• 제목/요약/키워드: Chinese-Japanese War

검색결과 42건 처리시간 0.029초

일제강점기 옻칠 증산(增産) 사업의 전개와 영향 (Development and Effects of the Project to Increase Lacquer Production During the Japanese Colonial Era)

  • 강연경
    • 헤리티지:역사와 과학
    • /
    • 제55권3호
    • /
    • pp.22-44
    • /
    • 2022
  • 일제강점기 옻칠은 나전칠기와 같은 고급 공예품 외에 산업, 건축, 군수물자의 외부 도료 등 다방면으로 활용되는 중요한 전략물자였다. 특히 전시 체제에 돌입하는 1940년대 이후 군수물자에 사용되는 옻칠 수요가 급증하면서 유통을 제한하는 전표제까지 시행하였다. 한편 일본에서는 옻칠 수요의 급증에 따라 고질적인 물량 부족을 겪고 있었고, 대안으로 19세기 후반 이후 중국산 옻칠을 수입하였다. 1910년대 이후에는 중국산 옻칠의 시장 점유율이 90%에 이르러 중국 현지 상황에 따라 일본 내 옻칠 수급이 영향을 받자 일제는 조선에서 옻칠 생산을 늘려 문제를 해결하고자 했다. 조선에서의 옻칠 증산 사업은 1910~1920년대에 각종 시험을 통해 객관적 지표가 마련되었고, 이를 기준으로 1930년대 본격적으로 사업에 착수하였다. 전국 각지에 옻나무를 식재하고 개량 채취법 강습회를 개최하였다. 일제는 조선인들에게 경제적 수익을 들어 옻칠 생산업을 장래 유망한 농가의 부업으로 홍보하였다. 각 도에서 수립한 옻칠 증산 사업은 효과를 거두었으며, 현재 국내 주요 옻칠 생산지의 기반을 마련하였다. 일제강점기 한반도 남부에서 사업을 중점적으로 추진한 곳은 강원도 원주, 충청북도 옥천, 경상남도 함양으로 현재의 생산지와 일치하였다. 일제가 조선인 농가를 대상으로 교육한 개량 채취법은 현재 한국 옻칠 채취의 주된 방식으로 자리 잡았다. 본 논문은 일제강점기 각종 기록을 통해 옻칠 증산 사업의 현황을 파악하여 근대 옻칠 공예사 연구의 공백을 메우고자 시도하였다.

한복 변천에 관한 연구 - 1950년대 이후 여자 한복 중심(中心)으로 - (A Study on the Transition of Korean Clothes Since the 1950's)

  • 진미희
    • 복식
    • /
    • 제15권
    • /
    • pp.149-166
    • /
    • 1990
  • Korean clothes is traditional folk costume native to Korea, Which is in Korea clothes. The past Korean costume was developed in the native costume, together influenced by chinese costume. But in the late Yi dynasty the contact with western countries brought about a turning point in Korean costume history, with rapid growth of economy since Korean war in the 1950's, the magnification of industrial structure, the development of productive technique, transformation of consumption pattern and the development of communication have been increased concerns for the western costume. In 1953 the introduction of nylon which was imported from Japanese brought about a fuming point in clothing habits. In 1967 the development of the fiber industry got a firm stand in ready-made clothes. Consequently our traditional Korean clothes was regarded as nonfunctional, nonproductive and it was pushed out of daily life little by little and it was deprived of the function of ordinary costume by the influence of western costume. But in these days the Korean clothes appears as the desire of pursuing traditional style in addition to mordern style of Korean clothes.

  • PDF

중국식 사회주의와 민족주의 (Chinese Socialism and Nationalism)

