• 한국의류산업학회지
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• 제12권1호
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• pp.31-37
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• 2010

The purpose of this study is to investigate the causes of clothes phenomenon of the ruling class women on the Heian period of Japan in the aspects of politics, economics, society, culture, and religion. The findings of the study are as follows. The main characteristics of the Heian period of Japan may include a rare sense of internationalism, low sense of nationalism, and frequent cases of political intrigue. However, noble culture, centered on royal court, was flourished and it enabled to develop sophisticated and graceful culture. During the Nara period and the Heian period (from $8^{th}$ to $12^{th}$ century), there were enormous changes in the clothes, starting from the mid $10^{th}$ century. The clothes of the ruling class in the Heian period underwent changes from the imitative clothes-imitating the clothes of the Tang age of China- to Japanesque clothes-adding the aesthetic consciousness of Japanese ruling class people. Particularly, the clothes of the ruling class women became massive, majestic, and decorative. The changed clothes had also features such as layered look, utilizing underwear as outer garments, using a wide variety of colors, and using hard and solid materials to make clothes. It can be concluded that the clothes of the ruling class people in the Heian period were affected by plural factors such as national and international political situation, economics, society, culture, and religion. The clothes were used by ruling class people as means of expressing their noble and sophisticated beauty, which led to produce humanistic beauty. The Heian period can be described as an era of the highest reach of humanity.

• 한국의류학회지
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• 제32권5호
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• pp.808-820
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• 2008

The costume of Islam cultural area has been affected by the strict social structure, formed by religion, and traditional costume of Islam has been maintained up to these days under the influence of religion. Islam Traditional Costume, which is the succession of the traditional costume of southwest Asia region, became armed with the form of closed costume due to the chastity and oppression. There are figurative features of Islam Folk Costume; first, the dimensional form due to the ampleness, covering the body, second, the reinforcement of closed form such as chador and burqa, third, the symbolism such as the adornment or incantational ornament, which has been inherited from the former times of Islam era, fourth, the color, simplified with black and white. The aesthetic values of Islam folk costume are represented with 'The beauty of abstinency', suppressing the ornamentation and color, caused by the strict social atmosphere under the influence of the form of traditional costume and religion, 'The beauty of concealment' due to the closeness, with affluent costume forms, covering the body and even concealing the face, and 'The beauty of symbol' which is demonstrated with incantational ornamentation of face and interior decoration. In some nations amongst Islam nations, the wearing of hijab is strictly regulated but black chador and burqa are regarded as negative symbols, representing the closeness and oppression of Islam. It is the product of Orientalism from the western perspective. The Islam Hijab culture is the symbol of oppression towards women, but, on the other hand, it is the device to protect women and the traditional culture, symbolizing the identity.

• 한국재난정보학회 논문집
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• 제12권4호
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• pp.403-411
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• 2016

본 연구의 목적은 건설안전문화수준에 대한 정량적 평가를 위한 평가지표를 개발하여 건설현장의 안전문화수준 및 각 안전문화 요소의 수준을 평가함으로써 사고 예방을 위해 중점적으로 개선하여야 하는 분야를 제시할 수 있도록 하기 위한 것이다. 이 논문에서는 안전문화에 대한 선행연구를 분석하여 기존 안전문화 연구에서 안전문화의 중요 요소로 도출된 항목들을 계층적으로 분류하고 분류된 안전문화 요소에 대해 건설현장 전문가들의 의견을 반영한 AHP 분석방법론을 이용하여 건설안전문화 평가지표를 제시하였다. 건설안전문화 평가지표는 리더십, 시스템, 개인적 특성의 세부 항목들을 구조화하고 쌍대비교하여 가중치를 도출함으로써 세부 중요 평가지표를 정량화하여 건설안전문화 수준을 평가할 수 있도록 하였다. 본 연구를 통해 개발한 건설 안전문화 평가지표를 활용하여 건설현장 안전문화 평가를 실시함으로써 각 건설현장 안전문화 정착을 위해 개선하여야 하는 방향을 도출하고 건설현장 안전사고 예방에 기여하고자 한다.

• 한국자연치유학회지
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• 제11권1호
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• pp.51-61
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• 2022

배경 : 대전광역시소재 20대 이상 미용고객들을 대상으로 뷰티에 대한 관심도와 COVID-19에 따른 뷰티샵 소비심리에 대한 조사의 필요성이 대두되었다. 목적: 미용고객들을 대상으로 뷰티에 대한 관심도와 COVID-19에 따른 뷰티샵 소비심리 정도를 조사하였다. 방법 : 대전광역시소재 20대 이상 미용고객들을 대상으로 설문조사하였다. 회수한 설문지 총 263부를 SPSS 27.0 프로그램으로 분석하였다. 결과 : 미용고객들의 뷰티에 대한 관심도는 헤어스타일, 메이크업, 피부관리 및 체형관리에서는 보통이상 이었으나, 네일관리는 보통이하로 나타났다. 또한 COVID-19로 인한 뷰티샵 소비심리는 성별, 결혼유무, 나이 및 직업에 따라서 일부 통계적으로 유의한 차이를 보였거나, 차이가 없는 것으로 나타났다. 뷰티 관심도와 COVID-19로 인한 뷰티 샵 소비심리간의 관계 및 영향에서는 정(+)의 상관관계가 있는 것으로 나타났다. 결론: 대전광역시 소재 20대 이상 미용고객들에 대한 뷰티에 대한 관심도 네일관리를 제외하고는 보통 이상이었고, COVID-19로 인한 뷰티샵 소비심리의 차이는 성별, 결혼 유무, 나이, 직업에 따라서 일부 통계학적으로 유의한 차이를 보였거나, 차이가 없는 것으로 나타났다. 따라서 이의 결과는 이 분야의 연구에 따른 기초자료가 되리라 평가한다.

