• 대한가정학회지
• /
• 제42권4호
• /
• pp.45-54
• /
• 2004

The Purpose of this study was to research and develop a Pattern of tight Pants, featuring excellent appearance, movement and suitability for the lower body, which are widely used as a basic item for modem dance, aerobic dance and dance sports, and to provide manufacturing data for the pants. This study was carried out with 118 People who majored in dance, using questionnaires asking questions about their understanding and preference of dancewear The experimental dancewear was produced, using 5 kinds of patterns for tight pants on the market, to find out the most excellent pattern in appearance and movement performance. Then, the most excellent pattern was again improved to produce a pattern for this study. The result of this study is summarized as follows. 1. Regarding shops where they purchased dancewear exclusive shops accounted for 97%, their average price was ￦30,000 to ￦50,000(51%), and dancewear separated between the upper and lower halves was most preferred(56%). Cotton span was preferably used for a dancewear material(71%), and their dissatisfaction of a fit accounted for 38% which appeared to be highly unsatisfied with its suitability. 2. When S types of experimental dancewear prepared with a comparative pattern were tested by the senses, it was shown that the comparative pattern of experimental wear number 5 with a strip w3s excellent in movement functions and appearance. 3. The basic items necessary to design the tight pants' study pattern were categorized into waist circumference, hip circumference, crotch depth and slacks length. The shrinkages of 15% in width, 10% in crotch length md 20% in inside leg length were applied, respectively, referring to previous studies and the experimental dancewears' comparative patterns. 4. When the improved study pattern for this study was tested by the senses, it showed higher scores in movement functions and appearance than the comparative pattern did, which confirmed the study pattern's improvement of functions and appearance.

• 한국콘텐츠학회논문지
• /
• 제16권7호
• /
• pp.633-639
• /
• 2016

'공황연극(Panic theatre)'의 미학을 실천하며 현대 전위연극의 기수인 페르난도 아라발 작품 ${\ll}$게르니카${\gg}$의 실제 춤-연극 창작을 통해 광적의식과 움직임의 시적표현에 나타난 집단페이소스를 분석하였다. 분석논리는 인간의 내면적 대립과 모순의 이원적 요소를 근거로 비현실과 비논리를 뛰어넘는 부조리극의 페이소스 특성에 기초하였다. 작품 ${\ll}$게르니카${\gg}$에서 부조리 춤은 광적의식에서 비롯된 집단페이소스 현상으로 나타났으며, 단계적인 몰입구조를 통해 시적표현의 연계반응과 춤 표현의 새로운 소통구조의 틀로 분석되었다.

• 한국콘텐츠학회논문지
• /
• 제16권6호
• /
• pp.365-373
• /
• 2016

본 연구는 소매틱스(Somatics)를 발전시킨 무용 콘텐츠(Dance Contents)의 신경과학적 매커니즘(neuroscientific mechanism)을 문헌연구를 통해 밝히고자 하였다. 이에 따라 첫째, 소매틱스에서 사용하는 뇌과학적 매커니즘을 정리하고 둘째, 무용에서 활용되고 있는 소매틱스 훈련법을 통해 적용된 훈련법에 내포된 뇌과학적 메커니즘을 문헌연구를 통해 밝혀보았다. 본 연구에서는 소매틱스를 휄든크라이스(Feldenkrais)로 제한하여 신경가소성(neuroplasticity), 고유수용감각(proprioception), 감각통합(sensory integration)를 통해 작동원리를 설명할 수 있었다. 연구결과 가가(Gaga)와 타말파(Tamalpa)는 휄든크라이스의 주요기법인 움직임을 통한 자각(awareness thorough movement)을 수용하여 고유수용감각을 통해 받아들인 정보들을 통해 새로운 네트워크를 형성하고 감각통합을 하는 방식을 취하였다. 본 연구는 무용 훈련 안에서 일어난 뇌와 신체 간의 작용원리를 과학적으로 설명하고, 안무자, 무용가들이 자신의 무용연구 및 훈련에 이를 적용하고, 뇌과학적 관점에서 신체 움직임의 작동원리를 설명할 수 있는 밑거름을 제공하는데 그 의의가 있다.

