• 제목/요약/키워드: Characteristics of the Design Expression

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현대 상업 실내공간에서 나타나는 미디어아트 표현특성에 관한 연구 (A study on characteristics for of Media Art Appeared in interior of contemporary Commercial Space)

  • 이효선;김문덕
    • 한국실내디자인학회:학술대회논문집
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    • 한국실내디자인학회 2007년도 추계학술발표대회 논문집
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    • pp.89-92
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    • 2007
  • Media art has been differentiated and evolved depending on the development of digital technology and the growing of pop culture. Finally experiential ways, which make much of communication with human beings, bring themselves into relief in media art, and these various ways broke lines between virtual reality and reality with the elevation of digital technology, and that has a direct effect on expressing actual space. For this reason, diversified expressions of media art can be an important guideline for studying how to express modern space. This research analyzes expressing features in media art establishing a link with modern industrial interior space and offers new future-oriented space.

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아이디어 발상을 위한 추상적 개념의 시각화 사례 연구 (A Case Review On Visualization of Abstract Concept for Idea Making)

  • 김진희
    • 디자인학연구
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    • 제12권3호
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    • pp.143-152
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    • 1999
  • 일반적으로 미술에서 어떠한 내용을 시각화하는 아이디어는 한 작품의 성공여부에 결정적이라 할 수 있을 만큼 핵심적인 부분이지만 실제로 이 아이디어 발상에는 많은 어려움이 따르기 때문에 본 연구에서는 이러한 시각화 작업을 위한 아이디어 발상에 방향성을 제시해 보고자 하였다. 개개인의 예술적 표현의 자유와 개성이 태동하기 시작하였던 르네상스 시대 이후의 서양미술에서 추상적 개념을 시각화한 내용을 보이는 구상화 중 표현기법 상의 대략 몇 가지의 사례를 분류해보고 그 표현기법이 확연하게 설명이 가능한 경우의 작품들을 발췌하여 소개하고 있다. 표현기법에 따라 상징, 알레고리, 특정양식, 초현실주의 구상기법, 형이상학적 논리의 왜곡, 그리고 상황적 설정으로 나누어 보고 각각의 기법들이 어떠한 방법으로 추상적 개념을 형성하고 전달하고 있는지 구체적 사례들을 설명하고 있다. 특히 이러한 연구가 미흡한 응용예술 분야의 아이디어 발상에 도움이 되었으면 하는 취지의 사례연구이다.

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데이비드 호크니의 회화 특성을 활용한 패션 슈즈 일러스트레이션 (Fashion shoes illustration applying characteristics of David Hockney's painting)

  • 최연수;제갈미;이연희
    • 한국의상디자인학회지
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    • 제23권4호
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    • pp.19-37
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    • 2021
  • The purpose of this study is to apply the characteristics of David Hockney's paintings to fashion illustration and thereby, review how pure art can be harmoniously grafted onto fashion commodities and thereupon, suggest a far more developed and unique fashion illustration. For the research, this study analyzed David Hockney's late painting works, after the 1980s; the analysis was focused on photo collages, multiple perspectives, the movement of the viewpoint, and lights and colors. In order to produce an artwork, the researcher selected 4 painting works; one work for decade for the period from the 1980s to the 2010s. This study selected 'shoes' as subjects for expression in an effort to depart from the convention approach of focusing on apparel and thereby, suggest some differentiated fashion illustrations. In terms of the artwork production size, four canvases #5 were combined into a set, and thus, a total of four sets were developed. The results are as follows. First, it was very interesting to develop a fashion illustration making use of David Hockney's paintings, and it was proven that the fashion illustration applying the sensitivity of the pure art would provide a unique sense of art. Secondly, as the boundary among disciplines becomes blurred, painting provides a new source of insights and motifs to the diverse design areas to satisfy diversified human needs, and furthermore, the development and diversified application of the fashion illustrations could be confirmed. Thirdly, David Hockney's differentiated world of art, technique of expression and sensitive colors could well be applied to fashion illustrations. This study proves that we fashion artists can depart from the conventional expressions focused on the apparel to expand the fashion illustration into lady's high heels.

울산광역시 공공시설 실내디자인의 환경친화적인 표현특성에 관한 연구 (A Study on Environment-friendly Expressional Characteristics; As Shown in Interior Design of Public Facilities in Ulsan)

