• 도시과학
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• 제6권2호
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• pp.11-16
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• 2017

Giuseppe Terragni was one of the founding member and a leading Italian Rationalist pursued a new and more rational synthesis between the nationalistic values of Italian Classicism and structural logic of the machine age. Casa Giuliani Frigerio, a four-story apartment housing in Como, is one of his last major work and is worth to investigate the composition of facades in terms of ambiguity. Unlike the Casa del Fascio, it is never possible to read an priori whole and to allow static and unified readings in a traditional alignment. Due to its misalignments found within the facades of Casa Giuliani Frigerio, it is evident to present unstable and disjunctive readings. These distinctive facades are read as layers applied onto some equally unstable underlying layer and form an ensemble of unexpected unity.

• 한국의사학회지
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• 제20권1호
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• pp.139-164
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• 2007

Xu Ling Tai (徐靈胎) was an outstanding medical practitioner in the early and middle part of the Cheong Dynasty of China (淸代). He had learned the study of Confucian classics and natural science from his childhood and read through books covering all sorts of fields, from medical science to hydraulics and literature. He was, in particular, one of leaders who represented the school of classicism that followed scriptures (尊經復古主義學派) in the field of medical science and his solid abstraction has had an affect on posterity's one. One of his masterpieces is Yi Xue Yuan Liu Lun (醫學源流論) among his books in the medical area.

• 한국실내디자인학회논문집
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• 제38호
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• pp.57-64
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• 2003

The purpose of this study is to examine house and interior design during the Georgian Period in England. The results of this study were as follows: 1. Typical houses during the Georgian Period were generally two types that one was a single detached house in the country and the other was a terrace houses in the city. 2. Both the houses and their interior design during the Georgian Period were influenced by Classicism and Palladianism. The distinction of forms and the decorations used motifs originating from Greece and Rome. Gradually, It had been changed by the influence of Rococo from Europe and the archaeological excavation of Pompeii and Herculaneum. 3. The facade of house used simpe, plain and symmetrical forms. Entrance was usually in the center of the house around sash windows. Also, the Inside of house, division of walls, arrangement of furnitures and decorations of details were followed the symmetrical forms. Finally, it was found that the distinctions represent the typical style of Georgian in England.

• 패션비즈니스
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• 제1권2호
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• pp.20-30
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• 1997

The purpose of this study is to examine the influence of European middle class, ethos to costume. This study is concerned with historic situation about enlightment and French revolution, and the change process of costume before and after the French Revolution. In order to investigate the relationship, this studies include the phenomenon of costume in the basis of thoughts of the age (enlightment), political event (French revolution) and social system (middle classes). The Influence of enlightment to costume of man and children were which emphasized practical aspect. Children costume was developed independently from costume of adult before French revolution. French revolution played a roll in silhouette, color, texture of costume for man. Especially pantalons which names Sans-culotte generalized as modern clothing for man. Women freed from corset because of the influence of neo-classicism for a while. However, costume of woman did not change much because women were excluded from of enlightment.

• 패션비즈니스
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• 제1권1호
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• pp.53-70
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• 1997

The purpose of this thesis is to make clear particulartity of young adult generation which leads industry in their demands so that fashion trends are foresaw, and to describe style of costume satisfied with picture of new male. This thesis is to consider young adult style of costume in terms of double root described by W$\ddot{o}$lfflin in the internal meaning and the external form, so as to analyze their unique style. In conclusion, domestic young adult style of costume is embodied in the internal meanings of individuality, aestheticism and new classicism in terms of the external forms which means body-priority-form by open-form, whole-form, integration-form, rounded-form, indeterminate-form. With these results, domestic fashion industry is demanded to be from classic to modern expressions so as to be reflected in sophisticated masculinity of young adult.

• 건축역사연구
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• 제8권1호
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• pp.95-110
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• 1999

Louis Kahn has overcome the limits of Functionalist Architecture and reconnect the classical tradition to Modern Architecture. With a point of view that his special approach to historical precidents enabled him to contribute broaden the hiorizon of Modern Architecture, this paper trys to investigate and analyse Kahn's typological thoughts and practice in Architecture. In many ways his a priory and metaphysical thoughts on Architecture proved to be very similar to typology of 18th Century Neo-Classicism. And the geometry of Kahn's Architecture play a important role with respects to his typology. As a form-generator and 'parti' his geometry and its composition play a intemediate role to connect Form and Design and to realize the concrete structure. Therefore, the concept of his Form could be called an archetype and geometry be a kind of type in his architecture

• 한국가구학회지
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• 제23권4호
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• pp.440-448
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• 2012

The historical consciousness of furniture is one of the crucial elements that become the medium for initiating design. Also, it is an important task of the science to figure out the headstream of furniture being used these days. From this purpose, this study intends to understand the bureau that has not been studied much in terms of the headstream and changes based on historical facts centering around England, France, or America regarding the forms or terms. These points are expected to be used as the foundational research data to develop the science and products.