• 한국운동역학회지
• /
• 제25권2호
• /
• pp.199-206
• /
• 2015

Objective : The purpose of this study was to conduct a biomechanical analysis of a one-legged jump in a traditional Korean dance (Wae Bal Ddwigi) according to breathing method. Method : Participants for this study were 10 dancers with experience for at least 10 years in traditional Korean dance. Independent variables for this test were two different types of breathing methods. Dependent variables were ground reaction force and lower extremity kinematic variables. The jumping movement was divided into three separate stages, take off, flight, and landing. The subjects were asked a questionnaire regarding the degree of impact force and stability of landing posture after the experiment. The Kistler Force Plate (9281B, Switzerland) was used to measure ground reaction force. A digital camera was used to look into angles of each joint of the lower part of body. SPSS was used for statistical analysis via the dependent t-test(p<.05). Results : There were significant differences in jumping according to breathing method. The inhalation & exhalation method yielded significantly longer flight times combined with greater ground reaction force. The breath-holding method required more core flexion during landing, increasing movement at the hips and shoulders. Conclusion : Consequently, there was more flexion at the knee to compensate for this movement. As a result, landing time was significantly higher for breath-holding.

• 아동학회지
• /
• 제33권6호
• /
• pp.21-34
• /
• 2012

This study examined the effects of physical activities using Korean dance upon the motor abilities of young children. The subjects of this study were divided into 2 groups. The first group was an experimental group (boy=12, girl=13) who participated in the Korean dance class and the other group was a comparative group (boy=11, girl=14). Experiments were performed during 18 sessions for 9 weeks. The study findings are as follows. First, physical activities using Korean dance had positive effects upon the development of basic motor abilities in young children. In terms of these basic motor abilities, movement motor ability and whole muscle operation motor ability showed significant differences between the pre-test and post-test stage in the experiment group and between the experimental and comparative groups in the post-test stage. On the other hand, in terms of non-movement motor abilities, there was a significant difference between the pre- and post-test stages for the experimental group, but no significant difference in the post-test stage for the experimental or comparative groups. Second, physical activities using Korean dance had positive effects upon the development of perceptive motor abilities in young children. In other words, in the sub-variables of perceptive motor abilities, there were significant differences between the pre- and post-test stages of the experimental group which experienced physical activities using Korean dance. In conclusion, the study findings showed that physical activities using Korean dance had positive effects upon the increase of both basic motor abilities and perceptive motor abilities in young children. Additionally, the experimental group exhibited more positive effects in the various areas of motor abilities than the comparative group.

• 한국콘텐츠학회논문지
• /
• 제18권12호
• /
• pp.383-393
• /
• 2018

이 연구는 뮤지컬 전공대학생들이 체험하는 한국 춤의 신명(神明)요소들을 개념화하고 이를 주제별로 범주화하여 경험과정에서 나타나는 신체움직임의 표현인식들을 연구하는 것이다. 참여자는 춤과 노래 그리고 연기경험이 있는 뮤지컬 전공 대학생 남녀 12명이며, 프로그램은 신명체험(神明體驗)을 주제로 한국의 춤과 소리인식, 호흡과 움직임을 중심으로 주2회 4주간 8차시로 구성하였다. 질적 연구는 과정중심의 발견이며, 관찰과 심층면담 그리고 자기보고서를 토대로 귀납적 영역분석을 시행하였다. 분석의 핵심은 소리와 호흡을 통한 신명정서와 신체표현 인식탐구에 집중하여 내용분석을 시도하였다. 결론적으로 뮤지컬 전공대학생들에게 한국 춤 신명체험을 통한 움직임의 표현인식은 첫째, 신체지각을 통한 창의적 사고향상 둘째, 소리와 호흡의 집중력을 통한 이미지표현활용에 기여한 것으로 나타났다. 또한 한국 춤의 신명체험을 통한 소리와 호흡의 재발견과 표현이미지의 연구결과는 뮤지컬 전공대학생들이 인식하는 신체표현의 유용성과 창의적 요인들로 구분되어 교육적 측면과 연계하여 논의될 수 있을 것으로 사료된다.

