• 제목/요약/키워드: Emotional Expressions

검색결과 234건 처리시간 0.027초

혼성적 소재의 결합을 통한 감성조명 연구 (The Study on the Emotional Lighting by Combination of Hybrid Materials)

  • 이연주
    • 한국실내디자인학회:학술대회논문집
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    • 한국실내디자인학회 2006년도 추계학술발표대회 논문집
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    • pp.187-188
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    • 2006
  • With development of global network in the 21th century, Korea has recklessly accepted western culture occurred damages to our identity. Development of traditions in a modern way contribute us Korea identity and future vision. This study has studied about combination traditional material and contemporary material with a view to diversified user's desires and individuality. This object shows that function and decoration coexist together, and design reflects mans life and thinking of the age as a reflection of sociocultural phenomena. The purpose of this work to create the object that meets mans requirement and even foresees the possibility of such requirement through converting into various appearances. Different concepts including closed singleness and expansion within open structure coexist one element. also this objects suggest that transformative expressions that simplify or transform, the forms can be freely changed by consumer's emotional changes. Here, light and form are experimented for creating diversified emotions. Considering design as positively responding behavior against the limitations given by environment instead of the solution to simple functional requirement, future design will find Its value more In more active response.

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온라인 패션광고의 지속가능발전 지표 평가 연구 (A Study on the Assessment of the Index for Sustainable Development of On-line Fashion Advertising)

  • 손미영
    • 패션비즈니스
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    • 제20권1호
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    • pp.53-68
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    • 2016
  • The purpose of this research was to evaluate the possibility of sustainable development of online advertisements conducted by fashion companies. Factors composed of sustainable development indexes of online advertisement that had been developed in previous studies were identified, and then the relevance between purchase intention and advertisement experience was evaluated. An online survey of 573 persons in the 20 to 40 age range who own mobile phone and have experienced online advertisements of a fashion brand or a fashion company was conducted. The data collected from the survey and the results are as follows. First, the validity and reliability from confirmatory factor analysis of six factors (namely, personal information protection, web use infringement, advertisement expression harmfulness, advertisement expression objectivity, emotional responsibility, and environment-friendly) and 21 questions was confirmed. Second, it confirmed that consumers gave low points to the evaluation of sustainable development indexes of online advertisement of fashion companies. In particular, that consumers gave low points with regard to both environmental friendliness and web use infringement. Third, it was identified that personal indexes such as personal information protection, web use infringement, and indexes relating to advertisement expressions do not directly influence the consumer's purchase intention. However, social indexes like emotional responsibility and environmental friendliness do have an influence on the consumer's positive action intention.

애니메이선 캐릭터의 표정연출 유형 연구 (A Study on Pattern of Facial Expression Presentation in Character Animation)

  • 홍순구
    • 한국콘텐츠학회논문지
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    • 제6권8호
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    • pp.165-174
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    • 2006
  • 버드휘스텔(Birdwhistell)은 말이 전하는 의미는 전체커뮤니케이션의 35%이하에 불과하고 나머지 65% 이상은 비언어적 형태로 전달되며 인간은 전적으로 언어에 의해 의사소통을 하는 존재가 아니라 모든 감각을 사용하는 감각적 존재라고 설명하고 있다. 인간의 커뮤니케이션은 언어 외에 표정, 몸 동작 등을 통해 보다 더 구체적인 의미 전달이 가능하며, 특히 얼굴표정은 개인의 성격, 관심, 반응에 대한 정보 및 감정의 상태를 전달해주는 다면적 메시지체계로 강력한 커뮤니케이션 도구라고 할 수 있다. 다양한 표현기법과 표현의 정도, 특성에 따라 달라질 수 있지만 표정이 갖는 상징적 기호는 일반화 된 특성을 가지고 있다. 스토리상의 등장인물로서 내면세계와 심리적 상태가 행동이나 표정으로 자연스럽게 노출되고 읽어낼 수 있는 감정표현에서 애니메이션 캐릭터는 생명력을 갖는다.

