• 제목/요약/키워드: Architectural Regionalism

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Re-conceptualizing Critical Subjectivity and Identity in Critical Regionalism: Phenomenological Inputs

  • Baek, Jin
    • Architectural research
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    • 제13권2호
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    • pp.23-30
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    • 2011
  • Critical regionalism has been consistently influential in architecture since the 1980s. While acknowledging its contribution to the discipline of architecture, this article inquires into two co-related issues in critical regionalism as elaborated upon by Kenneth Frampton: critical subjectivity and identity. Regarding critical subjectivity, critical regionalism demands one to stand critical of both tradition and technological development. It assumes that one can locate herself in a neutral zone unshackled from both conditions so that she can make an unbiased judgment. This article criticizes this form of subjectivity by illuminating the situated nature of the subject in the continuity of tradition within which one always stands. The second issue is identity. Keeping the identity of a region through architecture is accepted as a rule in critical regionalism. However, how we shall understand the identity is unclear. This article introduces a notion of identity as rooted in the dialectics of opposites, and demonstrates it by referring to Le Corbusier's architecture and Tetsuro Watsuji's philosophy of climate. The objective of this series of inquiries is not to shake the validity of critical regionalism, but to renew and extend its significance for contemporary architecture.

현대 건축을 통해서 본 비판적 지역주의의 개념적 표현 (A Study on the Design Concept of Critical Regionalism through the Contemporary Architecture)

  • 정효경
    • 한국실내디자인학회논문집
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    • 제13권6호
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    • pp.20-28
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    • 2004
  • The purpose of this research is to understand and explore the view of the current architectural and interior design approach through Critical Regionalism created as one of the movements opposed to Contemporary. Critical Regionalism as a critical view about the contemporary architecture is based on integrated critical thinking toward a built environment surrounded by regional facts such as natural environment, materials, light, weather, unique culture where exist the specific places. The architectural themes of Critical Regionalism based on Kenneth Frampton's view and interpretation about contemporary architecture can be understood as follows; the concept of the place, tectonics, expression by abstraction and phenomenologlcal interpretation. Critical Regionalism has two distinctive features, which are the connection to the Contemporary and critical aspects to develop processes of an architectural design.

제주의 지역주의 건축 -1950년대 이후의 흐름과 표현양상에 대한 비평적 고찰 - (Regionalism Architecture in Jeju Island - A Critical Review of its Trends and Characteristics, since 1950's -)

  • 양상호;박순관
    • 건축역사연구
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    • 제18권6호
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    • pp.7-22
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    • 2009
  • This writing is to understand some trends and its meaning of Regionalism Architecture in Jeju Island since 1950's. This thesis began with an interest in the identity crisis implicit in the simultaneous striving for modernism and the so-called regional values in Jeju Island. Regionalism is a response in architectural terms to re-establish continuity in a given place between past and present forms, and also a unique result related to particular places, cultures and climates in region. This is one way of looking at the issues of regional identity. The study began by observing the general characteristics of contemporary ideas on Regionalism in Jeju architecture. This means that tracing the history of development of Regionalism architecture in research area is not the focus of this thesis. The thesis demonstrates that Regionalism architectures in Jeju shows some trends related to the local cultural elements (or ideas) such like traditional architectural forms, natural environment, local construction-materials, etc. In summation, in the perspective of Regionalism architecture,mostofbuildingsin Jeju bring out them only as vernacular architecture as it was once produced, by the simple combination and imitation without any creative interaction of the regional culture. I stress the point in this paper that, in over the last fifty years, there have been very narrowed attempts to design the regional values in the main, and also point out that there are problems in the manner in which local architects have gone about trying to define the regional themes. So, a grate depth is required to understand the phenomenon that Jeju area is with its various nuances of traditions, art, culture, climate and light and then to reinterpret it into the modern building type with all the high sense. In addition to that, some conclusions are reached on future directions and the significance of the study.

