• 한국콘텐츠학회논문지
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• 제10권12호
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• pp.164-172
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• 2010

본 논문의 목적은 문화 콘텐츠의 네이밍 창작 과정을 선택제약 위반에 기초하여 밝히는 것이다. 이것은 선택제약 위반이 '왕의 남자'와 '비보이를 사랑한 발레리나' 같은 문화콘텐츠에 있어서 스토리 계획과 제목 네이밍의 한 방식으로 중요하게 고려되어야 함을 강조한다. 선택제약에 관한 이런 접근법은 1965년 노암촘스키의 '통사이론의 제양상'이란 저작에서의 주장을 근거로 한다. 그의 아이디어는 언어학상 법칙의 위반은 단어와 문장의 선택자질과 관련된 허용성에 영향을 끼친다는 것이었다. 본 논문은 그의 선택제약과 선택제약 위반 사이의 확장된 개념을 문화콘텐츠의 네이밍 창작으로 맞춘 것이다.

• 영미문화
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• 제16권2호
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• pp.89-110
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• 2016

Since he was an exile, Henry James himself was well aware of agonies as an outsider in either Europe or America. Such an anguish is deftly depicted in the character of Felix Young with James's unique ironic tone. Unlike James, however, Felix is neither affluent nor distinguished as an artist. Nor is he supported by any patron. Furthermore, at first, he doesn't seem to survive the strict joyless environment in New England, but he possesses his own survival value. His unique esthetic value and his beautiful smile enable him to win Gertrude's heart. His adroit balance between pleasure-seeker and respect for American serious culture without hostility ultimately ends up with his marrying Gertrude. His arrival in Boston might pose a threat as Mr. Wentworth fears. Actually he subverts the traditional idea of an artist. He is armed with amiability and frankness, which are incongruous with a stereotypical idea of an artist: a willful, freakish, and self-righteous person. Felix here suggests to us that a new kind of modern art be possible. Gertrude is also a new woman who opposes to staying put under the patriarchal society. She is always wavering in and out of the house, searching for opportunities to quench her curiosity to see the world by breaking the bond of New England. Her ceaseless quest for independent values results in fortuitous encounter with a new species of artist Felix. Unlike Henry James's other novels, in which male characters assume a role of sophisticated "fortune-hunter," the union of Felix and Gertrude in The Europeans represents the compromise between two different cultures. According to Nietzsche, the birth of superman is possible by the union of Athens and Jerusalem. In other words, the matrimony of Felix and Gertrude means the commingling of his liberal arts and Gertrude's moral seriousness might contribute to the birth of the new culture.

• 철학연구
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• 제113호
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• pp.61-92
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• 2016

현대에 들어와 문화에 대한 관심이 높아지고 있지만, 문화와 인간성의관계에 대한 논의는 제대로 이루어지지 않고 있다. 문화는 인간성의 형성과 밀접한 관련이 있다는 것이 서구의 전통적인 생각이었으나, 현대의 문화상대주의적인 경향으로 인해 현대의 철학은 개개 문화가 지니는 인간성 형성 및 도덕적의미에 대해 크게 관심을 쏟지 않는다. 반면, 후설은 문화의 보편성을 주장하면서 문화보편주의적 관점에서 이른바 이상적인 도덕적 문화공동체를 추구한다. 이의 역사적, 철학적 근거가 되는 것이 고대 그리스에서 등장한 철학적 문화이다. 이 철학적 문화는 참된 인간성의 이념을 추구하면서 온 인류를 포괄하는 보편적인 도덕공동체의 정립을 지향하며 나름의 역사적인 타당성을 지닌다. 고대그리스의 철학적 문화는 인류가 나아가야 할 건전한 문화공동체의 이념을 보여주면서 문화가 도덕적 인간성의 실현에 어떤 영향을 끼치는 지 잘 보여준다는것이 후설의 생각이다. 그러나 이러한 후설의 철학적 문화에 기반한, 낙관적인도덕적 문화공동체의 이념은 하나의 이상일 뿐 현실성이 없다는 반론에 부딪힌다. 대표적으로 니버는 아무리 개인이 도덕적이라고 하더라도 공동체는 결코 도덕적일 수 없다는 주장을 편다. 니버의 주장은 일면 타당성이 있지만, 문화가지니는 도덕적, 연대적인 성격을 간과하고 있다는 점에서 한계를 보인다. 후설의 철학적 문화공동체의 이상은 따라서 이것이 문화공동체의 성격을 지니는 한여전히 현대에서도 현실적 타당성을 지닌다.

