• 한국의류학회지
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• 제26권5호
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• pp.594-605
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• 2002

The purpose of this study is to investigate the visual sensibility of wedding dress. There are 28 kinds of costume samples from photographs in wedding dress magazines. They were divided into simple, accent and decorative design. The Semantic Differential method was used in this study to measure them. The semantic scale was composed of 20 pairs of adjective words. The data were analyzed by factor analysis, ANOVA, MDS and regression analysis. The results are as follow; 1. Factor analysis has extracted five factors which consist of the visual sensibility of wedding dress. The factors are High quality, Cuteness, Femininity, Decoration and Modernness. 2. There were significant differences in the visual sensibility of wedding dress and demographics.3. The evaluative dimensions of the visual sensibility of wedding dress were identified by Cute-Adult and Simple-Decorative. 4. Preference was related to what are wearing-desirable, chic, cute, natural and beautiful, etc., and the wearing desire was related to what are favorite, lively, chic, special and gracious, etc. The noble sensibility was related to what are elegant, cute, feminine and chic, etc.

• 한국의상디자인학회지
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• 제6권2호
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• pp.103-109
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• 2004

This study attempted to investigate the plasticity of Korean paper expressed in contemporary fashion after general inquiry into Korean paper and examine the aesthetic beauty of fashion design using Korean paper. It used the literature review and empirical data analysis together. Korea-paper fashion design, the object of actual investigation, was for Korean-paper fashion from the 1990s to the present. As a result of analysis, the following findings were obtained: First, the natural, warm and soft texture seen as pureness in Korean paper enables us to elicit naturalness from liberalness. In addition, Korean paper not only has the tough characteristic of its material but also has the natural characteristic of abandoning its original nature and complying and adhering to its a given nature. Korean-paper fashion design, using this natural beauty and frank nature, bears the pure image of excluding decoration. Second, the overlapping of the surface on the surface expressed in Korean-paper fashion design forms one space with the sense of depth because of its transparency and expresses temporality through repetition. And the work of folding it with other materials and pasting them up with together demonstrates the effect of reflection because its original transparency. This effect is the specificity created in the collage technique using Korean paper and is the advantage of coming to obtain a wider freedom of expression. Korean-paper fashion design expresses transparency using this repetition and overlapping, Third, Korean paper has the simple rather than luxurious aspect. Owing to this nature, fashion design looks as if there were the greed inherent behind the work made from Korean paper though the complex technique applied to it. And it expresses the restraint of Korean paper using its original white color, the exclusion of decoration and simple design. Fourth, Korean paper is more likely to be changed by the outside influence because of formation. It has its peculiar aesthetic value and original artistry to an extent that it is regarded as one artistic work. The quality and texture of Korean paper diversely vary according to the artist's working process. Like this, Korean paper is easily fused into some object without exclusivity though it may be added to it. Korean-paper fashion design has the beauty of creation that is to create a new world because Korean paper is fused into another material due to its soft nature.

• 한국의류학회지
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• 제32권1호
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• pp.12-23
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• 2008

The purpose of this study is in planning clothing and bag design and VMD. For this purpose, the pret-a-porter fashion collection is divided into the following sectors: brands, years, and seasons, focusing on the design elements. The results of this study are as follows: 1. It is these three ways that determine the relevance of clothing and bag design planning. first, we have analyzed design properties analogously with one design element, like Louis Vuitton. Second, we considered design properties analogously with two design elements, like Chanel, Gucci, Prada. Third, we examined design properties analogously with three design elements, like Christian dior, Fendi, Etro. 2. The comparison of clothing and bag design properties year by year shows that they were mainly designed with an analogous aspect with pattern and decoration. 3. Clothing does well to match a bag between analogous design properties of design elements to express similarity coordination and between contrast design properties of design elements to express plus one coordination or crossover coordination. 4. The aspect of coordination of clothing and bags year by year is different period. This is because of clothing and bag design's change according fashion trend. 5. S/S coordination of clothing and bags is effective to present plus one coordination or crossover coordination. And F/W coordination of clothing and bags is effective to present similarity in coordination.

• 한국실내디자인학회논문집
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• 제25권6호
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• pp.70-78
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• 2016

This paper aims to describe a case study of parametric interior design based on BIM (Building Information Modeling). As the practical use of BIM-based design grows, its influence expands into the field of interior architecture design. BIM makes possible to check various design plan, reach decision making in an effective way, and change design plan in an efficient method. Therefore, BIM is also promising field in interior architecture design. However, compared to other fields in architecture, engineering, and construction (AEC) industry, there have been less research and projects on BIM in the field of interior architecture. For increasing the feasibility of adapting BIM in interior architecture design, this paper describes a case study-projecting images for designing interior panels using parametric modeling. This process needs elaborate, delicate, and precise steps for harmonious output. For continuous use of building, users look forward to the design which variable and changeable according to user's preference and environment. Therefore, demand for parametric design in the interior design part such as panel pattern design for various decoration is growing. Treated process in this paper deals with an advanced phase which much effective in decreasing time consumption and useless part of process. Finally, this paper suggests the possibility of using BIM in the interior design process and field where BIM can be applied.