• 한국실내디자인학회논문집
• /
• 제15권5호
• /
• pp.28-35
• /
• 2006

During the modern age, various fields have fundamentally changed from the preconceived ideas of the past. The concept of time-space relationship changed also. E. J. Marey was almost the first one to visualize the movement of animals and people through scientific methods. Frank B. Gilbreth used more precise photographic equipments to develop more accurate and specific body movement diagrams. The emergence of visualization of body movement is not the only product from the scientific field. The new concept of time-space can be easily noticed in modem art, music and dance. In space design, Futurism attempted to represent the dynamism and speed in a sculptural form. On the other hand, there were examples to further investigate the specific analysis of body movements such as 'Scientific Management'. Body movement diagrams are widely used in various projects in contemporary space design. The difference is that now the design process is more integrated with the analysis. The representation of speed and the container of movements are interwoven in a complex manner in which fluid relationship between body and space is possible. Three types can now be considered: Object, Container and Interactivity. This study attempts to analyze brief history of body movement studies and their application for contemporary space design.

• Journal of Life Science
• /
• 제11권2호
• /
• pp.87-91
• /
• 2001

We conducted this study to analyze the effectiveness of a treatment called 12-week therapeutic recreation dance movement (TRDM) to elderly people in terms of health care and recovery. Forty two elderly people were participated in this study and divided into two groups with healthy (twelve) and unhealthy (thirty). After TRDM treatment, the muscular power was increased in both groups without statistical significance within and between groups. The flexibility, agility and balance were slightly increased in both groups. Although the elevation of muscular endurance was not significant between groups, it was statistically meaningful within groups. The results of body composition comparison did not reveal meaningful difference within and between groups. However, the amount of fat in serum and fat distribution percentages ware decreased in both groups. Both group appeared to be increased muscle mass. The level of body water was decreased in healthy group and increased in unhealthy group. Unhealthy group appeared to be decreased level of T-C, TG and LDL-C. In contrast, the unhealthy group revealed the increased level of HDL-C. These results demonstrate the effect of TRDM to elderly people. This effectiveness can be adapted for the protection and treatment of geriatics-related adult diseases such as diabetes, hypertension and hyperlipidemia.

• 한국운동역학회지
• /
• 제21권1호
• /
• pp.77-83
• /
• 2011

In dance sport, hip movement is the most basic and essential technique, connecting the body movements to make the body move organically, and providing an overall balance of body movements. From that perspective, this study focused on the Cucarachas movement, representing a series of efficient hip movements in the center of gravity. For the purposes of this study, 4 dance sport participants who had won prizes at international contests were selected in order to analyze such variables as the radius of gyration (shift) on the hips and the shift of the center of gravity when scapula depression was performed and when it was not. To examine differences in these kinematic variables, a paired t-test was conducted, resulting in the following findings: First, the dancers were found to be able to control scapula depression, and a significant difference was observed in the vertical axis(Z) between the times when scapula depression was performed and when it was not. Second, when scapula depression was performed, shifts in the left-right axis(X) and anterior-posterior axis(Y) were found; the left-right axis showed a greater difference than the anterior-posterior axis. Third, scapula depression was found to have an influence on the shift to the left-right axis(X) of the center of gravity.

• 한국영양학회:학술대회논문집
• /
• 한국영양학회 2001년도 춘계연합학술대회 초록
• /
• pp.186.1-186
• /
• 2001