• 만화애니메이션 연구
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• 통권15호
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• pp.267-281
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• 2009

이 논문은 문화콘텐츠를 타 산업분야와 효과적으로 접목시켜 또 다른 부가가치를 창출할 수 있는 방안을 모색하고자 하는 의도로 작성되었다. 이를 위해 제주자치도의 주력산업인 관광산업과 문화콘텐츠의 접목이 어떤 방향에서 이루어져야 할 것인지를 살펴보았다. 문화콘텐츠가 다양한 부가가치를 창출할 수 있음은 주지의 사실이나 이를 효과적으로 개발하고 부가가치로 연결하려는 노력은 현재 부족한 상황이다. 특히 지방자치단체들의 문화콘텐츠에 대한 인식의 부족은 심각한 수준이다. 이를 개선하기위해서는 문화콘텐츠에 대한 제대로 된 인식과 이를 효과적으로 부가가치로 연결시키려는 사고의 전환이 필요하다. 이에 본 논문은 문화콘텐츠의 개발은 단순한 콘텐츠의 개발만으로 이루어지는 것이 아니라 부가가치 수립을 위한 캐릭터 상품의 개발전략 수립, 관광상품 개발전략 수립, 슬로건의 통합 등 다양한 방법이 결합되어야만 가능하다는 것을 제안 하였다.

• 한국콘텐츠학회논문지
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• 제10권2호
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• pp.202-214
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• 2010

본 논문은 문화산업의 발전에 문화원형을 어떻게 효율적으로 활용할 것인가 하는 방안을 제시하기 위한 연구이다. 현재 다양한 전통문화상품들이 수도 없이 개발되고 있지만 문화재의 단순한 복제품이거나 트렌드를 고려하지 않은 전통의 복원에 국한되어, 소비의 대중화가 이루어지지 않고 있다. 본 연구는 백제 무령왕릉 출토유물에서 나타난 문양을 중심으로 진행되었다. 백제의 문화 중, 집단적인 전통의 상징물로 일반화된 특성을 가진 문양의 문화원형적 가치에 주목하였다. 아울러 문화상품의 디자인 개발은 전통적인 의미를 내재함과 동시에 현대적인 스타일로 표현하면서, 문양에 함축된 스토리 요소를 최대한 활용하는 방법으로 진행하였다. 디자인 연구개발 순서는 먼저 유물의 구성요소와 형태를 기본으로 정형화하고, 문양의 단순한 현대화가 아닌 문양 내제된 스토리를 고려한 디자인 모티브를 개발하였다. 그리고 개발된 디자인 모티브를 상품의 컨셉에 맞도록 디자인하여 시제품을 개발하였다.

• 한국의류학회지
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• 제24권4호
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• pp.538-548
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• 2000

A study analyzes the eclectic trend shown in Andy Warhol look to explain the pluralistic aspect which is expressed in the late 20th century's fashion. Eclecticism is a trial to dismantle the barriers between pure art and popular art, high culture and low culture. This pursues harmonious accommodation and coexistence of all areas without being confined in the conventional lofty taste or high art. This thesis studies the characteristic aspects of the eclectic trend by classifying this trend into sell culture, mass media and fashion around the Andy Warhol look. The sexual eclectic trend in Warhol look is bisexual one shown in clubland and the world of modeling and supplies fashion with abundant expression and ambiguity. Warhol established cultural eclecticism by compounding high cultural factors and low cultural factors. broke up the boundary between street fashion and high fashion and escaped from the fixed idea on materials and design. Also he generalized and democratized specialty or nobility conventional paintings had possessed through introducing repetition and mediocrity and fully utilized every kind of mass media, Hollywood movie stars and daily necessaries in producing works. Andy Warhol who asserted‘Business Art’that was the mixed form of artistry and commercialism had creative and futuristic taste and proposed the direction to develop current fashion and art where the concept of economy is importantly brought into relief.

