• 디지털융복합연구
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• 제6권4호
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• pp.63-71
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• 2008

This study researches the effectiveness of interactive TV advertising focusing on the factors of audience involvement and interaction. The study began with the effective measurement of interactive television advertisements. Interactive television advertisements have different concepts than existing television advertisements. This study mainly focuses on the characteristics of audience interaction and experiments based on the data of 78 persons for measurement. In the experiments, the characteristics were categorized according to search time, specifically the number of searched pages about interactive television advertisement. Hypothesis 1 reveals that the interaction of the audience increases when the advertising attitude, brand attitude, and purchase intentions also increase. Hypothesis 2 finds that the involvement of the audience increases when the advertising attitude, brand attitude, and purchase intentions also increase. By studying these consumer characteristics and behavior, a new method of effective measurement for interactive television advertisement is uncovered. The new method includes not only existing measurement elements of television advertisement which include attitude about advertising and brand, and customer purpose, but also the features of interactive television advertisement like customer search time. According to this research on interactive television advertisement, the interaction with and involvement of the audience are highly influential variables.

• International Journal of Contents
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• 제18권2호
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• pp.1-17
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• 2022

As of September 2021, COVID-19 is still seriously impacting people globally. To better control the epidemic, the Chinese government adopted a nationwide quarantine policy at the early stage of the discovery of COVID-19, which has significantly changed people's production and life. China's Douyin app (International version: TikTok) is an extremely influential entertainment and social tool. During COVID-19, a large number of short videos about COVID-19 appeared. Publishers included government agencies, professionals, and self-media. The content released has made Douyin a tool for people to receive COVID-19 information in addition to entertainment and social functions. This is a quantitative study. By exploring the impact of the Douyin app on Chinese college students during COVID-19, this study provides suggestions from the level of social media such as TikTok to enable Korea's epidemic prevention to be more effective. This study established variable questions such as Douyin's information perceived value, information usage channels, information awareness, anti-epidemic policy attitude, trust of public institution and preventive behavioral intention, and conducted a questionnaire survey. Using SPSS to analyze the obtained data, this study found that: 1. The short video information usage channels about COVID-19 in Douyin have a positive impact on the audience's information awareness; 2. The information perceived value in Douyin has a positive impact on the audience's information awareness; 3. Information awareness and trust of public institution in Douyin have a positive impact on the audience's anti-epidemic policy attitude; 4. Information awareness and trust of public institutions in Douyin have a positive impact on the audience's preventive behavioral intention; 5. The audience's anti-epidemic policy attitude has a positive effect on preventive behavioral intention.

• 한국콘텐츠학회논문지
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• 제20권10호
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• pp.109-118
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• 2020

본 연구는 현대무용관람객의 선택속성을 선행연구를 바탕으로 구성하고, 현대무용공연 관람 경험이 있는 관람객을 대상으로 설문조사를 실시하였다. 이후 탐색적 요인분석을 통해 현대무용공연의 선택속성을 규명하였으며, 이에 물리적 증거, 티켓, 사람, 정보, 작품, 명성 이라는 6가지 속성이 도출되었다. 이 속성을 바탕으로 티켓구매행동에 영향을 주는지 알아보기 위해 '확장된 계획적 행동이론'을 통하여 선택속성이 관람태도와 티켓 구매의도에 미치는 영향을 알아보았다. 그 결과, 현대무용공연의 선택속성 중에서는 명성, 사람, 작품의 세 가지 속성이 관람태도에 정(+)의 영향을 미쳤으며, 티켓구매의도에는 작품과 사람속성만이 정(+)의 영향을 미쳤다. 티켓구매의도에 설명력을 높이기 위한 확장된 계획행동이론의 변수 중에서는 주관적 규범을 제외한, 관람태도와 지각된 행동통제, 사전지식이 티켓구매의도에 정(+)의 영향을 미쳤다. 이에 본 연구는 현대무용공연의 티켓구매의도를 향상시킬 수 있는 관람객 중심의 선택속성을 제시하고 실증적으로 확인하였다는 것에 의의가 있다.

• 유통과학연구
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• 제13권1호
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• pp.71-81
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• 2015

