• 수완나부미
• /
• 제2권1호
• /
• pp.55-94
• /
• 2010

Even Faxian(法顯)'s Gaosengfaxianchuan (『高僧法顯傳』) and Iching(義淨)'s Nanhaijiguineifachuan (『南海寄歸內法傳』) are regarded as very important and useful documents to study the southeast asian buddhist culture, it is very difficult to grasp the contemporary state of those area because their descriptions are very brief and implicit. Therefore this essay aimed an in-depth reading their documents as original texts of modern understanding of those area, and tried to make a new views to approach the southeast asian buddhist culture by some more historically and concretely. At the early 5th century when Faxian(法顯) arrived, Buddhism was flourished in Sri Lanka. Because already a long time passed since the Saṇgha was schismatized into conservative and progressive at around the dominical year, he mentioned nothing about the conflict or disharmony of two orders. And the faith of Buddha tooth relic, which had been uprisen at 50 years ago from Faxian's visiting, was concretely established as a representative religion of Sri Lanka. According to his record, the carrying ritual of this Buddha tooth was performed very magnificently as similar with recent Korean Youngsan ceremony(靈山齋). In the mean time, it looks there were many sculptures of Buddha image made of precious stone of special product from Sri Lanka. The faith of Buddha-pāda(the Buddha's foot-prints) was also generalized at that time. The most famous monk of his contemporary Sir Lanka was Buddhaghosa, the author of Visuddhi-magga, but it is not sure that Faxian had met him. It can be suspected that the funeral in which Faxian participated could be belonged to him, or the Visuddhi-magga was writing at the peak during Faxian's staying. On the way to return to China, Faxian embarked an indigenous ship around Indonesia. It means there were no chinese trade ship which he can use. So the trade between china and southeast asia was advanced by south asian ships, and the chinese ships were not yet joined at that time so activity. And at least until that time, it looks there were no any remarkable buddhist movement in the southeast asian countries by where he stopped. In contrast, the southeast asian world which be seen by Iching had already experienced a lot of changes. He was impressed by the high quality buddhist culture of those area, and insisted to accept it to china. Further, he analyzed the sects of buddhism which were prevalent around the southeast asia in his contemporary time, and tried to make a good relationship with each native monks for learning from them. It looks the center of those exchanges may be Śrīvijaya of Indonesia. He also mentioned the situation of the late 7th century's Funan(扶南) in Cambodia. At that time, the buddhist Saṇgha was oppressed by newly rising Khmer(眞臘). On the other hand, he described the points of sameness and difference in detail between Indian and southeast asian buddhist culture in the field of ritual as like the practical use of garments, buddha images, and daily recited scriptures. There must be a lot of another aspects which this essay couldn't gather up or catch from these documents. Nevertheless, I hope this essay can help the researchers of this field and will wait for any advices and comments from them.

• 디지털콘텐츠학회 논문지
• /
• 제19권6호
• /
• pp.1097-1103
• /
• 2018

본 연구는 인문학과 ICT의 융합적 접근을 통하여 인문 디지털 콘텐츠를 현대인의 삶에 직접적으로 활용할 수 있는 방안을 마련하는 데 목표를 두었다. 중국문화콘텐츠원형을 기반으로 대중화권 창업진출이 가능한 콘텐츠를 발굴하여 만화, 애니메이션 측면의 콘텐츠를 제작하는 콘텐츠 개발과 활용방안을 제시하였다. 또한 ICT 기반의 스마트폰 앱 퍼블리싱 환경 연구 및 모바일 빅데이터 생태환경 연구를 통해 구체적인 ICT 창업아이템 개발을 지원하는 대중화권 진출을 위한 통합형 창업 DB 및 보육 멘토링 프로그램 제공이 가능할 것이다.

