• The International Journal of Costume Culture
• /
• 제6권2호
• /
• pp.93-104
• /
• 2003

The purpose of this study was to investigate the relationship between women's face satisfaction and makeup satisfaction, to disclose the differences of makeup satisfaction according to demographic variables, and to examine how makeup satisfaction was influenced by face satisfaction and demographic variables. The subjects were 200 women over age 17 living in Seoul and its peripheral areas. The results of this study were as follows: Face satisfaction were drawn three factors. Factor 1 was face contour satisfaction, Factor 2 was skin satisfaction, and Factor 3 was lips and eyes satisfaction. There were significant positive relationship between factors of face satisfaction and makeup satisfaction. Also, the face contour satisfaction was in positive correlation with satisfaction of features, and the skin satisfaction was in positive correlation with that of features. There were significant positive correlations between makeup satisfaction and face shape, eyes, nose, lips, chin, and cheek bone satisfaction. Face satisfaction didn't show significant difference according to demographic variables, but makeup satisfaction showed significant difference according to age and occupation. Face satisfaction was influenced by the facial face, clarity of skin, elasticity of skin, skin color, and ages. The explanatory power of the 4 variables were 24.5%. Makeup satisfaction was influenced by lips and eyes satisfaction, ages, and skin care level. The explanatory power of the 3 variables were 13.3%.

• 한국멀티미디어학회논문지
• /
• 제18권9호
• /
• pp.1019-1026
• /
• 2015

In this paper, we propose a new method of eye, face, and lip makeup techniques on the target face image from several makeup examples without losing detail features such as eyelids, eyebrows, hair. After detection of the feature layer for the skin, we applied our makeup techniques to the target face by using a blending technique. We used a cartoon rendering using bilateral filter. In order to smoothly makeup the target face, we created two Gaussian Weight maps for natural skin makeup effects. Our method did not need to perform complex operations, so the makeup results are so natural. Our experimental results show good performances in various makeups.

• 한국응용과학기술학회지
• /
• 제40권1호
• /
• pp.146-159
• /
• 2023

동안 이미지를 위한 메이크업 기법으로서 일반적인 사항에 따라 동안 메이크업의 표현 기법에 대한 인식의 차이가 있을 것이다.' '전체적인 특성에 따라 동안 메이크업 표현 기법에 대한 인식의 차이가 있을 것'이라는 두 가지 가설이 뒷받침되었으며, 동안 이미지를 연출하기 위한 메이크업 기법은 남녀 모두에게 중요한 기능임은 물론, 외모로. 사회활동을 위한 '신체적 자원'으로 일상생활에서 심신의 능률향상과 정신능력의 현저한 향상이 있음을 확인하였다. 동안 이미지 메이크업 표현'에 대한 연구 결과를 통해 동안 이미지에 대한 인식과 관심은 높지만 동안 이미지 제작에 대한 연구가 필요하다. 동안 메이크업을 위한 표정 요소의 필요성은 동안 이미지 개발을 위한 기초자료로 활용될 것으로 예상되며, 본 연구는 동안 이미지 및 동안 메이크업을 위한 외적 얼굴 관리에 중점을 두었다.

• 한국패션뷰티학회지
• /
• 제4권1호
• /
• pp.19-27
• /
• 2006

This study aims to analyze e potential and practical influences of physiognomic correction makeup that may change personal impression on faces, especially general physiognomy including eyebrow, cheek bones, lips. To meet this goal, this study looked into various literature materials on the basic concept and principles of physiognomy. With a series of photos showing 3 steps of makeup, i.e. a face before makeup, a face after general self-makeup and a face after makeup modified in physiognomic manner, a questionnaire survey was applied to the subjects. The results of survey can be outlined as follows It was found that physiognomic correction makeup could change various disadvantageous impressions into positive direction, impression of persons with thin eye brow looking like those with neither brightness nor deserving of any help from others, impression of persons with high cheek bones looking like the strong and masculine, impression of persons with small lips looking like the narrow-minded. Furthermore, physiognomic makeup changed positively changing the impression of persons with round chin looking like the ordinary than before.

