• Title/Summary/Keyword: Color development

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Development of a Portable Colorimeter (소형 칼라미터의 개발에 관한 연구)

  • 김재형;황정연;서대식
    • Proceedings of the Korean Institute of Electrical and Electronic Material Engineers Conference
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    • 2001.11a
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    • pp.328-331
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    • 2001
  • Color simulation on a portable colorimeter was performed to distinguish quantitatively a chromaticity coordinates on a color guide of a urine strips by using the spectral power distribution of chip LED, the spectral reflectance of printed objects, and the spectral sensitivity of photodiode. The CIE tristimulus values and chromaticity coordinates realized by a colorimeter were modified to be conformable with real color reactions. Experimental results showed a real color in comparison with those obtained by Colorimeter CM2C(Color Savvy).

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A Study on Traditional Colors (전통색에 관한 연구)

  • Choi, In-Ryu;Bang, Hey-Kyong;Kim, Yeo-Ju
    • The Research Journal of the Costume Culture
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    • v.16 no.2
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    • pp.397-407
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    • 2008
  • Recently, influence of color has been expanded in various fields including design field. Among human five senses, visual sense is best for information capturing, and 80% of information judgment by visual sense is from color. Color is emotion and image. Hanbok is marked by its beautiful color combinations. The guiding principle of such color chords was Obangsaek, or the traditional Korean five base colors. The method of this study is to consider concepts of Obangsaek derived from the principles of yin-yang and the five elements and is to investigate application of Obangsaek. And the purpose of this study is to understand traditional colors and is to provide judgment criteria on various color combinations based on Korean aesthetic sense for development of textile design. The degree of nation culture depends on the level of research, analysis and application on traditional colors. Obangsaek, Korean traditional color is splendid and primary color. Also, Obangsaek has symbolic and lucky meanings. These colors are still the primary source of coloring. Obangsaek has been reinterpreted by application on textile design, some into base colors and others into diverse shades. So this study will help in the aspect of development on Korean style design.

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Simulation of Remote Sensing Reflectance and Ocean Color Algorithms for High Resolution Ocean Sensor

  • Ahn, Yu-Hwan;Shanmugam, P.;Moon, Jeong-Eon
    • Proceedings of the KSRS Conference
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    • 2003.11a
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    • pp.103-106
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    • 2003
  • Retrieval of ocean color information from Multispectral Camera (MSC) on KOMPSAT-2 was investigated to study and characterize small-scale biophysical features in the coastal oceans. Prior to the derivation of such information from space-acquired ocean color imageries, the atmospheric effects largely from path and the air-sea interface should be removed from the total signal recorded at the top of the atmosphere (T$_{TOA}$). In this study, the 'path-extraction' is introduced and demonstrated on the TM and SeaWiFS imageries of highly turbid coastal waters of Korea. The algorithms for retrieval of ocean color information were explored from the remote reflectance (R$_{rs}$) in the visible wavebands of MSC. The determination of coefficient (R$^{2}$) for log-transformed data [ N = 500] was 0.90. Similarly, the R$^{2}$ value for log-transformed data [ N = 500] was found to be 0.93.

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Validation of Ocean Color Algorithms in the Ulleung Basin, East/Japan Sea

  • Yoo, Sin-Jae;Park, Ji-Soo;Kim, Hyun-Cheol
    • Korean Journal of Remote Sensing
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    • v.16 no.4
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    • pp.315-325
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    • 2000
  • Observations were made to validate ocean color algorithms in the Ulleung Basin, East Sea in May 2000. Small scale and meso-scale surveys were conducted for the validation of ocean color products (nLw: normalized water-leaving radiance and chlorophyll concentration). There were discrepancies between SeaWiFS and in situ nLw showing the current aerosol models of standard SeaWiFS processing software are less than adequate (Gordon and Wang, 1994). Applying the standard SeaWiFS in-water algorithm resulted in an overestimation of chlorophyll concentration. This is because that CDOM absorption was higher than the estimated chlorophyll absorption. TSS concentration was also high. Therefore, the study region deviated from Case 1 waters. The source of these materials seems to be the entrainment of coastal water by the Tsushima Warm Current. Study of the bio-optical properties in other season is desirable.

