• 한국복식학회:학술대회논문집
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• 한국복식학회 2001년도 19th International Costume Association Congress
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• pp.128-129
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• 2001

• 대한지리학회:학술대회논문집
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• 대한지리학회 2005년도 춘계학술대회
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• pp.183-184
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• 2005

• 대한지리학회:학술대회논문집
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• 대한지리학회 2005년도 춘계학술대회
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• pp.161-162
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• 2005

• 교육시설
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• 제26권4호
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• pp.11-16
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• 2019

• 대한한의학원전학회지
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• 제5권
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• pp.252-305
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• 1992

The Korean Medicine in the middle period of the Chosun Dynasty, with its clear independence, has made an excellent display of originality and superiority in the world medicine. By pinpointing its merits, classifying its lineal descent, and examining its relation with present Korean Medicine we can draw the following conclusions. First, the study on the history of Korean Medicine should, in terms of time, grasp the generational stream and, in terms of space, examine the relation with medicines of neighbouring countries, with both an inner and outer way of observing. Secondly, it is but a manifestation of the colonial view of history to classify the 460 years from Tae-jo(太祖) to Cheol-jong(哲宗) as Mordern Period of Korean Medicine. Therefore, the 250-year period between the mid-16th century of Myung-jong(明宗) to the late-18th century of later Jeong-jo(正祖), which saw a pivotal development of the national medicine as a practical medicine based on experiences, should be established as the period of Korean Medicine in the mid-Chosun dynasty. It is required from both nationalistic view of history and history as a positive science. Thirdly, Korean Medicine in the mid-Chosun period was developed with an emphasis on an independent development and creative succession of the national medicine, which was succeeded to the late-Chosun period. Fourthly, medical thought in the mid-Chosun period was much influenced by, and based on the practicality of, Shil-hak(or practical science : 實學) as was the current of the times. Fifthly, though medicine in the mid-Chosun period was generally developed, the recipes for the measles, epidemic and smallpox were especially developed owing to rage of epidemics, and the development of the acupunture as a military medicine was the most c lear because of the two major wars against the Japanese and Chinese, respectively in 1592 and 1636. Sixthly, Whang doh-yeon(黃道淵)'s Bangyak-happyeon(方藥合編), Lee je-mah(李濟馬)'s Tongui-susebawon(東醫壽世保元) and Lee kyu-jun(李奎晙)'s Uigam-jungma(醫鑑重磨) are representative medical books, in the late-Chosun period, which creatively succeeded national medicine. Seventhly, the lineage of national medicine flows from Hyangyak-jipseongbang(鄕樂集成方) Uibangryuchui(醫方類聚) Gugeupbang(救急方) to Uirimchualyo(醫林撮要) Tonguibogam(東醫寶鑑) Uimunbogam(醫門寶鑑) Jejung-sinpyeon(濟衆新編) and to Bangyak-happyeon(方藥合編) Tongui-susebawon(東醫壽世保元) Uigam-jungma(醫鑑重磨). These books are representative medical books in the early middle and late Chosun period respectively. On the basis of the above facts, it is clear that the orthodoxy of national medicine is in the direction of a creative succession and that is the best way to keep the spirit of Korean medicine today.

• 대한지리학회지
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• 제43권6호
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• pp.858-872
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• 2008

본 연구는 사료를 기초로 조선시대 제주도의 기상재해에 대하여 살펴보고, 정부와 제주민들은 이에 어떻게 대응했는지를 분석하였다. 조선시대 제주도의 기상 특이일 기록 건수는 17세기가 가장 많았고, 18세기, 16세기, 15세기, 19세기 순으로 나타났다. 기상재해의 유형별로는 풍해가 가장 많았고, 수해, 한해(旱害), 설동해 순으로 나타났다. 지역별로는 제주목이 풍해와 수해가 많았고, 대정현은 한해가 많았다. 기상재해가 발생하면 기근으로 이어지는 것이 상례였다. 정부에서는 한반도의 곡식을 제주도로 이전하여 백성을 구제하였으며, 이를 위해 갈두진창, 나리포창, 제민창을 설치하였다. 또한 제주도 백성을 평안도 등 한반도로 이주시켜 만성적인 기근을 해결하고자 했다. 이상 기후에 대응하여 제주도 농민들은 답전, 바령, 복토, 방풍 등의 농법을 행하였고, 해민들은 환전, 석력 선적 등의 항해술을 행하였다.

• 복식
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• 제56권2호
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• pp.56-69
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• 2006

The purpose of this study was to analyze the characteristics of Korean costume colors according to the diachronic stages of culture(Chosun dynasty, Modern times, Present age) and to interpretate the meanings of costume colors as a cultural code. To examine the color characteristics according to the cultural change, the quantitative analysis and the qualitative analysis were used. For the quantitative analysis 1535 color samples were collected and for the qualitative analysis on the sensitive aspect of Korean costume color, 340 color names were collected. The results of this study as follows; 1.'Red' and 'Blue' were preferred throughout the periods. In Chosun dynasty, the higher saturation of 'Red' and 'Blue', its symbolic meanings were more emphasized. 2. In the Modern times, 'Pink' was more distinctive than 'Red'. 'Pink' meant that the ecdysis of the traditional view of color. 3.'Yellow' of the low Saturation was used frequently in Chosun dynasty but in the Modern times, the use of 'Yellow' increased and the high saturation were used. In the Present age, the frequency of 'Yellow' was reduced relating to the increasing use of 'Brown'. 4.'Neutral Color' has changed according to the diachronic stages of the culture. 'Black' was increased and had a big meaning in the cultural aspect of the Modern times. In the Present age, 'Gray' and 'grayish colors' were increased related to Technology, Metals and High rise buildings.

