• 복식
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• 제26권
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• pp.29-47
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• 1995

Today, we live in the fastly changing society, rapidly developing scientific civilization and repeatly confusing political culture. Therefore, man persuits the emotional rest in "eros" and sympathizes with eroticism. Such an eroticism represents too much in art and costume all over the world. the purpose of this study is to classify the ex-pressive style of eroticism which is the feature of the costume in the first year of 1990's and to analyze its expression meaning. This study will be a basic data of new design development and help predict the costume in the latter half of the yeat. The method of this study was performed by using the literature related to the eroticism and the study of preceeding researchers. To analyze the costume style the its implied meaning being used to express the eroticism of 1990's, the magazines(Elle, Vogue, WWD, Collections etc) and the literatures related to fashion were used. The styles and meaning of eroticism expressed eroticism by using the minimal design which exposes wholly or partly by using a transparent vinyl and a see-through clothing. The sexy style arose from the expression of social rebellion and the exposure of suppressive sex as a psychological repulsion against the older generation. 2) Deshabille style : This style is the conver-sion to the outer garment of an underwear. The excessive exposure which just concerns the inti-mate parts of the body by using the thin cloth or lace for an underwear. This style can be recognized as the beauty destruction and ugly 3) Glamour style : The style is made up of the high-grade cloth such as silk and velvet and expresses the bodily beauty. This style falls into a rebellious culture and comes from the inten-tional expression to escape the modern life which is straight and hard. 4) metallic style : This style uses variously the new material such as vinyl-coating, enamel and represents the eroticism through the original expressions.pressions.

• 한국의류학회지
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• 제16권1호
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• pp.85-96
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• 1992

The puropse of this study is to find out that whether the juvenile delinquency could be decreased by the revival of school uniform for the high school students. For this purpose, the difference and frequency of juvenile delinquency between uniformed students and none·uniformed students were surveyed. In addition, the relation among the students, social classes, receiving attitude for the sub-culture, with juvenile delinquency were also surveyed. For this study, 728 high school students were' studied with a questionaire. They were 328 ' uniformed students from 6 schools and 400 none-uniformed students from other 6 schools. The conclusions of this study are as follow: 1. The order of juvenile delinquency is resistance to their parents and teachers, cunning in examination, drinking, watching shameful video tapes, possession of dirty books and pictures, gambling, entering to thea rooms, billiard rooms, the prohibited cinema houses aild drinking houses, and smoking. The students' delinquency was chiefly misdeed against the public order and social position and most of them were without any victims. And there were no misdeed such as drug addiction, robbrry and bodily harm. 2. The difference of juvenile delinquency between uniformed and non·uniformed schools was not found. 3. More nisdeed were occurred when they were without uniform; especially in cases of entering to shameful video shops, drinking houses, tea rooms and billiard rooms. 4.The logical propriety that the juvenile delinquency would be decreased by putting on uniform to all students is scarce, because Ell misdeed were occurred when they were without uniform after school. Uniform were worn only when they go to school. 5. A negative effect between student's affection toward their parents and schools, and juvenile deliquency was found. Much they love their parents and schools, less misdeed occurred. 6. Positive effect between sub·culture and juvenile delinquency was found. The friendship with delinquent students gives a great influence to juvenile delinquency.

• 복식문화연구
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• 제23권3호
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• pp.425-438
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• 2015

This study aims to integrate sports uniform design into fashion as an effective communication means by analyzing the uniforms of women's pro basketball and volleyball teams in the country. As part of the research method, a literature review was conducted on the domestic pro sports background and women's basketball and volleyball uniforms. For empirical research, an analysis was performed of the uniforms of 12 teams in total: six women's pro basketball teams and six women's pro volleyball teams in the 2013~2014 league. The following results were obtained. First, in terms of formativeness, sleeveless shirts and shorts are basic in both basketball and volleyball. However, there are remarkable differences between the two. Shirts in volleyball are tighter, with the body figure visible, and shorts are shorter in length than those in basketball. Most basketball uniforms have a V-neckline and are collarless, while volleyball uniforms have a standup collar in all teams. Second, both basketball and volleyball apply the representative color of the sponsoring company and the team's typical color, but common colors, such as blue, navy, and white, are used in many teams, which fails to represent a uniquely differentiated image. Third, the logo or symbol of a sponsor is excessively applied to both basketball and volleyball uniforms. This downgrades the uniform's own esthetic features. Fourth, a fashionable uniform design, that reflects the bodily characteristics of women and the characteristics of the sports game would be a beneficial communication tool for all the tiers to become involved in participation and entertainment.

