• 건축역사연구
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• 제18권1호
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• pp.67-89
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• 2009

This study examines the examples of wooden member terms of architecture terminology used in Yeonggeon-euigwe(營建儀軌) in the era of Joseon Dynasty. It is to trace the period of their appearances and changes and also to illuminate coinage characteristics and method of architectural terminology used in Yeonggeon-euigwe through graphonomy research and system and structure of wood member terms. By analyzing the meaning of a word, it was found that there was much Insineui, difference of word meaning by country was shown although it was the same shape of character. In particular, the specialty of double language system of Korean language is combined with that of wood terms. Operation of type unrelated to word meaning was found and Korean unique Gachaeui(假借義) like Bo(褓) was generated. This study draws separate systems: one is that can indicate coinage characters of architectural terminology in Yeonggeon-euigwe. The other is to obtain coinage method as a result of reclassifying terminology based on it.

• 문화기술의 융합
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• 제2권1호
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• pp.1-12
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• 2016

조선시대 의궤 15책과 고문헌 8권에 수록되어 있는 어만두에 대하여 문헌 고찰하였다. 조선시대 전기에는 1종, 중기에 2종, 후기에 15종으로 모두 18종이 소개되었다. 만두소의 재료로는 꿩, 닭, 소고기, 전복, 해삼 등이 사용되었다. 어만두는 생선살을 얇게 저며 소를 넣고 녹말을 입힌 후 물에 삶은 것으로 현재의 '물만두' 형태임을 알 수 있었다. 어만두의 크기는 작은 모시조개 크기로 만들었다. 초장에 '고초(苦椒)'의 사용은 "무신 진찬의 궤"(1848년)의 '어만두'를 시작으로 나타났다. 본 연구를 통해 어만두에 대한 새로운 조명과 메뉴개발을 위한 기초자료로 활용되기를 바란다.

• 문화기술의 융합
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• 제1권3호
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• pp.1-21
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• 2015

조선시대 의궤 16책에 수록되어 있는 궁중음식 중 화양적(花陽炙)에 대하여 문헌 고찰하였다. 황적과 잡적이 어우러진 화양적이 35.2%로 가장 높았으며, 황적화양적 16.7%, 생복화양적(生鰒花陽炙),과 락제화양적(絡蹄花陽炙)이 각각 11.1%, 어화양적(魚花陽炙) 9.3%, 동과화양적(冬苽花陽炙) 5.6%, 천엽화양적과 양화양적이 각각 3.7%, 계란화양적과 압란화양적이 각각 1.8% 순으로 나타났다. 본 연구를 통해 화양적에 대한 새로운 조명과 메뉴 개발을 통해 한식의 세계화에 기여하기 위한 기초자료로 활용되기를 바란다.

• 문화기술의 융합
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• 제1권1호
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• pp.1-14
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• 2015

조선왕조 궁중의궤 15책에 수록되어 있는 궁중음식 중 편육류(片肉類)에 대하여 문헌 고찰하였다. 조선왕조 궁중음식 중 편육류에서 '편육(片肉)'이 20%로 가장 많이 소개되었고, '저육숙편(猪肉熟片)' 18.6%, '우육숙편(牛肉熟片)' 17.1%, '양육숙편(羊肉熟片)' 15.7%, '계육숙편(鷄肉熟片)' 8.6%, '양숙편(月羊熟片)' 7.2%, '우설우낭숙편(牛舌牛囊熟片)'과 '우태율편육(牛胎栗片肉)'이 각각 5.7%, '생선숙편(生鮮熟片)'이 1.4% 순으로 나타났다. 의궤에 기록된 구성요소를 토대로 편육 개발 자료로 활용되기를 기대한다.

