• East Asian mathematical journal
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• 제15권2호
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• pp.201-210
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• 1999

Morley provided an interesting identity about 20 years earlier before its more generalized form was given by Dixon. In this note some of its generalized forms and an application of Morley's formula are considered.

• East Asian mathematical journal
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• 제19권1호
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• pp.41-48
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• 2003

There are many conditions or identities for a lattice to be distributive. In this paper, we study some identities on algebras of type (2,2) and find another set of identities defining distributive lattices. We also study certain identities which define algebras of type (2,2) whose subalgebras generated by two elements are all distributive lattices with at most 4 elements.

• East Asian mathematical journal
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• 제40권3호
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• pp.329-339
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• 2024

In the work we generate arithmetic matrix P^(c,b,a) of (cx² + bx+a)ⁿ from a Pascal matrix P^(1,1). We extend an identity P^(1,1))O^(1,1) = P^(1,1,1) with an obtuse matrix O^(1,1) to k degree polynomials. For the purpose we study P^(1,1)kO^(1,1) and find generating polynomials of O^(1,1)k.

• 패션비즈니스
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• 제24권3호
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• pp.114-120
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• 2020

This paper is a study of culture and identity expressed in textile art works of the age of globalization, centering on the Beijing International Fiber Art Biennale. This study began with the idea that globalism would develop regional cultural diversity as well as contribute to the field of art. In 2000, the Beijing International Fiber Art Biennale held its first large exhibition, and a total of 10 biennales were held from then until 2018. Get an understanding of the Beijing International fiber art Biennale, and select award-winning works from one to ten times to learn about cultural characteristics and identity. The analysis was based on the works of awards from China and Japan, including Korea, which are the center of East Asian culture. The Beijing International Fiber Art Biennale has steadily increased the number of participating countries, writers and works, and once again opened the stage for the revival of textile art following the Lausanne International Tapestry Biennale. Through the Beijing International Fiber Art Biennale, textile artists hope to promote world harmony in textile art, respect cultural diversity and conduct equal dialogue between East and West cultures.

• 수완나부미
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• 제11권1호
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• pp.71-100
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• 2019

The region between mainland China on the east and the Indian sub-continent on the west is referred to as Southeast Asia since the conclusion of the Pacific War (1941-1945). As a region, Southeast Asia appears as a hodgepodge of disparity and diversity, but a closer scrutiny reveals numerous common attributes and characteristics. This study attempts to identify and examine the cohesive and shared characteristics across the Southeast Asian region from a historical and sociocultural perspective. The intention is to differentiate an identity borne of the underlying commonalities of shared characteristics whether physical, experiential, emotive, and/or in terms of heritage. Subsequently, Southeast Asia has more grounds to claim itself as a distinct region, and an "area of study," besides the political expediency of ASEAN.

• 동아시아식생활학회지
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• 제17권1호
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• pp.143-151
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• 2007

The effects of job stress factors on psychological job stress and job satisfaction levels of school dietitians were evaluated. Questionnaires were distributed to 163 elementary school foodservice dietitians in the Seoul and Incheon area. Statistical data analysis was completed using the SPSS program. The highest stress factor was the importance of the job followed by role ambiguity, autonomy and identity, communication and participation. When dealing with job stress, the subjects showed improved and positive behaviors when communicating and participating with each other. The analysis of the relationships between job stress factors and job satisfaction revealed that the importance of the job had a negative effect on jog satisfaction. while role conflict and overload, personal relationships, and experience accumulation had positive effects. Ample occupational experience and background had highly positive effects on school dietitians' job satisfaction level whereas negative results were shown concerning circulated appointments(p<0.01). Based on these results, we suggest that role conflict and overload should be reduced in order to lower job stress levels and enhance job satisfaction levels.

• Mycobiology
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• 제46권4호
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• pp.416-420
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• 2018

Crepidiastrum sonchifolium, a flowering plant in the daisy family (Asteraceae), is native to East Asia. In Korea, this plant is a locally cultivated vegetable, and its market size is gradually growing. Since the plants with downy mildew infection were initially found at a private farm of Chuncheon city, the occurrences have continued in commercial farms of other regions, highlighting that this disease is spreading throughout Korea. The pathogen was attributed to a member of the genus Bremia that contains many specialized species, each of which displays a narrow host spectrum on Asteraceae. Based on morphological and molecular phylogenetic analyses, along with the high host specificity recently proven for Bremia species, the identity of the causal agent was confirmed as a so far undescribed species of Bremia. Here, we introduce Bremia itoana sp. nov., specific to C. sonchifolium.