• 복식
• /
• 제52권1호
• /
• pp.21-36
• /
• 2002

The Miaos have their own unique and luxurious culture traditional and modern formed as they have experienced repeated fusion into and resistance against the Han Race or the Chinese in their long and old history. Taijiang County of Guizhou Provice, in which whey have been living, is endowed with natural beauty. Thus their culture enjoys abundant and diverse contents of artificial and natural character. Naturally, their costume reflects cultural and natural features in abundance and variety. This dissertation aims to investigate the artistic character of Miaos' traditional costume as reflected in patterns for their embroidery. As for the artistic character of the patterns for embroidery, the following were found. To begin with, the space in the Miaos' embroidery is, unlike the measurable three-dimensional space found in Greek art, unmeasurable and fantastic with its beauty, majesty and peculiarity. It is as if immersed in limitless space, they were in communion with gods and universe. Another characteristic is the use of image construction beyond mere imitation. Their mode of image construction was realistic in that patterns as a whole reveal an abstract form or meaning but separately they portray visual representations of concrete thins in nature. Still another is that sense of motion conveyed by the basic curve line is full of life. It was the result of using light rhythm breaking stereotypic balance and symmetry. Finally, the colouring was abstract, and a strong contrast between black and white was gorgeous and fantastic.

• 패션비즈니스
• /
• 제20권6호
• /
• pp.79-93
• /
• 2016

Since the development of patterns using tessellation is applied to a wide range of fields such as clothing, architecture, environment, and products, etc. and its expression principle is also found in various fields such as mathematics and science, etc. However, this pattern is mostly used as a math material with little studies on fashion and culture. In addition, it is thought that Korean traditional culture products need more various and modern design development methods and pattern through preliminary investigation which is simple copy of traditional items, simple copy of Korean Alphabet, Chinese character, and folk paintings. Therefore, it will present the method to make more design cases using Tessellation. Tessellation that combines mathematics and art will be the infinite form of designing of designers as well as creative training way to understand the composition principles of old culture and to raise sense of modern design. Tessellation of regular triangle, regular square, and regular hexagon was performed on the patterns which have meaning of wealth and prosperity of Korean traditional patterns. As the concrete method, first, each side of the regular triangle is developed symmetrically with patterns of fish, turtle, and cicadas. Second, rotational movement after symmetry movement about middle point of one side ${\times}$ 1 symmetry movement about middle point ${\times}$ 1 using crane and cloud, of the regular triangle was performed. Third, the regular square was tessellated parallel movement ${\times}$ 2 with "Da(multi)" and dragon pattern as the source image. Fourth, the sitting tiger was tessellated with symmetry movement about middle point ${\times}$ 2 and parallel movement ${\times}$ 1. Fifth, three bat patterns are tessellated by again rotational movement of two sides after rotational movement of one side and rotational movement of the other side. In addition, It developed traditional culture product design of the scarf, umbrella, aprons, neckties.

• 예술인문사회 융합 멀티미디어 논문지
• /
• 제8권6호
• /
• pp.475-483
• /
• 2018

최근 세계 주요 국가들의 정부 리더들은 현대 사회는 그 사회가 창의성을 얼마만큼 육성하고 가치있게 여기는지에 따라 흥망이 결정된다고 주장한다. 이 연구는 중국의 직업교육 발전과 관련된 현황을 분석해 그 문제를 개선하기 위한 대안을 모색하는데 목적을 두고 있다. 이를 위해 중국 직업교육 발전 체제, 중국 건국 후 발전, 반전현황과 문제에 대해 전면적으로 고찰하고 분석하였다. 중국은 현대적인 시장경제채제가 아직 완전히 정립되지 못하고 있다. 계획경제체제하에서 기업은 국가의 행정 부속물이었고 기업이 실행하는 것은 사회적이고 정치적인 생산기능이었으며 정치적인 윤리가 기타 모든 윤리를 우선했다. 1996년 중국은 <직업교육법>을 공포하여 정책상 기술직업교육의 중요성을 인식하였고, 또 앞에서 살펴본 바와 같이 최근 직업교육의 규모를 급속히 확대하였으며, 직업교육의 운영수준도 상당히 제고시켰다. 그러나 중국의 직업교육은 조항의 분할 - 통일적 기획의 부족 등으로 인하여 교육자원이 합리적으로 운영되지 못하고 있는 점이 발견되고 있다.