• 한국콘텐츠학회논문지
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• 제10권1호
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• pp.192-201
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• 2010

본 연구에서는 영상 콘텐츠의 표현밀도를 화면의 해상도와 피사체와의 거리감으로 정의하고, 표현밀도가 보는 이에게 미치는 감정의 변화를 살펴보고자 하였다. 부산지역 대학교에 재학 중인 학생 61명에게 HDTV방송화면에서 캡처한 영상이미지를 제시하고, 즐거움, 흥분, 통제 3가지 차원의 감정측정을 위해 SAM평가를 실시하였다. 서로 다른 해상도에 대한 비교결과 저해상도보다 고해상도의 콘텐츠 이미지를 볼 때 즐거운, 흥분되는, 통제되지 않는 방향으로 나타났다. 또한 해상도가 연속해서 동일할 때보다 변화가 있을 때 감정 변화 폭이 크게 나타났는데, 고해상도를 보다가 저해상도 이미지를 볼 때 감정이 유쾌하지 않은, 차분해지는 경향을 볼 수 있었다. 그러나 통제 감정에 대해서는 유의미한 결과가 나타나지 않았다. 또한 피사체와의 거리감에 대해 근거리, 중거리, 원거리를 사후다중비교 결과 근거리의 경우 다른 경우들 보다 즐거운, 흥분되는, 통제되지 않는 감정의 값이 더 높아졌다. 다변량 검증결과 해상도와 거리감에 대한 즐거움과 흥분 감정차원은 정의 상관관계를 가지고 있는 것으로 나타났다.

• 복식
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• 제63권2호
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• pp.45-54
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• 2013

With the development of digital technology, clothes of unique textiles using the digital printing techniques have appeared as a creative trend in textile design. The development of digital textile printing technology has allowed the fashion industry to utilize it as an expressive method of a surrealist trend in current fashion designs, and so it is necessary to understand and study this phenomenon. The present study is an attempt to understand this modern fashion phenomena from an artistic perspective by looking at textile designs that applied actual images to textiles, so that this trend in fashion design can be better understood. In this context, this study aims to examine characteristics and expressive techniques of d$\acute{e}$paysement, automatisme associated with digital textile printing by using actual images among surrealist expressions, and to investigate creative expressions of textile design freely expressing the visual boundary between reality and surrealism with the development of digital technology. For research methods, we reviewed technical texts and previous studies related to our research topic for theoretical exploration and investigated the Internet data and used them for basic data. In the case study, we came up with the characteristics and meanings by classifying fashion design cases using digital textile printing techniques according to expressive techniques of surrealist d$\acute{e}$paysement, automatisme. Details of this study are as follows: First, it investigates the definition and expressive characteristics of d$\acute{e}$paysement, automatisme of the surrealist expression for its theoretical understanding. Second, it comes up with the characteristics by analyzing the digital textile cases from the perspective of d$\acute{e}$paysement, automatisme. Third, it deduces the expressive methods and characteristics of digital textile printing from a the perspective of surrealist d$\acute{e}$paysement, automatisme based on the resulting characteristics. The conclusions show that d$\acute{e}$paysement, automatisme, which consists of improvisation and coincidence, maximized the mysterious images of derealisation and mysterious primitive images. These things emphasized the characteristics of maximization of images, derealisation, and rationalization of irrationalism.

• 복식문화연구
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• 제25권6호
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• pp.787-803
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• 2017

The purpose of this study is to reestablish the innovative and experimental designs of Rei Kawakubo by considering and analyzing the flow on the avant-garde nature of her design collection from 1981 to 2017. Design trends such as the art trend, silhouette, color, and expressive technique showcased in Rei Kawakubo's collection from 1981 spring/summer to 2017 spring/summer were examined through precedent studies, books, internet materials, and the avant-garde expressive nature of her designs appearing in modern fashion. Additionally, this study considers the definition of avant- garde and analyzes the expressive nature of Rei Kawakubo's 137 works from the Comme des Garcons collection, exhibited in New York's Metropolitan Museum of Art. As a result of this examination, the avant-garde expressive nature seen in modern fashion was classified into the following themes: historicity, de-structure, exaggeration, intermixture, and surrealism. As a result of reclassifying these characteristics according to historical flow, the historicty, intermixture, and de-structure appeared in the 1980s, while intermixture, exaggeration, and de-structure appeared in the 1990s. More recently, historicity, intermixture, and de-structure appeared in the 2000s, and intermixture, de-structure, exaggeration, and surrealism appeared in the 2010s. The present study is significant in providing theoretical material for the more innovative and various design development in diverse domains while helping to define and understand the avant-garde expression through Rei Kawakubo's collection.

