• Archives of Plastic Surgery
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• 제35권2호
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• pp.139-146
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• 2008

Purpose: The objective of this study is anthropometric analysis of mouth and lower face of Korean. The relationship of soft-tissue to underlying bony structures determine the overall aesthetics of the face. The goal of aesthetic surgery of the face is to achieve the ideal normal and enhance the aging face. The purpose of present study was to determine the change of the morphology of the mouth and lower face based on soft-tissue landmarks according to age group to facilitate prediction during aesthetic surgery. Methods: The standardized photographs of 2,018 healthy volunteers(18 to 79 years of age; 1,070 males, 948 females) were investigated. Age groups were classified into young, middle-aged, and elderly groups. Five and seven items were measured on frontal and lateral view photographs, respectively. Individual dimensions were compared in the three age groups and between males and females. Results: The width of mouth is 4.5 times larger than that of philtrum. Most of measured data decreased with age. However, woman's lip width of the mouth somewhat increased from the young to elderly. The width of lower face is 2.5 times larger than mouth in young age group and increased slightly from the young to middle-aged and thereafter slightly decreased to elderly group. Upper lip was more higher than lower lip and male lip was more higher than female. But male and female lip height is similar at old age. Conclusion: Most of Koreans showed prominent lower face because of the development or protrusion of the mandible. And the descent of soft-tissue around the mouth was one of the significant characteristics of senile change. The posterior retrusion of the subnasal was an another characteristic. This study will help to elucidate the age-related dimensional differences of the human being and to provide useful information for clinical applications in oral and aesthetic surgery.

• 대중서사연구
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• 제26권4호
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• pp.215-237
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• 2020

이 글은 마쓰나가 신지가 2018년 일본에서 펴낸 『비디오 게임의 미학』을 소개하기 위해 씌어졌다. 마쓰나가 신지는 철학적이고 미학적인 관점에서 비디오 게임을 연구해온 일본의 대표적인 연구자다. 그가 이 책에서 주목하는 것은 비디오 게임이 지닌 인공적인 놀이로서의 측면이다. 마쓰나가 신지는 비디오 게임이 인간의 행위와 경험을 디자인하는 놀이라는 점에 주목하고, 이를 비디오 게임의 수용 과정에서 일어나는 의미 작용의 측면에서 논했다. 이를 위해 도입된 것은 컴퓨터와 공유되는 분석철학의 방법이다. 그동안 일본에서 발표된 선행연구에서 비디오 게임은 주로 일본 문화론이나 오락 문화의 문맥에서 논해졌다. 그러나 『비디오 게임의 미학』은 다음과 같은 점에서 선행연구와 구별된다. 첫째, 예술 이론의 내부에서 비디오 게임이라는 장르를 연구하기 위한 연구방법을 개척하고, 둘째, 전통적인 미학적 개념과의 연관 관계를 도출하는 동시에, 셋째, 인공지능시대에 부상한 새로운 개념을 미적 행위로서의 비디오 게임에 결부시키고 있다. 이 작업을 통해서 비디오 게임이 미학의 대상으로 체계화되었으며, 미학과 예술의 영역도 확장되었다. 이 책의 독보적인 특징은 철학과 미학의 언어로 비디오 게임을 체계화했고, 그 언어를 컴퓨터가 공유할 수 있는 방식으로 구사했다는 점이다. 말하자면 『비디오 게임의 미학』은 인간과 컴퓨터가 공유할 수 있는 개념 상자라고 할 수 있다. 따라서 이 책의 궁극적인 의의는 전통적인 인문학의 언어를 컴퓨터가 해독 가능한 언어로 번역함으로써 인공지능이 인간의 비밀에 다가서는 길을 개척했다는 점에 있다.

• 한국엔터테인먼트산업학회논문지
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• 제14권3호
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• pp.251-265
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• 2020

이 연구는 드론 쇼트(Drone Shot)와 핸드헬드 쇼트(Hand-held Shot)라는 두 촬영기법의 미학적 기능을 비교, 분석하는 데에 그 목적이 있다. 연구를 위해 세르토(Certeau)의 장소와 공간의 개념을 이해하였다. 두 촬영기법의 미학적 기능을 비교, 분석할 텍스트로서 <세계테마기행> '유카탄 반도'편을 선정하고 그들의 미학적 특성이 잘 드러나는 장면들을 중심으로 장소와 공간의 개념을 적용, 분석하였다. 분석 결과, 드론 쇼트는 자기반영성이 제거된 고요한 움직임으로 도시를 내려다보면서 지역의 전반적인 분위기와 정보를 제공하는 권위적인 시점을 취하였으며, 이러한 기능은 그 지역의 고유한 규칙 및 질서 등에 대한 선지식을 전달하는 내레이션이나 자막 등을 통해 강화되었다. 반대로 핸드헬드 쇼트는 도시에 내재된 규칙과 질서 등에 얽매이지 않고 자유보행을 통해 공간을 실천적으로 경험하였다. 관람 코스로 굳어진 주요 명소보다 소도시와 시골의 일상에 관심을 기울이면서 인간적인 보행을 실천한다는 점에서 권력 주체의 전략에 저항하는 전술을 담아내었다.

