• 문화경제연구
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• 제19권2호
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• pp.3-28
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• 2016

이 연구에서는 여가 라이프 스타일을 기준으로 미술관 관람객의 집단 세분화를 시도하였다. 이를 위해 우리나라의 대표적인 미술관인 서울 소재의 국립현대미술관, 서울시립미술관, 예술의 전당 한가람미술관의 관람객을 대상으로 여가 라이프 스타일을 조사하였다. 314부의 설문 분석을 통해 여가 라이프 스타일 요인을 추출하였으며 이를 기반으로 여가 라이프 스타일 차원을 반영한 문화 예술 소비자들의 집단이 어떻게 구성되는지를 확인하기 위하여 군집 분석을 실시하였다. 이어 군집 간의 인구 통계학적, 미술관 관람 행동 및 일반적인 문화소비 활동의 차이를 점검하였다. 여가 라이프 스타일에 따라 문화 예술 소비자를 구분한 결과 '문화예술 선호형' 집단, '활동적 집돌이형' 집단, '여가 저향유형' 집단, '잡식성 문화/스포츠 참여형' 집단의 4개 군집이 도출되었다. 4개 군집의 인구 통계학적 차이를 확인한 결과 성별, 연령별, 직업별 차이가 확인되었으며 군집 간에는 미술관 관람 행동과 일반적인 문화예술 소비에도 차이가 있는 것으로 확인되었다. 분석 결과를 토대로 시장 세분화에 따른 미술관의 마케팅 방안이 논의되었다.

• 유통과학연구
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• 제18권8호
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• pp.47-54
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• 2020

Purpose: Through strategic marketing, art galleries can help retain the artistic value in an extensively urbanized world and also provide a means to showcase aspirational messages that artworks attempt to portray. The purpose of the current study is to analyze a marketing strategy for an art gallery based on prior marketing theories. Research design, data and methodology: Scant research is available to guide regarding what elements of marketing theories should be applied to accomplish customer satisfaction in an art gallery business plan. Thus, the present authors suggest more specific marketing strategy using four traditional marketing theories for practitioners who conduct business planning strategy in an art gallery. Results: The current study suggests the synthesized model for a successful business plan of an art gallery and figured out that two distinctive segments through marketing mix and SWOT analysis are ideal because it would be easier to meet visitors' aesthetic tastes while still meeting organizational objectives. Conclusions: As all other businesses, art galleries have to adapt to survive by innovating some of the components of the marketing mix to create a competitive advantage. It also requires a strategy for that combines targeting and segmenting with the incorporation of the marketing mix to attain competitiveness.

• 경영정보학연구
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• 제22권2호
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• pp.167-199
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• 2020

본 연구의 목적은 정보통신기술의 발달에 따른 미술관 전시 환경 변화의 한 흐름인 정보통신기술 (ICT) 기반 큐레이션이 미술관 관람객의 몰입과 만족도, 재방문의도에 미치는 영향 관계를 분석하는데 있다. 이를 통해 현재 많은 미술관에서 운영되고 있는 ICT 기반 큐레이션 개발과 서비스 운영관리에 시사점을 제시하고자 한다. 본 연구에서는 위치기반 모바일 큐레이션을 박물관 및 미술관 등에서 제공하는 스마트폰 애플리케이션 또는 스마트 단말기를 이용하여 경험하는, 멀티미디어 전시 해설 서비스로 정의하고, 이에 대한 변수 속성으로서, 재미적 요소인 게이미피케이션(gamification), 이미지/영상 정보품질, 소리/텍스트 정보품질, 상황기반 제공성(contextual offer), 그리고 즉시접속성(instant connectivity) 등 총 5가지 속성을 제시하였다. 이 각각의 속성과 미술관 관람객의 몰입 및 만족도와의 관계, 그리고 재방문의도에 이르기까지의 영향을 밝히고자 설문지기법을 통한 실증 분석을 실시하였다. 본 연구의 주요연구 결과는 다음과 같다. 첫째, 위치기반 모바일 큐레이션 속성들 중에서 게이미피케이션만이 관람객의 몰입에 정(+)의 영향을 미치는 것으로 나타났다. 둘째, 위치기반 모바일 큐레이션 속성들 중에서 관람객의 만족도에 유의적으로 정(+)의 영향을 미치는 것은 즉시접속성과 소리/텍스트 정보품질 요인 등이었다. 셋째, 미술관 관람객의 몰입은 만족도에 정(+)의 관계가 있는 것으로 나타났으며, 마지막으로, 미술관 관람객의 몰입은 재방문의도에 유의적인 영향을 미치지 않았으나, 관람만족도는 재방문의도에 대해 정(+)의 영향을 미치는 것으로 분석되었다.