  • 조봉래
    • 한국철학논집
    • /
    • 제27호
    • /
    • pp.223-254
    • /
    • 2009
  • 본 논문은 사회주의 중국에서의 민족주의의 형성에 대한 연구다. 중국은 발달한 문명을 바탕으로 한 문화적 우월감으로 인해 일찍부터 문화적 민족주의가 강하게 형성되어 있었고 이는 오랜 기간을 통해 '중화주의'로 굳어지게 된다. 그러나 아편전쟁 이후 서양의 침략으로 인해 위기감이 생겨났고 중국의 지식인들은 다방면의 변화를 통해 구망(救亡)의 길을 모색하게 되었는데, 이 과정에서 서양의 '사회진화론'이 소개되고 받아들여진다. 이 사회 진화론의 수용은 결국 국가 간의 경쟁에서 밀린 중국이 제국주의의 침탈을 받는 것은 당연해지는 논리적 한계에 봉착하여 점차 변형되지만 중국 지식인들에게 문화적 중화주의에서 벗어나 서양의 근대적 국가민족주의 개념을 형성하도록 만들었다. 특히 중국공산당은 초기에 창당과정에서 부터 코민테른의 지도를 받았는데, 당시 제국주의 자본의 세계지배라는 조건 속에서 식민지국가에서의 민족해방투쟁이 세계 공산주의 운동에 있어 필수 불가결한 요소라는 것을 강조되었고, 중국에서의 저항적인 민족주의성격을 띤 마르크스주의는 명분을 갖게 된다. 이후 중일전쟁 과정에서 반제반봉건투쟁을 통해 중국인의 광범위한 지지를 얻게 된 중국공산당에 의해 중화인민공화국이 건립되고 본격적인 사회주의 체제로서의 중국이 시작된다. 그러나 냉전이라는 국제적 여건 속에서 소련과의 관계가 악화되면서 중국 사회주의의 발전은 자국 인민의 결집된 힘에 의존할 수밖에 없었고 이는 중국 공산당의 지속적인 애국주의의 고양으로 이어진다. 특히 개혁개방 이후 새롭게 등장한 모순들로 인해 중국은 분열을 겪게 되었고 이를 통합하는 이데올로그로 자국의 문화적 자긍심을 바탕으로 한 중화주의가 또다시 등장하게 되었다. 최근 경제 강국으로서 국제적인 위상이 높아진 중국에서는 전통문화의 우월성이 강조되면서 매우 강력한 중화주의가 대두되고 있다.

동북아세아(東北亞細亞) 고(袴)의 발생(發生) 및 전파(傳播)에 관(關)한 연구(硏究) - $4{\sim}7$세기(世紀) 중심으로 - (A study on the origination and transmission of Koh(袴) in Northeast Asia-from the 4th century to 7th century)

  • 박경자;이진경
    • 복식
    • /
    • 제15권
    • /
    • pp.177-194
    • /
    • 1990
  • Koh(袴) was a type of dress worn on the lower part of the body which was commonly used in the Northeast Asia. It was originally used by the Northern race for the need of nomadism or hunting. The origin of the Koh which appeared in the area would be found from the trousers of the Huns who influenced in the Northeast Asia, and became in the part of the Scythian culture. The Scythians are the nomadizing race inhabited in the Northern Caucasas on the wast of the Black Sea and influenced on the inland Eurasian steppe as the first typical horse-riding race. The objectives of Koh which had been worn in the Scythian, Mongolia, Korea as well as Japan as a part of Dongho dress and ornaments and to contemplate the transmission process by cultural exchange among different races for the period from 4th century to 7th century. 1. The Origination of the Koh The Koh was originated by the environmental factor to protect the cold in the North but also from the heat in the South, and was changed and developed as gradually satisfying to the needs of the times. In the Northeast Asia the Koh was in the class of the Northern Chinese garment, and was used widely by the horse riding Scythians who moved widely from the Eurasian inland to Japan. The oldest original which could reflect the type of the Northern clothes was a pair of trousers discovered in the Huns remains of Noin Ula. This showed the exact form of hunting clothes and had a similar form with the Korean female tro-users. Since the same form of trousers drawn on the wall painting of which was excavated 4-5th century ancient Koguryo(高句麗) tomb was the same form the trousers of Noin Ula seemed to be the original form of Koh in the Northeast Asia. 2. The Chinese Trousers It was the time of the King Mooryung(武靈王) in the Cho(趙) Dynasty B.C. 3th century that the trousers used regularly in China. However, the Koh had been used as undergarment which functioned for the protection of the cold not the horseriding garment. The trousers seemed to be not very obviously shown off since the Poh (袍) was long, but mainly used by the people from lower class. As people learned the adapted the trousers. It was essential for the times of war and quarrel. The king himself started wearing the Koh. The Chinese trousers were influenced by the Huns, the Northern clothes of the Scythian culture, and similar to the Korean clothes. 3. The Korean Trousers Korean was a race bared from the Eastern foreign group. It was obvious that the clothes was Baji-Jeogori(바지 저고리), the garment of the Northern people. This had the same form of the Scythian dress and ornaments which was excavated from the Mongolian Noin Ula. The Scythian dress and ornaments were influenced from the Ancient West Asia Empire and transmitted to the Northeast Koguryu by the horseriding Scythian. The trousers were kept in the traditional style by the common people in Korea were transmitted to Japan which were for behind in cultural aspect, as well as got used to the Chinese as the efficient clothes though active cultural exchange. 4. The Japanese Trousers The ancient Japanese clothes were influenced by the Southern factor but not the form of the Koh. As the Korean people group was moving towards Japan and conquer the Japanese in the 4-5th century, however, North Altaic culture was formed and at the same time the clothes were also developed. The most influenced clothes at this time were those of Baekge(百濟) and the trousers form called Euigon became the main form. Because of the climatic regional factor, it was tied not at the ankle but under the knee. From the view the ancient Japanese clothes disappeard about that time, it could be due to the conquest of the culturally superior race but not the transmission of the culture. In the latest 7th century both the Chinese and Japanese dress forms were present, but the Dongho(東胡) dress and its ornament from Korea was still the basic of the Japanese dress form.

