• 한국실내디자인학회논문집
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• 제19권4호
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• pp.74-81
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• 2010

This study analyzed characteristics of visual circulation in the modern museum architecture while carrying out space syntax and visibility graph analysis side by side in order to solve problems of visitors' movement having been suggested as the point at issue at modern museum architecture that has become big scaled and layering so as to satisfy various social demands. Also, the result of this analysis is same as followings. First, visitors become to watch the exhibition with clear position that can make themselves in right allocation, and thus visual and perceptual confusions were shown as relatively low in case physical position and visual one were matched at major space of atrium type or mediation space. Second, it was appeared a lot at the museum having exhibition space of room type in case the physical position and visual one were not matched. Visual circulation in the exhibition space of room type has a merit of forming the circulation where free selection is possible. However, it have raised concerns that visual passageway of visitors could be in a stalemate or crash at the opening part, not at the exhibition hall. Third, though analysis of space syntax had a merit of analyzing total modern museum architectures having became compounded and big scaled, but it was dropped in reliability from the visual circulation's analysis that was decided by flows of space and time. In contrary, visibility graph analysis was shown as having a merit to analyzing the flows rather than that of total structure, and also appeared as being able to supplement the disadvantage of space syntax in methodology. Upon the above analysis, a lot of architectural elements such as allocation of exhibition hall, location of door and window etc. were appeared as affecting influences to forming visual circulation of visitors, not to mention of allocations of major space, mediation space, and exhibition one. Through this study, various possibilities of quantitative analysis on the visual circulation in the museum architectures can be confirmed. However, this study expects that in-depth subsequent researches objecting to various museums could be realized afterwards because there are still limitations in its analysis.

• 한국과학교육학회지
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• 제32권1호
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• pp.46-63
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• 2012

본 연구의 목적은 설명판에 포함된 내용 요소의 종류와 관람객의 집단 유형에 따라 관람객의 설명판에 대한 주목도가 어떻게 달라지는가를 분석하여 주목도에 영향을 주는 요인을 탐색하는 것이다. 이를 위해 국립과천과학관의 테슬라코일을 대상으로 하여 테슬라코일에 대한 관람객의 지적 수요를 기반으로 기본 개념, 현상 설명, 작동 원리, 응용, 역사적 배경 등 5개의 내용 요소를 도출하였으며 각각의 요소에 대한 설명판을 제작하여 자유 관람 상태에서 관람객의 관람 행동을 녹화하여 분석하였다. 연구 참여 집단은 총 586집단으로 학생개인, 성인개인, 학생집단, 성인집단, 가족으로 분류하였으며, 각 집단별로 30.0%, 20.6%, 28.2%, 2.4%, 18.8%의 비율을 나타냈다. 관람객의 설명판에 대한 주목도는 견인력과 유지력으로 나누어 분석하였으며, 견인력은 설명판을 바라본 전체 집단 수에 대하여 3초 이상 주목한 집단 수의 비율로 구하였다. 유지력은 각 설명판에 대한 평균 주목시간과 감쇠 시간으로 구하였다. 역사적 배경과 응용 설명판의 견인력은 각각 72.3% 68.8%로 비교적 높게 나타났으며, 기본 개념 설명의 견인력은 46.6%로 비교적 낮게 나타났다. 평균 주목시간의 경우 현상 설명과 작동 원리 설명판이 각각 37.0초와 34.2초로 높게 나타났으며, 역사적 배경과 응용 설명판은 각각 25.0초와 25.4초로 낮게 나타났다. 각 설명판에 대한 감쇠시간도 평균 주목시간과 유사한 경향으로 나타났다. 즉, 접근하기 쉬운 설명판은 견인력이 높고, 과학적 개념을 심도있게 다루는 설명판은 유지력이 높다고 해석할 수 있다. 성인개인, 가족, 학생집단의 경우 견인력이 각각 66.9%, 66.4%, 62.4%로 높게 나타났으며, 학생개인과 성인개인의 경우 견인력이 55.7%로 나타났다. 평균 주목시간은 학생집단, 가족, 성인집단이 34.0초, 33.0초, 31.6초로 높게 나타났으며, 학생 개인이 19.5초로 낮게 나타났다. 각 집단 유형별 감쇠시간도 평균 주목시간과 유사한 경향으로 나타났다. 즉, 학생집단이나 가족의 경우 견인력과 평균 주목시간이 모두 높게 나타났으며, 학생개인의 경우 견인력과 평균 주목시간이 모두 낮게 나타났다. 잠정적으로 설명판의 견인력은 내용 요소에 의해, 평균 주목시간은 집단 유형에 의해 영향을 좀더 받는다고 할 수 있으며, 추가 연구가 필요하다.