• 한국가구학회지
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• 제20권1호
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• pp.21-30
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• 2009

This research is conducted on temporary street furniture, which is one of the significant factors that comprise the street landscape in modem cities. The primary purpose of this research is to present the guidance on direction of planning by examining the design and installation types of construction and screen fences usually established at construction sites for buildings, roads, parks and etc. The results are as follows: 1. The construction and screen fences at construction sites of urban areas used to be a mere tentative facility to prevent noise and safety accidents but have now incremented their roles to serve not only as a functional but also as an aesthetic element with a city view and harmonization with other elements taken into consideration. In particular, it is noticeable that, based on its unique feature of tentativeness, its role has developed to serve as street furniture that adds variability to the modem city. 2. There are two different types of screen fences: blackout type and transparent type. The transparent screen turns out to be used a lot at the construction site of building a skyscraper or differentiated building in downtown city area or in places where there are buildings of similar types and shapes located along the street in the vicinity of the construction site. 3. The actual cases of adopting the tentative construction and screen fences all at the same time as a single unit have been found in historically and culturally significant architectures with the screen design used to demonstrate the view after completion of construction or the characteristics of the architecture.

• 복식
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• 제64권1호
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• pp.152-164
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• 2014

Korean people have revered the white color and enjoyed wearing white clothes. Various kinds of white clothes have been worn by the Korean people, ranging from everyday wear(便服), and scholar's robe(深衣) for the upper class, to religious costumes like Buddhist monk's robe(僧服), shaman costumes(巫服) and costumes for ancestral rites(祭服), or mourning(喪服). There have been many differing opinions by historians regarding the background of this Baekeuihosang(白衣好尙, the preference for white clothing) tradition and even now, it is frequently being discussed. This study aims to consider and discuss the background of this Baekeuihosang tradition, focusing on Chang-seon Yoo's Baekeuigo(白衣考, the consideration of white clothing), which was published in Dong-A Ilbo in 1934. The purposes of studying literature such as the Baekeuigo is to analyze the arguments on the origin of Baekeuihosang, to analyze Chang-seon Yoo's claim of its origin, and to discuss the culture of Baekeuihosang. Chang-seon Yoo claimed that the existing discussions on the background of Baekeuihosang based on the lack of dyes, or undeveloped technique, economic privation and national control strayed from historical facts, according to literature review. It is not worth discussing the farfetched arguments such as the use of costumes for ancestral rites as everyday wears, or the nation of sorrow. Baekeuihosang tradition mostly originated from the effects of many religions and the taste for innocence, or naturalness. White clothes were infused with the sorrow and emotion of Korean people and were also worn to show resistance to foreign power as symbols of ethnicity. Therefore, there should be a new view of the discussion of white clothes and Korean aesthetic sense, away from the logic distorted by the Japanese colonial view of history.

• 디자인학연구
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• 제13권4호
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• pp.175-184
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• 2000

26년이란 지하철의 역사를 가진 우리나라는 기술적인 측면에서는 선진국에 비해 뒤지지 않지만 예술적인 측면에서는 아직 미비한 생각이 든다. 현재 지하철은 우리 사회에 커다란 교통수단의 하나로 차츰 자리잡아 가고 있다. 이는 이용자에게 단순한 교통 수단의 역할뿐만 아니라 하나의 새로운 문화 공간으로 이용될 수 있게 되었다. 이러한 측면에서 현대에 이르러 지하철 벽화에 대한 관심이 고조되고 있으나, 지하철 공간에서의 일러스트레이션 벽화는 그 역할을 제대로 못하고 있는 실정이다. 이에 본 연구는 외국의 성공한 사례와 국내의 지하철 벽화에 나타난 일러스트레이션을 비교 분석하여 우리나라 지하철 벽화에 대한 문제점과 방향성을 제시하여 새로운 문화 공간에 대한 관심을 고조시키고 일반 대중에게 쾌적한 환경과 심미성을 부여하여 지하철 문화의 새로운 이미지를 구축하고자 시도했다. 또한 앞으로 제작될 지하철 벽화에 대해 행정적으로나 실제 제작 적인 측면에서도 재료, 표현내용, 표현방법, 색채 등에 보다 계획적이고 전문적인 의도 하에 이루어지기를 기대한다.

• 미술이론과 현장
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• 제1호
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• pp.7-22
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• 2003