  • 정지향;이규백
    • 디자인학연구
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    • 제16권4호
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    • pp.395-404
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    • 2003
  • 오늘날의 인류는 인위적 환경에 현실적으로 적응하고 있는 동시에, 자연환경으로의 복귀를 지향하려는 행태를 보이고 있다. 실내공간에서의 자연과 인간 그리고 공간이 온전한 공존관계를 유지하여 비자연성, 비인간화를 극복하고 인간과 자연이 함께 교감하며 풍요로와질 수 있는 공간 조성이 절실하다고 할 수 있다. 실내공간에 있어서 환경친화적인 표현을 실내공간에 자연요소로 도입하는 방안과 인간의 주변에서 흔히 볼 수 있는 자연물 또는 질서 있는 변화를 가진 아름다운 형태를 인위적인 디자인 형태로 표현하는 방안으로 나눌 수 있다. 본 논문에서는 실내디자인에 있어서 환경친화적인 특성을 모색하기 위해 먼저 환경친화의 개념과 발달 과정을 정의해 보고, 실내공간에서 광범위하게 나타난 환경친화적인 표현의 특성 중 자연요소 도입과 디자인적인 형태 표현으로 구분하여 진행한다. 연구분석의 사례로는 많은 사람을 수용하는 울산광역시 공공시설의 실내공간으로 제안하였다. 환경친화적인 공간의 형성은 아름답고 쾌적한 생활공간 조성이라는 시대적 요구에 따라 관련 연구가 더욱더 활성화, 전문화되어야 할 것으로 판단된다. 실내공간에서의 자연적 요소와 디자인적 형태의 표현이 폭넓은 이해와 심도 있는 연구로 병행될 때 바람직한 환경친화적인 표현이 창출될 것으로 본다.

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표현주의 영화적 공간과 현대공간의 상관성연구 - 뮤지엄 공간 중심으로 - (A Study on the Correlation between Expressive Film Space and Modern Space - With Focus on Museum Space -)

  • 이한나;이찬
    • 한국실내디자인학회논문집
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    • 제24권6호
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    • pp.58-67
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    • 2015
  • Expressionism is an art trend that prospered in the early 20th century and was represented in art activities in the diverse fields. As capitalism spread and people underwent wars, people's consciousness became impoverished, and it was created by the artists as a reaction against this, and notable achievements were made in film art and this is called expressive film which still inspires many artists. The modern age is a multicultural age and art is not limited to one area but influences many fields and interchanges and communicates with one another. This study attempts to analyze how an art trend has been passed down and developed and has influenced modern space. The purpose of this study is to derive the keywords of their characteristics through expressive films and to study how expressionism has been transformed and represented by putting them into modern space and to explore new perspectives and directions. First, the theoretical backgrounds of expressionism and expressive films were examined through the analysis of the existing researches, and the types of the characteristics of the space represented in the films were classified. Based on this, the representative expressive films were selected and the keywords of the characteristics of the expressive films were derived. A museum among modern spaces is a space that reflects the art trends and culture of the times and modern spaces are represented best in it. Also, recently the construction of museums has been vitalized and has explosively grown quantitatively and qualitatively, and shows diverse designs to the point that they are called the laboratory of modern architecture, so by analyzing the cases focusing on museums among modern spaces, the conclusion was derived. As a result, it could be seen that the expressive film space is represented diversely in the museums by the architects' inner desire of expression, centering on nonlinear expression, nonobjective form, and representational perception.

1980년대 이후 니트 패션의 조형성 연구 - 신체의 표현과 실루엣을 중심으로 - (A Study on the Formative Nature of Knitwear Fashion since the 1980s - Focusing on Expression and Silhouette of the Body -)

  • 최광돈;금기숙
    • 복식
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    • 제60권9호
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    • pp.162-175
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    • 2010
  • An important change started in knitwear fashion in the 1980s. Advanced designers in Japan began to provide a new interpretation on knitwear, and seamless knitwear based on computerized machinery appeared. Knitwear fashion showed differences starting the 1980s due to this change. In this regard, the study aimed to analyze knitwear fashion after the 1980s where the contemporary knitwear experienced changes to define characteristics of modern knitwear fashion and examine its inherent formative nature. Designs for 30 years from 1980s up to date have been analyzed by 10 years in order to identify the characteristics of knitwear fashion over time. In particular, formative characteristics of modern knitwear fashion have been analyzed in more depth with a focus on the period from 2001 through 2010 by narrowing the whole period. Insufficient domestic literatures and visual materials led the study to mostly use foreign books and internet sites. Insights of 7 professionals who have engaged themselves in knitwear industry over 10 years have been incorporated into this study, which will enhance the reliability of the formative analysis. As a result, the data have been organized into three tools of analysis, including exposed bodies, transformed bodies and natural bodies from the perspectives of expression and silhouette of body, and the features of flexibility, industrial artistry, innovation and sensuality have been highlighted in terms of formativeness. In this regard, it has been confirmed that the formative nature found in the knitwear fashion exists in the scope of the formative nature in the embryonic period of the knitwear fashion. It means that the formative nature of knitwear fashion contains perpetuity that transcends an age.