Purpose - This study aims to examine the effect of audience attitude toward product placement, or PPL, on product attitude and purchase intention. PPL has increasingly been prevailing in TV dramas since the revision of the Broadcasting Act in January 2010, and it is quite widespread in today's society. Therefore, this study intends to investigate how the audience would take a particular attitude toward PPL in TV dramas and how their attitude would affect their product attitude and purchase intention. Research design, data, and methodology - The sample for the current study was drawn from college students in Seoul in December 2013, as the main targets of the products and brands that were advertised by PPL are young people. The questionnaire for this study comprised nine parts, such as the knowledge of PPL, experience of PPL, TV drama watching time, impulsive buying propensity, celebrity imitating buying propensity, attitude toward PPL, attitude toward product, purchase intention, and demographic characteristics. The questionnaire items were measured by 5-point Likert scales. Whether the demographic characteristics and propensity to consume would affect PPL attitude was analyzed and how the PPL attitude would affect purchase intention through product attitude was analyzed as well. To analyze the relationship between variables, structural equation modeling analysis was performed with Amos 18.0. Results - The major findings of the study were as follows. First, whether the demographic characteristics and propensity to consume would affect PPL attitude was analyzed, and it is found that out of the demographic characteristics, only gender and knowledge of PPL exerted an influence on PPL attitude. In addition, celebrity-imitating buying propensity had an impact on PPL attitude. Second, whether PPL attitude would affect purchase intention through product attitude was analyzed by structural equation modeling. Consequently, it is found that PPL attitude impacted purchase intention through product attitude. Conclusions - The findings of the study had the following implications. First, in theoretical aspects, previous studies have proven only that attitude toward PPL influenced attitude toward product and purchase intention separately; however, the current study has investigated the mediated role of attitudes toward PPL. Second, regarding the practical aspects, as PPL attitude exercised an effect on purchase intention as well as product attitude, PPL should be utilized in a manner to stimulate the audience to take a positive attitude to it. Finally, gender, PPL knowledge, and celebrity-imitating buying orientation were identified as influential factors for PPL attitude. Specifically, female consumers showed a lower attitude toward PPL than males, and the consumers who have no knowledge showed a lower attitude toward PPL. The consumers who have celebrity imitating buying propensity expressed a higher attitude toward PPL. These factors should consequently be taken into account when PPL is planned and conducted. The current study has limitations such as the sample object, non- experimental method, and media biases. Therefore, future research should be conducted to address these limitations.

• 한국산업정보학회:학술대회논문집
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• 한국산업정보학회 2008년도 추계 공동 국제학술대회
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• pp.235-245
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• 2008

The interactive advertisement is already on satellite and cable broadcasting hereafter the introduction of this system is concerned on terrestrial programs. This study is to research the effectiveness of interactive TV advertising focusing on factors of involvement and interaction. Study started for the effect measurement of interactive television advertisement. Interactive television advertisement has different concept than existing television advertisement. Thus, the effect also needs to examine in other methods. Study is mainly focusing on the characteristics of interactive and the experiments, which was based on existing data, for measurement of effect. In the experiments, the characteristics were categorized in a search time, a number of searched pages about interactive television advertisement. The research finds that the involvement of the audience increases when the interaction of advertising attitude, brand attitude, and purchase intentions also increases. And so, a successful interactive TV advertisement results in longer searching hours and greater it visits by the audience when the interaction factors are considered and increased. By study of consumer's characteristics and behavior, a new method of the effect measurement for interactive television advertisement is provided. The new method includes not only existing measurement elements of television advertisement which are attitude on advertising and brand, and customers' purpose, but also the features of interactive television advertisement, which are search time, a number of searched pages. Recently added features provides data of the effect on high/low groups and it contributes to the process of interactive television advertisement. Study on interactive television advertisement will be helpful to plan an effective strategy by suggesting the theoretical evidence of its effect.

• 한국콘텐츠학회논문지
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• 제14권6호
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• pp.84-92
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• 2014

텔레비전 프로그램에 제품이 등장하는 PPL은 전통적인 광고와는 달리 시청자들의 재핑(zapping)을 피할 수 있으며, 드라마 주인공이 주로 사용하여 스타 마케팅의 역할을 하는 등 다양한 장점이 있다. PPL에 대한 기존의 연구들은 주로 PPL이 제시되는 방식에 따른 효과의 검증에 집중하였는데, PPL의 효과를 바르게 이해하기 위해서는 수용자의 특성에 대한 연구도 필요하다. 이에 본 연구는 수용자의 소비성향과 PPL효과의 관계를 연구하기 위해, 브랜드소비성향과 충동구매성향이 PPL제품태도에 미치는 영향과 자아존중감의 역할을 살펴보았다. 연구결과, 브랜드소비성향과 충동구매성향이 높을수록 PPL제품에 호의적인 태도를 보이며, 자아존중감도 PPL제품태도에 정적인 유의미한 영향을 미치는 것으로 보인다. 즉, 개인의 소비성향에 따라 PPL에 대한 반응의 차이가 나타남을 알 수 있다.

• 한국인쇄학회지
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• 제29권1호
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• pp.101-110
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• 2011

This research attempts to analyze type of typography influence on advertising attitude, brand attitude, and purchasing intention among print advertisements. Frequency analysis, reliability analysis using Cronbach's alpha, and MANOVA were utilized to analyze those gathered data. The result is the type of typography, affects on building advertising attitude in the mind of audience. However, brand attitude, and purchasing intention are not signigicant. It means that type of typography does not influence on building brand attitude and purchasing intention.

