• Proceedings of the Acoustical Society of Korea Conference
• /
• 1992.06a
• /
• pp.3-8
• /
• 1992

The theory of subjective preference with temporal and spatial factors which include sound signals arriving at both ears is described. Then, auditory evoked potentials which may relate to a primitive subjective response namely subjective preference are discussed. According to such fundamental phenomena, a workable model of human auditory-brain system is proposed. For eample, important subjective attributes, such as loudness, coloration, threshold of preception of a reflection and echo distrubance as well as subjective preference in relation to the initial time delay gap between the direct sound and the first reflection, and the subsequent reverberation time are well described by the autocorrelation function of source signals. Speech clarity, subjective diffuseness as well as subjective preference are related to the magnitude of inter-aural crosscorrelation function (IACC). Even the caktail party effects may be eplained by spatialization of human brain, i.e., independence of temporal and spatial factors.

• The Journal of the Acoustical Society of Korea
• /
• v.1 no.1
• /
• pp.19-26
• /
• 1982

n optimization technique is adapted to determine the stage enclosure configuration preferred by performers. The merit function which quantifies the ease of ensemble among the performers is derived from a set of qualitative conditions recommended by researchers of hall acoustics. The ray path tracing technique based on the modified method of images is used to analyze acoustical characteristics at any locations of performers in stage enclosure. The gradient search technique is employed to find the geometric parameters which maximmize the merit function. As an example, optimum stage enclosure configuration of the trio chamber music is obtained using the computer program developed. The developed technique can be used in the design of concert hall stage and also in forming a special enclosure with movable reflecting surfaces.

• The Journal of the Korea Contents Association
• /
• v.17 no.2
• /
• pp.47-54
• /
• 2017

Today, increasing consumption of arts and culture, many people are visiting theater or concert hall. moreover K-culture led to boom in arts and culture but previous researches focused on analysis of culture contents on the other hand satisfaction of performance hall and revisit intention is minuscule. Therefore, this research investigates satisfaction of performance and revisit intention of factors influencing Korean and Japanese audience. As a results, performance facilities and customer reception service positive influence on revisit intention to Korean audiences but customer reception service positive influences on revisit intention to Japanese audiences beside performance satisfaction indirect effect on revisit intention as well.

• Journal of the Korea institute for structural maintenance and inspection
• /
• v.7 no.2
• /
• pp.105-113
• /
• 2003

Because structural systems are becoming lighter and more flexible and have lower natural frequencies and dampings than before, coordinated rhythmic activities such as dancing, audience participation in arenas or concert halls, and aerobics result in undesirable levels of vibration. For rhythmic activities, it is resonant or near resonant behavior that result in significant dynamic amplification and hence human discomfort. The most rational design strategy is to provide enough of a gap between the natural frequency of a floor system and the dominant frequencies excited by planned human activities to assure reasonably that resonance will not occur. For the case study the vibration measurements were performed at the floor of a long-span multi-purpose hall during the rock concert of popular singer.

• The Journal of the Acoustical Society of Korea
• /
• v.24 no.3
• /
• pp.171-177
• /
• 2005

The effect of diffusers on Early Stage Support (ST1) in a concert hall was investigated at 8 positions in a 1:25 stage scale model. Experiments were carried out when the stage floor was covered with and without absorption cloth to investigate the effect of stage floor reflection (absorption coefficient - 0.6 at 500Hz). To find out the effect of stage wall. three types of wall diffusers were used. As a result. absorption cloth on stage floor reduced the ST1 values at high frequency. but the average value of ST1 was not changed. Three types of stage wall diffusers were revealed as unaffecting. but it was observed that the ST1 values varied to positions of stage. The ST1 values were evenly distributed when hemisphere diffusers were used. Therefore. the use of floor absorption did not have much effect on the ST1 values, and the diffusers had some effect on the distribution of the ST1 values.