소셜 미디어 속 패션 플렉스(Flex) 현상의 특성 (The Characteristics of Fashion Flex on Social Media)

  • 박주하;전재훈
    • 한국의류산업학회지
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    • 제23권1호
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    • pp.31-43
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    • 2021
  • This study analyzes the characteristics of fashion flex, which have recently spread on social media. The study was conducted with big data analysis that derived flex keywords from news articles and social media as well as case studies that collected 136 posted images on Instagram to analyze the content. The meaning of flex was positively accepted based on big data results. Flex was also a buzzword frequently used on social media as well as a symbolic meaning when discussing luxury goods or fashion brand experiences. The characteristics of fashion flex in social media were largely divided into three categories. First, conspicuous consumption is considered an active expression of individual fashion tastes or self-oriented consumption and emphasizes individuality through consumption. The second characteristic is that the public actively participates in events or fashion flex challenges. People use similar fashion styles or products to participate in playful social interactions with others using various Instagram functions. Finally, acts of pursuing psychological well-being in social media were used as the term flex in a broad sense and were shown to actively explore fashion-related materials and experiences for individual happiness. This study found that the meaning of existing conspicuous consumption is transforming into positive consumption, such as the expression of taste-based identity or the seeking of fun and psychological well-being. It is also meaningful that fashion has become an effective means to express individuality and taste in expressing flex.

한국 무대디자인의 상징적 표현 연구 - 안톤 체호프의 연극 벚꽃동산을 중심으로 - (A Study on the Symbolic Expression of Korean Scenic Design - Focused on 「Vishnvovvi sad」 of Anton Chekhov -)

  • 최현욱;윤재은
    • 한국실내디자인학회논문집
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    • 제21권6호
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    • pp.243-251
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    • 2012
  • Theatricals have been with human's history for a long time. And It is also receiving a lot of love in modern times. The stage is recognized another space of time by spectators during the play and the production actualize fictional world by using all destination things on the stage. Therefore, the design of the stage has symbolism and the production needs semiological. The Elements expressed through the stage is composed of stage equipment, costume, lighting, stage effects and the production needs light, sound and costume designers, a stage manager, grips an advertising director for the play. The study analysis on symbolic image on the view of semigical with focused on "Vishnvovvi sad" of Anton Chekhov. The details of the study are symbolism of stage effect and costume, lighting, stage equipment. Furthermore, The study analyze way to symbolic Express korean characteristics and This research is an excellent source for students who are studying the semilogical analysis of stage.

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공간에 나타난 유추적 표현에 관한 연구 (A Study on The Analogy Analysis Of The Space)

  • 이진민;이지현
    • 한국실내디자인학회논문집
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    • 제39호
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    • pp.28-36
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    • 2003
  • The yardstick of value has transformed into personal and sensitive one after it went through an Industrial society. The space in the society of sensitivity is defined by a semiotic character rather than as a physical object aimed at satisfying basic desire. Through this character, space makes a meaning and comes to exist an exchanging productive place. Environmental transformation is demanding further ample sensitive expression. In connection with the above, this thesis aims to identify the characteristics of sensitive and human-centered approach and systematize the analogy analysis which is applied to the interior space, classified by elements by introducing the concept of analogic inference in the field of rhetoric and through a diverse genres. As an approach, this thesis is entitled the analogic inference of the field of rhetoric to various art genres, and as a analogic interpretation genre, this thesis Is subdivided it into the fields of literature, image, fashion, flower art, and visual design, and study the analysis of analogic inference as a means of materializing storied space through the connection literature with design.

알렉산더 맥퀸 패션 컬렉션에 나타난 비판적 리얼리즘 특성 (The characteristics of critical realism in Alexander McQueen's fashion collection)

  • 이유민;이연희
    • 복식문화연구
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    • 제29권2호
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    • pp.153-166
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    • 2021
  • In this study, the artistic background and formative nature of representative 19th century realist artists Gustave Courbet and Honoré Daumier were analyzed and applied in a fashion context. By displaying representational desires (necessary adhesions of man and society) in their work, they became characteristic matrixes of critical realism and to perceive critical realism. The purpose of the study was to apply the characteristics of critical realism to the contemporary fashion collections of Alexander McQueen. Research was conducted to analyze the characteristics that appear in the field of fashion and to review methods of expression and internal aesthetics displayed through various aspects of fashion design. Characteristics of critical realism were analyzed by researching the formativeness and periodical background of the paintings of Courbet and Daumier. Based on these characteristics, analysis was conducted to identify critical realism in the fashion collections of Alexander McQueen. Data and scope included fashion information sites, internet photo data, and video material. Critical realist characteristics were categorized into five types as follows: 'The proper borrowing of extremely realistic subjects signifies', 'satirical reconstruction and narrative composition', 'antipathetic distortions and abject representations', 'critical reproductions based on technology', and 'the maximization of ambivalent sexuality'. It was concluded that the characteristics of critical realism (recognized by the common formation of Courbet and Daumier) also appeared in Alexander McQueen's fashion collection but were inherited in a form that transcended pictorial expression due to the overall difference in use of visual arts.