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현대교회건축에 나타난 지역주의적 표현특성에 관한 연구 (A Study on 7he Expressional Characteristics of Regionalism in Contemporary Church Architecture)

  • 조경수
    • 한국실내디자인학회논문집
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    • 제29호
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    • pp.297-304
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    • 2001
  • The study is Intended to clarify the ideologies and principles applied to the formative expression of church architecture which is contained both the God and human. After modern times, from the result of study of modern architectural movement, all of architectural ideology have not been developed with the church architecture. Some of architectural concept have been the foundation of modern church architecture. Among them, focusing the area which is developed the form of the church architecture wish the regional architectural expression -America, Northern Europe and Latin America - the expressional characteristics have derived that the church architecture have specific characteristics by the analysis of the characteristics from the influence of the regionalism. After all, regionalism-church architecture which describes recognized and behavioral organism and recognize the kind of the regional tradition and show regionalized formation shows the expressional characteristics of modern church architecture.

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비평적 지역주의(The Critical Regionalism)로 본 한국 성당건축의 지역성 표현 - 개화기에서 1980년대까지의 성당건축을 중심으로 - (A Study on the Regionality of Korean Catholic Church Architecture with the Perspective of The Critical Regionalism - Focused on Korean Modern Catholic Churches constructed between the 19th century and 1980's -)

  • 권태일
    • 건축역사연구
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    • 제21권1호
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    • pp.27-46
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    • 2012
  • The core idea of the critical regionalism could be summarized as a self-conscious synthesis between universal civilization and world culture. After World War II, it has been applied to architecture for overcoming the problem of Industrial Capitalism and uniformity of 20th century Modern Architecture. Naturally, religious architecture cannot also be an exception in this cultural trend, thus we can also apply the critical regionalism to the Korean Catholic Church Architecture with the basic premise that the Traditional Western and Modern Style Church Architecture should be regarded as universal civilization, and the Traditional Korean Architecture and endemicity as one of world culture. In the context, this article attempts to analyze the regionality of Korean Modern Catholic Church Architecture constructed between the 19th century and 1980's, and how it has been differently transformed with the view of the critical regionalism. Its analysis will be carried out within three types; transformation of the Traditional Korean Architecture and the influence of Japanese Modern Architecture, representation of the Traditional Korean Architecture, and abstraction of the Traditional Korean Architecture with each advantages and disadvantages.

케네스 프램턴이 건축 현상학에 끼친 영향 (A Study on the Kenneth Frampton's Contribution to Architectural Phenomenology)

  • 정태용
    • 한국실내디자인학회논문집
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    • 제26권5호
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    • pp.75-82
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    • 2017
  • The aim of this study is to find phenomenological characteristics in the background and contents of Kenneth Frampton's architectural theories and their contribution to architectural phenomenology. His theories reflect on the interpretations of Modern architecture synchronically and diachronically. This difference makes Frampton have more concrete direction for architectural phenomenology. Hanna Arendt, who contribute to form Frampton's architectural theory, introduced various concepts of Heidegger's phenomenology to Frampton. And criticism of image centered late capitalism also act as a background for Frampton to relate to phenomenology. Frampton emphasized the importance of 'critical regionalism' and 'tectonic' as a poetics of construction as the resistance of globalization. All of these have relations to 'place' and 'perception' that are main themes of phenomenology. Frampton explains his theory with phenomenological terms and above all things, he assimilates concerns of architectural phenomenology with critical thinking. In these aspects, his theories can be recognized as playing an important role to the development of architectural phenomenology.

Historic Preservation towards a Critical Regionalism of Gil-ryong Park's Buildings: The Hwashin Department Store and the No-soo Park house

  • Seo, Myengsoo
    • Architectural research
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    • 제19권1호
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    • pp.21-26
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    • 2017
  • This research examines the historic preservation of Korean modern architecture by applying Kenneth Frampton(1930-)'s concept of critical regionalism. It explores the representative Korean modern architect Gil-ryong Park (1898-1943) and two of his buildings: the Hwashin Department Store (1935) and the No-soo Park house (1937-1938). The former was in the hot spot on the preservation. There were plans to preserve this building but that it ended up being demolished in 1987. The latter building, however, has been preserved and is currently being used as a museum. These two Korean modern buildings are explored through the frame of Kenneth Frampton's critical regionalism, in particular focusing on three important concepts: "dialectical expression," "place-form," and "sustainability." In this sense, this research will provide pioneering research in understanding the preservation of Korean modern architecture through a representative Western modern theory. In the early $20^{th}$ century, Korean modern architecture, which was built during the Japanese colonial period (1910-1945), could be interpreted as critical regionalism because it represented a dialog between the West and the East, in particular between Western modernism, Japanese modernity, and Korean tradition in the East Asian context. Understanding Korean modernism in this context of a cross-cultural perspective enables scholars to define both the origins and uniqueness of Korean modern architecture.