• 대한간호학회지
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• 제28권1호
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• pp.60-69
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• 1998

Since the introduction of Western concept of nursing to Korea in late 1880s, Korean nursing practice has evolved into Korean culture. The purpose of this study was to explore and identify similarities and differences in hospital nursing practice between Korea and the United States using the grounded theory method. The data were gathered from 15 Korean nurses working in U.S. hospitals using semi-structured, in-depth interview method. Major similarities in nursing practice between Korea and U.S. existed in the 7 domains that Benner indicated in 1984. The nursing administration system was also similar in both countries. On the other hand, differences existed in how nurses execute these domains of nursing practice. These are the roles of nurses. nurse aides and family members. and the interpersonal relationships, and problem presentation and problem-solving strategies. American family members rarely participated in the patient's bedside nursing care, while Korean family members actively participated. American nurse aide participated in direct patient care, while Korean nurse aides did not. Also Korean nurses were participated more in administering and managiang the patient's diagnostic and treatment modalities, while American nurses foucused on the needs and demands of the patient. In terms of interpersonal relationships, American patients were more self-centered and demanding than Korean. American nurses focused more on the right of individuals while Korean nurses were more oriented to harmony with the coworkers. With inferiors and superiors, American members were more egalitarian, while Koreans tended to be hierachical. In ways of suggesting problems, American nurses tended to pick out the problems more frequently than Korean nurses did.. As to ways to solve the problems, American nurses relied heavily on explicit verbal explanations, while Korean nurses relied more on bodily action and behaviors. The results of this comparative study contribute to nursing by adding knowledge on the theory of culture care by describing the similarities and differences in nursing practice between Korea and the United States.

• 복식문화연구
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• 제19권4호
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• pp.674-696
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• 2011

Recent change in consumption patterns, casual clothing market share is growing. Awareness about the quality of the product for a variety of consumer needs are becoming. Accordingly, stretch material items that satisfy modern production and consumption is increasing. Among them, circular knit and woven fabrics with different characteristics have. However, this requires a consideration of the pattern graphics, this study is not getting enough. The purpose of this study is to develop a T-shirt using circular knit pattern for women in early twenties. Through the research of literature and a survey on T-shirt patterns of ready-to-wear manufactures and training for the pattern 4 T-shirt patterns were selected. Eight women in early twenties who fit the bodily standard were selected for the test. Subjects who were tested by wearing a T-shirt made of 30's cotton circular knit. Drafting method of T-shirt pattern which were closed to the optimum value three, derived from the five point rating scale outfit test were selected and the differences between the values of the selected drafting methods and the optimum three were verified. Passed by the test of 2 times and the final research T-shirt pattern was developed through adjusting from the optimum value three. The form which is whole is a silhouette closely in the body and drafting method the elasticity and drapery considered the quality of the circular knit where the characteristic is excellent.

• 한국심리학회지 : 문화 및 사회문제
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• 제17권4호
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• pp.365-380
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• 2011

본 연구는 연령대를 확대한 경우에도 서두름 행동의 구조가 안정적으로 유지되는지 확인하고, 성과 연령에 따른 서두름 행동의 특성을 파악하기 위해 진행되었다. 이를 위해 602명의 성인이 서두름 행동 질문지에 응답하였으며, 불성실한 응답자를 제외한 591명의 자료를 분석하였다. 요인분석 결과, 서두름 행동은 5개 요인으로 이루어져 있었으며, 이것은 다시 2구조를 재구성하는 것으로 나타났다. 즉, 연령을 확대해도 서두름 행동의 구성요인과 구조는 유지되는 것으로 나타났다. 한편, 남녀의 서두름 행동을 비교한 결과, 전반적으로 여성의 서두름 행동 수준이 남성의 서두름 행동 수준보다 높은 것으로 나타났다. 끝으로 서두름 행동은 연령이 증가함에 따라 감소하는 것으로 나타났다. 논의를 통해 남녀의 서두름 행동 차이의 의미를 해석하였으며, 연령이 증가할수록 서두름 행동 수준이 낮아지는 것을 연령이 증가함에 따라 나타나는 속도저하가 신체적 기능뿐만 아니라 심리적 기제와도 관련되어 있음을 보여주는 단서로 제시하였다.

• 인삼문화
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• 제3권
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• pp.119-131
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• 2021

본 연구는 서지학적 고증을 통하여 고려인삼 승열작용의 정체성을 확인하고, 해소방안을 모색함을 목적으로 한다. 인삼의 승열작용과 관련하여 고문헌은 음(陰)이 부족하고, 폐가 열(火)이 있어서 가슴이 답답하고 기침 가래가 있는 사람, 맥(脈)이 강하고 빠른 사람, 비위(脾胃)가 실열(實熱)하여 변비가 있는 사람은 인삼을 사용하지 않아야 한다고 기록하고 있다. 청(淸)나라의 『본초정의』(本草正義)는 산양삼은 미한(微寒)의 보음(補陰) 작용이 있고, 밭 재배인삼은 미온(微溫)의 보기(補氣) 작용이 있다고 기록하였다. 또한, 청나라의 『본경봉원』(本經逢源), 『본초편독』(本草便讀), 『본초정의』는 미삼(尾蔘)은 쓴맛(苦味)으로 보음하고, 기미(氣味)가 차가운 성질(寒)로 하행(下行)하는 성질이 있다고 하였다. 한편, 명(明)나라의 『월지인삼전』(月池人蔘傳)과 청나라의 『본초비요』(本草備要)에서는 생인삼(生人蔘, 수삼)은 맛이 달고 쓰며, 약간 냉(凉)하다고 하였다. 이와 같은 고문헌의 기록을 고려해보면, 고려인삼의 승열의 부작용은 약간 냉하여 허화(虛火)를 걷어주고, 보음, 하행하는 한방생리작용을 나타내는 미삼, 생삼(수삼) 그리고 산양삼을 이용한 제품 개발을 통하여 극복할 수 있다고 사료된다.