• 수완나부미
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• 제1권1호
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• pp.1-25
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• 2009

The diversity of Southeast Asian culture and society has been made by two factors: geopolitical environment and colonialism. The geopolitical position of the region between China Seas and Indian Ocean has made it possible that diverse cultures from Northeast Asia especially China and India, Middle East and Europe have flowed into the region. The fact that Southeast Asia was colonized by various European nations has provided additional diversity. The diversity manifests itself most clearly in the culture of Southeast Asia which has various layers: On the bottom lay the indigenous one, and above it Chinese and Indian and Islamic cultures and finally European one.

• 디자인학연구
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• 제17권4호
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• pp.169-176
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• 2004

최근 우리나라의 ‘웰빙’ 현상이 상품화된 웰빙의 유사 이데올로기라는 점에서는 논의의 여지가 없다. 그럼에도 불구하고, 웰빙철학의 기저에서 낚아 올릴 수 있는 한국 디자인의 문화적 컨텐츠로서의 잠재적 가치마저 간과할 필요는 없을 것이다. ‘행복’과 ‘안녕’이라는 사전적 의미를 넘어 웰빙은 마음의 평안과 정신적 풍요로움을 지향함으로써 ‘심신일원론’적 라이프 스타일을 옹호하고 있다. 소비주의에 편승한 유행으로서의 웰빙의 상품미학을 한국의 문화적 정체성을 보유한 대안 담론으로 승화시켜 우리나라 디자인 컨텐츠의 고유모델로 자리매김하기 위해서는 웰빙이라는 보편적 기호가 담지하고 있는 양질의 문화적 가치에 대한 발굴이 요청된다. ‘자연의 도’를 따르는 생활태도와 다름 아닌 웰빙은 동아시아의 탈-이원론적 사유방식의 전형인 것이다. 동아시아의 일원론적 사상과 조형의식 속에 이미 자리하고 있는 웰빙의 흔적을 역으로 추적함으로써 작금의 웰빙 현상과 심신일원론을 연결하는 계보를 좁게는 한국, 넓게는 동아시아의 문화적 전통 속에서 발견할 수 있다. 몸과 마음이 본디 둘이 아니라 하나라는 동아시아의 일원론적 사유체계를 서구로부터 수입된 웰빙 현상의 이론적 모태로 삼을 경우, 한국의 디자인 담론이 탈-식민화 되는 단초가 마련될 전망이다. 서구 중심의 이원론적 패러다임에 대한 반성을 토대로 새로운 가치를 모색해야 하는 성찰적 근대화의 시대에 일원론적 인식에 기반하는 웰빙이 국내외 디자인계에 던져줄 잠재적 의미성에 기대를 걸어볼 일이다.

• 비교문화연구
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• 제24권
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• pp.46-61
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• 2011

This paper considers how Koreans found their positions in the complex, overlapping, disjunctive, and interconnected "Oriental" repertoires in the early Cold War years. When we use the term, Oriental, it should require careful translation from context to context because it may be subject to very different sets of contextual circumstances. Klein views Cold War Orientalism in the complex of various regions including East Asian and Southeast Asian countries; however, when Koreans are contextualized at the center of the discussion the Orientalism produces another discursive meaning. Even though many great researches have been done on Korean immigrations, Korean American literatures, and US-Korea economic, political, and foreign relations, not many discussions about Korean American popular cultures have been discussed in the basis of the Oriental discourse in the United States.For this argument, this paper investigates the performative trajectory of a girl group "Kim Sisters" who began to sing at the US military show stages in South Korea in 1952 during the Korean War. They moved to Las Vegas show stages in 1959 and later appeared in Ed Sullivan Show more than thirty times during the 1960s and 70s. Meanwhile, they not only returned to South Korea often times to perform at the stages for Korean audiences in South Korea but also played at the shows for Korean immigrants in the United States. Korean American immigration to the United States has followed a different route from the majority of Asian American population such as Chinese or Japanese Americans, which means that efforts to compare this particular group to the others may be unnecessary. Rather doing comparative studies, this paper, therefore, focuses on the formation of the intersecting and multiple identities of Korean female entertainers who were forced or forced themselves to be incorporated into the American popular "Oriental" imagination, which I would call "embedded" identities. This embeddedness has been continuously maintained in the configuration of Korean characters in the United States. This will help not only to observe the discursive aspect of Asian American identity politics but also to claim a space for comparatively invisible Korean characters in the United States which has been often times neglected and not brought into a major Asian American or Oriental historical discourse. This paper starts with American scenes at the beginning of the twentieth century to trace Americans Oriental imagination which was observable in the various American cultural landscape and popular music soundscape. It will help us more clearly understand the production and consumption of the Korean "Oriental" performances during the early Cold War period and especially the Korean performance in the American venue, silently overshadowed into the political, social, and cultural framework.