• Proceedings of the IEEK Conference
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• 2002.07a
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• pp.454-457
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• 2002

In this paper, we proposed digital audio watermarking algorithm for high quality audio. Nowadays, digital watermark used to confirm to digital copyright protection, not only digital image but also digital audio is active in the digital watermarking study. In this paper, we proposed digital audio watermarking algorithm using psychoacoustics model and MDCT/IMDCT (Modified Discrete Cosine Transform/Inverse Modified Discrete Cosine Transform) for the high quality audio watermark. In the proposed scheme, we used to 441KHz, 128kbps and stereo audio data for audio watermarking algorithm. Audio data is passed by MDCT; watermark can be inserted into the frequency domain with 256,1024 and 2048 interval.

• Journal of the Institute of Electronics Engineers of Korea CI
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• v.39 no.3
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• pp.53-61
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• 2002

In this paper, the authors proposed the digital audio watermarking algorithm for a high quality audio. Today, the digital watermark is used to confirm to the digital copyright protection, not only the digital image but the digital audio study is an activeness in the digital watermarking area. Especially, the watermark insertion in the digital audio area affects deeply not only a robustness but the audio quality of the watermarked audio data. Generally, the audio watermark is inserted in the frequence domain after FFT, the quality of audio data is affected by the watermark insertion. Thus, a high quality audio to be maintained at the same time, the study related a inserting of the robustness watermark happened to a hot issue. In this paper, the authors proposed the digital audio watermarking algorithm using psychoacoustic model and MDCT/IMDCT (Modified Discrete Cosine Transform/Inverse Modified Discrete Cosine Transform). In the proposed scheme, the authors experimented the stereo audio file with 44.1KHz, and 128kbps for the audio watermarking algorithm proposed. When the audio data is processed by MDCT, the watermark is able to insert into the frequence domain with 256, 1024 and 2048 interval. In case of 50㎳ RMS window, it was confirmed that the difference between the original audio data and the watermarked audio data of RMS power is 0.8㏈.

• Proceedings of the IEEK Conference
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• 2000.06c
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• pp.125-128
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• 2000

In this paper, we proposed the high quality digital audio watermarking algorithm in the frequency domain. The spread spectrum technique is used to encrypted a stream of information by spreading the data as much of the frequency spectrum as possible. It's technique adapt well to data hiding in audio signal. We have used the perceptual model and MDCT/IMDCT for the high qualify digital audio watermarking. The proposed watermark algorithm preserved high quality audio data from watermark signal.

• Journal of the Korean BIBLIA Society for library and Information Science
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• v.17 no.2
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• pp.65-82
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• 2006

The purpose of this study is to present some basic information essential for planning long-term preservation of digital audio files, which have been collected through 'Cultural Archetypes Digitization Project' by the Korea Culture & Content Agency. Needs and limitations of digitization of audio resources for their long-term preservation, digital audio archiving models(OAIS Reference Model and AHDS Model), some technical principles for audio digitization and preservation, preservation metadata and storing media for digital audio files were discussed. Compliance to the requisites listed in Audit Checklist for the Certification of Trusted Digital Repositories of RLG & NARA was suggested. It was also recommended to review the appropriateness of collaborating on digital preservation project with other institutions.

• Proceedings of the KIEE Conference
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• 2004.11c
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• pp.605-607
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• 2004

A class D digital audio amplifier with small size, low cost, and high quality is positively necessary in the multimedia era made of home theater system and the digital audio broadcasting (DAB). It is impossible to analyze the stability of the digital audio amplifier, which is based on the PWM signal processing. To solve this problem, the digital audio amplifier is analyzed using variable structure control theory which is one of nonlinear system theories. Moreover, the magnitude and the frequency of ripple signal, which generated by hysteresis in the comparator, is obtained using describing function which is useful to represent the input-output relation of nonlinear system.

• Journal of Satellite, Information and Communications
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• v.8 no.4
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• pp.105-110
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• 2013

After analog broadcast changed to digital, the dynamic range of the broadcast audio became wider. As there are no regulation for digital broadcast audio level, the audio level of digital TV is gradually increasing, and this phenomenon is getting more serious. because of competition between broadcasters and programmes. To solve this problem, ITU-R legislated technical recommendations for digital TV audio level. In this paper, the audio levels of domestic TV channels are measured according to the algorithm of the ITU-R, and analyzed management method is suggested.

• Journal of Korea Multimedia Society
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• v.8 no.6
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• pp.807-813
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• 2005

The production and authoring of digital multimedia contents are most important fields in multimedia technology. Nowadays web-based technology and related multimedia software technology are growing in the IT industry and these technologies are evolving most rapidly in our life. The technology of digital audio and video processing is utilizing rapidly to improve quality of our life, Also we are more interested in high sense and artistic feeling in the music and entertainment areas by use of three dimensional (3D) digital sound technology continuously as well as 3D digital video technology. The service field of digital audio contents is increasing rapidly through the Internet. And the society of Internet users wants the audio contents service with better quality. Recently Internet users are not satisfying the sound quality with 2 channels stereo but seeking the high quality of sound with 5,] channels such as 3D audio of the movie films. But it might be needed proper hardware equipments for the service of 3D sound to satisfy this demand. In this paper, we expand the simple 3D audio generator developed and propose a web-based music bank by the software development of 3D audio generation player in 3D sound environment with two speakers minimizing hardware equipments, Also we believe that this study would contribute greatly to digital 3D sound service of high quality for music and entertainment mania.

• The Journal of the Institute of Internet, Broadcasting and Communication
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• v.16 no.5
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• pp.63-68
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• 2016

Audio mixer is an electronic device which performs a mixing of multiple audio signals. Digital mixer having various functions and scalability is spreaded thanks to advanced DSP and IT technology. However, digital mixer is more vulnerable to stability comparing to conventional analog mixer in the digital error or software error sense because its control is executed by SW. To solve this problem, in this paper, we propose a multi-channel digital analog hybrid mixer scheme, digital mixer error detection mechanism and malfunctioning switching technique. Also we develop the audio mixer having digital-analog hybrid structure. By simulation, we can sense the error of digital mixer except power loss in a 120ms, change into analog mixer mode automatically and provide continuous broadcasting function without mixer function loss.

• Journal of Institute of Control, Robotics and Systems
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• v.13 no.4
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• pp.385-391
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• 2007

A class D digital audio amplifier with small size, low cost, and high quality is positively necessary in the multimedia era. Since the digital audio amplifier is based on the PWM signal processing, it is improper to analyze the principle of signal generation using linear system theories. In this paper, a class D digital audio amplifier based ADSM (Advanced Delta-Sigma Modulation) is considered. We first model the digital audio amplifier and then explain the operation principle using variable structure control algorithm. Moreover, the ripple signal generated by the hysteresis in the comparator has a significant effect on the system performance. Thus, we present a method to find the magnitude and the frequency of the ripple signal using describing function. Finally, simulations and experiments are provided to show the validity of the proposed methods.

• ETRI Journal
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• v.27 no.5
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• pp.635-638
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• 2005

Spatial audio coding (SAC) is an extremely high compact representation of encoded multi-channel audio material. This paper suggests a multi-channel audio service in the terrestrial digital multimedia broadcasting (T-DMB) system using a novel SAC tool, which is called a virtual source location information (VSLI)-based SAC tool. Intensive experiments are presented to evaluate the validity of the proposed VSLI-based SAC tool, and prototypical systems are also presented to demonstrate the reliability of the proposed multi-channel T-DMB system in real applications.