• Journal of architectural history
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• v.2 no.1 s.3
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• pp.126-135
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• 1993

Italian Rationalism held a specific position in the Modern Movements of Architecture, due to the fact that Italian Rationalism could not totally escape from the classical tradition of Italy. Until the seventies, Italian Rationalism had been criticized for having made no contribution to the progressive aspects of the Modern Movements owing to the very keeping of tradition. After the seventies, however, there emerged a movement which tries to reinterprete the Modern Movements of Architecture in relation to tradition and under this new situation, Italian Rationalism is believed to have a historical possibility of unifying tradition with modernity. This study is to show how Italian Rationalism struggled with the issue of tradition, why Italian Rationalism was under-evaluated and which historic lesson we can learn from it in the contemporary days of the revivalistic Post-Modernism.

• Korean Institute of Interior Design Journal
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• v.13 no.3
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• pp.35-42
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• 2004

This study dealt with approaches in architecture and music in the contemporary situation characterized by accidence and uncertainty through Pierre Boulez and Rem Koolhaas' works. First of all, we examined basic positions with starting from zero degree breaking from fixed ideas and with relative neutrality. Then, from a methodological aspect, we inquired into 1) anti-hierarchical objective approach, 2) accidental approach to form. 3) diagram of structure and event, and 4) the use of selective routes. Lastly, from a receptive aspect, we dealt with the space of pluralistic perspective and works in progress. The two persons used chaosmos approach that enables adjustment and control through structure defining the relationship with accidence or chaos. With the approach, they created works in progress or open works that have a pluralistic viewpoint working in the field of specific relation and the concept of endless regeneration.

• Korean Institute of Interior Design Journal
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• v.25 no.6
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• pp.89-97
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• 2016

The aim of this study is to review Norberg-Schulz's architectural phenomenology to find out its meaning and limitations in contemporary architecture. His phenomenological trilogy, 'Existence, Space and Architecture', 'Genius Loci' and 'The Concept of Dwelling' are main texts to examine background, characteristics, meaning and limitations of his theory in relation to Structuralism and Heidegger's thoughts. Heidegger's phenomenology, especially his dwelling concept, had great impacts on forming Norberg-Schulz's architectural phenomenology. However, since his architectural phenomenology was strongly influenced by Structuralism, his theories present unstable combination of phenomenology and semiotics. And this results in instrumentalization, and overlooking body movement and socio-economical elements in his theory. In spite of these limitations, his theory also shows possibility to go beyond the theory of Modern architecture and plays important role in suggesting direction for better environment through applicability from single building to city in Postmodern architecture. Another meaning of his theory lies in presenting theoretical background for new way to interpret regionalism and specific policy tool to make town planning in Finland.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2006.11a
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• pp.219-222
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• 2006

Architecture is builded on the ground and affected environment which include shape of topography and situation. What this study saying is the analysis about the relation between the concept of structural geomorphology and the space modern architecture. As there are many issue about boundary of space and organic architecture, It is important what study about structural geomorphology In paper, we will aware that there are many similarities between architecture and topography. Notion of folded structure in structural geomorphology is connected with continuity or infinity. This is one of many example.

• Journal of the Korean Society of Clothing and Textiles
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• v.21 no.2
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• pp.302-313
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• 1997

The purpose of this study was to investigate the meaning structure of Korean costume image in contemporary Korean fashion design expressed beauty of traditional dress. This study compared Korean and American regarding the evaluation of Korean costume image. The result was as follows; 1. The constructing factors of Korean costume image were found out as elegance, simplicity, neatness, femineity, looseness. (total variance; 62%) 2. The visual evaluation between Korean and American were sinificantly different regarding 5 factors. 3. Korean costume design were classified 4 clusters. Korean traditional fabrics and colors were commonly used in the 4 clusters. Difference of design were found in the structure of form. Formation of Korean costume image were influenced by silhouette and pattern of fabric. 4. Image of 'Would like to purchase' were influenced by image of taste.

• Journal of the Korean Society of Clothing and Textiles
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• v.24 no.3
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• pp.313-322
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• 2000

The purpose of this study was to investigate the characteristic and image of oriental costume designs which represented among three countries, Korea, China and Japan. The specific objectives were: 1) to find out the positioning of oriental costume design. 2) to find out relation to oriental costume image and preference. The stimulus were 75 costume designs of contemporary costume which represented the traditional images of three countries Korea, China and Japan. The main survey of questionary consisted of their evaluation of the oriental costume image by 26 semantic differential bi-polar scales and the subjects were 99 female students majoring in clothing and textile. The data were analyzed by Multidimensional Scaling Method and Regression Analysis. The specific objective were as follows: 1. According to image positioning. The oriental costume design was classified by simple-decorative, soft-hard. 2. As result of regression analysis. The preference of oriental costume image was related to attractive factor.

• Journal of Agricultural Extension & Community Development
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• v.4 no.1
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• pp.15-27
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• 1997

This paper reviews the concept and limits of rural community development, examines the relation between consciousness education and movement, and suggests the model of social consciousness education to rural community movement. Since consciousness education is closely related to social movement methodologically, organizational and systematic community development movements for re-structuring the urban-oreiented policies and education which back up them be followed as natural consequence. Based upon the results of this study, the new paradigm is suggested. As shown in the model, new understanding of urban-rural continuum theory, new roles and concept of social consciousness education should be emphasized to solve the contemporary rural community problems. The organizational community development movement for the rural-oriented policy should be an essential process, and peoples' re-orientation, such as 'breaking stereotype', 'assumming a critical thinking toward social reality' etc., is the indispensible background of successful movement.

• Journal of the Korean Institute of Rural Architecture
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• v.6 no.2
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• pp.21-30
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• 2004

The purpose of this study is to consider critically the conceptural meaning and the arch itectural planning-techniques of environment-friendly architecture in Korean contemporary architecture. The related conceptual meaning and design-techniques on environment-friendly architecture are proposed by considering items in relation with adapting to natural environment, human life, historical imagination. These items are adapting technical methods to architectural design in a narrow sense. We have to reconsider its wide application. Through this consideration, this study is proposed a right direction of environment-friendly architecture in the future.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2001.05a
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• pp.45-50
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• 2001

The modern architecture has to find more essential configuration order rather than the spatial order in the reasonable feint. In other side, paintings and sculptures as a part of the building in the past become a pure art and develop an abstract art. Also they make many affects on the modern architecture as a paradigm. New material has brought to the new forms and the changes of the overall culture and art. One of the new changes has made the object that is one of unique culture symptoms in the 20C and the general part of the modem art includes it. The wall that limits the inside area through mass and volume before the recent times had treated as the object to express the special mean and character. However, the wall has developed as a component that consists of the internal space through surface and volume rather than mass or structure since the recent times. Now, I survey the objective tendency of the wall in the modem interior architecture mainly focused on the relation between object in the abstract art and wall inside.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2004.11a
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• pp.102-107
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• 2004

In order to understand the characteristics of the Japanese conception of space, we examined the characteristics of Japanese human geography, schools of thought, and aesthetics through the examinations on relevant documents. In addition, we reorganized such cultural backgrounds in relation to the Japanese perception of space, extracting the fundamental principles and elements of Japanese space composition and examining their significance. We propose a structural framework for understanding and analyzing Japanese space based on the reciprocal relationship and meaning among the various elements of Japanese space. Using this analytical framework, we studied the representative works of Japanese interior space, concluding in an analysis of the expressive characteristics of the Japanese notion of space.