• 한국컴퓨터정보학회논문지
• /
• 제26권1호
• /
• pp.127-133
• /
• 2021

본 연구에서는 얼굴형 기준 모델 데이터를 기반으로 사용자의 얼굴형을 분석하고 얼굴 형 메이크업을 제공하여 가상 메이크업을 제공하기 위해 증강 현실 기반 메이크업 도구를 구축하였다. 얼굴형을 분석하려면 먼저 카메라로 촬영 한 이미지에서 얼굴을 인식 한 다음 얼굴 윤곽 영역의 특징을 추출하여 분석 속성으로 사용한다. 다음으로 각 얼굴형 기준 모델 데이터의 윤곽 영역 특징과 비교하기 위해 추출된 얼굴 윤곽 영역의 특징점을 정규화한다. 얼굴 모양은 정규화된 윤곽 영역의 특징점과 각 얼굴형 기준 모델 데이터의 특징점 사이의 거리 차이를 이용하여 예측 분석한다. 증강형실기반 가상메이크업에서는 카메라로부터 영상 입력에서는 영상에서 얼굴을 실시간으로 인식하여 얼굴 부위별 영역의 특징점을 추출하고, 얼굴형 분석처리과정을 통해 분석된 얼굴형에 따라 어울리는 메이크업을 제공하여 가상의 메이크업의 결과를 확인 할 수 있다. 우리는 제안된 시스템을 통해 화장품 소비자로 하여금 자신에게 어울리는 메이크업 디자인을 확인하여 화장품 구매 결정에 대한 편의 및 영향을 미칠 것으로 기대한다. 또한 가상의 자아에 얼굴 메이크업을 적용함으로써 매력적인 자신의 이미지를 만들어내는데 도움을 줄 것이다.

• 방송공학회논문지
• /
• 제25권7호
• /
• pp.1042-1051
• /
• 2020

In this paper, we propose an AR (Augmented Reality) lip makeup using bare hands interactively using an RGB camera. Unlike previous interactive makeup studies, this interactive lip makeup system is based on an RGB camera. Also, the system controls the makeup area in pixels, not in polygon-units. For pixel-unit controlling, the system also proposed a 'Rendering Map' that can store the relative position of the touched hand relative to the lip landmarks. With the map, the part to be changed in color can be specified in the current frame. And the lip color of the corresponding area is adjusted, even if the movement of the face changes in the next frame. Through user experiments, we compare quantitatively and qualitatively our makeup method with the conventional polygon-unit method. Experimental results demonstrate that the proposed method enhances the quality of makeup with a little sacrifice of computational complexity. It is confirmed that natural makeup similar to the actual lip makeup is possible by dividing the lip area into more detailed areas. Furthermore, the method can be applied to make the face makeup of other areas more realistic.

• 문화기술의 융합
• /
• 제8권5호
• /
• pp.497-502
• /
• 2022

최근 젊은 세대를 중심으로 정보의 유통이나 공유 수단으로 텍스트보다는 비주얼 기반의 정보 전달을 선호하는 경향이 뚜렷하며, 인터넷상의 유투브나 1인 방송 등을 통한 정보의 유통이 일상화되고 있다. 즉, 젊은 세대들은 대부분의 원하는 정보를 이러한 유통 과정을 거쳐 습득하게 되며 활용하는 상황이다. 또한, 많은 젊은 세대들은 자신을 개성있게 꾸미고 장식하는 데에 매우 과감하고 적극적이다. 얼굴 화장이나 헤어 스타일링 및 패션 연출에 있어 남녀구분 없이 적극적인 표현과 시도를 통해 개인의 개성을 거리낌이 없이 연출하는 경향이 있다. 특히, 얼굴 메이크업은 여자들은 물론이고 최근 남자들 사이에서도 관심의 대상이 되고 있으며, 자신의 개성을 표출할 수 있는 중요한 수단으로 인식되는 상황이다. 본 연구에서는 이러한 시대적 흐름에 발맞추어 자신의 독특한 개성을 나타내기 위한 얼굴메이크업을 연출하기 위해 자신의 얼굴 모양, 헤어 컬러 및 스타일, 피부 톤, 패션 스타일과 의상 컬러 등과 잘 어울리는 얼굴 메이크업을 구현하도록 인터넷상의 유명한 전문 메이크업 아티스트 들의 유투브나 1인 방송 영상 중 관련영상을 효율적으로 검색하여 추천하고, 사용자의 평소 검색 패턴과 외모 특징들을 학습시켜 축적된 정보를 바탕으로 최적의 솔루션을 제공할 수 있도록 인공지능 기법을 도입하며, 추천된 영상을 통해 자세한 메이크업 과정을 실제 단계별로 수행하면서 메이크업 스킬을 습득하도록 하는 지능형 스마트 거울 앱을 설계하고 구현하고자 한다.