  • PDF

조선 중기 외래식품의 도입과 그 영향 - 서류.두류.채소류를 중심으로 - (Effect of the Introduction of Foreign Food in the Middle of Chosun Dynasty - Potato & sweet potato.bean pulse.vegetables -)

  • 차경희
    • 한국식생활문화학회지
    • /
    • 제20권4호
    • /
    • pp.487-497
    • /
    • 2005
  • War against Japanese(1592-1599) and war against Manchurian(1636-1637), which had been occurred in Korean Peninsula throughout the history, and frequent trade with foreign countries since $18^{th}$ century have led to a distribution of foreign food into Korea. Several examples for this include tomato, apple, watermelon, maize, pea, cowpea, peanut, potato from China and red pepper, pumpkin, and sweet potato from Japan. Since these foods had been brought into Korea, they have been cultivated suitable for Korea's climate and land. Foreign foods with a few exceptions tend to have high calories. For instance, along with potato and sweet potato, pumpkin is considered a high-calorie food containing lots of starches as it becomes ripening. This helped a wide spread of the foreign foods across the nation where intake of high-calorie foods was critical for Korean people's nutrition at that time. Among those foods introduced from foreign countries, red pepper had a greatest impact on the dietary life-style of Chosun Dynasty. The use of red pepper has been greatly expanded from main ingredient to seasoning and garnishing in various forms of red pepper such as red pepper paste, red pepper powder, and thick soy paste mixed with red pepper. Red pepper was made eating habits is hot besides dye red colored to traditional food, because steaming and boiling is frequently cook method, fermentation food also food color is achromatic therefore food color is and mixture with red pepper, picked fish and chinese cabbage new kimchi culture came into being.

Embedded Korean in American Oriental Imagination: Kim Sisters' "Their First Album"

  • Lee, Yu Jung
    • 비교문화연구
    • /
    • 제24권
    • /
    • pp.46-61
    • /
    • 2011
  • This paper considers how Koreans found their positions in the complex, overlapping, disjunctive, and interconnected "Oriental" repertoires in the early Cold War years. When we use the term, Oriental, it should require careful translation from context to context because it may be subject to very different sets of contextual circumstances. Klein views Cold War Orientalism in the complex of various regions including East Asian and Southeast Asian countries; however, when Koreans are contextualized at the center of the discussion the Orientalism produces another discursive meaning. Even though many great researches have been done on Korean immigrations, Korean American literatures, and US-Korea economic, political, and foreign relations, not many discussions about Korean American popular cultures have been discussed in the basis of the Oriental discourse in the United States.For this argument, this paper investigates the performative trajectory of a girl group "Kim Sisters" who began to sing at the US military show stages in South Korea in 1952 during the Korean War. They moved to Las Vegas show stages in 1959 and later appeared in Ed Sullivan Show more than thirty times during the 1960s and 70s. Meanwhile, they not only returned to South Korea often times to perform at the stages for Korean audiences in South Korea but also played at the shows for Korean immigrants in the United States. Korean American immigration to the United States has followed a different route from the majority of Asian American population such as Chinese or Japanese Americans, which means that efforts to compare this particular group to the others may be unnecessary. Rather doing comparative studies, this paper, therefore, focuses on the formation of the intersecting and multiple identities of Korean female entertainers who were forced or forced themselves to be incorporated into the American popular "Oriental" imagination, which I would call "embedded" identities. This embeddedness has been continuously maintained in the configuration of Korean characters in the United States. This will help not only to observe the discursive aspect of Asian American identity politics but also to claim a space for comparatively invisible Korean characters in the United States which has been often times neglected and not brought into a major Asian American or Oriental historical discourse. This paper starts with American scenes at the beginning of the twentieth century to trace Americans Oriental imagination which was observable in the various American cultural landscape and popular music soundscape. It will help us more clearly understand the production and consumption of the Korean "Oriental" performances during the early Cold War period and especially the Korean performance in the American venue, silently overshadowed into the political, social, and cultural framework.