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무용 활동 프로그램을 통한 초등학생의 신체활동과 정서인식 변화 연구 (Dance activity program for elementary school students through a program of physical activity and emotional change research)

  • 김미주
    • 한국콘텐츠학회:학술대회논문집
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    • 한국콘텐츠학회 2013년도 춘계 종합학술대회 논문집
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    • pp.321-322
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    • 2013
  • 본 연구는 초등학생의 개인적인 특성을 고려하여 무용 움직임과 연극적인 표현을 융합시킨 프로그램을 구성하였고 무용 활동을 적용하여 프로그램모형을 제시함으로서 누구나 쉽게 무용을 체험 할 수 있도록 시도하였다. 특히 초등학생들에게 프로그램을 적용함으로서 나타날 수 있는 신체활동과 정서인식 변화에 중점을 두어 적용한 결과, 참여자들은 무용 활동 프로그램을 통해 신체움직임 표현의 상호인식에 따른 소통방법과 신체를 통한 다양한 표현방법으로 의미전달을 할 수 있었으며, 긍정적인 사고, 자발적인 참여 및 대인관계 형성을 갖게 되었으며 신체 활동과 의식변화에 대한 자긍심과 자신감을 갖게 되었다.

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융합인재교육(STEAM) 프로그램을 통해 배우는 공감각의 감성적 표현 연구 (Research on the Emotional Expression of Synesthesia through STEAM Education Program)

  • 이진;이승연
    • 한국콘텐츠학회논문지
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    • 제13권9호
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    • pp.448-454
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    • 2013
  • 본 논문에서는 과학과 예술을 중심으로 만들어진 융합인재교육(STEAM) 프로그램을 통해 다학제적 사고의 확장으로의 방법론을 제시한다. 그리고 언어적 도구들과 시각, 청각, 촉각을 이용한 디지털 시각화 기술로 나타내는 디지털 미디어 아트 작품 창작으로 학생들이 경험할 수 있는 아날로그 감성적 표현과 공감각의 디지털 감성적 표현을 분석하는데 목적이 있다. 이 프로그램은 고등학생을 위해 개발된 STEAM 프로그램으로 "칸딘스키, 소리를 그리다"이다. 대표적인 공감각자였던 칸딘스키의 작품을 통해서 간접적으로 공감각을 표현하는 방법을 배우게 된다. 학생들은 이 프로그램을 통해 과학과 예술이 표면적인 개념에만 머무는 것이 아니라 확장된 개념 속에서 놀이, 이야기, 공감각 등으로 재구성한 다양한 감성적 표현을 할 수 있다.

감정에 따른 얼굴 표정변화와 12경락(經絡) 흐름의 상관성 연구 (Study on the Relationship Between 12Meridians Flow and Facial Expressions by Emotion)

  • 박유진;문주호;최수진;신선미;김기태;고흥
    • 동의생리병리학회지
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    • 제26권2호
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    • pp.253-258
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    • 2012
  • Facial expression was an important communication methods. In oriental medicine, according to the emotion the face has changed shape and difference occurs in physiology and pathology. To verify such a theory, we studied the correlation between emotional facial expressions and meridian and collateral flow. The facial region divided by meridian, outer brow was Gallbladder meridian, inner brow was Bladder meridian, medial canthus was Bladder meridian, lateral canthus was Gallbladder meridian, upper eyelid was Bladder meridian, lower eyelid was Stomach meridian, central cheeks was Stomach meridian, lateral cheeks was Small intestine meridian, upper and lower lips, lip corner, chin were Small and Large intestine meridian. Meridian and collateral associated with happiness was six. This proves happiness is a high importance on facial expression. Meridian and collateral associated with anger was five. Meridian and Collateral associated with fear and sadness was four. This shows fear and sadness are a low importance on facial expression than different emotion. Based on yang meridian which originally descending flow in the body, the ratio of anterograde and retrograde were happiness 3:4, angry 2:5, sadness 5:3, fear 4:1. Based on face of the meridian flow, the ratio of anterograde and retrograde were happiness 5:2, angry 3:4, sadness 3:5, fear 4:1. We found out that practical meridian and collateral flow change by emotion does not correspond to the expected meridian and collateral flow change by emotion.