• 한국패션뷰티학회지
• /
• 제5권1호
• /
• pp.97-111
• /
• 2007

This study was motivated not only by the curiosity of clown as a comedian, but also by the clown's special makeup coordination. To analyze the clown makeup coordination Carnivalism, the researcher inquired 1) clown's meaning, sorts, periodic roles and stages, 2) Mikhail Bakhtin's Carnival theory, and 3) makeup coordination of clowns (Harlequin, Pierrot, Auguste and White Face Clown) as the theoretical background. The clown makeup coordination carnival characteristics were shown in masquerade, amusement and ambiguity. The masquerade was expressed on the mask for Harlequin and white makeup for Pierrot, Auguste and White Face Clown. The amusement was revealed on the fall and the inharmony of the grotesque makeup and childish costumes. And also the ambiguity was expressed on the sexless and the infant of clown's real nature and costumes.

• 패션비즈니스
• /
• 제13권4호
• /
• pp.60-76
• /
• 2009

Expression of woman characters in fusion traditional dramas plays a role of making the progress of dramas not bigoted and new. Especially, woman characters have a high weight as a heroine by an increase in their image in fusion traditional dramas. Expression of characters harmonizing modern with tradition has also given a help in reflecting a trend of the present times. Hair style and face makeup of woman characters in fusion traditional dramas are in the process of fusionization getting an effect from postmodernism. They are expressing the hair style of symbolization modern elements of hair style to traditional hair styles. They also expressed a neutral image with faded hair styles in the shaggy cut style and dye of neoplaticism. Neo-hippie style was changed into the style of naturalism and nationalism and the hair style braided in various branches as the one of Indians was changed into a primitive and national feature. It is producing a new style by permitting even a long-hair permanent wave hair style. Expression of straight hair style, a long-hair shaggy & bulging wave style and a hair style of neoplaticism, was distinguished. In the side of face makeup, they expressed its luxurious and splendid style by attaching great importance to its luster and are exposing images of characters by a smoky makeup emphasizing eye lines. Their face makeup was almost never separated from present dramas as using pearl shadow in a glossy lips makeup and color, which made it possible to express it more dramatically in fusion traditional dramas than in present dramas. In the event of the makeup element of fusion traditional dramas permitting diversity, the character makeup of fusion traditional dramas made a foundation to show people diverse elements of makeup by mix & match a present elements and past elements of historical research, which made it possible to express a unique makeup or a special makeup. Diverse makeup expressions were limited by reflection of illumination even in the existing videos. Therefore, 'Fusion' made it possible to express it more freely in fusion traditional dramas than in present dramas.

• 한국의류학회지
• /
• 제42권3호
• /
• pp.544-559
• /
• 2018

Korea's traditional aesthetic criterion changed with a new makeup culture that followed the social change caused by modernization. Such transitional features are well seen in the cosmetic advertisements of the 1920's and 1930's. To investigate the cultural characteristics and aesthetic-criteria changes of makeup culture at this period, this thesis analyzes cosmetic advertisements carried in newspaper media of the 1920's and 1930's from an aesthetic perspective. This study found that after the late 1920's, more diverse tones were used for face-powder makeup, collapsing the visual, powder-focused makeup which had been considered criteria for beauty, in combination with smelling and tactile senses such as scent or touch. Domestic makeup had the highest value attached to basic skincare in terms of the aesthetic effect via powder makeup; however, Japanese makeup still stressed the importance of color. Besides, particular facts were found as to social significance of makeup acts such as powder users' age group, safety, superiority and rivals of products, and appeal for makeup popularization. This thesis demonstrates how traditional female beauty appears in powder advertisements in the modern period and how it is related to present-day female beauty.