• 화훼연구
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• 제16권1호
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• pp.7-11
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• 2008

본 연구는 화훼장식에서 대나무의 다양한 활용을 위해 2001년부터 2006년까지 월간잡지 플레르(Fleur)와 국제꽃장식대회의 대나무 작품 108개를 토대로 조사하였다. 대나무의 사용부위에 따른 사용빈도와 작업형태, 조형형태, 그리고 작품 안에서 대나무의 배열 기법을 분석하였다. 대나무의 사용부위는 줄기가 전체 작품에서 90%를 차지하였다. 줄기가 사용된 97작품 중에서 국제 꽃 장식 대회는 매년 4월에 열리는 특성으로 대회에 나온 20작품을 제외한 월간 잡지 '플레르(Fleur)'의 77작품을 월별로 분석한 결과, 월별 대나무가 쓰인 작품의 수는 새해의 시작인 1~2월과 한여름인 7~8월이 가장 많았다. 줄기를 사용한 97작품에서 줄기가 사용된 형태를 조사 분석한 결과, 가공하지 않고 자연그대로 사용한 작품이 63%로 나타났다. 작품 속에서 대나무의 배열 기법은 수직 병렬형이 48%로 가장 많았다. 기타는 수직, 수평, 사선에 포함되지 않는 원형의 작품들을 분류한 것이다. 대나무가 쓰인 작품의 작업유형은 테이블장식을 포함한 50% 이상이 공간장식의 형태를 나타내었다. 대나무가 소재로 쓰인 작품의 조형 형태는 장식적 형태가 64%, 그래픽적 형태가 30%, 선형적 형태가 4%로 나타났다.

• 한국실내디자인학회논문집
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• 제19권5호
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• pp.48-55
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• 2010

Marcel Wanders, one of the greatest designers in the world of contemporary design, was born in the Netherlands. His works run the gamut from interior design to furniture design to lighting design, building a unique world of works. He started to gain fame when he presented "Knotted Chair" at Droog Design in 1996, which was made out of aramid ropes and later became his symbol. In 2000, he established "moooi," a world-renowned design label. By giving characteristic qualities, his works are given meaning, and like a fantastical dream, their images are extremely fantastical and stimulating. As can be seen in his character cover, he puts emphasis on the harmony between minimalism and decoration, establishing his own unique design concept. In this thesis, based on Marcel Wander's design philosophy, his overall design characteristics were classified into theatrical effects and storytelling. Expressive elements depaysement, eclectic mixture, and scale modification were derived from theatrical effects and analyzed; for storytelling, object, semantic cues, and dream and fantasy were derived and analyzed. A distinguishing feature of such analysis is his meaning-centric design approach, the principle by which to form long-term relationships with the users by creating user-centric designs that make them find meaning and values in diverse experiences in their daily routine, giving them familiar yet unique experience.

• 디자인학연구
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• 제20권3호
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• pp.279-288
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• 2007

오늘날 디자인은 유행의 영향으로부터 자유로울 수 없다. 이러한 유행은 일시적으로 등장하였다 사라지며 동시에 평균화를 지향하는 속성을 지니고 있기 때문이다. 그 결과 유행의 영향으로 인하여 제품들이 오래 사용되지 못하고 사라지게 된다. 제품의 기능과 상관없이 단지 검증되지 않은 사회적 관념을 통해 제품의 수명이 결정되고 있는 것이다. 결국 유행에 대한 대응이 없게 된다면, 유용한 제품들마저 서서히 우리 주변으로 부터 멀어지게 될 것이며, 최후에는 심각한 환경 문제로 확장 될 수 있는 것이다. 따라서 이러한 상황에서 세이커 디자인의 특성을 살펴보는 것은 중요한 의미가 있다. 미국의 세이커 공동체의 경우 일반 소비사회와 다른 특징을 지닌 경우라고 할 수 있다. 일시적인 유행과 왜곡된 정보가 그들의 의식에 관여할 수 없기 때문이다. 세이커 종교공동체를 살펴보면 종교와 생활 그리고 디자인의 원리가 모두 동일한 선상에서 전개되고 있다. 세이커 디자인에서는 그 어떤 장식과 재료적 차이가 허용되지 않는다. 신(神) 앞에서 모두가 평등하다고 생각하고 있기 때문이다. 따라서 사회적 신분과 경제적 우월감에 대한 그 어떤 표식도 용납되지 않는다. 이러한 의식적 내용을 통해 그들의 디자인은 유행과 장식으로부터 자유로울 수 있었던 것이다. 또한 그들은 완벽성을 추구하였으며, 실용성과 단순성을 통해 그것이 가능하다고 믿었다. 세이커 디자인이 유행으로부터 자유로울 수 있었던 것은 바로 디자인에 의식이 관여하고 있기 때문이다. 결국 유행으로부터 자유롭고, 오랜 기간 동안 사용되는 제품이 디자인되기 위해서는 종교 또는 사회 의식적 내용이 전제되어야 한다.성에 대한 만족도가 비고령자와 고령자간에 어떤 차이가 있는지, 그리고 이를 활용하여 한글서체 환경에서 웹 표준방식에 맞게 활용할 수 있도록 구체화 하여, 고령자를 위한 웹 컨텐츠에서의 서체활용 가이드를 개발하여 급속도로 다가오는 고령화 사회에서 고령자도 쉽게 인터넷을 통하여 정도를 습득하고 사용할 수 있는 유니버설 웹 인터페이스를 위한 기반자료로 활용될 것으로 전망된다. 제외지를 통합하여 TIN분석을 실시하여 범람 홍수해석에 활용할 수 있도록 하였다. 하천수리해석의 기능을 보강하기 위해 역산조도계수 산정모형, 상류-사류 천이류 구간에 대한 부등류 해석모형, 범람 홍수류에 대한 홍수위 산정모형, 하천수리계산시의 불확실도 해석모형 등의 새로운 기능을 추가하여 제시하였다. 모든 입출력자료는 프로젝트 단위별로 운영되어 data의 관리가 손쉽도록 하였으며 결과를 DB에 저장하여 다른 모형에서도 적용할 수 있도록 하였다. 그리고 HyGIS-HMS 및 HyGIS-RAS 모형에서 강우-유출-하도 수리해석-범람해석 등이 일괄되게 하나의 시스템 내에서 구현될 수 있도록 하였다. 따라서 HyGIS와 통합된 수리, 수문모형은 국내 하천 및 유역에 적합한 시스템으로서 향후 HydroInformatics 구현을 염두에 둔 특화된 국내 수자원 분야 소프트웨어의 개발에 기본 토대를 제공할 것으로 판단된다.았다. 또한 저자들의 임상병리학적 연구결과가 다른 문헌에서 보고된 소아 신증후군의 연구결과와 큰 차이를 보이지 않음을 알 수 있었다. 자극에 차이가 있지 않나 추측되며 이에 관한 추후 연구가 요망된다. 총대장통과시간의 단축은 결장 분절 모두에서 줄어들어 나타났으나