특징점 기반의 적응적 얼굴 움직임 분석을 통한 표정 인식 (Feature-Oriented Adaptive Motion Analysis For Recognizing Facial Expression)

  • 노성규;박한훈;신홍창;진윤종;박종일
    • 한국HCI학회:학술대회논문집
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    • 한국HCI학회 2007년도 학술대회 1부
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    • pp.667-674
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    • 2007
  • Facial expressions provide significant clues about one's emotional state; however, it always has been a great challenge for machine to recognize facial expressions effectively and reliably. In this paper, we report a method of feature-based adaptive motion energy analysis for recognizing facial expression. Our method optimizes the information gain heuristics of ID3 tree and introduces new approaches on (1) facial feature representation, (2) facial feature extraction, and (3) facial feature classification. We use minimal reasonable facial features, suggested by the information gain heuristics of ID3 tree, to represent the geometric face model. For the feature extraction, our method proceeds as follows. Features are first detected and then carefully "selected." Feature "selection" is finding the features with high variability for differentiating features with high variability from the ones with low variability, to effectively estimate the feature's motion pattern. For each facial feature, motion analysis is performed adaptively. That is, each facial feature's motion pattern (from the neutral face to the expressed face) is estimated based on its variability. After the feature extraction is done, the facial expression is classified using the ID3 tree (which is built from the 1728 possible facial expressions) and the test images from the JAFFE database. The proposed method excels and overcomes the problems aroused by previous methods. First of all, it is simple but effective. Our method effectively and reliably estimates the expressive facial features by differentiating features with high variability from the ones with low variability. Second, it is fast by avoiding complicated or time-consuming computations. Rather, it exploits few selected expressive features' motion energy values (acquired from intensity-based threshold). Lastly, our method gives reliable recognition rates with overall recognition rate of 77%. The effectiveness of the proposed method will be demonstrated from the experimental results.

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아바타 통신에서의 얼굴 표정의 생성 방법 (A Generation Methodology of Facial Expressions for Avatar Communications)

  • 김진용;유재휘
    • 한국컴퓨터정보학회논문지
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    • 제10권3호
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    • pp.55-64
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    • 2005
  • 사이버 공간 내에서 텍스트나 영상 이외에 보조적인 통신 수단으로써, 아바타 통신을 이용할 수 있다. 실시간 아바타 영상 통신을 위하여, 전체 영상이나 압축 영상을 전송하는 대신에 아바타의 애니메이션 파라미터(팔의 동작 및 제스처를 위한 각도 또는 얼굴 표정을 위한 파라미터 등)만을 전송하는 지적 통신방식을 이용하기도 한다. 본 논문에서는 팔, 다리 등의 파라메타 등의 몸의 동적 움직임을 보조할 수 있는 수단으로써, 송신자의 감정을 표현할 수 있는 아바타의 얼굴 표정 생성에 대하여 제안한다. 얼굴 표정은 AU(Action Unit)에 의하여 표현할 수 있으며, 여기에서는 모양과 구조가 다른 아바타 모델에서 표정을 생성하기 위한 AU를 찾아내는 방법을 제안한다. 그리고, 감정 표현의 극대화를 위하여 얼굴 표현의 효율을 위하여, 눈썹, 눈, 코, 입에 대한 코믹 스타일을 가지는 아바타 모델을 제안한다. 또한, 얼굴 표정 합성을 위한 파라메타들도 제시하도록 한다.

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트리샤브라운(Trisha Brown)의 작품 에 나타난 포스트모더니즘에 관한 연구 (A study of Postmodernism represented in by Trisha Brown)

  • 김미희
    • 트랜스-
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    • 제1권
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    • pp.1-19
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    • 2016
  • 예술은 정치적인 분위기 및 사회의 제도에 따라 시대를 반영하며 끊임없이 변화해왔다. 제 2차 세계대전 이후 정치, 경제, 사회에 큰 변화가 일어남에 따라 문화와 예술에서도 20세기 초기의 모더니즘을 거부하는 반역사적 경향이 나타나게 되었다. 이러한 사회적인 변화로 특히 미국의 무용계에서는 모더니즘을 거부하는 실험의식이 강하고 급진적이며, 전위적 예술성향의 포스트 모던댄스가 생겨났다. 작업의 의도나 표현에 있어 새로운 움직임의 표현을 발견하고 즉흥적인 요소와 실험적 시도의 흐름이 주를 이루었다. 이러한 포스트 모더니즘적 안무특성을 탐구하여 오늘날까지 현대무용 안무 형식에서 나타나는 영향을 알아보는데 본 연구의 목적이 있다. 이에 따라 트리샤 브라운의 작품 중 포스트모더니즘 특성이 가장 잘 나타난 작품 을 선택하였다. 작품에 나타난 포스트모더니즘 성향을 살펴보면 미국의 포스트모던 댄스를 이끈 트리샤 브라운은 1960년대를 시작으로 포스트모더니즘의 주도적 역할을 했던 미국의 사회적 흐름을 무용작품에 적극적으로 받아들여 움직임 자체의 표현과 순수한 움직임을 위한 무용을 강조하였다. 미국의 현대무용가들은 신체자체를 중요하게 생각하며 신체표현이 사실적이고 현실적이며 움직임으로 인해 어떠한 감정표현과 개인의 감성이 배제되어 있다. 일상적인 행동을 무용으로 재창조하고 탁월한 공간사용과 실험적인 안무형태를 형성시켜 무용을 가치 있는 예술로서 각인시켰다. 따라서 브라운의 작품분석을 통해 예술의 한계를 벗어나 새로운 방향을 제시하고 오늘날 현대무용의 움직임과 안무형태에 본질적인 무용예술의 방향을 제시해주었다고 볼 수 있다.