• 디지털융복합연구
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• 제15권10호
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• pp.411-417
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• 2017

본 연구는 미디어 효과 연구 분야에서 채널 요인으로 분류될 수 있는 배경음악의 사용이 TV다큐멘터리 수용자의 회상 기억, 몰입, 흥미 유발, 작품 평가 등에 미치는 영향을 실험을 통해 살펴본 연구이다. 미디어 효과에 관한 선행 연구들은 송신자 요인과 메시지 요인 등이 수용자의 기억과 이해, 지식 습득, 태도, 행위 등에 미치는 영향력을 살펴본 연구들이 대부분이다. 그러나 미디어의 채널요인으로 볼 수 있는 배경 음악이 수용자의 다양한 종속변인에 미칠 수 있는 영향력에 관한 연구는 대단히 제한적이며, 특히 텔레비전 다큐멘터리의 배경음악이 수용자에 미치는 영향에 관한 연구는 찾아보기 어렵다. 따라서 본 연구에서는 TV 다큐멘터리 프로그램에 사용된 배경 음악이 수용자의 회상 기억, 몰입도, 흥미 유발, 작품 평가 등에 미치는 영향력을 알아보기 위해서 대학생 피험자들을 대상으로 배경음악의 유무에 따라 2개의 집단으로 구분하고, 이들에게 TV 다큐멘터리 영상물을 시청하게 한 후, 이들의 회상기억, 몰입도, 흥미 유발, 작품 평가 등을 물어 설문조사를 실시하였다. 모두 101명을 대상으로 이루어진 설문 조사를 분석한 결과, TV 다큐멘터리의 배경 음악이 수용자들의 몰입도와 흥미 유발 정도를 증가시켰으며, 작품 평가도 더 높게 하는 것으로 나타났다. 그러나 TV 다큐멘터리의 배경음악이 수용자들의 회상 기억에는 유의미한 영향을 미치지 못하는 것으로 나타났다.

• 한국콘텐츠학회논문지
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• 제15권12호
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• pp.121-128
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• 2015

본 연구는 <고령가 소년 살인사건>의 공간성에 관해 분석하는 연구이다. 그런데 공간성의 의미를 영화내부로 한정하는 것이 아니라 영화외부까지 확대하여 논의한다. 영화내부에는 샤오쓰의 살인사건이 발생하도록 이끈 폭력공간으로서의 사회, 집, 학교가 있다. 그리고 영화의 외부공간에는 내용과 형식을 통해 사회의 지배시스템에 저항하는 감독의 태도와 의지가 있고, 그것을 해석하는 관객의 공간이 있다. 관객은 감독의 의도가 있는 영화의 외부공간에서 합류하여 이 영화를 적극적으로 해석하고 스스로를 성찰하면서 사회참여의 기회를 가진다.

• 한국연극학
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• 제49호
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• pp.75-100
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• 2013

An on-going creative process was the major principle of Kantor's artistic endeavors. Kantor's emphasis on process grew out of his frustration with the experience of creation being isolated from the audience in the present time, during the moments of encounter. At the same time, however, Kantor was always aware of the fact that the first night of each and every performance that he made was the last point of his creative intervention. Despite being performed live in the present time, Kantor saw theatre essentially as an end product. This does not mean that Kantor abandoned the concept of on-going process, for process was for the artist a means to reject the idea of a finished work of art and to denounce the feeling of satisfaction derived from the traditional denouement in representational theatre. For him, theatre that dominated his time isolated the audience from the art work and the artist, and from this perspective his continual emphasis on process should be understood as an aesthetic principle in order to open up and expand the dimension of art into the realm of the spectator so that the experiences of both the artist and spectator may coexist. The heaviest barrier that separated the artist and his work from its audience was the creative structure that governed Western art. In theatre it was the dramatic structure that was the main object of his series of severe challenges. Not only did it fail to represent reality but it distorted reality, creating nothing but artificial illusion. Under this condition, all that was permitted to the audience was mirages. However, Kantor never completely discarded illusion from his theatre. The point for him was always to created a circumstance where the illusory reality of drama comes to exist within the dimensions of our reality. It was Kantor's belief that instead of a total denial of illusion, his theatre should strategically accommodate illusion which comes from reality. And, the aim of Kantor's theatrical experiments was to invite the audience into this ambience and transform the experience of his audience into a much more participatory one. This paper traces the ways in which Kantor transgressed the dominating conventions of representational, literary theatre, and how such attempts induced an alternative mode of spectatorship. The study will begin from an investigation into Kantor's attitude towards illusion and reality, and then move onto a closer inspection of how he spatially and dramaturgically materialized his concepts on stage, giving special focus on Wielopole, Wielopole.