• 한국실내디자인학회논문집
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• 제22호
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• pp.92-101
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• 2000

This study aims to inquire into the expressive characters of Shiro Kuramata's works regarding his design languages. His design languages, based on sentimentality and aesthetics characteristic of the orient and his unique memories and experiences, can be defined as nongravitation, fioatation and transparency. And the definition can be completed by his unique extinguishing technique, eliminating the structure with materials without feature, such as glass and acrylic and expanded metal, steel mash and 'Star piece Terrazzo' a material which he has invented. This study examines Shiro Kuramata's design works from the late 1960's to 1991, the year of his death, the background of his growth and the art and people who have influenced him. It also looks into the indigenous cultural background and his unique memories and experiences. The study also considers his furniture works and interior design to read his languages properties of the materials and expressive techniques. The study presents data on Shiro Kuramata and puts forwards the significance of his works and tries to lead the way of the interior design by application techniques of materials.

• 한국실내디자인학회논문집
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• 제13권2호
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• pp.72-79
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• 2004

First of all corner is an essential element to consist the space, but there is not much solid study and basic concept on the corner. The most important reason is the lack of the concept on the corner. The definition of corner by itself carries the term of space. Accordingly arguing the corner in space is to characterize the space. The corner is an important element to build up the space. The purpose of this study is to give a definition on the comer in space and suggest the way of practical use. The corner in space began to transform after Cubism. Therefore this study is bounded after Cubism era. The focus of study on plastical expression properties is on the view point by each era and constitutional point of view. In conclusion, the concept of corner has been switched from the concept of structure to concept of decoration. Also, study found that the concept of corner has the ideology, medium, and characteristics of boundary.

• 대한가정학회지
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• 제47권3호
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• pp.1-9
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• 2009

This study was conducted to examine how patchwork was expressed in fashion based on theoretical background on its brief history and expression styles and to show its possibility of creating ways for new expression in modern fashion. This study reviewed literatures on definition, history and styles of patchwork and investigated mainly works, which had been presented in collections home and abroad since 2000, to analyze its expressive characteristics shown in modern fashion. According to analysis on the expression of patchwork, it used various painting techniques such as patterns, colors and surface effect. It included patchwork having patterns provoking elusion of fairy tails; containing painting expression of reproducing works of artists; using colors boldly and contrasting strong primary colors directly to establish purity of painting and to pursuit characteristic expression; and using expression techniques of pure art such as gradation and cutting. Second, it used a compromise expression in materials, methods and substances. Patchwork which had used cloth without a pattern or printed fabric, utilized various materials like vinyl, paper, leather, metal and plastic and had a figurative value showing a solid expression as an objet itself with new techniques and changes of connecting methods. Thirdly, it used tradition patchwork techniques. Pieced patchwork, crazy patchwork and images of traditional odd ends of cloth covering a meal were applied to a whole area or a part of cloth to avoid monotony of design and to use it as a decoration.

• 한국의류학회지
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• 제22권3호
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• pp.374-383
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• 1998

Apparel Quality was one of the most important elements to evaluate the reputations of companies and products which affect the consumer's purchasing behavior. From researches on apparel quality, there was no common concept of quality as well as no common dimensions. The purposes of this study were to identify apparel quality concept and to classify the multi-dimensional concept of apparel quality. The research was carried out in theoretical as well as empirical studies. The theoretical study was conducted to find out apparel quality concept and divide apparel quality concept into four dimensions groups. The empirical study followed the theoretical study to confirm the multi-dimensional concept of apparel quality. The empirical study was investigated that the questionnaire was administered to 634 housewives in Seoul, Kwangju, and Busan during the fall of 1996. The data were analysed by LISREL analysis. This study identified that apparel quality was characteristics of consumer's desires for apparel. The results of the theoretical study verified that apparel quality concept was organized into four different dimensions: physical attribute, physical function, instrumental performance, and expressive performance.

