• 디자인학연구
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• 제18권2호
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• pp.37-46
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• 2005

오늘날 광고는 영상광고가 지배한다. 특히 동영상 광고는 광고의 여러 가지 형태 가운데 전달하려고 하는 정보를 가장 효과적으로 전달할 수 있는 매체로서, 멀티 미디어의의 효과로 생동감 있는 화면을 전달하며 대중들의 소비심리를 자극하고 촉진시킨다. 최근의 몇몇 동영상 광고에서도 '소격화' 효과가 두드러짐을 볼 수 있다. '소격화'는 브레히트의 서사극에서 중요한 표현으로 사용되었던 용어이다. 이것은 전통 희곡과는 다르게 관객들에게 감정이입이 아니라, 오히려 감정을 차단시키는 효과를 가져옴으로써 연극에 몰입되지 않고 관람자로서 자신의 위치를 깨닫게 되며 연극에 대한 비판의식을 가지게 된다. 그 효과들은 '낯설게 하기 '관객의 참여' '현실의 비판' '속도'의 표현을 통하여 나타나고 있다. <017-I-Touch편 (손이 물갈퀴) >는 이동 통신사인 신세기 통신의 아이터치 브랜드의 광고로서 '내 혈액형은 i' 라는 카피를 내세운다. 여기서 현실에서는 있을 수 없는 허구의 영상이 나타나는데 편의상 여섯 개의 장면으로 나누어 볼 수 있다. 배경으로 등장하는 바다는 전체 장면을 유도하고 있지만 하나의 내용으로 일관성 있는 장면의 진행이 아이라 각각 독립된 장면으로서, 서로 낯설게 하는 '소격화'된 내용들이 뒤섞여 있음을 볼 수 있다. 소비자들은 이러한 순간적인 '소격화'의 효과와 함께 후기모더니즘 광고의 언어적 표현을 더 깨닫게 한다. 장면과 장면 '사이의 '차이'에 의한 '소격화'는 서로 거리를 두게 하고, 각 장면 사이의 생략으로 인한 광고는 '속도감' 있게 연출된다. 광고에서 관객은 처음에는 전체적으로 한 번에 이해되지 않는 파편처럼 보이는 내용들에 대해 당혹감을 느끼게 된다. 이러한 당혹감과 충격은 관객들의 뇌리에 오래 남아 광고 자체가 큰 주목을 끄는 효과를 가져오게 한다. 짧고 강렬한, 그러나 파편화된 장면으로 구성된 동영상 광고에 반복적으로 노출되는 관객은 곧 이러한 당혹감을 극복하고 각각 장면의 단절된 부분에 적극적으로 자신의 상상력을 개입시켜 이를 이해 가능한 내용으로 구성하려는 능동적인 시도를 하게 된다. 이 과정에서 브랜드 이미지를 소비자에 각인시키려는 광고의 목적이 달성되는 것이다. 이는 연극에서 관객들의 이성을 환기시켜 객관적이고 비판적인 의식을 환기시키는 브레히트의 '소격화'의 효과가 소비자의 관심을 환기시켜 특정한 목적을 달성하려는 광고에 효율적으로 적용된 예 인 것이다.

• 복식문화연구
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• 제6권2호
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• pp.203-216
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• 1998

In the study, conceiving that signifying processes like model, setting, advertisement and description are important to promote the purchase of clothes that would satisfy consumer's desire by their expressing mode, I considered the processes of components of which fashion ads consist. As for the methods to study, I regarded the results presented from prior researches of clothing & textiles and other disciplines for the components of fashion ads and objectified their image that may be interpreted subjectively: and then, I adopted to analyse them using advertisement-semiological method to make clear the signifying processes. The results are as follow: 1. Fashion ad, one of visual symbols to transfer brand image, conveys the image with which various components are combined like model, clothes, setting and description as signs. ① the image of clothes amy be differently expressed according to social, cultural norm and individual characteristics, in the case of clothes, therefore, the signified can be regarded as the transferred image by design of the clothes① sign, and the abstract conception which may be rise to mind by the image in a ceratin culture. ② Each signifier such as countenance, line of vision, attitude and hairstyle of a model conveys different image, or the signified, respectively, and it amy operate as a sign that can express the brand image symbolically. ③ The signifiers like background, color and property symbolize the advertised merchandise of clothes and define it attribute.. 2. In the case of fashion ads, key referent systems are fashion phenomena, contemporary role image, social psychology, common morality, and social, economical and milieu.

