• Atmosphere
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• v.27 no.2
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• pp.199-211
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• 2017

The cold surges over East Asia can be grouped to two types of the wave-train and the blocking. Recently, the observational study proposed new dynamical index to objectively identify cold surge types. In this study, the dynamical index is applied to the simulations of 10 climate models, which participate in the Coupled Model Intercomparison Project Phase 5 (CMIP5). Focusing on assessment of cold surge simulation, we discuss characteristic of the wave-train and blocking cold surges in the climate models. The wave-train index (WI) and the blocking index (BI) based on potential temperature anomalies at dynamical tropopause over the subarctic region, the northeast China, and the western North Pacific enable us to classify cold surges in the climate models into two types. The climate models well simulate the occurrence mechanism of the wave-train cold surges with vertical structure related to growing baroclinic wave. However, while the wave-train in the observation propagates in west-east direction across the Eurasia Continent, most of the models simulate the southeastward propagation of the wave-train originated from the Kara Sea. For the blocking cold surges, the general features in the climate models well follow those in the observation to show the dipole pattern of a barotropic high-latitude blocking and a baroclinic coastal trough, leading to the Arctic cold surges with the strong northerly wind originated from the Arctic Sea. In both of the observation and climate models, the blocking cold surges tend to be more intense and last longer compared to the wave-train type.

• Ocean Science Journal
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• v.40 no.4
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• pp.191-200
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• 2005

In this study an analytical tide model of uniform width with three sub-regions is presented. The three-subregions model takes into account step-like variations in depths in the direction of the channel as a way to examine the $M_2$ tide of the East China Sea (ECS) as well as the Yellow Sea (YS). A modified Proudman radiation condition has been applied at the northern open head, while the sea surface elevation is specified at the southern open boundary. It is seen that, due to the presence of an abrupt change in depth, co-amplitude lines of the $M_2$ tide are splitted to the east and west near the end of the ECS shelf region. Variations in depths, bottom friction and the open head boundary conditions all contribute to the determination of formation of amphidromes as well as overall patterns of $M_2$ tidal distribution. It is seen that increasing water depth and bottom friction in the ECS shelf results in the westward shift of the southern amphidrome. There is however no hint at all of the well-known degenerated tidal pattern being formed. It is inferred that a lateral variation of water depth has to be somehow incorporated to represent the tidal patterns in ECS in a realistic manner. Regarding the radiation factor introduced by Fang et al. (1991), use of a value larger than one, possibly with a phase shift, appears to be a proper way of incorporating the reflected waves from the northern Yellow Sea (NYS).

• Journal of the Korea Furniture Society
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• v.25 no.4
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• pp.268-276
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• 2014

The purpose of this research is to provide new direction on the field of the furniture design and to establish the identity of Korean furniture design as the flow of craft's juxtapose mixture era where it mix and match Korean traditional craft style materials with the modern furniture design. In other words, it is intended to create new furniture design and propose beautiful Korean luxury furniture design based on the precious unique culture with the traditional craft style, juxtaposition of modern furniture, and reinterpretation. It should grant artistic values that can satisfy consumers having various tastes and scarcity values, plus it should put out aesthetic and creative expressions in furniture design putting into the beautiful traditional craft form values. Furthermore, it is required to create new design through values and spirit, materials, techniques, forms, pattern, and usages by interacting, coordinating, and combining tradition and modern East and West, plus craft and design.

• Journal of the Korea Furniture Society
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• v.24 no.2
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• pp.113-120
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• 2013

The purpose of this research is to provide new direction on the field of the furniture design and to establish the identity of Korean furniture design as the flow of craft's juxtapose mixture era where it mix and match Korean traditional craft style materials with the modern furniture design. In other words, it is intended to create new furniture design and propose beautiful Korean luxury furniture design based on the precious unique culture with the traditional craft style, juxtaposition of modern furniture, and reinterpretation. It should grant artistic values that can satisfy consumers having various tastes and scarcity values, plus it should put out aesthetic and creative expressions in furniture design putting into the beautiful traditional craft form values. Furthermore, it is required to create new design through values and spirit, materials, techniques, forms, pattern, and usages by interacting, coordinating, and combining tradition and modern East and West, plus craft and design.