• 한국식생활문화학회지
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• 제38권4호
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• pp.191-202
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• 2023

Food upcycling has emerged as an effective approach to sustainably utilize the food waste generated within the food supply chain. This review article examines upcycled food with respect to its definition, consumers' knowledge and perception on it, and the process by which by-products from the food supply chain are utilized for the creation of upcycled food products. The definition of upcycled food varied among manufacturers, research institutions, and the Upcycled Food Association, depending on the specific values and objectives of each sector. This has resulted in the use of different keywords to highlight the distinctive characteristics of their respective interpretations of upcycled food. This review also summarizes the various consumer traits that can influence the awareness and acceptance of upcycled food, encompassing functional, empirical and emotional, symbolic and self-expressive, and economic benefits. Additionally, the review presents strategies to utilize by-products produced in large quantities in Korea, while also addressing the control of hazardous components to ensure biological or chemical safety and the changes in nutritional value that may occur during the utilization of these byproducts.

• 디자인학연구
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• 제16권4호
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• pp.163-172
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• 2003

캘리그라피 기법은 요즘 동서양을 막론하고 다양한 분야에서 활용되어지고 있다. 광고, 패키지, 심볼마크, 로고타입, 영화포스터 등의 그래픽디자인 분야에서 심지어 현대추상회화에 이르기까지 현대인의 시각환경을 망라하고 있다. 이는 기호 및 운동표현으로서의 그 역동적이고 암시적인 표현력이 재인식되었기 때문이다. 기계적이고 인위적인 디지털환경, 획일적이고 공식화된 모더니즘적 경향에 대한 현대인의 이탈심리의 작용으로 동양적 신비감과 정서적 친근감을 갖춘 새로운 표현양식으로서 캘리그라피 기법에 주목한다. 따라서 본 논문은 캘리그라피의 역사를 조명하고, 특성을 이해하며, 현대회화와 그래픽디자인에 확장된 가치를 모색하여 시각언어와 표현양식의 확산에 기여하고자 한다. 또한 동양화적 기법과 재료, 캘리그라피 기법을 혼용한 캘리일러스트(Calli-Illust)에 대한 개념의 정립과 활용 가능성에 대해 탐색하여 일러스트의 영역을 확장하고자 하였다. 그 결과를 보면 캘리그라피 기법은 추상표현주의 회화의 한 양식으로서, 새로운 조형세계의 영역을 확장시킨 공헌을 하고 있으며, 다양한 디자인 환경 속에서 비판 없이 수용되었던 서구의 이성적, 합리적 그리고 기하학적인 기능주의 디자인 양식의 한계점을 타개할 새로운 표현양식으로 발전시킬 필요가 있음을 도출하였다. 또한 이전까지 캘리그라피의 개념에 포함되어 이해되었던 캘리일러스트에 대한 개념과 정치를 확보할 수 있었다. 캘리일러스트에 대한 연구는 이제 시작에 불과하다. 앞으로 보다 심도 있고 폭넓은 연구가 진행되어 커뮤니케이션 디자인에 다각적으로 적용될 수 있게 되길 기대한다.

• 한국실내디자인학회논문집
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• 제41호
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• pp.55-62
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• 2003

The purpose of this these is to study on the environmental design brand for the vitality of corporate image. To achieve the purpose of this study, the methods and contents are as follows: 1. Conforming the concept of the corporate environmental design brand. For that explaining the definition and the tradition of brand and the meaning of corporate identity and corporate environmental design system. 2. Explaining the factors of the corporate environmental design. For that 1) explaining the expression of the corporate identity 2) Explaining the expressive factors of the corporate identity. For that, studying the style and the theme. 3. Studying the cases of the corporate environmental design brand. By these methods and contents, we will study environmental design brand for the vitality of corporate image.