• 문화기술의 융합
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• 제2권4호
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• pp.1-21
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• 2016

조선시대 의궤 16책에 수록되어 있는 궁중음식 중 전유화(煎油花)에 대하여 문헌 고찰하였다. 조선왕조 궁중음식의 전유화는 주재료에 따라 분석한 결과 수어 & 생선이 16.0%로 가장 높았고, 간과 양이 각각 14.2%, 해삼 12.3%, 게(蟹: 해) 생합 천엽이 각각 4.7%, 돼지고기(저육) 낙지(락제) 각각 3.9%, 굴(석화) 꿩(생치) 닭(계) 각각 2.8%, 민어 골이 각각 2.0%, 오리(鴨子: 압자) 산비둘기(山鳩: 산구) 도비(都飛) 도미 백어 홍합 해란 메추리(순조) 계란 실임자 각각 0.9%순으로 나타났다. 본 연구를 통해 전유화(煎油花)에 대한 새로운 조명과 메뉴개발을 통해 한식의 세계화에 기여하기 위한 기초 자료로 활용되기를 바란다.

• 한국식생활문화학회지
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• 제28권2호
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• pp.115-124
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• 2013

This article examines the types and cooking methods of Suksilkwa as recorded in 14 royal palace studies and 10 old literature texts of the Joseon dynasty (1392-1909). The types of Suksilkwa during the Joseon dynasty were Joran (棗卵), Yulran (栗卵), and Gangran (薑卵). The frequency of the Suksilkwa types during the Joseon dynasty in order were: Gangran (35.4%), Joran (32.3%), and Yulran (32.3%). Prior to 185 years ago, "Junghae-Jungraeeuigwe (丁亥整禮儀軌)" (1827), Joran (棗卵), Yulran (栗卵), and Gangran (薑卵) were called Samsaegran (三色卵). Nearly 144 years ago, "Mujin-Jinchaneuigwe (戊辰進饌儀軌)" (1868) recalled sulsilgwa (熟實果). "Imjin-Jinchaneuigwe (壬辰進饌儀軌)" (1892) first recalled assorted-sulsilgwa (各色熟實果), in which sansabyeong were added in the sulsilgwa. "Sinchuk-Jinyeoneuigwe (辛丑進宴儀軌)" (July 1901), "Imin-Jinchaneuigwe (壬寅進饌儀軌)" (April 1902), "Imin-Jinyeoneuigwe (壬寅進宴儀軌)" (November 1902) described assorted-sulsilgwa (各色熟實果) in which ohmijabyeong were added to the sulsilgwa. Further study will be conducted on recipes and ingredients recorded in these Euigwe and old books in order to develop a standardized recipe to make Suksilkwa appealing to a global palate.

• 복식
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• 제61권5호
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• pp.147-163
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• 2011

King Jeong-jo (正祖) was the 22nd king of Joseon dynasty (朝鮮王朝), who led the golden age of Korean culture during his ruling. This study is on the burial dressing of King Jeong-jo based on the publications during his ruling; such as "Gukjo Sangrye Bopyeon (國朝喪禮補編)", "Chungwan Tonggo (春官通考)", Jeong-jo "Gukjang Dogam Euigwe (國葬都監儀軌)", "Jeongjo Binjeon Honjeon Dogam Euigwe (正祖殯殿魂殿都監儀軌)" and "Jeong-jo Sillok (正祖實錄)", "Gukjo Sangrye Bopyeon (國朝喪禮補編)" was published in 1758. It compiled the funeral protocols of royal court, complementing the shortcomings of protocol documents published till then. "Chungwan Tonggo" was published in 1788, compiling all the protocols and customs practiced during Joseon dynasty in an organized manner. "Jeong-jo Gukjang Dogam Euigwe" and "Jeongjo Binjeon Honjeon Dogam Euigwe", record the burial dressing and the state funeral of King Jeong-jo in detail based on the contents of above protocol publications. In addition, the 'Daeryeom Euidae ', 'Soryeom Euidae', 'Seup Euidae' and 'Mokyok Euidae' that had been actually practiced were studied in detail based on the records in June/July, 1800 in Book 54 'Jeong-jo' of The Annals of the Joseon Dynasty. The timing of King Jeong-jo's state funeral was when the most elaborated and complete protocol books of Joseon dynasty had been published. Therefore, it was possible to explore the solemn and magnificent funeral culture and King's burial dressing in late Joseon dynasty by way of King Jeong-jo's burial dressing.

