• 제목/요약/키워드: British

검색결과 903건 처리시간 0.03초

브렉시트(Brexit)가 바꾼 영국: 사회적 분열의 심화와 증오의 확산 (How has Brexit changed the UK: Deepening of Social Division and Increase of Rancour)

  • 윤성욱
    • 분석과 대안
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    • 제7권2호
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    • pp.79-110
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    • 2023
  • 본 연구는 현재 영국 사회가 보여주고 있는 다양한 측면에서의 분열과 브렉시트의 관계를 규명하는 것을 목적으로 한다. 이를 통해 영국 사회의 분열과 브렉시트 결정이 상호 어떠한 영향을 미쳤는지 살펴보고자 한다. 영국의 EU 탈퇴는 영국과 EU와의 관계를 중심으로 설명되어 왔고, 이에 이민, EU 규제, 분담금 반환 등이 주요 원인으로 제시되었다. 영국만의 정체성 혹은 영국 예외주의도 이미 오랫동안 영국 사회 및 정치에 존재해 왔던 브렉시트의 원인으로 여겨진다. 비록 브렉시트로 인해 영국 사회의 분열이 초래되었다는 것이 일반적인 논리로 받아들여지고 있지만, 상기 원인들이 국민투표 결과와 포스트 브렉시트 시대에 나타난 영국 사회의 분열을 설명하는 데에는 한계가 있다. 이에 본 연구는 영국 사회의 다양한 분야 - 세대, 소득 및 교육 수준 등을 포함한 사회등급, 가치, 지역 등 -에서 드러난 분열은 브렉시트 문제로 발생한 것이 아님을 규명하고 있다, 오히려 국민투표 시행 이전부터 이미 영국 사회에 뿌리 깊게 자리잡고 있었던 분열이 브렉시트의 근본적 원인이라고 주장한다. 영국 사회에 오랫동안 내재된 다양한 분야에서 분열은 서로 복잡하게 얽혀있으며, 국민투표를 통한 브렉시트 결정은 영국 사회의 분열을 더욱 고착화시키는 결과를 초래하였다. 결국 이러한 영국사회의 분열은 상대에 대한 증오로 확대되고 있다는 점에서 분열을 봉합하고 국민 통합을 위한 정책 수립이 필요하다.

'집'의 정치학-레너드와 버지니아 울프의 출항 (The Politics of Home: Leonard and Virginia Woolf's Voyage Out)

  • 박은경
    • 영어영문학
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    • 제54권4호
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    • pp.531-560
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    • 2008
  • I hope to demonstrate in this paper the degree to which the works of Leonard and Virginia Woolf, mainly The Wise Virgins, The Village in the Jungle, and The Voyage Out, are contained within the politics of home. In doing so, I aim to challenge some mainstream criticism that affirms their resistance to British imperial desire. Although their statuses as outsiders in the British Empire, being a Jew and being a woman respectively, allowed Leonard and Virginia Woolf to criticize British imperialism and a male-dominated culture as well as racial and cultural hierarchies to a degree, their works inevitably unveil their prioritization of the British white-oriented space. In some ways their authorial positions in relation to their texts uphold the imperial center as an invisible regime of truth in their narratives, supporting the patriarchal and imperial binary oppositional structure and its hierarchical order imposed not only on the British subject but also on the foreign, colonial others. Leonard's and Virginia's inconsistencies and ambiguities betray their racial distantiation and notions of British white superiority, as disclosed in their racially stereotyped descriptions and the absence of real communication between the British characters and the colonial, foreign others. The work of self-repetition, the major mechanism in the politics of home, dies hard in Leonard's and Virginia's 'antiimperial' works. Leonard's and Virginia's struggle to stand against the imperial desire needs a genuine ethical position in order to embrace the Other, which would allow us to explore further and guard against the pitfall of postcolonial criticism's being easily degenerated into a neo-colonial criticism, another politics of home.

'Magic Imperialism': The Logic of Magic in Edith Nesbit's Fantasy Novels

  • Park, Sojin
    • 영어영문학
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    • 제56권3호
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    • pp.501-517
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    • 2010
  • This paper examines the British imperialism found in Edith Nesbit's fantasy stories by looking at the function of magic and of the hierarchical relationships seen in the books. Although Edith Nesbit is relatively unknown in Korea, she is widely recognized as having had a great influence on the 20th century British literary world, and is also well-known for her political position as a socialist. Nesbit's fantasy books are commonly differentiated from other Victorian children's books written before her in that she created realistic and liberal children characters and rejected the adult didactic tone. While Nesbit's books have been recognized as revolutionary and being distinguished from other Victorian children's books, I suggest that the ideas found in her fantasy novels largely include the dominant Victorian message of British imperialism. This imperial ideology is delivered by the logic of magic and the multilateral hierarchies. The two magic creatures (The Psammead and the Phoenix) and the two magic items from an Oriental background (the Carpet and the Amulet) all have a magic power to grant people's wishes, wholeheartedly exercising their power and knowledge for the sake of the British characters. While the magic agents serve to fulfill the children's wishes, the children aim to please their parents and to benefit their family, showing layered hierarchies among the characters. Also, there is a hierarchical distinction between the magic items and the magic creatures in that the magic items have no voice to express themselves but only serve and obey the British children. The foreign characters that the children encounter in their adventures also cooperate with the British characters to help them to fulfill their goals. In short, magic frees the children from the adult-centered world but ultimately their free adventures serve their parents and other adults, and represent the ideals and hierarchical concepts of British imperialism. Thus, Nesbit's position as a modern writer seems to be ambiguous, switching between modern characterization and style, and the old Victorian imperial messages that also exist in her fantasy novels.

