Browse > Article
http://dx.doi.org/10.7741/rjcc.2013.21.2.234

The implicit meaning of British fashion into English culture identity  

Jeong, Hye Yeon (Dept. of Fashion Design, SungKyunKwan University)
Seo, Seung Hee (Dept. of Fashion Design, SungKyunKwan University)
Publication Information
The Research Journal of the Costume Culture / v.21, no.2, 2013 , pp. 234-245 More about this Journal
Abstract
The modern fashion was developed the basis on the western dress structure and its historical flow was continued until today. Particularly, the Britain has coexised the unique cultural identity in the aristocratic high culture and rebellious tendency of the subculture so it is necessary to the consideration about whole culture in order to grasp the British fashion identity. The purpose of this study was shown the methodological framework of the culture identity research of one country through the background of this formation of culture and process high culture and subculture study by analysis the culture identity in the today's Britain. Also, the purpose of this study that it draws whether the feature of the British fashion shows up as any aspect in this culture identity. The range of this study subdivides and considers with the imperialism, industrial revolution, aristocratism, union nations, and geographical aspect as the island country into the economy, politics, society, and natural characteristic about the Englishness and the notion of British culture then it draws the dichotomy of the British fashion through the culture identity formed in this society cultural background with both sides in the high culture and subculture aspect.
Keywords
Englishness; cultural identity; British fashion; subculture; high culture;
Citations & Related Records
Times Cited By KSCI : 1  (Citation Analysis)
연도 인용수 순위
1 Adam, Lent.(2001). British social movements since 1945. Sex, colour, peace and power. London: Palgrave.
2 Brake, M.(1995). Comparative youth culture. London: Routedge.
3 Choi, C. K.(2010). The politics and education of territorial identity in the British. The Korean Sociological Association, 38(2), 175-201.
4 Choi, I. S., & Han, I. D.(2007). The knowledge of British culture. Seoul: Dong-In.
5 Choi, K. W., & Lee, S. H.(2004). Fashion aesthetics. Seoul: Suhaksa.
6 David, McDowell.(2001). Britain in close-up an indepth study of contemporary Britain. Harlow: Longman.
7 Gelder, K., & Thomton, S.(1997). The subcultures reader. London: Routledge.
8 Hebdige, Dick.(1979). Subculture: The meaning of style. London: Metheun.
9 Jang, S. E.(2009) A study on the evolution of image making through costumes in the '007' film series. The Korean Society of Clothing and Textiles, 59(1), 106-118.
10 Jeong, H. S., & Yang, S. H.(1999). British street style as an original text of subculture fashion. The Korean Society of Costume, 42(2), 137-162.
11 Kang, H. J.(2007). English characters and values represented in the film the remains of the day. STEM Journal, 8(1), 51-75.   DOI
12 Kate, Fox.(2010). Watching the English(S. Kyun, Trans.). Seoul: Hak GoJae(Original work published 2004).
13 Kim, C. N.(1994). The study about pop culture practice of subcultural group. Unpublished doctoral dissertation, Seoul National University, Seoul, Korea.
14 Kim, J. Y.(2011). Critique of cultural imperialism and modern Buddhism in Asia: Establishment of Buddhist studies in modern India and British cultural imperialism. The Society of Indian Philosophy, 31, 151-180.
15 Kim, M. J.(1987). Youth subcultural styles in Britain since world war II. The Journal of the Korean Society of Clothing and Textiles, 11(2), 69-89.   과학기술학회마을
16 Kim, M. J.(2004). The theory of aesthetic dress 2. Seoul: Kyomonsa.
17 Lee, J. S.(2007). The study of the Anglomania characteristic in modern fashion. Unpublished master's thesis, Sookmyung University, Seoul, Korea.
18 Kim, Y. J.(2007). Angela carter's the wise children: The lumber room of the English national imagination. The Korean Association of Modern Fiction in English, 14(3), 33-65.
19 Lee, D. Y.(1997). How to study about succulture. New topic about culture study. Seoul: Kyomonsa. Moonwhasa.
20 Lee, H. J., & Kim, M. Y.(2008). Fashion industry and information. Seoul: Gyohak Researcher.
21 Lee, M. Y.(2009). A study on NOW avant garde fashion according to Modern avant garde paradigm - Focus on women's wear since 2005. The Costume Culture Association, 17(1), 40-54.   DOI
22 Lee, S. H.(2010). The study about the aesthetic of characteristic in the romantic avant-garde. Unpublished master's thesis, Duksung Women's University, Seoul, Korea.
23 Malcolm, Barnard.(1996). Fashion as communication. London: Routledge.
24 Nikolaus, Persuer(1997). The Englishness of English art. UK: Penguin books.
25 Park, J. S.(2001). More lower, more slower, more softer. Seoul: Hankyoreh Media Company.
26 Park, J. S.(2001). The study of British culture. Chungnam National University Society of Humanities, 28(1), 161-166.
27 Park, W. Y.(1998). The relationship with the British develop of liberalism and individualism. Seoul: Jisiksaupsa.
28 Park, W. Y.(2008). Transformation of cultural identity of England. Seoul: Sonamoo.
29 Ribeiro, Aileen(2002). On Englishness in dress in Christopher Breward. UK: Oxford Berg.
30 Song, S. H., & Kim, M. J.(2006). A study on national fashion images, represented in Vivienne Westwood's works. The Korean Society of Clothing and Textiles, 56(2), 1-16.
31 Stratton, J.(1997). The subcultures reader. London: Routledge.
32 Sun, H. M., & Choi, H. J.(2010). A study on hairstyle in style of subculture. The Costume Culture Association, 18(4), 755-773.   DOI
33 The little class game(1992). Economist, UK: Economist Newspaper Ltd.
34 Youn, M. H.(1998). The study about the design tendency of the European union (Britain, Germany, France and Italy) in the pop culture veiwpoint. The Korean Society of Design Culture, 3, 141-170.