• Journal of Korea Multimedia Society
• /
• v.13 no.7
• /
• pp.960-972
• /
• 2010

In this paper, we present a software for placing instruments on stage based on the acoustic properties of the concert hall. In order to simulate the changes in sound depending on the positions of the instruments, we incorporated the idea of location-based reverberation effect which can be realized through the convolution of instrument sounds with the impulse responses from the respective instrument positions. And we developed a software with a real-time convolution engine which enables the user to conveniently simulate the resulting sound of various instrument placements. The software was tested with the impulse response data measured at two concert halls of the National Center for Korean Traditional Performing Arts and Korean traditional instrument sounds. Results of these experiments show that simulated reverberation effects properly represent the spatial placement of instruments on stage.

• Proceedings of the Korean Institute of Interior Design Conference
• /
• 2006.11a
• /
• pp.223-226
• /
• 2006

The purpose of this design plan is a method for opening the church to regional society to contribute to make up the community within regional society and to achieve the desirable common society of christianity like following. 1)For opening churchs to regional society, the church has to make up exterior spaces sufficiently. 2)The main chapel has to planned with mutipurpose for fiexibility and various functions of contemporary church. 3)The whole facilities have to be organized with a kind of the complex or multifunctional building which can accommodate activities of education, recreation and culture, therefore, content with the community's requirements. 4)The architectural form of the church has to planned with human scale, considering harmonization with regional environment. Modern church architecture needs a centralized plan, a variety of shapes such as square, round oval and polygon rather then a rectangular which is able to bring about a closer reationship between the priest and the congregation in the church.

• The Journal of the Acoustical Society of Korea
• /
• v.19 no.1
• /
• pp.48-53
• /
• 2000

To analyze a room reverberation, many objective parameters have been suggested as measures of subjective perception in concert hall acoustics. However, it is difficult to understand the relationship among the individual parameters and to have a whole image of them. In this paper five primary objective parameters were selected and a reverberation model based on them was established by the reverberation decay curve. The proposed model was interpreted geometrically in terms of subjective characteristics. And finally we discuss the usefulness and the limitation of the model when it is applied to the analysis and.

• Journal of Korean Society of Steel Construction
• /
• v.14 no.6
• /
• pp.721-728
• /
• 2002

Modern structrues are being built using high-strength and light-weight construction materials resulting in decreased structural mass and damping properties. Rhythmic activities such as jumping, dancing and clapping during lively concerts can produce excessive vibration of steel structures. In this study, dynamic load factors that occur during lively concerts were presented through vibration test and real-time monitoring of an existing concert hall. The vibration test included modal analysis and jumping test according to the forcing frequencies and the number of participants. Dynamic load foactors were acquired directly from peak acceleration responses of each harmonics. Comparing NBCC 1995, the 3rd harmonic must be included in the design of concert halls. Dynamic load factors must be increased as a result of the vibration test.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
• /
• 2007.05a
• /
• pp.715-719
• /
• 2007

Recently, since there appear the quality improvement in both educational and cultural level at the college campus also, thus the lecture room is requiring by the students where the intimacy degree among the students can be raised, also a smoother interaction between the professor and the student is able to be generated. Particularly in case of College of Music, the Practical Technique Training Rooms such as Orchestral Music Room, Pipe Music Concert Room, Music-Part Practice Room are more important for the interaction between Professor and Student or Student attends at the lesson, than the lecture rooms of any other colleges. Likewise, while such music practice room should be designed with consideration of the acoustic characteristics, so as to obtain the feel as if hear it performs at a music hall, but since the most of music practice room was designed with consideration of the convenience of construction work and its economical efficiency only, it has been exposed with many acoustic defects after the completion of construction. Therefore in this thesis, it has grasped the physical acoustic characteristics on the object of the two orchestral music rooms, pipe music concert room and ensemble practice room, among the newly constructed practice rooms of the Music College, W University, and it is considered that it could be utilized as the fundamental data on the base of this material when designing of the college music practice room, for the future.