• 한국HCI학회:학술대회논문집
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• 한국HCI학회 2009년도 학술대회
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• pp.1359-1362
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• 2009

컴퓨터에 의해 촉발된 디지털 미디어 기술은 그 발전 속도가 나날이 가속화되어, 현재는 과학기술 분야뿐만 아니라 사회 문화적으로 확장되어 커다란 영향력을 갖게 되었다. 이러한 확장과 영향력에 대해 국내에서는 '디지털 컨버전스'라는 용어로 축약되어 설명될 수 있는데, 에드몽 꾸쇼(Edmond Couchot)는 'hybridization' 이라는 용어로 설명한 바 있다. 슈필만과 볼터(Yvonne Spielmann and Jay David Bolter)는 이러한 혼성적인 디지털 미디어 작품들은 이미지, 텍스트, 사운드, 공간 그리고 구체적 표현 방법 등의 다양한 범위의 재현 형식을 넘나들며 통합되고 있다고 하였으며, 이러한 혼성적인 특성 중 실재(real)적인 것과 가상(virtual)적인 것의 융합으로 인해 이루어지는 상호소통에 대해 다루어야 함을 역설한 바 있다. 본 논문에서는 실재와 가상이 융합된 결과물의 형태로 보여지는 혼합 현실 환경에 주목하여 이러한 적극적인 상호소통을 필요로 하는 양극의 주체인 과학기술과 문화예술간의 적절한 접점으로 수렴되고 있는 분야 중의 하나인 혼합현실형 공공 문화콘텐츠를 예를 들어 미디어아트에서 시도되었던 방법들과 그에 대한 확장된 해석을 통해 과학과 예술을 현대적으로 화합시키는 방법에 대한 연구를 통해 과학과 예술의 수렴을 지향하는 간학제적 관점을 논구하고자 한다.

• 복식
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• 제65권4호
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• pp.76-90
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• 2015

Based on a concept of Nietzschean nihilism, this study aimed at interpreting the nihilism in arts and its expressions, also analyzing the modern fashion collection from the same angle. The research was centered on arts after 1980, when post-modern formal destruction expanded in earnest and on the fashion collection after the 20th century, easily accessible to data. Particularly, it set 1994 nihilism collection by Alexander McQueen, a representative nihilist fashion designer as a starting point. Nietzsche mentioned that true arts may be achieved when Apollonian characteristics including a bodily sensory system and an idealization process and Dionysian characteristics including every human feeling are integrated. Besides, he emphasized the importance of an artist being represented as an image of ${\ddot{U}}bermensch$. The ${\ddot{U}}bermensch$ image, reflected in arts and artistic nihilism, represents themes of violence/death, realistic/unrealistic expressions, human body/inhuman aversion materials and the transmutation of a form. Fashion collection expressions, owing to the special characteristic of the show form unlike other arts, were segmented as a realistic ${\ddot{U}}bermensch$ image using a model in a theme, expression, material and form. The theme of violence/death was divided into the death of human and a society. Human life/death was expressed as destruction of human weakness and self-identity, sexual objectification and violence, and social death as destruction and conflict of a class, nation, culture and nature. As for the expression, it was divided into the realistic expression of the primitive/natural and directing of an unrealistic atmosphere using a show.

• 복식
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• 제56권9호
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• pp.66-82
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• 2006

Clothes and human body are inseparably related. Aesthetic consciousness of the body determines the form of clothing, reflecting the time and culture as well as the individual and society. Clothes can even reorganize the meaning of the body, while transcending their instrumental functions of protecting, expanding and deforming the body. Using 'body' to analyze the clothing form, my study develops a framework by which to classify the representation of the body in fashion focusing on the representation of physicality. In order to inquire the formative style and aesthetic values expressed in representing body in fashion, my study examines subjects from the 14th century European costumes to fashion collections of the 20th century. In fashion, representation of the body is visually analogous to the ideal boily shape and structure, including a realistic presentation of the body as well as reflection of aesthetic ideals. Manipulation of physicality entails the reconstruction of the ideal body image through the clothes that modify physicality into unnatural body. Ruff collar, gigot sleeve, crinoline, bustle, stomacher, and corset were all used to materialize the fictitious curves symbolizing femininity, authority, healthiness, maternity, virginity, socioeconomic status, and fertility. Accentuating specific clothing parts represents emphasizing the symbolism of the correspondent body parts. Consequently, in this phase signifiant is $signifi\'{e}$. Aesthetic ideal of the body is visualized in the firm of a dress. Fashion continues to explore forms and images that transcend the traditional representations of the clothed body. As a type of intimate architecture, fashion always mediates the dialogue between clothes and body, or fashion and figure. My study suggests a framework to analyze bodily representation in fashion, focusing on the relationship between the clothes and body.