• Acta Via Serica
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• v.3 no.1
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• pp.119-138
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• 2018

The dragon of the East was an object of worship and an authority to make rain, unlike the West. The dragon image, one of the positively accepted Chinese motifs with the blue-and-white porcelain of the Ming dynasty by the Ottoman Empire in the 16th century, was combined with gigantic saw-edged leaves to create a genre in Saz style. By combining Eastern dragons with plant motifs instead of clouds, dragons were no longer accepted as authority and nobility but as symbols of life and longevity. Unlike Iran and other countries, the image of dragons in Turkish miniature paintings has evolved into a unique style using Turkish calligraphy. The stylistic feature is that a thick black line that gives the impression of calligraphy forms the dragon's back or a huge saz leaf stalk and forms the axis of the screen. Most of the work was black ink drawing, not painting, and partly lightly painted. In the development stage, the dragon appears as a protagonist on the screen of the early works, but the dragon retreats to the latter half and the saz leaves play a leading role on the screen. A common feature in all paintings, whether early or late, is that they have a militant character and create tension on the screen. From the viewpoint of comparative culture, Turkish dragon miniature drawings of the 16thcentury Ottoman period and the Joseon dynasty are somewhat similar in that they are based on calligraphic character and desire for longevity and loyalty, and are drawn according to certain iconic principles.

• Journal of the Korean Graphic Arts Communication Society
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• v.15 no.2
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• pp.57-76
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• 1997

A color halftoning is the process of generating halftone images for the different color plans, for example, cyan, magenta, yellow, and black for a offset printing device. A conventional halftone technique, so called AM screening, is simple and easy to implement, but the halftoned dot patterns by using this method is not free for the moire` fringe. Moire` patterns are caused the power spectrum distribution on low spatial frequency domain. To avoid Moire` patterns, the conventional screen require the different screen angles for each color plans. Recently, Ultra-fine and 7 color printing methods are developed to expend the color gamut. In 7 color printing method must be used the halftone technique of random and blue noise characteristic to avoid Moire` fringe.

• Journal of the Korean Graphic Arts Communication Society
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• v.16 no.2
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• pp.45-59
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• 1998

Halftonig is a technique to create the appearance of intermideate tone levels by controlling the spatial distribution of the binary pixel values. Recently, many printing devices such as image setter, inkjet printer, laser printer and facsimile, generate image, they require the technique. Ordered dither is achieved comparing the gray scale image to periodic array. This method is fast, but it occurs periodic patterns. Conentional error diffusion generates a good image. But processing speed is very slow and appeares worm artifacts in middle tone scale. To improve it, Bns(Blue noise Screen) is developed based on Gaussian distribution. In this paper, we discribe methods to design BNS based human visual characteristics and to improve blue appearing at edge area of image by USM(using unsharp mask).

• Proceedings of the Korean Institute of Electrical and Electronic Material Engineers Conference
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• 2002.07b
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• pp.1060-1062
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• 2002

Spherical and dense BAM phosphor particles were prepared by spray pyrolysis. The key idea of dense BAM particles is to lead gelation in droplets, which was successfully achieved by using the aluminum polycation as the precursor solution for the spray pyrolysis. The BAM phosphor particles prepared by spraying the aluminum polycation solution have completely spherical shape and dense structure. When directly applied to make phosphor film on the glass by the screen-printing method, the prepared spherical BAM phosphor particles showed better packing density and surface morphology than that of commercial one, which has irregular shape and large particle size. It was also found that the thermal degradation in the photoluminescence intensity for dense and spherical BAM particles was less than that of commercial one.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 1998.06b
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• pp.141-146
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• 1998

Currently virtual studio has used the cromakey method in which an image is captured, and the blue portion of that image is replaced by a graphic image or a real image. The replaced image must be changed according to the camera motion. This paper proposes a novel method to extract camera parameters using the recognition of pentagonal patterns which are painted on the blue screen. The corresponding parameters are position, direction and focal length of the camera in the virtual studio. At first, pentagonal patterns are found using invariant features of the pentagon. Then, the projective transformation of two projected images and the camera parameters are calculated using the matched points. Simulation results indicate that camera parameters are more easily calculated compared to the conventional methods.

• Journal of radiological science and technology
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• v.11 no.1
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• pp.3-16
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• 1988

Author has made an experiment on absolute speeds of 18 screenfilm combinations that have been on sale in Korea, with various beam qualities. At this time, the beam qualities were 60kVp with the ANSI extremity phantom, 80kVp with the ANSI chest phantom and 85kVp with 20 mm aluminium filter under scatter free condition. The obtained results were as follows; 1. When three independent measurements were performed, the percent standard deviations of mAs quantities of 1.0 + fog were decreased by the hardening of the beam quality, and the decreasing tendency was somewhat great in the blue systems. 2. Generally, the increasing tendency of absolute speeds was distinct by the hardening of the beam quality in the green systems. Conclusively, the green systems were more strongly dependent upon the beam quality rather than the blue systems. Therefore, the relative speed of green systems to blue systems were great under the same condition. 3. Differences in the green systems were kept almost constant even though the beam qualities were changed. 4. They were shown the mutual relationship of absolute speed and relative speed rather than independent.

• Journal of radiological science and technology
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• v.9 no.1
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• pp.131-135
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• 1986

The reciprocity law failure of the blue sensitive screen-film system was treasured, by authors. As a result, it has been found that reciprocity law failure is mote likely to occur at lower exposure, lower density and higher development temperature.

• Proceedings of the Optical Society of Korea Conference
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• 2003.02a
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• pp.268-269
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• 2003

삼성전자는 LCD 방식에 이은 3세대 프로젝션 모델로 평가받는 DMD (Digital Micromirror Device) 기술을 채용한 43‘’, 50‘’, 61‘’ DLP (Digital Light Processing) 프로젝션 TV를 개발 시판하고 있다. DMD 기술이란 921,600개의 미세한 거울들이 신호에 따라 반사각도를 조절하며 이미지를 구현하는 기술이다. 삼판식 프로젝션 시스템의 단점을 개선, 경박단소와 저가격화를 위하여 단판식을 이용하는 DLP 프로젝션 TV 의 경우 Red, Green, Blue 로 이뤄진 칼라휠을 회전시킴으로서 DMD 위에 연속적으로 삼색의 영상을 재생하여 색을 분리 합성한다. (중략)

• Journal of the Korea Society for Simulation
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• v.13 no.2
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• pp.45-52
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• 2004

This paper presents a prototype visualization system of mixed reality for a VR flight simulator. The chroma key technique is used to build the mixed reality model for a VR flight simulator. The Daedeok science town can be visualized in real time according to the rider control. He can also see his own hand/foot operating the control stick/rudder as well as virtual environment projected to the blue-screen using a video-see-through HMD.

• Management & Information Systems Review
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• v.4
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• pp.395-407
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• 2000

It is necessary to develop method that human and computer can interfact by the hand gesture without any special device. In this thesis, the real time hand gesture recognition was developed. The system segments the region of a hand recognizes the hand posture and track the movement of the hand, using computer vision. And it does not use the blue screen as a background, the data glove and special markers for the recognition of the hand gesture.