• 한국콘텐츠학회논문지
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• 제16권4호
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• pp.123-131
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• 2016

이 연구는 미술관 관람객을 대상으로 실시한 설문 조사 분석을 통해 미술관의 관람 동기와 관람을 통해 지각된 체험의 질이 관람 만족에 미치는 영향을 파악하고자 하였다. 요인 분석을 통해 미술관 관람 동기가 '지식 추구', '휴식 추구', '문화 동경', '유대 결속'의 차원으로 구성됨을 밝혔으며, 지각된 체험의 질은 '심미/오락', '교육', '일상 탈출', '소속감의 4개 차원으로 구성됨을 확인하였다. 이어 회귀 분석을 통해 동기와 지각된 체험의 질이 만족에 미치고 있음을 발견하였다. 이러한 분석 결과를 토대로 만족도 제고를 통한 박물관 운영의 개선을 위한 방안이 논의되었으며 후속 연구를 위한 아이디어가 제시되었다.

• 국토계획
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• 제54권3호
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• pp.5-14
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• 2019

Starting with the market vitalization project in 2008, The Gwangju Dae-in Art Market has attracted to many artists, changing into cultural and art market. After the project was carried out for a certain period of time, a study was conducted to determine the differing opinions of the artists and merchants in regards to the market. The study also examined and analyzed the factors affecting the artists' continuous activities. The difference in recognition perception between artists and merchants was analyzed through a T-test. PLS-regression analysis was used for the artists' continuing intention to work. As a result, the artists and merchants recognized that the number of visitors increased after the influx of artists. Programs that had a positive impact on the artist's intention for sustainable activities were as follows: the 'Art Products Creation Workshop', where artists, merchants, and citizens collaborate to develop commodities needed for the market; 'Hanpyeong Gallery', where artists directly or indirectly interact with merchants and citizens; the 'Artist-Merchant Workshop', where artists and merchants produce articles required for the market; 'C'est Si Bon', which expresses the placeness of the market into art; and the 'Dae-in Art Night Market', where citizens, merchants and visitors can sell their own works. On the other hand, programs with the negative effect were those where artists' participation was low or none, as the policy implications, they should be actively develop this type of programs, where artists could participate and interact with citizens and merchants, like this visitors and sales can be increased.

• 한국실내디자인학회논문집
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• 제15권4호
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• pp.81-88
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• 2006

The form and function of modern museum present more a variety of aspects in need of transition of the mature civil society and culture than the past. Considering that an art museum is the space where a multitude of unspecified visitors inspect simultaneously, exhibitions and adequate construction make visitors lead to successively visual contact. Consequently a goal of this study is to analyze that there is correlation between exhibit space and exhibitions and to suggest an alternative plan at exhibition through relationship among exhibitions, exhibit space and spectators' behavior. Two Art galleries (one is a large-sized gallery and the other is a small-sized one) located in Pyung-Chang dong were selected to analyze the correlation and suggest the better display for the exhibition. The finding of the study is following. The exhibit space which spectators recognize is assumed diverse forms by an unique characteristics of exhibits and space and an arrangement of exhibitions and the path of flow of spectator who walking ahead have an huge effect on a spectators' behavior. In other words, spectators' watching patterns are affected by display of exhibitions and the path of flow. That is to say, the spectators' behavior and the concentration to watch exhibitions is decided by the exhibit form in the museum, and the quality of watching experience is depended on the spectators' relevant knowledge prior to exhibitions.

• 스마트미디어저널
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• 제7권1호
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• pp.24-30
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• 2018

제노테크(주)는 NFC기반 2 factor 전자결제시스템의 보안기능 향상을 위해 FIDO인증기술을 이전받았으며 이를 활용하여 새로운 서비스인 갤러리-옥션을 개발하였고 대구 전시회에서 데모 시연을 진행하였다. 시연 결과 배너 제작 및 설치, UI변경, 동작 순서 변경 등의 개선 요구 사항이 있었으며 요구 사항을 바탕으로 갤러리-옥션을 개선하였다. 이후 개선된 갤러리-옥션의 2차 데모시연을 '아트:광주:17'에서 진행하였고 동시에 '아트:광주:17'의 시간당 입장객 수를 분석 및 시각화를 수행하였다.

• 지역과문화
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• 제7권4호
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• pp.1-20
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• 2020

본 연구에서는 대전시 공공미술 프로젝트 <무궁화 꽃이 피었습니다> 사례연구를 통하여 열악한 주거환경에서 지역공동체를 만들기 위한 공공미술 프로젝트 운영방법을 모색한다. 문헌연구를 바탕으로 지역공동체를 모아내는 공공미술의 세 가지 측면으로 시각성, 특수성, 소통성을 도출하였고, 이러한 요소들을 기반으로 방문자, 예술가, 지역주민, 기획자 등 연구대상 이해관계자를 심층 인터뷰하여 사례를 분석하였다. 분석결과로 첫째, 주민들의 재활용 쓰레기로 함께 만든 공공미술은 시민과 환경을 효과적으로 조화시키고 통합하고 있었다. 둘째, 프로젝트의 일환으로 운영되는 갤러리는 시민들이 지역의 역사와 상징을 이해하게 함으로써 지역 정체성 강화에 상당한 역할을 하고 있었다. 셋째, 지역공동체와의 소통공간으로 마련된 공방은 시민들의 자발적인 공동체 참여를 활성화하는 데 일조하고 있었다. 상대적으로 기관과의 연구 협력에 관한 인식은 크게 부각되지 않았는데, 이는 열린 공동체라는 가치적 측면에서, 더 다양한 예술 형식에 열려있는 자세로 다른 지역과의 문화적 연계를 구축하고 지속적인 협력이 필요하다는 점을 시사하고 있다.

