• Title/Summary/Keyword: Conception Design

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A Study on Idea Conception Method of Creative Fashion Design -Focused on NM Method (T type) & Synetics- (크리에이티브 패션디자인 발상법 연구 -NM법(T형)과 시네틱스를 중심으로-)

  • Im, Miji;Park, Juhee
    • Journal of the Korean Society of Clothing and Textiles
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    • v.41 no.1
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    • pp.71-83
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    • 2017
  • This research suggests a new idea conception method for creative thinking to develop a creative fashion design. The common characteristics of the design area, the unique characteristics of the fashion design, and idea conception method for creative thinking were analyzed and reviewed to develop a creative fashion design research model. Based on this, the fashion design research model was planned through an attempt to graft a new idea conception method on an existing method to utilize the advantage of it suitable for fashion design characteristics and designated as an idea conception method for a creative fashion design research model. We developed 10 designs with a full awareness of the research model steps; subsequently, the effectiveness was confirmed through the evaluation phase of the research model that utilized the idea conception method. This research has significance in that the research model utilizing idea conception method that rarely addressed in precedent research was developed with the idea conception method as a research subject by drawing the characteristics for an idea conception of fashion design and new approach was tried that emphasized the advantages of the existing method.

The Application and Development Method of Construction Lines for Conceptions of Clothes Design (의상디자인 발상을 위한 구성선의 응용과 전개방법)

  • Kong, Mi-Ran
    • Fashion & Textile Research Journal
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    • v.10 no.6
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    • pp.848-856
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    • 2008
  • In today's world where a preference for prestigious brands prevails, it's essential to have creative design conceptions rather than try simple mimicking or following in order to be recognized for creative and objective design works. In that sense, the development of clothes design using construction lines offers a great approach towards the ideas of reinterpreting and creating new designs since it creates new forms by understanding lines as signs of conception and transforming them. That approach allows a designer to improve his or her imagination, creativity and expression in a freer and richer manner, think of many original ideas through diverse changing processes, and develop the skill to visualize the ideas by incorporating geometric forms of abstract lines into clothes. When approaching the conception of clothes design from the standpoint of construction lines, you need to adopt more specific and systematic design methods instead of vague imagination to introduce simple facts or theories to a new design process. That's one of the ways you can approach clothes design easily and enhance your conception skills. The process of clothes design according to the conception of construction lines is composed of the following stages; the preparation stage involves an understanding of the principles and the entire process of clothes design conception based on construction lines; the idea stage requires a designer to make free alterations of the given basic construction lines by moving and replacing the lines and sides in diverse ways; in the creation and expression stage, the designer uses the newly reconstructed construction lines to create clothes design; and in the evaluation stage, the designer makes a presentation of his or her subjective design works and has his or her works assessed and tested in an objective fashion. In today's modern society that demands new and original globalized design, the results of the study will help to invigorate the development of new fashion design in a more systematic and practical manner by suggesting a feasible and gradual educational program for the development of design based on the technique of construction lines.

A Consideration of Adolf Loos's Inner Spatial Conception and Furniture -Focused on the Use of 18C Anglo Saxon's Classical Furniture with "Affluent Interior" and That of Biedermeier- (아돌프 로스의 실내공간개념과 가구에 관한 고찰 -"풍요로운 내부"의 18세기 앵글로 색슨 및 비더마이어 고전가구 사용을 중심으로-)

  • 지수인
    • Korean Institute of Interior Design Journal
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    • no.21
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    • pp.154-165
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    • 1999
  • It is characteristic that houses designed by Adolf Loos show commonly a contradictory aspect between the exterior and interior. The exteriors of the houses are simple and on the other hand the interiors are affluent to the greatest degree. At that time, a stylized gorgeous decoration of the inner space had been prevailed in general among the historicism and Vienna Secession people, and such an inner spatial conception as by Loos must have brought a turning point for the development of a new inner spatial conception which can by itself be called revolutionary. This study is gong to clarify the fact that Loos has been in full consideration of the emotional side basically for the human being in the conception of inner space, by complementing the respect that his conception of the inner spatial composition, concentrating purity, comfort and classicalism on the furniture. Despite the independency of the Loos furniture is near copying, different from existing creative conception, it can be meaningful in respect that it creates out a rather accustomed and still a new space thought adding a little transformation to the existing classical furniture. So this study is going to re-establish the characteristics of the Loos furniture which work as the greatest impact in the composition of affluent inner space, the prototypical characteristics of that furniture, and the basical thinking system of Loos which can be found out in a little transformatiov.

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A Study on the Audience's Conception for the Advertising, as TV Media Contents - A comparative and exploratory study with TV drama & Cenema - (TV미디어 컨텐츠로서 광고에 대한 수용자의 인식 연구 - TV드라마.영화를 비교한 탐색적 시도 -)

  • 정창준
    • Archives of design research
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    • v.17 no.2
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    • pp.105-112
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    • 2004
  • Taking a broad view on the study, it enables one to understand all over the subject or discover some problem. On this thesis, by taking a broad view, the advertising was considered as a television media contents. And attempted to establish the identity of the audience's conception about the social or cultural influencing power of an advertising. Among the television media contents, the drama and cinema was compared with the advertising because of their influencing power in each personal, and tried to clarify diversely the influencing power of advertising. The influencing power survey for the advertising, cinema, drama was practiced by checking his or her conception about below three television media contents - advertising, cenema, drama. And the data were statistically conducted. As the result, some significant conception was found. The participants on the survey conceived the advertising as in the concept of 'Accomplishment', 'Variable', 'Progressive'. This results are considered as they prefered to be influenced by the advertising rather than the drama or cinema in the conception of 'New', 'Variety', 'Progressiveness'.