• 한국중재학회지:중재연구
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• 제26권1호
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• pp.53-72
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• 2016

The importance of design is emphasized in many industries. It began to earn recognition as part of industry rather than the arts. In particular, utilization of visual information design including moving images, packaging, advertisement, publication, editorial and visual information processing is higher than others in the design field. However, disputes relating to intellectual property rights have been also increasing as it became known. Therefore, now is the time to consider and establish an effective dispute settlement system for the design industry. In this view, arbitration will be a suitable method for dispute settlement in visual information design because of characteristics such as confidentiality, professionalism, efficiency, economy and flexibility. However, Arbitration system is not well known to the people who work in this industry. Thus, in order to aggressively advertise the arbitration system, an arbitration institution has to appoint design experts as new arbitrators for domestic and international arbitration. Next, an arbitration institution needs to prepare the new and expediting rules with design field characterization. Finally, it has to plan to cooperate with all of the institutions and schools concerned.

• 한국콘텐츠학회논문지
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• 제11권5호
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• pp.185-193
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• 2011

기업은 자사의 브랜드 이미지를 적절하게 구축하고 소비자에게 효과적으로 어필하기 위해 광고를 비롯한 각종 커뮤니케이션을 통한 홍보 수단을 동원한다. 방송 매체별 이용자 비율을 살펴보면, 여전히 텔레비전이 라디오, 신문, 잡지, 인터넷, DMB 등의 다른 주요 매체들에 비해 접촉률과 관심도면에서 월등함을 보여주고 있다. 이렇듯이 소비자들은 여러 매체들 중에 텔레비전을 통하여 많은 광고를 접하게 됨으로써 궁극적으로 기업의 텔레비전 광고 활동들은 브랜드 이미지에 영향을 미치게 된다. 따라서 본 연구는 국내 텔레비전 광고 표현 요소 중 영상 표현 타입을 중심으로 소비자들이 선호하는 브랜드 이미지가 무엇인가에 관하여 조사하고, 국내 텔레비전 광고 속 제품의 어떤 점이 브랜드 이미지를 형성하는데 중요한 요소로 작용하는 지에 대해 알아보고자 한 연구이다.

• KIEAE Journal
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• 제9권6호
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• pp.65-72
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• 2009

Lighting for outdoor advertising is very common feature of building facades as they provide the information and commercial identification. As the interest of improving street beautification more widely, application of various lighting technologies has been develop for advertisement such as electric sign board and signage. Furthermore, the installation of higher sign luminance than needed has many negative consequences, including higher energy consumption and light pollution. There are now no standard for outdoor advertisements in terms of luminance, and installation of indiscreet outdoor advertisement without luminance consideration is becoming more commonplace. This study was to evaluate the luminous characteristics of outdoor advertising as a function of sign and building facade luminance, luminance ratio. Data were collected on 8 electric sign boards, 20 internally illuminated, externally illuminated, neon, and channel letter signs and 4 commercial areas. Photometric measurements were taken by CS-100(Minolta) and ProMetric-1400(Radiant Imaging) for various sign modes and sign design. Also luminance of building facades were analyzed according with CIE standard of maximum obtrusive light permitted for exterior lighting installations. The findings are as follows; (1) There were excessive luminance of electric sign boards that could affect adjacent building facade and night sky luminance. (2) Sings that are externally illuminated providing an inappropriate amount of light on to the outer surface of the sign caused higher building facade luminance and potential of unnecessary glare.

• 한국의류학회지
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• 제21권3호
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• pp.607-620
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• 1997

The purpose of this study was to identify the variables which could predict advertisement preference and intention to purchase product in sexuality-oriented fashion advertising. The data were collected using questionnaires which contained nine advertisements of Guess jeans, selected from Vogue magazine published from 1990 to 1996.441 college students (female= 225, male=216) living in Seoul, Korea participated in the study. The data were analyzed by factor analysis and stepwise elimination method of multiful regression analysis. The results of this study were as follows: First, seven factors of New Young Generation oriented characteristics were identified: fashion, individuality, preferences of caffa or reggae bar with affective mood, expression of emotion, individualism, preferences of a foreign-made product/western culture oriented tastes and activity of fan club/chatting through personal computers. Three factors of fashion advertising involvement were identified: social involvement, hedonic involvement and utilitarian involvement. Second, the variables which predicted preferences of advertisements in sexuality-oriented fashion advertising were perceived eroticism levels, hedonic involvenent, prior brand attitude and preference of a foreign-made product/western culture oriented tastes in the case of females, while perceived eroticism levels, hedonic involvenent prior brand attitude, preference of a foreign-made product/western culture oriented tastes and activity of fan club/ chatting through personal computers were identified as predictor variables for males. Third, the intention to purchase product was predicted by preference of a foreign-made product/western culture oriented tastes, prior brand attitude, hedonic involvenent and fashion for females, and by perceived eroticism levels, fashion opinion leadership, hedonic involvenent and prior brand attitude in the case of males.