목포지역의 응회암 건축에서 보이는 지역성과 시대성 고찰 -응회암 건축의 생성과 이후 손양동 석공의 활동을 중심으로- (A Study on the Regionalism and Temporality of Tuff Architecture in Mokpo -Focusing on the Emergence of Tuff Architecture and the Later Activities of Stonemason Son Yang-dong-)

  • 김순웅;서동천
    • 건축역사연구
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    • 제32권6호
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    • pp.77-88
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    • 2023
  • This research focused on the regional and temporal attributes of tuff architecture in Mokpo, spanning the Japanese colonial period and the post-liberation era. It aimed to uncover the distinct regional and temporal features of tuff architecture by integrating concepts from vernacular architecture and regionalism, framed through a lens of critical regionalism. The study traced the historical progression of tuff architecture in Mokpo within this context. A significant part of the research was an in-depth analysis of four constructions by Son Yang-dong, a renowned technician in post-liberation Mokpo, to closely examine the contemporary relevance and regional significance of his work. Tuff, as an indigenous material, distinctly articulates the local architectural character. In line with regional properties of tuff, the material has adeptly responded to contemporary construction needs. This has laid a foundation for the development of innovative building designs and techniques. Tuff architecture is particularly noted for its exhibition of raw material textures, offering a unique aesthetic that diverges from classical Western architectural styles. Importantly, through the examination of Son Yang-dong's contributions, the study highlights the role of Korean builders in an industry dominated by Japanese influences during the colonial period, underscoring a strong regional identity. As a representation of Mokpo, tuff architecture not only upholds and protects regional identity within the broader scope of Western modernization and Japanese impacts but also plays a role in its progressive enhancement.

시청사 실내공간의 지역성 표현방법에 관한 연구 (A Study on the Method of Expressing Regional Identity of interior space in the City Hall)

  • 김훈영;오인욱
    • 한국실내디자인학회:학술대회논문집
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    • 한국실내디자인학회 2001년도 춘계학술발표대회 논문집
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    • pp.153-156
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    • 2001
  • After 1950's, criticizing uniformity of modem architecture, a number of architectural theories and works which represet the identity of each region have appeared. However it is not a systematic theory but an attitude which approaching to design rather than new architectural trend or theory. Therefore, the thesis studied the general concept about regionalism and analyzed of the City Hall showing the regional identity. Finally this study intend to explain the detailed method of expressing regional identity created by architects by investigating the formal characteristics of regionalism and relationship with various context.

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중국 현대 건축의 지역성 구축 및 표현 특성 사례 연구 (Case Study on the Regionality and Characteristics in the Expression of Modern Chinese Architecture)

  • 마동칭;윤지영;장징위
    • 한국콘텐츠학회논문지
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    • 제18권3호
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    • pp.636-647
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    • 2018
  • 본 연구는 현대 지역주의의 건축사상을 기반으로 건축의 지역성 구축과 표현 특성을 종합, 정리하고, 이를 기준으로 중국의 6개 현대 건축 사례를 분석하여, 실천적인 차원에서 중국 현대 건축 지역성 구축과 표현 특성에 대해 파악하였다. 중국 현대의 6개 사례를 환경의 지역성, 문화의 지역성, 기술의 지역성 측면에서 분석하였으며 그 결과는 다음과 같다. 첫째, 환경의 지역성은 건축이 지역 환경(지형 지모, 기후, 구역 경관)에 대한 호응을 강조한다. 둘째, 문화의 지역성은 건축이 지역의 커뮤니티 구조, 경제 형태, 민속 습관 등 사회 요소와의 연관에서 체현되고 다양화의 설계 수단을 빌어 지역 문화 특징이 건축 속에서의 실현되고 있음을 보여준다. 셋째, 기술의 지역성은 건축의 건조 공법, 구조용 형상, 재료의 내용과 지역 환경, 문화의 조화에 있고 기술의 적합성을 강조하고 있다. 결론적으로 현대 건축의 지역성 구축은 전통과 현대의 환경적, 문화적, 기술적 융합이 다차원적으로 이루어지도록 하여 건축의 다양성과 지속가능성을 촉진한다고 볼 수 있다.