• Proceedings of the Korean Society for Emotion and Sensibility Conference
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• 1999.11a
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• pp.448-453
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• 1999

본 연구는 메이크업 제품에 있어서 한국인의 정서에 맞는 심리적 분석과 이를 통한 과학적인 색상개발을 하는데 그 목적이 있다. 본 연구에서는 심리적인 평가실험을 통해 이미지를 추출하여 브랜드가 추구하는 이미지를 설정한 후, 설정이미지에 부합된 메이크업 특성을 정량적으로 분석하였다. 분석방법에는 다변량 해석방법이 적용되었으며, 분석결과에 따라 설정 이미지별 색채영역을 제시하였다.

• Proceedings of the Korean Society for Emotion and Sensibility Conference
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• 2001.05a
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• pp.186-189
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• 2001

본 연구에서는 2종류의 색온도(4000 K, 2700 K)조건 하에서 작업자의 피로도를 평가하기 위하여 피험자에게 검색작업을 부가하고 주관평가 및 생리신호를 측정하였다. 주관평가는 ME(Magnitude Estimation)법의 설문지를 사용했으며, 생리신호는 ECG, 맥파, 피부전도도, 피부온도, 호흡, 뇌파를 측정하여 그중 ECG신호를 분석하였다. ECG신호 파라미터로서 IBI, BPM, 평균 BPM, LF/HF, CSI, CVI, CV-RR를 분석한 결과, 특히 CSI, CVI, CV-RR가 피로도와 상관관계가 높았다.

• Proceedings of the Korean Society for Emotion and Sensibility Conference
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• 2003.11a
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• pp.1141-1144
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• 2003

본 연구에서는 미래 감성실내 공간색채에 대한 연구로 심리설문반응과 생리 신호 분석을 통하여 감성색채데이터 분석에 목적을 두었다. 생리신호반응 분석 중 뇌파측정과 7점 척도 SD 스케일법을 이용한 설문조사를 실시하여, 정상적인 감성어휘와 정량적인 생리신호 결과의 상호관계를 분석하였다. 기존의 직관적이며 주관적인 색채 배색디자인과 심리분석의 색채연구결과에 비해 본 연구는 객관적이며 과학적인 방법 및 주관적인 감성어휘를 연결짓는 것으로 연구의 의의를 두었다. 이러한 연구는 감성에 미리 반응하는 감성 지능형 환경디자인에 중요한 페이지로 활용될 수 있을 뿐만 아니라 현대인의 건강에 대한 관심 증가에 따라 건강 증진 환경디자인에 도움을 줄 수 있는 색채 배색을 제안할 수 있다.

• Proceedings of the Korean Society for Emotion and Sensibility Conference
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• 2002.05a
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• pp.201-204
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• 2002

Kansei design knowledge acquisition stage is a crucial stage in kansei designing process and kansei engineering (KE) methodology. In kansei engineering methodology, it is essential to extract design knowledge or rules on relationships between customer's kansei and product design element. We attempt to construct a more powerful melted for extracting the design rules from kansei expremental data. We constucted a kansei experiment concerning color kansei evaluation, and analyzed the sane data by both conventional quantification theory type I and rough set theory. Finally, we compared the effectiveness of both methods for extracting rules and examined the extensions of rough set theory in kansei engineering.

• Proceedings of the Korean Society for Emotion and Sensibility Conference
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• 1999.03a
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• pp.271-276
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• 1999

This study was carried out to investigate the relationship between sound color and physical propertiessuiting fabrics. Rustling sounds of 23 suiting fabrics by sound generator developed for this study were recorded and analysed through FFT analysis. Three sound color factor(ΔL Δf. LPT) were obtained.Physical properties of specimens were measured by KES-FB. Level range(L) showed significant correlation with tensile resilience(RT) and thickness (T). Frequency difference(Δf) showed significant correlation with tensile linearity(LT), shear properties(G, 2HG, 2HG5), compressional energy(WC), and weight(W). Total sound pressure (LPT) showed significant correlation with elongation at maximum load (EM), tensile linearity(LY), and tesile energy(WT). By stepwise regression LPT was found to be explained by EM, MIU, RC, LT significantly.