• 미술이론과 현장
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• 제16호
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• pp.175-199
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• 2013

Capriccio which has emersed in Italy of the 18th century is a new genre of the landscape painting. This genre represents reality, but it is very artificial product correspondingly its concept and character. It's birth place is distributed on various regions in Italy, but the main stage was Rome. Till the middle of the 18th century Rome was the Holy city of the Grand tour, the home of the Neo-Classicism and furthermore the field where archaeology and art history began to be instituted. On such historical situation the Capriccio came out and was recognized as the best popular genre in the visual art. It was favor of the art collection with the antiquity together and reflected the consciousness of the contemporary to the ancient. This study will examine the phenomena in the newly-developed archaeology and with few representative works of Giovanni Paolo Pannini as central term consider the Capriccio and the archaeological connotation. The systematical and institutional archeology which appeared at the age of the Enlightenment, on the contrary to the critical theories at the same time against capriccio, because it was regarded by them as paradoxical and too much sensitive, utilized it as a theoretical method very actively. Some among Historians and archaeologists did it, especially Francesco Bianchini distinguished the capriccio from simple imagination and made it a capacity of the knowledge. And through it he wanted to find out the historical truth. The visual art was influenced and encouraged by such attitude of the archaeology. However it's output spreaded out in various courses. While Giovanni Battista Piranesi, the best known Capriccist of the 18th century, tried to revive the antique through the epical value and his own imagination, Pannini gave priority to the strict historical research. In the such context Panni succeed Giovanni Battista Nolli who made the great map of the city Rome. Their Capriccio profited motive and was inspired by the historians and archaeologists such as Bianchini and Muratori. The Capriccio reflects not only the academic and popular interest for the antique, but also influenced on the upcoming scientific archaeology vice versa. It caused by their reasonable Interpretation and restoration of the antique through the visual medium. Finally as archaeological landscape Pannini's Capriccio is a historical case, in that the Capriccio applied the theoretical method of the archaeology to make art. It served as a momentum for the connotation to the archaeological thought.

• 가정과삶의질연구
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• 제24권1호
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• pp.287-297
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• 2006

The purpose of this study is to investigate the traditional American houses in eighteen century and their specific styles at the historic pace of Deerfield. The results of this study were as follow: First, Village of Deerfield is founded by Henry Flynt and PVMA(Pocumtuck Valley Memorial Association). Their preservation and restoration has been achieved from the efforts of collection constantly and the concrete research of old houses. So, It should be reflected their way of approach to preserve and restore for old houses in Korea. Second, the traditional eighteen century houses in Deerfield had generally Colonial Style. Style of Colonial houses had a "L"shape exterior view and a flat facade and the front door made a symmetry with sash windows. A chimney had been installed in the middle of the roof and it usually had a gable with natural materials in a simple manner. Third, the most important factor to design houses was a front door and it had been decorated in luxury and in a display. Lastly, the traditional American houses in eighteen century had been greatly influenced not by the that of British which is commonly taken but by the various cultural backgrounds which represented regional characteristics and was rather simple.

• 복식
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• 제60권7호
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• pp.131-142
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• 2010

The ethnic image in modern fashion can be interpreted as a trend of post-modernism, which appeared after modernism's established style. It has relativity, pluralism and variety, and it tries to revive style of the past. This makes style that borrows and combines image and style of different era and culture as distinctive feature, and in turn is expressed by a new image that is combined with the country's clothes. Also, thanks to the customers who are tired of artificiality and convenience, gift of modern science and technology, simple and natural sensitive marketing and being 'raw' are getting popular as new trend. Today's ethnic image is not merely borrowing visual, superficial image of culture and clothes of other ethnic group, but pursuing natural as purely created by human senses rather than being polished. In terms of ethnic image's formative beauty and aesthetic value, foreign and domestic collections are compared. But for domestic image, only Korean ones are researched, and for foreign designer's fashion image, there are ethnic styles of Japan, China and Korea. Although the documents of domestic designers that I investigated is not sufficient, canonic simple being of oriental image that is seen by the westerners is summarized.