• The Journal of Korean Institute of Communications and Information Sciences
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• v.33 no.3C
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• pp.262-270
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• 2008

We propose a technique to protect digital images using the magnitude and orientation of their edges. The proposed technique uses the content-associated copyright message generated by combining the original copyright message with the magnitude and orientation of some edges of a digital image. It enables the distribution of the original copyright message without any distortion of original digital images by avoiding embedment of the original copyright message into images. In addition to the advantage in the image quality, it also has a relatively low computational complexity by using simple operations to generate the content-associated copyright message. To verify the proposed technique, we performed experiments on its robustness to the external attacks such as histogram equalization, median filtering, rotation, and cropping. Experimental results on restoring the copyright message from images distorted by attacks show that more than 90%, on the average, can be recovered.

• The KIPS Transactions:PartB
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• v.10B no.4
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• pp.367-372
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• 2003

The existing watermarking techniques for copyright protection of a digital image are fragile in geometric distortion and it is hard to detect whether it was manipulated artificially. In this paper, we proposed the new copyright protection system that can authorize a digital mage and :an embed or extract a robust watermark in a artificial manipulation in order to solve these problems. In a watermarking part, the proposed a watermarking technique embeds a watermark in a phase component after a Complex Wavelet Transform (CWT) with an original image, and a watermark is extracted from an watermarked image by stages. A copyright about an image can be insisted on than a threshold after comparing a correlation of an original watermark with an extracted watermark if large. In an authentication part of a digital image, EZW (Embedded Zerotree Wavelet) is used, and an authentication cord of an watermarked image is generated. An authentication code of an image to have been distribute to is compared with a generated authentication cord, and artificial operation isn´t than a threshold if large. The proposed copyright protection system through performance evaluation display that it was robust in geometric distortion and a artificial operation was able to be detected.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.10 no.12
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• pp.3682-3687
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• 2009

In this paper, we design and implement watermarking system which create, insert and detect watermark comprised of number or logo to protect copyright and to prevent illegal plagiarism through inserting copyrighting information of owner into the original image. In the proposed system, the number or logo as watermark is selectively inserted according to characteristics of the original contents or requirement of copyrighter. The system also has convenient user interface which general administrator who hasn't expert knowledge for the protection of copyright uses easily. Ownership and copyright protection using digital watermarking technology intensifies creating volition of clients who want to create contents such as cultural contents, Thus, we can expect increasing requests for creating contents such as cultural contents.

• The Journal of the Institute of Internet, Broadcasting and Communication
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• v.21 no.1
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• pp.27-34
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• 2021

In this paper, we propose a copyright protection scheme for real-time streaming of HEVC(High Efficiency Video Coding) based realistic content. Previous research uses encryption and modular operation for copyright pre-protection and copyright post-protection, which causes delays in ultra high resolution video. The proposed scheme maximizes parallelism by using thread pool based DRM(Digital Rights Management) packaging with only HEVC's CABAC(Context Adaptive Binary Arithmetic Coding) codec and GPU based high-speed bit operation(XOR), thus enabling real-time copyright protection. As a result of comparing this scheme with previous research at three resolutions, PSNR showed an average of 8 times higher performance, and the process speed showed an average of 18 times difference. In addition, as a result of comparing the robustness of the forensic mark, the filter and noise attack, which showed the largest and smallest difference, with a 27-fold difference in recompression attacks, showed an 8-fold difference.

• International Journal of Computer Science & Network Security
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• v.22 no.2
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• pp.424-435
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• 2022

When the owners of the intellectual property rights of digital content have lost control over it in the digital environment, there emerged fears that the intellectual property laws, especially copyright law, would not be effective as in the material (Offline ) world. The reason is that the digital environment helps to reproduce copies in high quality and at almost no cost, while copyright law protection has been limited to programs embedded in CDs. According to copyright laws, the owner of the program did not have the right to prevent buyers of the initial physical copy of the program from copying and reselling it to more than one individual without the permission of the original owner. As a result, business owners have invented the idea of licensing digital content and programs instead of selling them. They set out terms that serve their commercial interests regardless of their abuse to intellectual property laws or even the rules of the traditional contract to sell a material property. The abuse has resulted from the way those terms are concluded and the heavy rules that are unfair to consumer rights. Therefore, business owners insisted on dealing with the website and its programs and digital content as material property. Here raises the question of whether the website and its digital content are subject to the protection of copyright law or the rules of the traditional contract or licensing contracts. As the answer to this question affects the protection of consumer rights, is it possible to find a balance between it and the protection of the owners of digital programs' rights.That is what we will discuss in this paper.