• Proceedings of the Korean Society for Emotion and Sensibility Conference
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• 2002.11a
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• pp.79-84
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• 2002

디지털 삶에서 인간들은 더 이상 보호막으로써의 건축 환경이 아닌 함께 상호작용 할 수 있는 감성반응 환경을 요구한다. 즉, 실내 공간은 사람들의 요구를 충족시키거나 사람들의 기분을 만족시키기 위해 건물이 마치 살아 있는 유기체처럼 쉬지 않고 변하는 공간이다. 그러나 건축공간의 물리적 특성의 한계에서 유동적인 감성반응 환경의 요구를 충족시키는 데에는 많은 한계점이 따른다. 그래서, 본 연구에서는 이러한 한계점을 극복하기 위해 디지털 환경을 이용한 가상공간에서 실행하였다. 이는 실제공간에서의 시행착오를 줄일 수 있을 뿐만 아니라 빠른 시간 내에 인간의 반응을 연구할 수 있다. 특히, 본 연구에서는 감성반응의 실내배색에 의해 실내공간에서의 디지털 벽면의 디자인을 가상공간에서 개발하여 거주자의 감성 반응을 평가하는 것을 연구 목적으로 두었다. 이와 같은 거주자의 감성반응형 환경 디자인은 미래의 디자인의 패러다임이 될 것이다.

• Science of Emotion and Sensibility
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• v.7 no.4
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• pp.57-65
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• 2004

In this paper, we present a hybrid approach which incorporates color, texture and shape in content-based image retrieval. Colors in each image are clustered into a small number of representative colors. The feature descriptor consists of the representative colors and their percentages in the image. A similarity measure similar to the cumulative color histogram distance measure is defined for this descriptor. The co-occurrence matrix as a statistical method is used for texture analysis. An optimal set of five statistical functions are extracted from the co-occurrence matrix of each image, in order to render the feature vector for eachimage maximally informative. The edge information captured within edge histograms is extracted after a pre-processing phase that performs color transformation, quantization, and filtering. The features where thus extracted and stored within feature vectors and were later compared with an intersection-based method. The content-based retrieval system is tested to be effective in terms of retrieval and scalability through experimental results and precision-recall analysis.

• Science of Emotion and Sensibility
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• v.13 no.3
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• pp.559-572
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• 2010

Color, an important visual cue, can cross-modally affect odor association and odor quality identification Here, this research investigates aspects of the cross-modal associations between color and fragrance in greater depth, delving into the topic of whether the degree-of-association of fragrances with hue and tone of colors varies systematically. For 33 color stimuli (10 hues, 3 tones, and 3 achromatic colors), 67 subjects judged the degree-of-association of four typical fragrance families (fresh, floral, oriental, and woody) on a 7-point scale. The statistical analysis showed that fragrance associations of the all families had characteristic distributions across ten hues of the color stimuli. The cross-modal relationship between color tone (especially, lightness attribute) and fragrance association appeared to be dimensional (e.g. a positive linear relationship between the floral family and the lightness). More specifically, as colors became warmer and brighter, the associated floral scents were stronger, while the woody scents was less associated. Brighter or more vivid cool colors were associated with stronger fresh scents. These findings confirm the systematic existence of synthetic interactions between vision and olfaction in perfumery.

• Science of Emotion and Sensibility
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• v.6 no.2
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• pp.1-7
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• 2003

The objectives of this study is to develop an adaptable digital wall model whose color can be changed dynamically according to the identified emotional state of a user. This study addresses how to capture a specific user's emotion through the web and use it for modifying VR model mainly for color adaptation. This adaptation process of a VR model consists of three phases: 1) identification of the user's emotional state projected onto the list of emotional keywords 2) translation of those captured emotional keywords into a pertinent set of color coordinations, and finally, 3) automated color adaptation process for the given model. This process derives an on-line viewer's emotional state, which can be utilized to find a new color scheme reflecting the identified emotion.

• Fashion & Textile Research Journal
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• v.23 no.4
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• pp.423-438
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• 2021

This study compared and analyzed the direction of Louis Vuitton creative directors Kim Jones and Virgil Abloh. Accordingly, 485 photos(251 Kim Jones, 234 Virgil Abloh) were collected. For data analysis, statistical and content analyses were combined. First, as for the overall design characteristics of creative director Kim Jones, complex colors, colorful barrels, tone-in-tone color schemes, H-line, plain fabrics, soft materials, heterogeneous material combinations, casual style. Second, as for the overall design characteristics of creative director Virgil Abloh, achromatic color, colorful tone, tone-on-tone color scheme, I-line, plain fabric, soft material, similar material combination, casual style. There were significant differences in color, tone, color scheme, silhouette, pattern, material type, material combination, fashion image, detail, trimming, top and bottom that differed in the creative directors' design direction. Therefore, it appears that Kim Jones has been directing the luxurious and unique men's wear through H-line, coat and slim pants, colorful color combination, soft material, heterogeneous material combination, plain fabric, and chic active sensibility. Meanwhile, Virgil Abloh is directing men's wear in a loose and trendy street mood through the I-line, jacket and wide pants, achromatic color, soft material, plain fabric, similar material combinations, and soft and sophisticated modern sensibility.