Inventions and Other Developments Associated with the Heritage Textile Industries of the British Isles

  • Hann, M.A.;Nicholson, E.
    • 복식문화연구
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    • 제20권4호
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    • pp.616-620
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    • 2012
  • The objectives of this paper are to examine some of the factors which may account for the rise in predominance of British textile manufacture in the eighteenth and nineteenth centuries. This paper identifies a range of important eighteenth century British inventions and associated developments, such as the 'factory' system, which stimulated expansion in textile manufacture in the British Isles and led to the rise in international importance of various 'heritage textile industries', including the Lancashire cotton industry, the Yorkshire woollen and worsted industry, the Dundee jute industry and the Irish linen industry.

한국과 영국인 주부의 삶의 질 비교 (Differences of Quality of Life between Korean and British married couple)

  • 김갑숙
    • 가정과삶의질연구
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    • 제16권2호
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    • pp.151-164
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    • 1998
  • This study was to investigate differences of quality of life between Korean and British married couples. For the data set 136 married couples living in London Plymouth United Kingdom and 208 married couples living in Pusan Korea were chosen. The data were analyzed using M, D, t-test multiple regression and path analysis,. The findings of this study are as follows; First the level of quality of life are higher for British married women than Korean married women. Second for Korean and british married women influence on quality of life are higher subjective variables than objective variables. Third for Korean married women wife's level of education religion marital satisfaction have significant direct effect on quality of life. Besides wife's age and husband's housework participation are indirectly associated with quality of life. For British married women marital satisfaction has significant direct effect on quality of life. Besides number of children income and religion are ind rectly associated with quality of life. Among the variables marital satisfaction is the strongest predictor variable.

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대영박물관도서관의 발전과정과 그 목록규칙에 관한 고찰 (A study on the development of British museum library and its cataloguing rules)

  • 배영활
    • 한국도서관정보학회지
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    • 제16권
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    • pp.69-98
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    • 1989
  • The purpose of this study is to review the historical development of British Museum Library and its cataloging rules which really marked the beginning of the modern era of cataloguing. The results of the study can be summarized as follows (1) Sir Anthony Panizzi was the most creative force in the history of the British Museum Library. He devoted himself to the formation of the British Museum Library cataloging policy and the compilation of printed catalogues. Moreover, he laid down the sound acquisitions policy and the vigorous a n.0, pplication of the copyright deposit privilege. He designed a great circular reading room and raised standards of library service and administration. (2) British Museum Library Cataloging Rules : 1. are notable for their pioneering efforts-this was the first major catalogue code-and for their influence on all subsequent codes. 2. introduced the concept of corporate authorship but has never dealt with problem very satisfactory. 3. went to great lengths to avoid title entry. 4. used a number of form heading, example for, ACADEMIES, PERIODICAL PUBLICATION, EPHEMERIDES, CATALOGUES etc.

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Abolition or Maintenance? French and British Policies towards Vietnamese and Malay Traditional Education during the Last Decades of the Nineteenth Century

  • Van, Ly Tuong;Tuan, Hoang Anh
    • 수완나부미
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    • 제14권2호
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    • pp.177-206
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    • 2022
  • At different times in the 19th century, the Straits Settlements and Cochinchina were both colonies that the British and the French captured the earliest in their process of invasion of Malaya and Vietnam, respectively. This study examines the transitional stage from the traditional school system to colonial school system in the Straits Settlements and Cochinchina. This could also be considered an experimental stage for building later education systems in their expanded colonies, namely British Malaya and French Indochina, from the closing decades of the 19th century to the middle of the 20th century. This study, exploiting various sources and applying the comparative approach, identifies the factors that affected the different attitudes and choices of policy towards traditional education models of indigenous communities (the Malays and Vietnamese) pursued by the British in the Straits Settlements and the French in Cochinchina.

영국의 문화 정체성이 반영된 영국패션의 내재적 특징 (The implicit meaning of British fashion into English culture identity)

  • 정혜연;서승희
    • 복식문화연구
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    • 제21권2호
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    • pp.234-245
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    • 2013
  • The modern fashion was developed the basis on the western dress structure and its historical flow was continued until today. Particularly, the Britain has coexised the unique cultural identity in the aristocratic high culture and rebellious tendency of the subculture so it is necessary to the consideration about whole culture in order to grasp the British fashion identity. The purpose of this study was shown the methodological framework of the culture identity research of one country through the background of this formation of culture and process high culture and subculture study by analysis the culture identity in the today's Britain. Also, the purpose of this study that it draws whether the feature of the British fashion shows up as any aspect in this culture identity. The range of this study subdivides and considers with the imperialism, industrial revolution, aristocratism, union nations, and geographical aspect as the island country into the economy, politics, society, and natural characteristic about the Englishness and the notion of British culture then it draws the dichotomy of the British fashion through the culture identity formed in this society cultural background with both sides in the high culture and subculture aspect.