DEVELOPMENT OF CHLOROPHYLL ALGORITHM FOR GEOSTATIONARY OCEAN COLOR IMAGER (GOCI)

  • Min, Jee-Eun;Moon, Jeong-Eon;Shanmugam, Palanisamy;Ryu, Joo-Hyung;Ahn, Yu-Hwan
    • Proceedings of the KSRS Conference
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    • 2007.10a
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    • pp.162-165
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    • 2007
  • Chlorophyll concentration is an important factor for physical oceanography as well as biological oceanography. For these necessity many oceanographic researchers have been investigated it for a long time. But investigation using vessel is very inefficient, on the other hands, ocean color remote sensing is a powerful means to get fine-scale (spatial and temporal scale) measurements of chlorophyll concentration. Geostationary Ocean Color Imager (GOCI), for ocean color sensor, loaded on COMS (Communication, Ocean and Meteorological Satellite), will be launched on late 2008 in Korea. According to the necessity of algorithm for GOCI, we developed chlorophyll algorithm for GOCI in this study. There are two types of chlorophyll algorithms. One is an empirical algorithm using band ratio, and the other one is a fluorescence-based algorithms. To develop GOCI chlorophyll algorithm empirically we used bands centered at 412 nm, 443 nm and 555 nm for the DOM absorption, chlorophyll maximum absorption and for absorption of suspended solid material respectively. For the fluorescence-based algorithm we analyzed in-situ remote sensing reflectance $(R_{rs})$ data using baseline method. Fluorescence Line Height $({\Delta}Flu)$ calculated from $R_{rs}$ at bands centered on 681 nm and 688 nm, and ${\Delta}Flu_{(area)}$ are used for development of algorithm. As a result ${\Delta}Flu_{(area)}$ method leads the best fitting for squared correlation coefficient $(R^2)$.

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Development of a Digital Color Design Education Curriculum (디지털 색채 디자인 교육과정 개발)

  • Kim, Yu-Jin
    • Proceedings of the Korea Contents Association Conference
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    • 2006.05a
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    • pp.246-250
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    • 2006
  • As a result of the rapid development in the digital content industry, designers have to visualize colors across a range of digital media in a relevant and sophisticated manner. The purpose of this study is to develop a new digital color design education curriculum for enhancing learners' capability of digital color management. This study presents an original university-level color design curriculum for digital color learning that includes traditional color learning. In order to develop interactive pedagogy that provides diverse color experiences to students, this study suggestes a blended learning method that combines face-to-face instruction and web-based instruction. Through two case studies at universities, this paper illustrate the effectiveness of the proposed digital color design curriculum.

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A Study of the Personal Color in Cosmetics -for the Development of Personal Color Design System (화장에서의 Personal Color의 연구 -Personal Color Design System의 개발을 위한)

  • 김창순;임오연
    • Proceedings of the Korean Society for Emotion and Sensibility Conference
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    • 1999.11a
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    • pp.318-323
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    • 1999
  • Personal color의 특징은 소비자의 특성이 비중 있게 고려되어야 하고, 섬세하고 sensitive한 반응과 평가가 즉각적으로 feedback 된다는 특징이 있다. 한국인의 색채감성을 반영한 personal color의 기획을 효율적으로 하도록 하고, 또한 한 차원 높은 감성적인 체계분석을 바탕으로 한 보다 과학적이고 합리적인 접근을 시도하기 위한 연구로 PCD system을 개발하고 있다. 이 과정 중에서 화장을 위한 소비자의 특성과 감성 분석기술, 그리고 PCD개발을 위한 색채재현 등의 주변 기술을 소개한다.

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A Study on the Blending Color in Karim Rashid's Works (카림 라시드의 작품에 나타난 블렌딩 색채에 관한 연구)

  • Kim, Sun-Young
    • Korean Institute of Interior Design Journal
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    • v.20 no.4
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    • pp.155-162
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    • 2011
  • In order to pursue the traces of truth, boundaries set by man for convenience were crossed or Integrated leading to the discovery of new paradigms. Such phenomena including collaboration, convergence, crossover and etc. are expressed in various forms across the society and culture. In particular, development of digital technology is moving away from its previous color based on scientific, statistical and quantitative perspective by using diverse variables. Also, as the borderlines of genres become increasingly more ambiguous, various concepts of color blending developed rapidly. Thus These chaosmos-like color blending have created new contents. This research aims to understand the principle of color blending in Karim Rashid's work, which advocates the world of design in diverse fields from industrial products to architecture. The principle of color blending such as information change, source color and destination color, interaction, and etc. makes it possible to extract the expressed element and method of color blending. Meanwhile, the features of color blending such as integrated space and time, vague form, and narrative genre can be inferred from case analysis.

Dark-state Color Shift and Gray Scale Inversion in an In-plane Switching Liquid Crystal Display Device

  • Park, Sung Il;Park, Kyoung-Ho;Lee, Joun-Ho;Yoon, Jeong Hwan;Kim, Byeong Koo;Yu, Byeong-Hun;Kim, Ki-Han;Yoon, Tae-Hoon
    • Journal of the Optical Society of Korea
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    • v.16 no.4
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    • pp.409-413
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    • 2012
  • Off-axis color shift in the dark state and gray scale inversion in an in-plane switching (IPS) liquid crystal display (LCD) device were investigated. Analyses were performed using the Poincar$\acute{e}$ sphere representation. The results show that color shift in the dark state and gray scale inversion in an IPS LCD can be reduced by using a biaxial film. We confirmed the extent of these improvements by measuring the optical performance of a fabricated IPS LCD.