What is 'Art Theory'? In the western sense, the term poses a vague ambiguity, and in the eastern, it is rather an abstract and metaphysical concept. As for etymology, theory is derived from theoria and theoria from theoros. It refers to an act of viewing or seeing, of course not in a metaphysical sense. Plato understood it as 'eide'. During the time of Plotinus, theoria encompassed gazing at every possible reality, and this gazing, that is theoria, is closely related to reality as aunit that theoriacan perceive. However, we tend to distinguish, as other scientists of dualism have done, studio art from theory since a pre-modern approach to art has been particularly tuned to studio practice, set apart from theory. Therefore, in studio classes, students are expected to learn the subject based on the foundational curriculum methods such as medium, genre, technique:, rather than bringing out their own interpretations and discussing theories. As a result, students have become artists, who are not able to understand their own art. Art professors who conduct class in studio are required to proceed with specific 'theories' as well as 'intellectual reflections'. In this respect, this thesis presents poiesis and an idea of 'acting out'. Although art history and aesthetic theory tend to view art as a finished product, actual art-making and related theories should not only be acknowledged as 'completion' (finition) but also be accompanied by theoretic interpretations of the act itself and process. Accordingly, it is to accept and appreciate art as finished result in view of current theory and aesthetics thus boils down to aisthesis. Likewise, poietics starts from a point where an artist is related to studio and examines the 'work process' that extends as far as to the exact end of work. Through the study of such relationship, it is possible that theory understands 'studio' and 'process', and an artist can grant an independent meaning to studio where s/he pours her/his heart out creating a work of art. Theory is a study on artistic discovery thus should be equipped with functions that can accommodate fortuity, imitation, thinking, culture, and surrounding.

• 한국조경학회지
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• 제33권1호
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• pp.1-9
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• 2005

The purpose of this study is to form a night-view at a university to satisfy users through case studies of four representative university campuses with analyzing the lighting conditions and facility satisfaction. The result of this study is following. From the present lighting status, there are 664(l9types) lightings at Kyunghee University, 350(17types) at Sungkyunkwan University and 437(l9types) at Ajou University. Main materials of the lightings are metal, iron and stainless. Moreover, most illuminants are white-colored metal-halide lamp. There is no specially designed lighting facility because ready-made goods were used. Furthermore, the locations of lightings are not suitable so some are useless. Most main spatial illuminations are not satisfying outdoor standard, so it can be concluded that the designs of present campuses are not carrying on with-out plans. From the result, present campus lighting does not satisfy the desire of users in aesthetic and functional point of view but consider the luminosity. However, even though the luminosity does not standardize the law. It is because the design does not reflect a suitable standard with desire of users and it does not have a long term plan. Moreover, the campus design has no study about development plan even though it has enough green area which has a potential possibility to overcome the lack of green areas in a city. Therefore, it is needed to design a comprehensive campus plan which satisfies the desire of students and residents with considering promotion of excitement and harmony through adjusting luminosity of the lighting facilities and supplying various lighting resources.

• Archives of Plastic Surgery
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• 제38권1호
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• pp.127-129
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• 2011

Purpose: Nasotracheal or oral intubation procedure is widely used for facial bone fractures. However, during the operation intubated tube can interfere or obstruct the view of the operator. We authors used a modified submental intubation method in panfacial bone fracture patients for intact airway and the operation view. Methods: After intravenous induction of anaesthesia, traditional orotracheal tubation was done. A horizontal incision was made 2 cm from the midline, 2 cm medial to and parallel with the mandible in the submental region. 1 In order to approach to the floor of the oral cavity, a haemostat was pushed through the soft tissues. A chest tube front cover was applied to the intubation tube and the tube was inserted through the submental tunnel. Orotracheal tube was disconnected and pulled back through the soft tissue and secured with a suture. Results: The procedure took about 30 minutes and there were no problems during the intubation. Intraoral manipulation and occlusal checks were free without any interference. Extubation was also easily done without any complications such as lung aspiration, infection, hematoma, or fistula. Conclusion: Submental endotracheal intubation is fast, safe, easy to use and free from the concern about the tube being pull back again. Conventional submental intubations are being held without any coverage of the tip. We authors applied the modified method to the trauma patients and obtained satisfactory results. From the above advantages, modified submental intubation can be widely available not only in fractured patients, but also in aesthetic or orthognathic surgeries.

• 복식
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• 제51권1호
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• pp.163-174
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• 2001

The purpose of this study is to review the features of eroticism expressed in men's fashion, to explain psychological and social contexts which engender eroticism and to analyze in what way eroticism is portrayed in men s fashion in this context. Eroticism as the metonymy of forbidden sexual desire, has been embodied mostly in visual forms such as picture and photo. From a psychoanalytic view, the context in which eroticism is formed can be explained by primary narcissism and fetishism. Primary narcissism is the feeling of satisfaction with the self in which the subject who is admiring and the object of admiration are one and the same. Accordingly, in order to give rise to eroticism, both subject and object have to exist. Fetishism, the metonymy of castrated penis, is also one of the factors to produce eroticism. Metaphorically seen as a woman who has a penis, a man who dresses in the same manner as a woman dresses can be a source of eroticism to gays. From a sociological view, the context in which eroticism is fostered depends on the dynamic relations among social powers. In these relations, who is a subject or who is an object has been continuously changing. In the Post-modern culture appearing in the late 20th century, power begins to take various forms, and gays and women who had never been subjects begin to make man an object of eroticism. The other point is that social morality, ignoring desire itself, objectifies sexual desire and seeks to remove It by exchanging it for objectified symbols. The design elements provoking eroticism in men s fashion are exposure and decoration. In particular, models in exposure and decorative fashion have been objectified through the methods of fragmentation rather than showing the whole figure or removing a person s individuality or will,.