• 한국조경학회지
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• 제30권2호
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• pp.12-22
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• 2002

This study examines the visitors'evaluations of tourism resources in Insa-dong, which the Seoul metropolitan government has improved recently. This study adopted the method of Importance-Performance Analysis by collecting data through questionnaires. A random sampling of visitors to Insa-dong was conducted in June and July,2001. The survey included questions on the physical and psychological components of Insa-dong's tourism resources. In the case of physical components, eight factors(ancient arts shop, art gallery, atelier, calligraphy shop, pottery arts, traditional tea house, antique shop, traditional clothes) out of thirteen were categorized as 'keeping up the good work'. None of the Physical components was shown as 'low priority'or'possible overkill'. In particular, four factors(restaurant, heritage, Korean-style house and alley, traditional cultural festival) need to be impoved most urgently in terms of visitors'satisfaction. Survey results realize them as high priority in importance but low in performance, thereby designated as, 'concentrate here'. An image of the 'street' showed to be high in importance and identical in performance, so can be categorized between'keeping up the good work'and 'concentrate here'. The results show that unusual outdoor spaces and the festivals of Insa-dong have a significant meaning to the visitors. In the case of psychological components, three factors(general atmosphere experience of unusual atmosphere, appropriateness of stroll time) out of seventeen were categorized as 'keeping up the good work'. Ore factor (shopping) was designated as 'low priority'and not found to be 'possible overkill'. Thirteen factors (various events, possibility of various activity, various flood, richness of play, new experience, education cultural inheritance, parking facilities, resting places, green spaces, meeting places, guide map and information, cleanliness of facilities/convenience) need to be improved mast urgently in terms of visitors' fulfillment. They are perceived as areas of 'concentrate here'. This confirms that attractive events are essential for the recent visitor satisfaction. Furthermore, visitors are not satisfied with its amenity and acccss in Insa-dong despite the improvements. In conclusion, positive impressions, both physical and psychological, should be maintained while factors mentioned to be lacking should be prioritized in order of necessity to improve the image of Insa-dong and solutions need to be found and implemented. The results of this study would be helpful in the planning and management of nsa-dong considering the visitors'requirements.

• 미술이론과 현장
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• 제2호
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• pp.147-168
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• 2004

This study examined the role of interpretation with various practices in art museums to seek a new meaning and a concept of art museum today. The exploration of interpretation would he a starting point to discuss about on art museums with professionals in each art-related field. While museums recognize the concept of interpretation and the scope of the functions in different levels, the study focused on the practices of collecting and exhibiting that will entrust the museum new realms of activities toward the audience. In particular, its emphases are set force on the information on the collections via the museum's web sites, interpretation policies, and theories and methodologies in exhibition development. Art museum websites well reflect how museums utilize the new medium to enhance the understanding of art works by providing in-depth art historical information, comprehensive contexts, and subject/concept based search methods. In recent decades, these have enacted changes to expand dimensions of interpretive functions in most museums, particularly in the United States and others. In an administrative perspective, Tate Gallery Interpretation Policy became an good example how an art museum put its interpretation philosophy as the basis of interpreting collection and public programs. Tate established functions of intrepretation and education not only within a task-based team but also as an intrer-divisional coorperation to provide an interpretation scheme of information provisions such as guide brochure, audio tour, multimedia content, and library. New environment and trends of museum exhibition, and its development processes stem from communication theories, object interpretation philosophy, display strategies, and various evaluation techniques through audiences, with the communication theories of Shannon and Weaver, Berlo's SMCR(Source-Message-Channel-Receiver) models were perceived as to understand the mechanism to communicate museum exhibits to visitors Suzan vogel's insight into object display strategy helped to conceive the mechanism of object recontextualization. She emphasized that the museum's practice to construe opinions and impressions through object display should be discreet and critical, therefore, the professionals to plan the exhibition should reveal the intention and their practices. For a prevailing new methodology from the field, the interpretive exhibition development processes are articulated as the front-end, formative, and summative evaluation, futhermore the team process in industrial product management models was adapted. These have turned out to be more interactive with visitors and effective to communicate the exhibition concepts and messages, hence resulting in enriched museum experiences. Finally the study concluded that understanding the aspects of interpretation should help art museums to set a framework for current practices to expand its public dimension. It can provide curators with a critical view to website planning and its content. And obviously, the interpretive exhibition development methodology will lead museum exhibition developers to be skilled in its current approaches to thematic exhibition concerning diverse subjects and topics.