한중일 비즈니스 협상과 문화의 고찰 (Intercultural Approach on the Business Negotiation among Korean, Chinese and Japanese Culture)

  • 김미정;채대석
    • 통상정보연구
    • /
    • 제12권2호
    • /
    • pp.409-438
    • /
    • 2010
  • According to Sun Tzu's Art of War, "if you know yourself and your enemy you win hundred battles out of a hundred." This is also apply for international business field. International business negotiation will not be failed if you know counter party's behavior and understand their culture and customs. The cooperative approach is known as interest-based negotiation. Interest-based negotiation is particularly effective in a global business characterized by diversity. We often need to reach agreement with people who are different from us - culturally, ethnically, or economically. If we cannot get beyond the differences, they can create obstacles to agreement. To do this, we need to focus on the interests of the parties instead of on the parties' differences. Every culture has their own distinctive feature that the people from outside seems not understand but they must have the optimistic attitude which complies with. The purpose of this paper, from the point of view above, is to examine cultural differences that could make sure comparative advantage in business negotiation of the enterprises who eager to expand their market or to invest internationally. This paper especially shows cultural deferences among Korea, China and Japan in terms of business we must consider.

  • PDF

1918년에 출판된 『간호교과서』 연구 (A study on the Textbook on Nursing published in Korea in 1918)

  • 이꽃메;유수정;박찬숙
    • 한국간호교육학회지
    • /
    • 제29권4호
    • /
    • pp.415-428
    • /
    • 2023
  • Purpose: The purpose of this study is to better understand nursing education in the early years of the Japanese colonial rule. Methods: We compared the 1918 Textbook on Nursing with the first Textbook on Nursing and to the original text, Grade A Textbook on Nursing, by the Japanese Red Cross Society (JRCS) using the historical research method. The background of its publication and its use in nursing education were exploring, too. Results: After Korea's annexation by Japan, the nursing textbook by the JRCS was appointed as the standard textbook in nursing education by the Government-General in Korea (GGK). Missionary nurse got the permission for the nursing textbook by JRCS and the Textbook on Nursing was published in 1918 using Korean and Chinese characters in combination. This book, an adaptation of the original text, explained the responsibilities and roles of nurses to guide them in serving patients as well as assisting in treatment or directly performing emergency medical treatment when necessary, with a focus on the treatment of the war wounded. It would have been partially used in actual nursing education among the missionary community. Conclusion: Textbook on Nursing in 1918 was published not only for the nursing students of missionary nursing schools but also for other nursing trainees of diverse hospitals, nurses and missionary volunteers and to help them to acquire the licenses. It reflects the enforcement on nursing education by GGK and the reality and resistance in terms of the content of education of nursing in Korea during that period.