• Journal of Korean Society for Atmospheric Environment
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• v.8 no.3
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• pp.169-178
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• 1992

Dispersion of pollutant in a mountainous area is simulated in a wind tunnel. In the northwest side of the terrain model, the sea level is assumed. Wind from the sea initially confronts hills along the shoreline, a line of large buildings next, and finally a valley between high mountains in the south and in the east. In the northwest wind conditions, severe flow separation occurs in the lee side of hills, even beyond the building area. Pollutant from the buildings is trapped in this region and its concentration is the highest. In the west wind conditions, pollutant from the buildings flows along the hills aslant the main wind direction in this case. Since large valley is located in the downstream, pollutant tends to disperse along the valley.

• Journal of Astronomy and Space Sciences
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• v.17 no.1
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• pp.45-52
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• 2000

We examined and corrected the periodic error of the LX200-16 Telescope driving system of Chungbuk National University Campus Observatory. Before correcting, the standard deviation of the periodic error in the direction of East-West was $\sigma$=7."2. After correcting, we found that the periodic error was reduced to $\sigma$=1."2.

• Proceedings of the KIEE Conference
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• 1997.07e
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• pp.1764-1766
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• 1997

In this paper, the illuminance distribution of blackboards on classroom in elementary, junior, and senior high school was measured and analyzed. Generally, average illuminance and uniformity of illuminance was 519[lx] and 0.543 (elementary: 389[lx], 0.387; junior: 632[lx], 0.570; senior: 527[lx], 0.608) respectively. When all lighting fixtures in each classroom were turned on, average illuminance was higher about 65% than lights-out, and, in case that local lighting fixtures exist, was higher 27% than absence, but uniformity of illuminance turned bad on the contrary ($0.462{\rightarrow}0.676$). According to classification into direction of windows on classroom. facing north, both were bad. In case of classroom to slant to east or west, the difference of illuminance at the forenoon and afternoon was big, and uniformity of illuminance was also bad.

• Proceedings of the KSR Conference
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• 2008.06a
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• pp.2332-2342
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• 2008

Railway in Japan has been changed every apr. 20 years as follows, since the war ended in 1945. Shinkansen which was the first high speed train in the world began to revenue service in 1964, and a national railway authority was privatized segmentally in 1987, and after 20 years later from then, the ticketing service using IC card was accomplished. In this research, we review these changes in Japan in the administrative aspects on railway technology, and R & D aspects of the Railway Technical Research Institute, JR East and JR West which are railway corporations. Also we introduce the present status and future of railway technologies in Japan which railway experts diagnosed. In the twenty-first century, the needs of the times for railway have been enormously changed due to a low birth-rate, an aging society, environmental pollution and energy problems and etc. Because we have very similar problems to them like Japan, we could get lessons from Japanese cases in setting the direction for the development of railway technologies.

• Journal of the Korean Institute of Rural Architecture
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• v.15 no.3
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• pp.9-16
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• 2013

This paper aims to clarify the residential quarter organization and housing spatial form of fishing village in Jeonjang-po, Imja-do Island. The results are as follows. First, the place of residence in Jeonjang-po was located in the place having the south and the north seaside, and the road system was presented by form to connect the north and south. Second, the alley of these north and south direction has a dynamic scenery, but the alley of east-west courses has a horizontal scenery. Third, it is a characteristic that there is very more plottage than the building area of the residential quarters. The reason that plottage has a big is because inner court in the residential quarters are used as places such as the fishery works and the vegetable gardens. Finally, the fishing village house in Jeonjang-po is 4-bay type building is typical type when seeing from the front, and is to have entrance hall at the front of building.

• Journal of the Korea Furniture Society
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• v.22 no.4
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• pp.245-251
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• 2011

The purpose of this research is to provide new direction on the field of the furniture design and to establish the identity of Korean furniture design as the flow of craft's juxtapose mixture era where it mix and match Korean traditional craft style materials with the modern furniture design. In other words, it is intended to create new furniture design and propose beautiful Korean luxury furniture design based on the precious unique culture with the traditional craft style, juxtaposition of modern furniture, and reinterpretation. It should grant artistic values that can satisfy consumers having various tastes and scarcity values, plus it should put out aesthetic and creative expressions in furniture design putting into the beautiful traditional craft form values. Furthermore, it is required to create new design through values and spirit, materials, techniques, forms, pattern, and usages by interacting, coordinating, and combining tradition and modern East and West, plus craft and design.