• 한국조명전기설비학회:학술대회논문집
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• 한국조명전기설비학회 2000년도 학술대회논문집
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• pp.149-152
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• 2000

This paper is on the edgelit device with external control function and change of light color by dimming control of high flux LED. It the light is projected the transparent body via reflector, the mixture of light is uniform and it is proved by simulation and experimentation. To improve the light efficiency of the device, the research on reflector materials and the distortion of LED input owing to the transistor's characteristics are need.

• 대한인간공학회지
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• 제12권1호
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• pp.57-73
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• 1993

In this paper, methods of human figure representation in computer graphics are described. Many applications of the human figure representation are found in areas including industry, advertisement, and cartoon production and further research for the methods that show the human figure more realistically is ex- pected. Two analytic methods for human model, kinematics and dynamics, are ex- plained and the characteristics of the man-machine interface systems that include human figure representation are presented. Various techniques of the human figure representation based on kinematics or(and) dynamics are discussed and representation methods of human body segments such as hand, face, spine are introduced in this paper.

• Asia Marketing Journal
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• 제17권2호
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• pp.15-37
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• 2015

This research aims to understand consumers' imagination as a subjective experience which can be evoked by marketing stimuli. The characteristics and types of imagination are identified, upon which an imagination scale was developed. Results of the scale development suggest that there are four imagination types, namely, benefit-anticipatory imagination, emotional-bonding imagination, symbolic imagination, and mind-wandering imagination. The scale demonstrated reliability, as well stability for application across product types. The scale development also includes discussion on imaginationrelated but distinctive concepts of product symbolism and tendency to imagine.

• 복식
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• 제39권
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• pp.283-299
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• 1998

The present study is to analyze the dimensions of affective responses according to the types of appeal in underwear advertisements and to find out the influences of affective res-ponses on the attitudes toward advertisement and brands. The research has been made by normative-descriptive survey method with the sample of 654 consumers residing in Seoul and Incheon. The data gaathered was analyzed by the methods of means, standard deviation, ANOVA, factor analysis and regression. The result are as follows : 1. There are 4 dimensions of affective responses ; Emotional dimension, Negative dimen-sion, Upbeat-activation dimension and Sexual activation dimension. 2. Affective responses to the advertising were different according to the characteristics of the consumers. According to the consumer's sex, there are significant differences in each dimension of their affective responses. To the sex appeal advertisement, man show higher degree of affective responses in Emotional, Upbeat-activation and Sexual-activation dim-ensions, while women show higher degree of affective responses in Negative dimension. 3. In case of female consumers, there are significant differences in affective responses to the both appeal type of advertisements according to consumer's age. As the age is increasing. Emotional dimension and Sexual-activation dimension are increasing, but Negative dimension is decreasing in the Ads with sex appeal. In particular, the 19∼24s age group shows strong responses in the Emotional dimension, Upbeat-activation dimension and Sexual-activation dimension to Ads with sex appeal, while it shows the lowest affective responses in Negative dimension. It represents the 19-24s age group is the most positive one to the under-wear advertisements with sex appeal. Consequently, it is proved that the Ads with sex appeal focusing on this age group can be one of the most effective advertising plans. 4. The involvement gets higher, Upbeat-ac-tivation dimension and Sexual-activation dimension are increasing both in males and female groups. But Negative dimension is in-creasing in the female consumer group of low involvement. 5. The attitudes toward advertisements and brands are comparatively stronger in the advertisements using sex appeal type. Regardless of types of appeal in the advertisements, there is a significant difference in their attitudes tow-ard Ads between male and female consumer groups. When Ads are sexual, attitudes toward Ads and Brands are stronger in the female consumer group. But males consumers show com-paratively strong attitudes toward the advertis-ements and brands in both types of appeal. 6. The age of consumers doesn't make any significant difference in their attitudes toward advertisements and brands in both types of appeal. 7. According to the involvement level of the consumers, there are significant differences in their attitudes toward advertisements. In the groups of low involvement, the female consumers show more favorite attitudes toward the advertisements with sex appeal, while the male group show more favorite attitudes toward the non-sex appeal advertisement. But there is no significant difference in consumer's attitude toward brands according to the types of appeal of the advertisement. 8. The affective responses of the consumers caused by the underwear advertisements have a respectable influence on their attitudes toward the advertisements and brands. This research represents that the advertisers should try to arise consumer's positive affective responses such as pleasant, happy, cheerful and warm-hearted emotions by the advertisements. Based on the above results of the research, it can be said that the consumer's affective responses have a strong effect not only on their attitudes toward adver-tisements but on those toward attitude toward the brands.