• 한국도서관정보학회지
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• 제21권
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• pp.291-323
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• 1994

The Result of the study can be summarized as follows : (1) Korean culture and public library look extremely wasted equally. Judging from this fact, I believe that it is impossible for public library can contribute to development of Korean culture. (2) But, public library can contribute to development of culture in the cultural environment that mental desire is prior to physical wants. This cultural environment can be built up with reading of good books. Therefore, if class to reading education and diverse reading education programs can be activated in a large portion of the nationwide public libraries and the majority of a local resident are capable of improving their creativity power, thinking power and imaginative faculty, public library can contribute to produce such cultural circumstances. (3) Quality, culture, a human and mind receive mu6 respect in Korean Society as advanced civil, democratic and industrial society in the future. The Society will be influenced by reason and rational culture will be suitable to this society. Creativity power, thinking-power, imaginative faculty, intelligence and power of information management are demanded to the greatest degree for the development of idea and new technology in the society under the control of rational culture. So, lifelong education with library use is the most fruitful and inexpensive way for the improvement of these powers.

• 한국주거학회논문집
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• 제17권2호
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• pp.63-75
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• 2006

The exploration of the spatial structure of a particular urban area, or the analysis of the tendencies of spatial consumption among urbanites, can be a literary-geographical attitude, shifting literary interests toward geography. It may also constitute a field of cultural geography that reads texts as cultural symbols. Based on this kind of attitude, the paper reads the literature of Park Wan So, particularly the popular novels that involve urban and residential spaces of Seoul, as a cultural text that carries a kind of symbolism. It proceeds with the idea that most popular novels reflect the mass phenomena of its times, and that representing real cultural experiences through text, it becomes a means of generalizing the identity shared by the anonymous masses and the characteristics of particular places. Hence the individuality of Park Wan So, who moved to Seoul during the Japanese colonial period and hence forth lived as a middle-class citizen, is inseparable from her literary work. With this attitude and methodology, the paper argues that in the urban space of metropolitan Seoul, the modern ambivalent gaze of the colonial period shifted toward increasingly new value systems, and was replaced by a dichotomous view, and furthermore, that the contents of this dichotomous view has experienced a multivalent transformation through the accumulation of time and the expansion of space.

• 패션비즈니스
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• 제24권3호
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• pp.114-120
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• 2020

This paper is a study of culture and identity expressed in textile art works of the age of globalization, centering on the Beijing International Fiber Art Biennale. This study began with the idea that globalism would develop regional cultural diversity as well as contribute to the field of art. In 2000, the Beijing International Fiber Art Biennale held its first large exhibition, and a total of 10 biennales were held from then until 2018. Get an understanding of the Beijing International fiber art Biennale, and select award-winning works from one to ten times to learn about cultural characteristics and identity. The analysis was based on the works of awards from China and Japan, including Korea, which are the center of East Asian culture. The Beijing International Fiber Art Biennale has steadily increased the number of participating countries, writers and works, and once again opened the stage for the revival of textile art following the Lausanne International Tapestry Biennale. Through the Beijing International Fiber Art Biennale, textile artists hope to promote world harmony in textile art, respect cultural diversity and conduct equal dialogue between East and West cultures.

• 헤리티지:역사와 과학
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• 제35권
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• pp.186-219
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• 2002

It is fortunate to glance at the old fabric style through the fabrics found in the Buddhist statues. There fore these fabrics deserve more attention and significance among the various remains found in the Buddhist Statues and should be taken carc of as the cultural inheritance. Concepts in the traditional fabrics could be viewed in three different aspects, In the first, the five primary elemental conception(五方思想) deeply rooted as the part of life style in old time appeared in five dircctional colors of the costumes whicb in turn connected to the traditional thought of order and harmony with nature. The second is the formal aspect. As can be seen in the fabrics found in the Buddhist statue, religious symbol was shaped into spiritual representation. The third is the aspect of the textile motifs, where wealth and preference for son were symbolized and even a utopia they dreamed for was appeared in the motif. Considering these conceptual aspects, the traditional textiles could be understood in line with the other cultural activity and should be taken more attention since the idea embeddcd in the textiles or colthes reveal the essential thoughts in old time.