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Effects of Emotional Regulation Processes on Adaptive Selling Behavior and Sales Performance

  • Kim, Joonhwan;Lee, Sungho;Shin, Dongwoo;Song, Ji-Hee
    • Asia Marketing Journal
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    • 제16권1호
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    • pp.71-100
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    • 2014
  • While the role of emotional antecedents of effective selling behavior would be important, the issue has not been fully addressed in the sales literature. To fill this gap, we conceptualize and empirically examine the relationships among salesperson's emotional regulation processes such as emotional intelligence (EI) and emotional labor (EL), effective selling behavior, and sales performance on the basis of educational, occupational, social psychology literature and marketing literature (e.g., Henning-Thurau, Groth, Paul, and Gremler 2006; Kidwell et al. 2011; Liu et al. 2008; Mayer, Salovey, and Caruso 2008). First, salesperson's EI is defined as his or her capability that enables correct perceptions about emotional situations in sales interactions. The EI is expected to work as psychological resources for different types of EL (i.e., deep acting and surface acting) to be performed by salesperson as emotional expression strategies (e.g., Lie et al. 2008). It is, then, expected that the features of EL selected by the salesperson would lead to different levels of adaptive selling behavior (ASB) and thereby sales performance (Monaghan 2006). Further, given that salesperson's customer orientation (CO) is found to be an important correlate of ASB (Franke and Park 2006), it is expected that CO would moderate the relationship between EL and ASB (Rozell, Pettijohn, and Parker 2004). Hence, this research attempts to shed additional light on emotionally-driven (EL) as well as cognitively-driven (CO) antecedents of ASB (Frank and Park 2006). The findings of the survey research, done with 336 salespersons in insurance and financial companies, are summarized as follows. First, salespersons with a high level of EI are found to use both deep acting (regulating the emotions themselves) and surface acting (controlling only emotional expressions) in a versatile way, when implementing EL. Second, the more the salesperson performs deep acting, the more he or she shows ASB. It is, then, important for salespersons to use deep acting more frequently in the EL process in order to enhance the quality of interacting with customers through ASB. On the other hand, the salesperson's surface acting did not have a significant relationship with ASB. Moreover, CO was found to moderate the relationship between the salesperson's deep acting and ASB. That is, the context of high CO culture and individual salesperson's deep acting would synergistically make the selling efforts adaptive to customer preferences. Conceptualizing and empirically verifying the antecedent roles of important emotional constructs such as EI and EL in salesperson's effective selling behavior (ASB) and sales performance is a major theoretical contribution in the sales literature. Managerially, this research provides a deeper understanding on the nature of tasks performed by salespersons in service industries and a few guidelines for managing the sales force. First, sales organizations had better consciously assess EI capacity in the selection and nurturing processes of salespersons, given that EI can efficiently drive EL and the resulting effective selling behavior and performance. Further, the concept of EL could provide a framework to understand the salespersons' emotional experiences in depth. Especially, sales organizations may well think over how to develop deep acting capabilities of their sales representatives. In this direction, the training on deep acting strategies would be an essential task for improving effective selling behavior and performance of salespersons. This kind of training had better incorporate the perspectives of customers such that many customers can actually discern whether salespersons are doing either surface acting or deep acting. Finally, based on the synergistic effects of deep acting and CO culture, how to build and sustain CO is always an ever-important task in sales organizations. While the prior sales literature has emphasized the process and structure of highly customer-oriented sales organization, our research not only corroborates the important aspects of customer-oriented sales organization, but also adds the important dimension of competent sales representatives who can resonate with customers by deep acting for sales excellence.

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