides of rationality in the pre-modern age were evolved in terms of the paradigmatic research and the logic in structure. Durand developed a systematic typological approach to the forms. Geometry was the basis of his designs and his illustrations resembled endless simple geometrical problems. One of the other rational approaches was mainly developed by Viollet-le-Duc. To him, Gothic architecture was the model in which each members functioned actively and exerted counterpressure and the Middle Ages invented new fantastic forms. The several ways of rational approaches in architecture were led to the 'tabula rasa' planning in modern architecture. Nature was remained untouched and not deformed as Ledoux's houses in the $H{\hat{o}}tel$ de $Th{\acute{e}}lusson$ were setted on informal gardens. It is part of the modem image that Nature flows or interpenetrates through the white prisms of the strictest classical purity and machines.

• 한국문헌정보학회지
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• 제36권1호
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• pp.127-143
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• 2002

필자는 팬터지 문학작품을 이용하는 것이 학생들의 창의력 함양에 도움이 되는 이유를 밝히고 있다. 창의성이란 정보를 통합하는 두뇌활동 중에 생산되는 것인데 팬터지 작품은 등장인물이나 배경을 통하여 이질적인 현실세계와 비현실의 있을 수 없는 정보들을 하나의 이야기로 엮음으로써 이질적인 정보를 하나의 시스템에 통합시킨다. 팬터지를 읽는 독자의 두뇌는 매우 이질적 정보들이 시스템(이야기)화 하는 즉 정보 통합의 예를 경험하게 된다. 그러므로 독서지도에서 팬터지 작품을 많이 이용하면 학생들의 두뇌활동 중에 정보를 통합하는 기회가 많아 질 것이고 학생들은 자연히 창의성 함양의 기회를 많이 가질 수 있다.

• 디자인학연구
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• 제12권4호
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• pp.69-77
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• 1999

동화책 일러스트레이션 제작은 일러스트레이터 개인의 주관적 표현에 의존하기 보다는 이동의 인지특성과 조형심리에 대한 이해의 바탕 위에서 이루어져야 할 것이다. 이는 어른의 자외적 판단에 의한 표현에서 벗어나 아동의 기호에 부합되며 또한 지능, 정서, 상상력 개발이라는 교육적 목적에도 기여할수 있는 표현의 출발점이 되기 때문이다. 일반적으로 아동화에서 보이는 특징을 자기중심성에 의한 독특한 조형방식(함축성, 생명성, 환상성)과 물활론적 사고에의한 의인화로 정리해 볼 수 있으며, 이를 본고에서는 직관이입적 표현이라 하였다. 이러한 직관이입적 표현방식은 동화일러스트레이션의 표현에 반영되고 있으며 나아가 이를 결정하는 주요동인임을 알 수 있었다. 표현상 양자간 불가분의 관계를 갖는 이유로써 첫째, 아동의 인지 및 조형방식에서 표현의 모티브를 찾는 것은 아동만의 독특한 형태인지방식에 어필하여 일러스트레이션에 대한 아동의 호응도를 높이고 흥미와 관심을 유지할 수 있기 때문이다. 둘째, 대상을 묘사하는데 있어 직관이입적 표현(생략, 과장, 의인화, 비현실화)을 적용시킨 일러스트레이션은 아동의 지적 호기심을 보다 많이 자극할 수 있으며 이를 통해 지능개발, 정서함양, 상상력개발이란 교육적 효과를 얻을 수 있기 때문이다. 결론적으로 동화책 일러스트레이션의 표현특징(표현양식이 아닌 표현의미의 측면) 내용상 지, 정, 상 개발을 위한 표현의 모색으로부터, 형식상 아동조형의 차용으로부터 각각 형성되고 있을음 알 수 있다.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2008년도 춘계 종합학술대회 논문집
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• pp.560-563
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• 2008

초기의 웹 기술은 2차원적이며 수동적인 정보교환이 주류를 이루었다. 사용자들은 시간이 흐를수록 보다 좀 더 실제의 세계와 유사한 3차원의 환경에서 능동적으로 참여하기를 원했다. 그러나 웹 환경의 큰 변화를 몰고 올것으로 예측되었던 VRML이 여러 가지 여건으로 인해 확대되지 못하였다. 최근 인터넷 업계의 최대 화두는 단연 Web 2.0이다. Web 2.0의 기본 방향은 편리한 UI(User Interface)의 구현과 기존의 웹보다 동적인 웹의 구현이다. 그 중 RIA(Rich Internet Application)라는 개념은 Web 2.0의 중요한 기술적 이슈중 하나이다. 본 논문에서는 Flex기술을 이용하여 화려한 UI와 다양한 기능을 가진 웹 환경 센서 데이터 시스템을 설계하고 구현하였다.

• 한국실내디자인학회논문집
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• 제21권5호
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• pp.34-45
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• 2012

