• 아동학회지
• /
• 제26권5호
• /
• pp.233-244
• /
• 2005

This study examined the effect of visual art appreciation integrated with expression(integrated art appreciation) upon young children's drawing expression. The pretest-posttest control group design was chosen for the study. Twenty kindergarten children assigned to the experimental group were exposed to a program of integrated appreciation activity for 10 sessions. Another group of 20 kindergarten children were assigned to the control group taught by the traditional art teaching methods. Analysis of Covariance was applied for data analysis. Children in the experimental group showed higher scores in such drawing expressions as line, color, shape, composition, and theme.

• 한국실내디자인학회논문집
• /
• 제1호
• /
• pp.46-51
• /
• 1992

18c, statues of French Lacquer Furniture are worthy of close attention in aspects of its quantity , quality and asthetics in production. This kind of furniture have been developed, devising the its own original techniques, through it was influenced and begun with the imported from China. Therefore, the main currence of color with black tones had changed to French style, with somewhat repleting to chinese ornament. This characteristics is distinguished in furniture which is expressed as a min theme. It can say that it has the meaning of lacquer furniture as part of chinoiserie prevailing at the time that social consensus through the political supports for upbringing furniture industry, a close relationship of clients , merchants, and descorators with appreciative eyes, and the ceaseless persuit of the new had made resulted in concurrence of asthetics between the eastern world and the western world.

• 패션비즈니스
• /
• 제6권6호
• /
• pp.68-77
• /
• 2002

In this study, based on Choi, Jong Rim's script (2000), the main characters' stage costume designs were presented with 15 illustrated pieces in terms of compounding the images of Korea and West. I considerered the main characters' social status and personality by each act and scene, as well as the correlation of the stage costume's minor theme, color and material. In expressing the stage costume, this study has chosen the formational method of the comparative design dimensions between costumes in 1650s Joseon and baroque period and used the joinder of flat pattern and draping in various parts of the costumes.

• 한국실내디자인학회:학술대회논문집
• /
• 한국실내디자인학회 2007년도 춘계학술대회 논문집
• /
• pp.77-78
• /
• 2007

This project has been designed for people to experience and understand the process, importance and benefit of coal fire plants. As the biggest and first typical Korean fire plant using coal, Boryeong fire plant has had important roll for the Korean industries. Even so, people has had wrong prejudice for the fire plant in terms of environmental protection. To do these kind of rolls, this museum has been designed with theme, "Boryeong fire plant mating symbiotic relationship between nature, human and technologies." The space was zoned with five major themes: i. circulation of energy in nature, ii. electric power and eco-fire plant, iii. future energy, iv roll for future of environment, v. Korea as the leading energy industry. The design has been developed focused on spatial experiences to make 'Design Sequence' with linear circulations haying several important destinations. The interior has been finished with minimal color and materials projected by big sized movie and various LED movie system. Concept of appordance has been used to make interactive experiences between exhibits and visitors.

• 복식
• /
• 제59권2호
• /
• pp.101-110
• /
• 2009

This is a study regarding the development of cultural products with applied traditional Saekdong-image. The objective of this study is to develop unique cultural products which combine traditional korean images with modern feel by utilizing traditional Saekdong-image. Saekdong has been an object of deep attachment and regarded as a tool for expressing korean images from ancient times to the present. Chosun dynasty shows a wonderful growth of fashion not only in dress but also in such accessories as patchwork wrapping-cloth and Saekdong, which imply a lot on formation or color arrangement. Approximately 24 pieces of cultural products that can be used in daily life were created using Saekdong, including traffic or credit card cases, name card cases, pouches, coin purses, bags, Vest, teapot wrapping-cloth, brooch. After design plans were made for each works, natural dyes were used to dye(dip dyeing) the fabrics(cotton, silk, linen) by theme. In addition, the increased quality of the products will be a competitive edge in the world market where products compete with no national bounds.

• 복식문화연구
• /
• 제9권2호
• /
• pp.188-206
• /
• 2001

In 1990's, many collections, showing trends of restoration, took the hippie fashion as their main theme. Therefore, this study investigates the aspects of the hippie trend focusing on style, materials, colors shown in Mlan Collection, New York Collection, London Collection, Paris Collection, Tokyo Woman's Collection, and street fashions. 1. In style, the collections and street fashions exhibited layered look. 2. In materials, natural fibers were preferred s in 1960's . 3. In colors, natural hues such as black, white, and brown were primarily used, whereas vivid colors were used as accent. 4. In patterns, floral patterns were most extensively used as the flower is the symbol of Hippie. Animal patterns were also used. 5. In accessories, the Indian bred, a symbolic accessory of Hippie, was used with various materials. The hippie fashion in 1990's appeared not s a total fashion, but as an ancillary associate has the role of accentuation like hair-style, make-up, acessaries, etc.

• 복식문화연구
• /
• 제10권1호
• /
• pp.1-12
• /
• 2002

The purpose of this study is to manifest the clothing-related dreams and to classify those in terms of the theme. The analysis of dreams which is inherent to Korean nationality can determine which dream is good or bad to men. The factors which influence the empirical way of interpreting dreams are following : the wearing of hat, the appearance, the color, length, and material of costume, the wearing of belt, the wearing of shoes, the wearing of socks, the acquiring of accessories, the cosmetic apparatus and sewing apparatus, the washing of costumes. They are predictive and traditional in Korean nationality.