• 한국실내디자인학회논문집
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• 제15권5호
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• pp.238-246
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• 2006

Renzo Piano was first introduced to us when he got together with Richard Rogers and won the Grand Prize on Center George Pompidou Competition in Paris. Since then, he designed number of world renowned museum architecture such as Menil Collection & Museum, The Cy Twombly Gallery, Beyeler Foundation Museum, and most recently the New Pavilion of High Museum of Art. His museum design, in particular, showed very consistent feature which is differentiating the 'Served Space(exhibition area) and the Servant Space(service core or mechanical system area)'. In addition, the way he treats natural light as a special feature within his museum space was nicely done and it is remarkable both in design and engineering side; he always designed a very unique roof structure system to give life and to simulate emotion of light within the space. These are just a few points of his special design characteristics which differentiate him from the rest of the architect working today. While interested by works of Renzo Piano, we found that his work had very close relationship to Louis I. Kahn's design. Specially the way Renzo Piano differentiating serving and servant space and the way he treating natural light. Therefore, the purpose of study is focused on providing typology of museum exhibition organization as well as finding evidence of Louis I. Kahn's influence and concept he has shown in his museum projects through actual site visits and reference research. The method of research was as the following; first to find typology and its characteristics of exhibition space organization of all Renzo Piano's museum projects. Secondly to distinguish projects which show 'differentiated servant and served space'. As the result of this study, it was clear that Renzo Piano had influence of Louis I. Kahn on adopting 'Servant and Served Space' concept. But the research concluded with the facts to approve the uniqueness of Renzo Piane's design concept.

• 한국멀티미디어학회논문지
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• 제20권3호
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• pp.551-561
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• 2017

It is very important to educate students who can be working professionals in contents-related field. This paper discusses three types of contents academic-industrial cooperation projects which are contents technology, contents software and education, and contents-making projects. Regarding third type, this paper explains two examples of contents-making projects that Daejeon University's Animation Department did. First one is Miznco Co.'s in 2015 and second one is which exhibition is held in old provincial of Chung-nam and Skyroad[1] at Daejeon in 2016. This exhibition is held for reviving old town area of Daejeon which is called one-do-sim through great contents. This paper also proposes what contents-related department in each university has to do to survive in tough period.

• 한국초등과학교육학회지:초등과학교육
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• 제37권4호
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• pp.352-362
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• 2018

With the advent of the 4th industrial revolution, the educational innovation focusing on the key competencies is occurring in the whole world. In September 2015, the Ministry of Education suggested six key competencies such as self-management competency, knowledge/information processing competency, creative thinking competency, aesthetic sensibility competency, communication competency, and community competency for the 2015 revised national curriculum. Also, this era requires for diverse lessons like subject integrated/converged lesson and intramural/extramural education. Thus, the objective of this study is to research/analyze exhibitions of Busan National Science Museum as extramural educational institute and to relate between the 2015 revised curriculum and exhibitions of science museum. First, the exhibitions of permanent exhibition hall in Busan National Science Museum were researched/analyzed. It analyzed the current status, display type, and explained contents of exhibitions. Second, it analyzed the relations between contents of the exhibition and key competencies in the 2015 revised curriculum. Third, the 2015 revised curriculum for the 3rd and 6th grade related to the selected exhibition contents was analyzed. The analysis on the exhibition contents performed by this study would be helpful for follow-up researches connected to exhibitions of Busan National Science Museum.

• 한국의류산업학회지
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• 제25권5호
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• pp.560-567
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• 2023

This study aims to rediscover the industrial value of a borderless service in the hyper-connected era by producing fashion content at the forefront of the cultural industry as XR content and contributing to developing fashion content for edutech. The research method employed design aesthetic theory, while the empirical proposal utilized scientific knowledge information to build a framework for 3D convergence content. The characteristics of fashion content exhibitions that apply the neumorphism technique are as follows: The first is a virtual space that produces clothing culture by type. Africa, where dyeing and crafts are developed, selects a product-oriented exhibition type; Asia, where weaving and textiles are excellent, selects a random movement type; and Europe, where the evolution of clothing design over time is evident, selects a guided movement type to create a three-dimensional fashion edutech. The goal was to produce content. The second is creative reproducibility, which combines a new fashion design that embraces the aura of the original with a trendy sense. The realistic folk costume style of the original allowed for its implementation in the AR exhibition space using historical traditional style techniques such as weaving and textiles. The third is building organic, modular content. By designing and then saving/editing/arranging the basic VP zone for each style, learners and instructors can freely edit the content for each fashion class topic and create various presentations to ensure that it functions as non-face-to-face edutech content around the world.