In these days, restaurants are not simply used as a physical space but used as a cultural space in which people can enjoy and experience different cultures and traditional images. Moreover, from the restaurants design elements which help to form the atmosphere of the restaurants which serve food of specific country, we can see the history and traditions of that country. The additional value of the traditional decorative components which are the main factors forming the atmosphere of the restaurant will be different according to the various expressions used in the restaurant space. For this article, 12 restaurants, Norangjugory korean restaurant, Yongsusan korean restaurant, Best well-bing food restaurant, Awoolim, Mugunhwa, Ondal in Korea, and Songhelou, South Beauty, Xuxian restaurant & lounge, Beijing dadong roast duck restaurant, The horizon chinese restaurant, Dynasty jade garden in China, were selected for the field study. This study focused on a comparative analysis of the traditional decorative elements, especially, the application rate of the traditional decorative elements. The analyzed elements are nature, religious beliefs, history and culture for the intangible elements and facade, courtyard, trademark, ground, wall, ceiling, door, window, furniture and adornment for the tangible elements. After that, we analyzed the rates of the use of traditional decorative elements and modern decorative elements. Through the survey result and ratio analysis, we concluded as below. In Korean restaurant, traditionality is expressed in furnitures while, in Chinese restaurant, traditionality is expressed in decorative pattern. When it comes to the intangible elements among the traditional decorative components of the Korean and Chinese restaurants, Chinese and Korean restaurants have similarities in emphasizing the natural elements. Korean restaurants focus much on the environmentally friendly parts, while Chinese restaurants focus much on the fantastic natural atmospheres like those shown and expressed in the poems. As for religion characteristics, Chinese restaurants emphasize "geomancy" more than Korean restaurant. When it comes to the visible elements among the traditional decorative components of the Korean and Chinese restaurants, in Korean restaurants, the interior part has more traditionality than exterior part, while in Chinese restaurants, the exterior part has more traditionality than the interior part.

• 한국실내디자인학회논문집
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• 제25권3호
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• pp.112-120
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• 2016

The purpose of the thesis is to explore ways of improving the quality of urban life by analyzing the Luzinterruptus's work looking for a new perspective on the relationship between environmental color and society. The street artist Luzinterruptus was born in Spain, is a leader in the field of New Genre Public Art brush on a canvas of light in the night. They should seek the views of other common color system and color environments. The method of research is urban design, we consider the concept of the public good understanding, and New Genre Public Art. It also analyzes the environmental color of Luzinterruptus to take advantage of the phenomenology by David Katz color classification. The scope of the thesis is focused on the analysis of the works featured in their website and webzine. Then select a sculpture installation information is stated on the environmental color of their work. The role of environmental color in their work is not an aesthetic experience of harmonious urban landscape was seeking Public Art. The citizens of the area and the installation work themselves. Also it listed as demolition after the exhibition to realize the difference with other people and take advantage to environmental color. Therefore, they the contemporary agenda in many part of narrative takes in the garbage or disposables that you can easily look at our surroundings, In addition, citizens are directly experiencing the fantastic custom-made lights and colors and objects of the oversize as a potential recalls memories. Thus, the use of environmental color comfortable life there is horizontal participation and communication of the 'citizens' critical perspective of the 21st century cumulative cities.

• 한국조경학회지
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• 제23권2호
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• pp.124-136
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• 1995

This study was conducted to find the distinguished pattern of Korean 'Dae'. Therefore, the purpose of this study is to define how the pattern of 'Dae' has been developed and what is the characteristics of the pattern of Korean 'Dae'. The summarized results are as follows; 1. The types of 'Dae'(rock in the nature, a 'Dae' built artificially, a structure) were identified in the era of the three kingdoms. And in the era of the three kingdoms, 'Dae' was regarded as: a mysterious place related with a king, the place where concrete activities of a specific person had occurred in there, and a mountain peak 2. in the era of Koryo , artificial aspect of 'Dae' were emphasized. In addition, the activities occurred in the 'Dae' took concrete shape by kings. 3. The characteristics of the pattern of 'Dae' during Chosen Dynasty are: 1) A type of huge flat rock(27.6%), a type of mounts고 peak and a type of cuff(24.1%), a type of fantastic rock(15.5%), a type of stratified rock(6.9%) were shown 2) The main activities on 'Dae' were play , observation, and rest 3) In the viewpoint of the locational characteristics, 'Dae' were found in the mountains, at the top of the mountain peaks, on high hill, on cliffs, at the riversides, and on the beaches, etc. 4. With consideration on change trend of the number of'Dae' according to literature(time) , the biggest geographical distributions of 'Dae' were shows in Hamkyungdo in noddle of 15th century (Saejongsillockjiriji), in Kangwondo in the middle of 16th century (Sinjeongdonggukyecjiseongram), in Chunrado in middle of 17th century(Donggukyeojiji), and in Kyungsangdo in middle of 18th 19th century(Yeojidoseo, Eubji) 5. Through the whole period of Chosen Dynasty, the geographical distribution of 'Dae' had much in Kyungsangdo and Pyungahndo.

• 고전문학과교육
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• 제15호
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• pp.421-461
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• 2008

Miss Ki, the heroine of (취유부벽정기) is the image on which Hong-saeng's mind is projected. And the mind of Hong-saeng(홍생) is the allegory of Kim, si-seop's(김시습) mind to king Dan-jong. So I think the mind of Ki who thinks patriotism is more important than her life is the allegory of Kim si-seop's patriotic sentiment to king Dan-jong. And I think the sorrow of Hong-saeng for the ruins of Ko-choseon(고조선) means sorrow of Kim, si-seop's(김시습) for the death of Dan-jong's. They felt sorrowful because values that they considered as absolute ones were damaged. However, everything in the world are fatally changed. Although people think the most important thing they think now is never changed, after long time they cannot but see all is changed. At last people realize the thing seemed most important will disappear in vain. So the writer of (취유부벽정기) made a image of Miss Ki who is a nymph of moon and was the princess of Ko-choseon to awaken Hong-saeng. He intended to change hong-saeng's mind to king Dan-jong with the change of Miss Ki's mind to her father. But the writer knew the fact that though Hong-saeng changed his mind, he could not become happy. So he wanted to transcend the real world, but he can't. After all he expressed his wants in fantastic lunar world.