• 한국멀티미디어학회논문지
• /
• 제10권11호
• /
• pp.1507-1515
• /
• 2007

영상이 일상화되어 있는 오늘날 비디오 영상은 특별할 것이 아니다. 비디오 영상에 대해서 거론하는 것 또한 새로운 것이 아닐 수도 있다. 하지만 요즘 대표적 영상작가인 백남준의 타계 후 그의 작업을 제대로 재분석하자는 목소리들이 높아지고 있다. 이는 많은 사람들에 의해서 연구되어 온 것을 또 다시 안일하게 답습하지는 않아야 한다는 의미로 해석될 수 있다 할 것이다. 본 연구는 선행 연구자들이 많이 관심을 두지 않았던 색채학의 입장에서 백남준의 작품에 접근함으로써 차원에서 비디오 이미지를 나타내는데 사용된 색의 의미를 재조명해 보고 그것이 교육적으로 어떠한 의미를 가져오게 되는 것인가를 살펴보고자 한다. 특히 색의 심리학적 분석과 주관적 분석에 초점을 맞추어 영상의 의미를 체계화하고자 한다. 비디오영상이 특별하지 않은 보편적 예술이 된 현시대이지만, 영상의 대표적인 작가인 백남준은 자신만의 시각으로 비디오 영상 예술의 세계를 구축하였다고 하였다. 그는 현시대에서 자신만의 개성적 시각으로 색채언어를 창조하였던 것이다. 이러한 관점예서 백남준의 작품들을 새롭게 분석해 봄으로써 테크놀로지를 통한 '자연의 확장'을 발견하고 이를 교육적 의미로 활용하고자 하는 것이 본 연구의 중심 과제인 것이다.

• 한국화예디자인학연구
• /
• 제44호
• /
• pp.101-121
• /
• 2021

미를 대표하는 아름다움의 상징인 꽃은 인류의 역사를 통해서 미적 대상으로 존재하고 있으며, 조형예술에서도 가장 많이 사용되는 모티브 중의 하나이다. 이렇게 꽃예술은 꽃이라는 주제를 모티브 삼아 형태를 구현하는 예술이다. 꽃은 형태와 색채가 미적으로 조화롭게 인간의 감성을 표현해 주는 매개체 역할을 해주었다. 또한 상징성이 있는 꽃문양은 미적 장식성이 높아 생활용품 뿐만 아니라 미술 분야와 패션분야에 적용되고 있다. 꽃문양은 패턴 중에서 가장 많이 선호하는 문양으로 사계절 관계없이 다채로운 색상과 형태로 변화를 주어 다양하게 활용하기도 하며, 그 상징성과 인간의 심리적 감각을 자극하는데 효과적이므로 다양한 분야의 디자인에 활용되고 있다. 본 연구는 미를 대표하는 아름다움의 상징이며 예술의 모티브인 꽃의 문양이 전통적으로 우리나라에서도 사용되어 왔으며 현대에 와서도 여전히 패션과 예술에서 많이 사랑받고 있지만 우리나라 고유한 꽃문양을 사용한 브랜드가 좀 더 활발히 활동하기를 바라며 본 연구를 통해 앞으로 우리만의 독특한 꽃문양을 개발하여 이것이 상품화 될 수 있는 근거를 마련하고자 한다.

• 한국실내디자인학회논문집
• /
• 제23권6호
• /
• pp.125-132
• /
• 2014

The purpose of this study was to investigate that to see how their traditional characteristics were reflected and expressed in Hanoi vietnamese contemporary public restaurants. For this, We visited Hanoi twice to have onsite research in August 2012 and 2013. According to the results of surveying Vietnamese public restaurants, all of the 12 cases had humane characteristics reflecting Vietnam traditional culture, showing Vietnamese unique traditional characteristics including intangible elements such as natural environment, life culture elements such as food culture, and formative aesthetic elements using indigenous ornaments. Different from luxury restaurants that had trade names on the theme of historical stories related to people or places and expressed various concepts formatively using photographs of Vietnamese politics and history and ornamental elements such as tableware, however, the public restaurants were simple in theme or concept. It is probably because most of the surveyed cases were situated in the old quarter to the north of the Hoan Kiem Lake and in the area to the west of the lake and their target customers were local people, so they reflected the Vietnamese traditional residence style and common people's life rather than designing the restaurants intentionally with specific concepts. As to the spatial expression characteristics of the surveyed cases, casual restaurants in Hanoi expressed only basic structure using basic construction materials and techniques with outdoor spaces in the form of Vietnam traditional tube house, and therefore, the overall atmosphere was contemporary. In indoor spaces as well, the general level was low, using uncharacteristic common design and color and cheap finishing materials and furniture. 83% of all cases showed the pattern of VM-VM-VT, being mainly contemporary by partially adopting Vietnamese unique ornamental elements for their outdoor and indoor spaces and using traditional elements supplementarily.