고소설에 표출된 영웅의 양상과 그 역사적 의미 - <최고운전>, <전우치전>, <전관산전>, <일념홍>, <여영웅>을 중심으로 - (A Study on The heroic side and the features of the classic novel Historical significance)

  • 조상우
    • 동양고전연구
    • /
    • 제71호
    • /
    • pp.9-39
    • /
    • 2018
  • 본고는 고소설에 표출된 영웅의 시대별, 남녀별 차이에 드러나는 영웅의 유형화와 소설의 개별적 양상과 그 역사적 의미에 대하여 고찰해 보았다. 이러한 목적을 달성하기 위해 본고에서는 <최고운전>, <전우치전>, <전관산전>, <일념홍>, <여영웅>을 텍스트로 선정하였다. 그리고 이들의 주인공들을 '문화영웅-최치원, 민중영웅-전우치, 내조(가정) 영웅-정소저, 친일 개화 영웅-일념홍 이형경'으로 유형화하였다. 또 이 영웅의 유형이 갖는 역사적 의미를 서술하여 본고의 목적을 이루려고 노력하였다. 중국과 조선은 국경을 맞대고 있기에 서로의 관계가 불편했다. 이러한 문제와 관련된 것이 바로 <최고운전>의 최치원이다. 최치원은 신라의 대문장가였기에 중국 문사와 한 수 우위의 시문수창을 할 수 있었다. 조선이 중국보다 문화가 우수하다는 자부심을 표현하기 위해 문화영웅 최치원이 필요했다. 조선은 반상제도가 뚜렷한 유교사회였다. 그렇다보니 모든 중심은 양반에 치우쳐 있어서 민중들은 양반에 의해 핍박을 받았는데 이 때 민중의 영웅이 필요했다. 그가 바로 <전우치전>의 전우치다. 전우치는 도술을 통해 민중들의 원한과 바람을 해결해 주는 진정한 민중영웅이라 할 수 있다. 조선 후기로 가면서 전란을 체험한 여성들이 남성을 대하는 태도가 달라진다. 그렇다 보니 <강도몽유록>이나 <박씨전>, 그리고 <이학사전>과 같은 여성영웅소설이 등장한다. 무능한 남성들로 인해 울분에 찬 여성들에게 당시 작가는 작품에서나마 희망을 주었다고 생각한다. <전관산전>의 정소저는 고소설에 충실한 여성주인공보다는 진취적이지만 남편을 위한 내조를 담당하는 가정영웅이다. 조선은 청일전쟁과 러일전쟁을 거치며 일본의 마수에 걸려든다. 이후 일본은 을사늑약을 강조로 맺은 뒤 통감부 정치를 실시한다. 이 때 친일을 부각하고자 친일신문을 발간하고 친일 소설을 연재한다. 바로 <일념홍>과 <여영웅>인데 친일개화 영웅이다.

화약기술발전의 사적고찰에 관한 연구 (한국의 고대 화약기술) (A Study of the Korean Historical Development of Explosives Technology(Korean Traditional Explosive Technology))

  • 나윤호;손선관
    • 기술사
    • /
    • 제12권1호
    • /
    • pp.12-20
    • /
    • 1979
  • 화약(흑색화약)의 최초로 발명된 사실은 초석 의 제법 및 그 정제법과 밀접한 관계가 있다. 중국인들은 이미 11세기초부터 초석의 제법을 알고 있었으며, 그들이야말로 화약원료인 초석의 제법을 세계에서 가장 최초로 발명해 낸 사람들이다. 에지프트인들은 그것을 중국의 눈이라고 불럿으며, 초석이 유럽에 전파된 시기는 성길은오이 1218년 서정작업중 패르시아의 성첩를 공격하기 위하여 화약을 사용한데서부터 시작된 것으로 생각된다. 한국에 화약 및 초석의 제조기술이 중국으로부터 도입된 시기는 1374년이며 화약을 최초로 한국에서 만들어낸 사람은 최무선이였다. 이조시대에 접어 들면서 초석, 화약 및 화포의 제조기술은 최해신에 의해서 매우 발전해 나갔다. 그러나 1597년 일본의 왜군이 한국을 침공해 왔을때(임진란) 왜군은 성능좋은 조총으로 한국군을 괴롭혔으며 이에 맞서서 이순신장군이 이끄는 한국의 수군은 거북선에 장비한 성능좋은 화포로서 일본수군을 전멸시킬 수 있었다. 한국의 근대화약기술은 1930년부터 1945년 사이에 4개의 화약공장이 건설됨으로서 매우 발전했다. 본 연구는 한국에 화약기술이 전래된 경위를 조사하였으며 차후화약기술에 대해서 연구하고져 하는 연구자에게 연구 자료를 제공 하고져 시도했다.

  • PDF