• 한국도서관정보학회지
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• 제36권2호
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• pp.13-30
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• 2005

이 연구는 조선시대에 간행되었던 $\lceil$사서$\rfloor$의 하나인 한문본 대학 제판본에 관한 형태서지적 분석이다. 국내 여러 기관 및 개인이 소장하고 있는 한문본 대학 판본을 조사하여, 그 형태적 특성을 분석하고. 이를 토대로 한문본 대학 판본 중에서 가장 많이 간행되었던 $\lceil$대학장구대전$\rfloor$의 계통별 체계화를 시도하였다. 연구결과, 한문본 대학은 한성지역의 중앙관서와 경상감영에서 주로 간행하였고, 시기적으로는 $17\~19$세기에 가장 많이 간행되었던 특징을 보이고 있다. 특히 $\lceil$대학장구대전$\rfloor$의 경우 명나라 호광(胡廣) 등이 편찬한 $\lceil$사서오경대전$\rfloor$을 저본으로 하여 이를 복각한 '명본복각계열'과 조선에서 주조한 활자로 간행한 '활자본계열'로 판본의 계통이 형성되어 있음이 밝혀졌다.

• 한국콘텐츠학회논문지
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• 제11권4호
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• pp.186-195
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• 2011

예로부터 우리나라는 정교한 금속공예기술을 바탕으로 아름다운 여성 장신구를 제작, 착용해왔다. 이러한 장신구 중 특히 조선시대의 장신구는 실용성과 장식성 그리고 사회적 상징성 등을 동시에 지니고 있어 한국문화의 고유성을 표출할 수 있는 대표적 문화원형 중 하나라 할 수 있다. 그 가운데 본 논문의 연구대상인 된 영친왕비 장신구는 개화기 이후, 조선 말기의 유물이지만 궁중의식용으로 제작된 것이기 때문에 조선시대에 엄격히 지켜진 궁중복식 정례(定例)에 따라 전통적 형태나 기준에 맞추어 제작되었을 것으로 추정되며 그 종류의 다양성과 원형에 가까운 보존상태, 국말 상의원 소속 장인들에 의해 만들어진 점 등에 있어서도 예술성 뿐 아니라 궁중 양식과 그 체제 등에 대한 연구에 있어 귀중한 자료가 된다. 따라서 본 연구에서는 조선 말기 영친왕비가 사용한 장신구 가운데 조형적 가치가 있는 수식 11점을 선정하여 연구하고, 그 형태와 문양을 디지털 콘텐츠화하여 전통문화 원형을 보존하고 사회적 활용방안을 추구하고자 한다. 또한 전통여성장신구에 대한 고찰을 통해 문양 자료를 제시함으로써 문화산업과 현대장신구 디자인 에 활용할 수 있는 가능성을 제시하고자 한다.

• 복식
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• 제31권
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• pp.61-73
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• 1997

Kon-myuh was worn by the ancient Chinese and Korean rulers as ceremonial dress during special rituals such as worshipping heaven and ancestors marriage or funerals. kon-myun consists of two major parts-Myun and kon-bok (the main bodypiece) as well as other articles of clothing(skirt footgear etc), There were regulations set in ancient books describing in detail the make of the kon-myun number of ryu and symbol to be used all which applied to each ruler depending on rank and status. This study is aimed at examining the consistency of the korean and Chinese in following the regula-tions as seen in relics which have been recovered from the past. Based on historical findings it seems that Korean Kon-myun came to Korea from China during the Three Kingdoms period. It was also worn in the Koryo and Chosun Dynas-ties and the Taehan Empire. In studying Konmyun in Korea the researcher studied a book from the early Chosun dynasty, Kukjo-oryeuiseory and a book from the late Chosun Dynasty Kukjo-sangrye-bopyun to find the guidelines and rules applying to the Kon-myun tradition. Slight difference were found across time in the supplementary articles of clothing as seen in Uigwe Pokwan-doseols explanations and drawings of Kon-myun. The researcher used uigwes of funerals of kings of the Chosun Dynasty and observed change over this period of time. However there was a clear consist-ency: the king's Kon-myun consisted of 9ryu-myun 9chang-bok while that of the prince consisted of 8ryu-myun 7chang-bok. For the Taechan Empire the researcher used Tae-han Yae-jun which shows the emperor's kon-myun to have consisted of 12ryu-myun 12chang-bok. To study how the regulations were put into practice relics were uncovered from the periods being studied. A portrait of King Ik-Jong remnants from King Ko-jong's Kon-bok and a photograph of Emperor Sun-jong all were in close adherence to the regulations outlined in the books. In China Kon-myun was worn by emperors from the Han to the Ching Dynastices. The researcher investigated Kon-myun es-pecially in the Ming Dynasty. The Kon-myun regulations as read in Tai-ming-hui-chan changed through all four periods. To study the faithfulness of practice to low Ding-ling the tomb of Emperor Shin-jong who ruled during a period of the Ming Dynasty was unearthed and the remains of the Emperor's Kon-myun were analyzed. The Kon-myun consisted of 12ryu-myuh 18chang-bok and there were other differences I color symbols and wearing method when compared to the regulations. It can be concluded that the Chinese Kon-myun tradition was not in strict adher-ence to the regulations established by law books. This is in contrast to the Korean Kon-myun tradition which showed little devi-ation. Further study is needed to understand why there was this difference in tradition and ritual.