• 한국의류학회지
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• 제40권3호
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• pp.566-573
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• 2016

Sustainability in fashion cannot ignore fashion attributes required for the design of rapidly changing and innovative products. This study examines "Re-Birth Design" development and provides a means to apply academic and industry perspectives to the investigation of Re-Birth fashion product development. This study defines "Re-Birth Design" as stock that has been designed and launched through distribution channels, subsequently returned unused, then improved and reborn into a new product for redistribution. This study analyzed specific cases. We selected 100 designs for Re-Birth from 11 brands of "K" fashion company in Korea, to be successfully sold in 2014. These cases are used in the analysis and are categorized into design types. As a result of the analysis, "Re-Birth Design" had five levels: Level 1. Changes in supplementary materials such as adding or removing decoration, Level 2. Changes in patterns or materials (changes within the product), Level 3. Partial changes in design (leading to a new design), Level 4. Complete deconstruction and rebirth of the design, and Level 5. Complete deconstruction followed by the use of the design source for a new product that is not a garment. This study analyzed products owned by brands, as well as successful cases of Re-Birth designs that reused existing resources, reduced energy consumption, and increased environmental and economic efficiency by recreating new products that could be resold.

• 한국가구학회지
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• 제26권4호
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• pp.421-427
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• 2015

21century design is working in order to increase the accessibility, eliminating alienation hierarchy for the use of the product. Efforts to these design approach are not intended for a small number of users. It offers the advantage of a variety of design for users of a wider range. So, it was allowed to extend the value in good design for all human beings. Traditional thought is expressed in a variety of shapes by applying meaning to another re-interpretation for the form to contemporary furniture and structure and decoration. Gyeongsang have a religious solemn feeling in the typical furniture of hall space that reflects the inner distinctive tradition thought of scholar of the Chosun Dynasty. For these reasons, in the present study, based on the modeling elements of Gyeongsang, which is based on the traditional idea of our country, there is the purpose to propose a design of agreed with table in modern lifestyle. Design concept proposed in this paper, to be applied to the design of the table is placed in the living space by re-interpreting the modeling properties which can be felt in the thin form and structure and patterns as modern image.

• 한국실내디자인학회논문집
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• 제12호
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• pp.87-90
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• 1997

Interior design, evolved from interior decoration of the 20th century, is one of environmental designs which contribute to the overall well-being of human life-physically, psychologi-cally, and emotionally. Moreover, it is also a complex and multi-faceted profession that requires a strong understanding of not only human behaviors and the impact of the designed environment on them, but also of changing technologies and their potential effects. Furthermore, design is a participatory process which requires the application of research, and theoretical knowledge to resolve issues addressing the society. Indeed, there has been various kinds of researches in the interior design field that came about. Through scrutinization of master's theses and doctoral dissertations, this study intends us to grasp the current trend of interior design researches. Theses and dissertations related to interior design and architecture were and sources for this study. The subject of the analysis for this study was limited to the 560 titles of such like these, published from 1970 to 1996 by gradute schools related to interior design or architecture. The results were as follows : Since the '80s, there had been active researches on the interior design field. The subject space had extensively been expanded in its area, especially in the case of commercial environment. The content of those researches had focused on space design with the intention of applying the results to hypothetical one.