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An Analysis of Features in Self Generated Analogies during Phaseal Teaching Learning Process about Mixture Using Analogy for Lower Elementary School Students (초등학교 저학년 학생들의 단계적 비유추론 학습과정을 통한 혼합물 학습 과정에서 제시된 생성적 비유의 특징 분석)

  • Jung, Jin Kyu;Kim, Youngmin
    • Journal of Korean Elementary Science Education
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    • v.34 no.4
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    • pp.419-433
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    • 2015
  • Analogical reasoning is a central component of human cognition and contributes to scientific discovery and to develop science education. In this study, we investigated the process features of lower elementary school students' analogical reasoning to explain mixture concept. The subjects are 24 lower elementary students. And the research design includes three phases instruction to investigate the features of students' self generated analogy. Phase 1 is the introduction of analogy in which student learn to use analogy. Phase 2 is a POE class about mixture conception. Piaget and Inhelder studied the conception of mixing among children in relation to cognitive development. In phase 2, we taught the student with Piaget and Inhelder's the experiment and observed the features of learning process about mixture conception. Phase 3 is students' generation of analogy (self generated analogy) for the experienced phenomena in phase 2. We analyzed the students' responses through the three phases in the view of Gentner's Structure Mapping Theory. The results showed that many lower elementary school students even before formal operation stage understood the mixture conception and made well their self generated analogy to explain the mixture conception in spite of the difficulty of making self generated analogy.

Supersonic Plug Nozzle Design and Comparison to the Minimum Length Nozzle Configuration

  • Zebbiche, Toufik;Youbi, ZineEddine
    • International Journal of Aeronautical and Space Sciences
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    • v.7 no.1
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    • pp.27-42
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    • 2006
  • A method to design the contour and conception of a plug nozzle of arbitrary shape, but specified exit flow conditions is presented. Severals shapes can be obtained for exit Mach number by changing the specific heats ratio. The characteristics of the nozzle in terms of length, weight and pressure force exerted on the wall are compared to the Minimum Length Nozzle and found to be better. Our field of study is limited to the supersonic mode to not to have the dissociation of the molecules. The design method is based on the use of the Prandtl Meyer function of a perfect gas. The flow is not axial at the throat, which may be advantageous for many propulsion applications. The performance benefits of the plug nozzle compared to the Minimum Length Nozzle are also presented.

The Symbols of the Body Image Expressed in Modern Fashion Design (현대 패션디자인에 표현된 신체이미지의 상징성)

  • 권기영;조필교
    • The Research Journal of the Costume Culture
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    • v.8 no.5
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    • pp.681-706
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    • 2000
  • This study is intended to understand an implication system and significance in the current community which a body image symbolizes by correlating it with fashion that is on the rise as a principal issue in various fields. For this study, the symbolism of the body image was contemplated in terms of philosophy and art, and then on the basis of it, the symbolism of the body image shown in modern fashion design was analyzed through fashion works. The research results are as follows, 1. The manifestation of sex can be taken as the symbolism of the body image which is expressed in modern fashion design. Recently sexual chaos and vagueness such as homosexuality and bisexuality are expressed through a dress and its ornaments. Though displaying sexual characteristics of male and female as they are exposing a sign or a diagram, decorating a part of body or representing sex in garments, uncertain sex identity in modern society is manifested in dress and its ornaments. It is to deny absoluteness regarding sex and emphasize diversity indwelt in human beings, and after all it shows to pursue the human essence. 2. Another symbolism of the body image is body expression as the human race and an ethnic group. The discriminating situations and the restoration of their status appeared in modern fashion too. Moreover, their cultures and issues came to alter the aesthetic standard of body made from a view of the Western white supremacist. Hereupon, fashion trends like ethnic fashion, Orientalism and African look etc. appear according to this tendency, which represents race and national identity and in addition, which signifies to present transcendental human conception embracing alienated human conception. 3. The symbolism of the body image expressed in a body, and a dress and its ornaments as nature can be considered in terms of the concern on environmental contamination and the respect of echo system. Getting away from reigning over, developing and stamping down nature at their will, the human beings pursue unity with nature, which is described in fashion. They are stressing that natural materials and objects such as animal, plant and soil etc. should activily be introduced into fashion and humans are a communal fate group and should reframe their status in nature at last. 4. The body image shown in a body, a dress and its ornaments as technology is transformed and recreated by modern scientific techniques and medical science to show post human conception namely, forthcoming future human conception as a cyborg which loses individual identity. This presents a perfect future human conception with high level of preternatural power but after all, leaves us a task to seek the meaning of human existence in alienation caused by the loss of human identity and existence. In this manner, the moderns crave for perceiving the identity of a natural human being in the current thoughts tendency of the modern times such as postmodernism, post structuralism, deconstructionism, feminism and so on, which build discussions affecting the art and fashion worlds. The categories, like sexual characteristics indwelt in a human body, racial classifications, the natural environment surrounding human beings and development of science, bring out the importance of the internal and external meaning in today's fashion which a human body contains, and present sew human conception in the coming future society.

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