• 한국가구학회지
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• 제25권4호
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• pp.288-296
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• 2014

The approach of using the structure of the Joseon Dynasty Zen tradition we design a piece of table for outdoor camping is a necessity in modern culture as continuing to develop this research. Analyzing outdoor and camping equipment according to the time change, we focus on the study table for outdoor camping can apply the structure of the elbow. Outdoor supply is also overlaid with the change, while changing in the picnic and camping camp sensibility that was taking advantage of the individuality of each of the general camp. However, it is a surface camp that Korean culture is not to build up the camp culture that has been fixed camp culture of the world in the only development, following the camp trend of European and American. In an attempt to adhere to the trend of Korea currently camped, camping outdoor products that apply the beauty of Korea with a combination of new modern representation tradition and our culture has designed research. I have designed the camp outdoor table based on the contents mentioned above. For the design of this time, it is now possible to use appropriately in accordance with the outdoor environment conditions that are designed to upright seat sharing table in the market tables for camping and to be divided into the seat and upright.

• 복식
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• 제52권8호
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• pp.123-135
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• 2002

The purposes of this study were to observe the influences of Salon culture on fashion, and to understand of 17th-l8th century's costume from a different point of view. The literatures about Salons and costume in 17th-l8th century were considered for this study Salon culture had influenced on women's and men's fashion from 17th 18th century as results. The influences of salon culture on fashion were as follows; At first, it caused radical feminism for women's dress. Women for this period chose their dress to maximize their breast and tight their waist radically to express their beauty. Women were realized as sexual being for the period, then, this caused feminism. The second influence was the Andorgynous of men's dress. Men maximized beautiful decoration, body line on their dress and showed feminine dress style. which caused Andorgynous of men's dress as men and women mutually created new beauty effect. Salon had influences on the birth of new feminine culture and fashion, supplying individual self-control and freedom to women not as aesthetic objects.

• 복식문화연구
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• 제14권1호
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• pp.168-176
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• 2006

In modern society, Korean women has been doing make-up developing as one of the beauty industry and it means make-up involves more meanings than in primitive period. Therefore we need to study its multi-dimensional connotation Which in the culture that means to understand the society and their way of thinking, and their social value. The structure of feeling represented in make-up in the 70's was Korean women's wish which were to be rich and westernized. In the 70's, Korean women moved to city, and meanwhile they work hard, they has been accepted western lifestyle and it proved on women's face. And in the 80's, Korea has been developed rapidly, and Korean government make people free. So Korean women's structure of feeling in the 80's were women's automation derived from political and economical development. And women expressed their structure of feeling as abundance in the society and women has to been stately. In the 90's Korean women were revolutionary and returned to nostalgia. In 2001, as the world faced new century, Korean women's life has been changed and the structure of feeling were pureness, simple and easiness.

• 복식문화연구
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• 제6권1호
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• pp.46-57
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• 1998

The purpose of this study were to understand the traditional make-up in Korea, and investigate a method of making and using the cheek rouge, make-up trend. This study was reviewed the change of cheek rouge from the Three State to the Civilization period. The results revealed that the cheek rouge make-up was the main aspect in Korea make-up and was a product of culture, society and area. Therefore, this finding was helpful to understand the traditional make-up culture in Korea, and to express and inherite Korean beauty in the make-up.

• 한국융합학회논문지
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• 제9권11호
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• pp.403-415
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• 2018

본 연구는 뷰티프로보노활동의 영향요인을 분석하고, 관련활동이 지속적으로 이루어지기 위한 방안을 모색하고자 하는데 목적을 두고 있다. 본 연구에서는 연구모형과 가설을 설정하고, 수도권지역 미용전공자 701명의 설문분석을 실시하여 주요 분석결과를 도출하였다. 첫째, 뷰티프로보노 참여동기는 뷰티기술 및 지식을 활용하기 위함이며, 주로 봉사동아리활동을 통하여 참여하는 것으로 밝혀졌다. 둘째, 뷰티프로보노 활동만족도는 기관의 홍보모집과 연관성이 높았다. 봉사주관기관의 신뢰도는 기관운영수준과 참여를 통한 만족도가 높을수록 신뢰하는 경향이 높았다. 셋째, 뷰티프로보노활동을 통한 만족도, 조직에 대한 신뢰도가 높을수록 활동에 대한 지속가능의지도 높은 것으로 나타났다. 뷰티프로보노 활성화방안은 다양한 홍보채널의 개발, 봉사자들에 대한 교육강화, 봉사주관기관의 투명경영 등을 제시하였다. 한편, 본 연구는 조사대상의 한정이라는 연구의 한계를 갖고 있어 향후 조사대상의 확대와 뷰티전공 대학생들을 대상으로 한 다양한 측면에서의 연구가 지속되기를 기대한다.

• 복식
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• 제48권
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• pp.83-100
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• 1999

Articles from leading daily newspapers dealing with costumes analyzed here dating back to oughly one year before the I.M.F. system came into place in korea. The values and esthetic consciousness of that period were studied through fashion. The major conclusions of the study are as follows: 1. The values of exhibition conformity and extravagance were emphasized. 2. The beauty of play the beauty of the extraordinary and the beauty of splendour were expressed as the esthetic consciousness 3. Preference of young people toward expensive high-grade and foreign-made brands was excessive Adults have to guide the young not to overconsume. Development of a sounder culture of clothing is needed for the establishment of economic prosperity for the nation.