• Journal of Broadcast Engineering
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• v.6 no.1
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• pp.3-12
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• 2001

Over the last few years, digital audio watermarking has become an interesting issue In many application areas, including digital broadcasting. This is primarily motivated by a need to provide copyright protection of digital audio content. Digital watermarking is a technique to embed copyright or other information int? the underlying data. Several possible audio watermarking techniques have been developed including spread spectrum watermarking, echo watermarking, phase coding, and patchwork. In this paper, we describe some requirements of digital audio watermarking as a tool for copyright protection of broadcasting content, and compare popular audio watermarking algorithms in some significant aspects.

• The Journal of the Korea Contents Association
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• v.6 no.1
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• pp.170-178
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• 2006

In this paper, the hybrid-watermarking method to make it possible to the authentication, modification detection and copyright protection of the digital image was proposed. After the original image is transformed by the DWT(Discrete Wavelet Transform), the encrypted watermark information is embedded into the LSB(Least Significant Bit) of LL band on the low frequence domain for authenticating and detecting modified position in the image. And watermark information is embedded by exchanging the wavelet coefficient for the copyright protection. Thereby, we can authenticate the modification and detect the modified location by extracting the values of LSB on the low frequence domain. And we can perceive the copyright information of original image by extracting the embedded watermark on the high frequence domain.

• Journal of information and communication convergence engineering
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• v.3 no.4
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• pp.195-200
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• 2005

The MPEG-4 standard is aimed to define an object based audiovisual coding standard to address the emerging needs from interactive broadcasting. Since a broadcasting program is created on the basis of its objects, it is considered that MPEG-4 is most suitable for interactive broadcasting contents production and it can be retrieved in terms of its properties. But, there is no system that protects the copyright of digital contents and manages copyright and possibility that contents producer and author's copyright receives infringement at process that exchange contents mutually rose very. Therefore, we need to control and distribute contents according to user's permission rights. In this paper, we present the authoring system based on MPEG-4 IPMP for copyright and protection of MPEG-4 contents. The main features of the proposed approach is to provide an MPEG-4 compliant IPMP authoring system in a plug-in type along with standardized interfaces, which is to be able to incorporated into an existing MPEG-4 content authoring system. In this way, it is capable of authoring content to the MP4 file format while accommodating protection and management of content in a unified way. Furthermore, it also allows a user to edit and/or author IPMP information in a more efficient way by offering form based user interfaces.

• Journal of Internet Computing and Services
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• v.4 no.4
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• pp.27-34
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• 2003

Digital image manipulation software is now readily available on personal computers. It is therefore very simple to tamper with any image and make it available to others. Therefore. copyright protection of digital contents and insurance of digital image integrity become major issues. In this paper, we propose a hybrid watermarking method to identify locations of tampered region as well as copyright. Our proposed algorithms embed the PN-sequence into low frequency sub-band of the wavelet transform domain and it doesn't need the original image in extraction procedure. The experimental results show good robustness against any signal processing with tamper detection on still image.

• Journal of Information Processing Systems
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• v.20 no.2
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• pp.273-283
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• 2024

The digital domain has witnessed unprecedented growth, reshaping the way we interact, work, and even perceive reality. The internet has evolved into a vast ecosystem of interconnected virtual worlds, giving birth to the concept of the Metaverse. The Metaverse, often envisioned as a collective virtual shared space, is created by the convergence of virtually enhanced physical reality and interactive digital spaces. Within this Metaverse space, the concept of ownership, identity, and authenticity takes on new dimensions, necessitating innovative solutions to safeguard individual rights. The digital transformation through Metaverse has also brought forth challenges, especially in copyright protection. As the lines between the virtual and physical blur, the traditional notions of ownership and rights are being tested. The Metaverse, with its multitude of user-generated content, poses unique challenges. The primary objective of this research is multifaceted. Firstly, there's a pressing need to understand the strategies employed by non-fungible token (NFT) marketplaces within the Metaverse to strengthen security and prevent copyright violations. As these platforms become centers for digital transactions, ensuring the authenticity and security of each trade becomes paramount. Secondly, the study aims to delve deep into the foundational technologies underpinning NFTs, from the workings of blockchain to the mechanics of smart contracts, to understand how they collectively ensure copyright protection. Thus, in this paper, we propose a quantum based NFT solution that can secure Metaverse and copyright contents in an advanced manner.