• 한국실내디자인학회논문집
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• 제18권4호
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• pp.97-104
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• 2009

This thesis analyzed arrangement and mixture method of function elements, which are getting more important in museum planning. It used quantitative method, Space Syntax and Visibility Graph Analysis tool to analyze five case museums. Through this analysis, advantages and disadvantages of two methods were derived and case museums' arrangement and mixture attributes were grasped. Results of the analysis were derived differently by two kinds of plan form which were room to room type and open type. Open typed museum recorded similar graphs of Integration, Visual Integration and Visual Connectivity. Since whole space structures were relatively simple and structure of exhibition halls were opened, the results of Space Syntax and Visibility Graph Analysis had similar graphs. Room to room typed museum showed differences in Integration, Visual Integration and Visual Connectivity. In the result, the most accessible space was lobby and Mediation Space became the center of visibility. Also, the exhibition hall, where the opening of room to room typed exhibition hall was penetrated visually, became a center of visibility. Lobby space, which was close to entrance, had the highest Visibility Connectivity. As Space Syntax could analyze the museum as whole space structure, Space Syntax showed strength in room to room typed museum analysis compared to open typed museum analysis which has relatively simple structure. Visibility Graph Analysis could expect the flow of exhibit distance including visibility analysis unlike the flow of exhibit distance with space arrangement. The exhibition hall, which secures the sight to penetration of an opening, couldn't be analyzed in existing Space Syntax. However, it became the biggest advantages in Visibility Graph Analysis of room to room typed museum. Visibility Graph Analysis derived detailed results in exhibit arrangement so it will be the useful method not only for architecture but also for planning of exhibit arrangement in open typed museum. Through this study, various possibilities on Quantitative Analysis Method of Museum Architecture could be verified. However, the analysis still has limitation of second dimension. Therefore, diverse and liberal following study will be expected to accomplish.

• 한국실내디자인학회논문집
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• 제22권5호
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• pp.22-32
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• 2013

Today, the museum historical material and mental, physical culture and heritage to preserve the collection and exhibition organization rather than to recognize that culture acts as a community to respond to the subject of the attitude and the ability jeokgeukhwa also due to the trend of the times due to changes in lifestyle education and research, and public participation in culture by expanding the role of dissemination activities are becoming. Museum exhibit these changes as part of a combination of various technologies in the coexistence of digital and analog display direction proactive and aggressive behavior, such as visitors expect to have an evaluation of the public and communicate the expectations of the plan in the exhibition space, the larger the effect can feel. This effective display for visitors to watch the way for a systematic approach to provide direction to the urgent reality. Museum visitors experienced officials to improve the quality of research in a variety of ways spectators began to try and move the action was to put the attention on the characteristics. Visitors to visit the Museum of History and ages, categorized by the type of display any difference in the behavior of the visitor experience and attributes based on what is being investigated for the History Museum's exhibition of any exhibit to visitors that experience and is to an analysis.

• 한국의류학회지
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• 제41권2호
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• pp.281-295
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• 2017

This research is about the reproduction of Baekje's armor-lamellar made for the Hanseong Baekje Museum exhibition. The purpose of the research are as follows. First, to categorize Baekje armor by type based on ancient documents and the excavated relics. Second, to reproduce categorized armor that provide a visual work for use in diverse areas. Baekje armor can be examined through the ancient records and several excavated relics. The results of the research are as follows. First, Baekje armor can be categorized into four types by material: 1) brass 2) iron 3) leather 4) bone. The can also be categorized into three types by finishing a) Hyeongnyubongnyun type (the leather skin interweaves with the lamellar armor method) b) Hyeokpobongnyun type (the method which wraps around the edges of leather skin) c) leather cloth added to clothe type. Second, we reproduced metal armor, iron armor and leather armor using brass, iron and leather (but not bone). Each type of armor were made life-size for exhibition purposes. We used Hyeongnyubongnyun method, Hyeokpobongnyung method and leather cloth; in addition, reproductions were made based on the Yangdang method that connected the front and the back from both sides of the shoulders so it can be open and close at the side part.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2008년도 춘계학술발표대회 논문집
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• pp.209-213
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• 2008

This study is intended to propose a plan index that can be used in the early stage of a museum design based on theoretical review of a major space of a museum including its spatial division, functions and roles. The scope of the study includes functions and roles of circulation in a major space based on precedent studies. The spatial range is limited to a major space among exhibition spaces in a museum. This study analyzes overseas 14 museums. In terms of methodology, the study analyzes circulation in a descriptive way only In the focusing on floor plan and section composition. The results of this study are as follows. First, vertical elements should be critically considered in a circulation plan for functional performance of dimensional circulation distribution in a major space. Second, a plan by location of vertical and horizontal moving elements related to a major space affects a circulation relation more than a connection type between a major space and an exhibition area.