• 한국식생활문화학회지
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• 제30권2호
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• pp.150-157
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• 2015

GichukJinchanEuigwe is a celebration of King Soonjo's 40th birthday and 30th accession to the throne. The Royal banquet was carried out on February 9th MunggunggunJinchan and JagyeongjeonJeongilJinchan 3 days later. JagyeongjeonJeongilJinbyulhangua is located beside JagyeongjeonJinchanan. The banquet table setting, table, dish level, and table type are different according to royal hierarchy class. Jinbulhangua is served to only the king, queen, crown prince, crown princess, and Myongon princess. The number of JagyeongjeonJinchanan served was as follows: king 30 plates, crown prince 20 plates, and Myongon princess 15 plates. Tableware used were brassware and pottery.

• 한국식생활문화학회지
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• 제28권1호
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• pp.1-11
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• 2013

This study examined the prevalence of the traditional fruit preserve, gwapyeon, recorded in 10 royal palace studies and 10 old literature reports on the Joseon dynasty (1392-1909). A total of 62 papers presented the Gwapyeon kind in the documents of the Joseon dynasty. The protocols of the court of the Joseon Dynasty and old literature discussed the Gwapyeon as follows: Nokmalbyeong (ohmijapyeon) 22.5%; aengdupyeon (櫻桃片) 14.5%; salgupyeon (杏) and bokbunjapyeon (覆盆子) at 11.3% each; beojjipyeon and mogwapyeon (木瓜) at 8.1% each; sansapyeon (山査) and chijapyeon at 6.5% each; duchungpyeon (杜沖) 4.8%; and deuljjukpyeon, saenggangpyeon (薑), daechupyeon (棗) and yujapyeon (柚子) at 1.6% each. From "Junghae-Jungraeeuigwe (丁亥整禮儀軌)" (1827) to "Junghae-Jinchaneuigwe (丁亥進饌儀軌)" (1887) called nokmalbyeong (菉末餠). "Sinchuk-Jinchaneuigwe (辛丑進饌儀軌)" (May 1901) renamed the ohmijabyeong (五味子餠). "Sinchuk-Jinyeoneuigwe (辛丑進宴儀軌)" (July 1901), the assorted-sulsilgwa (各色熟實果 ) were included in the ohmijabyeong. "Imin-Jinchaneuigwe (壬寅進饌儀軌)" (April 1902), The ohmijabyeong (五味子餠) and assorted-sulsilgwa (各色熟實果) was used and a mixture of "Imin-Jinyeoneuigwe (壬寅進宴儀軌)" (November 1902) included the assorted-sulsilgwa (各色熟實果).

• 건축역사연구
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• 제17권5호
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• pp.71-94
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• 2008

This study examines the examples and changes of wooden member terms in Yeonggeon-euigwe(營建儀軌) in the era of Joseon Dynasty. As a result of examining examples, about 240 wood member terms were found on the basis of phonetic value and examples different from today's term use were also confirmed. Wood member terms were derived in variety and synonym and different style, that is, coexistence or transition of several notations as the term indicating the same member was found. Derivation of detail terms has the characteristic increasing on the basis of morpheme and formation of different notation followed Chinese notation or was caused by complex coinage features like a coined word of Korea by the meaning of a word and borrowed character notation borrowing sound and it is also related to the specificity of that time which had dual language system. The typical examples without different style for long were pillar, rafter, door and window. Examples with active generation and selection of different styles included beam, capital and bracket-system terms. Different styles were caused by the combination of several notations including borrowed character in the process of Chinese character notation borrowing sound, Korean unique character emphasizing and limiting combination of 木 (wood) with side of character and Chinese. Period showing remarkable change of example notation was the compilation of ${\ll}$the Hwa-Sung-Sung-Euk-Eui-Gue${\gg}$ 華城城役儀軌. ${\ll}$the Hwa-Sung-Sung-Euk-Eui-Gue${\gg}$ is the representative type uigwe made by printed type not by handicraft. Printing by type accompanies unification of the shape of a character necessarily and it was considered that it resulted in the unification of character of different style, the number of strokes and minute difference of strokes, and it was interpreted that common use of intentional notation with the unification of the shape of a character was achieved.