• International Journal of Contents
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• 제16권2호
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• pp.41-50
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• 2020

This paper presents Reflectance Transformation Imaging (RTI) as a tool to support the study of paintings and authentication. Manufacturing techniques of the artist are reviewed through the comparison between liberal perspectives and digital imaging techniques. In this study, RTI was applied to focus on the detailed textural information of eight paintings by Korean artist Lee Ji-ho. The RTI result visualizes shallow reliefs of brush strokes and different mediums on the surface technically enhanced through imaging filters, and these morphological textures on the surface act as a key factor in understanding the characteristics of the artist. The surface morphology and art criticism work as qualitative indicators to analyze the change of artistic techniques through time, and the usage of different mediums. The results of this study confirm that the RTI technique can be used as an analysis device in the study of paintings.

• 한국품질경영학회:학술대회논문집
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• 한국품질경영학회 2006년도 추계 학술대회
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• pp.251-259
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• 2006

Evaluation of the work of art with intention of the artist different is not a possibility of free oneself from the limit which estimates an evaluation at value of appreciator. We tried new interpreting about the work of art in this paper. The work of art respects the intention of the artist to make it and interprets intention until now. After critics distinguish by a period, an area that they set to philosophical thought which is the time and interpreted. We set to each one subjectivity and interpreted between artist to make the work of art and appreciator. But in this paper, we tied various criteria which appreciates the work of art. We tried so that we presented the intimacy each other newly. Otherwise we tied with the subjectivity of the individual and are the try to be an objectification low through statistical technique. We looked into the culture and art in the introduction and explain the discussion about the work of art interpreting which the main subject. We set the category 6 area, and explain an each criteria explanation and assessment method. We tried to propose new interpreting as the intimacy to be multivariate data analysis result of the assessment analysis. Stopping from the thing which sees the work of art knows, it will be able to give meaning thing from this research prerequisite.

• 지식경영연구
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• 제19권2호
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• pp.91-108
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• 2018

This study mainly focused on measuring the impact of comments for a particular song on the number of streamings and downloads. We modeled multiple regression equations to perform this analysis. We chose digital music market for the object of analysis because of its inherent characteristics, such as experience goods, high bandwagon effect, and so on. We carefully utilized text mining technique in accordance with the algorithm of Naïve Bayes classifier to distinguish whether a comment for a piece of music be regarded as positive or negative. In addition, we used 'size of agency' and 'existence of hit song' as moderating variables. The reason for usage of those variables is that those are assumed to affect users' decision for selecting particular song especially when downloading or streaming via music sites. We found empirical evidences that positive comments for a particular song increase the number of both downloads and streamings. However, positive comments may decrease the number of downloads when the size of agency of the artist is big. As a result, we were able to say that a positive comment for a particular song functioned as 'word-of-mouth' effect, inducing other users' behavioral response. We also found that other features of an artist such as size of the agency that the artist belongs to functioned as an external factor along with feature of the song itself.

• 미술이론과 현장
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• 제10호
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• pp.85-103
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• 2010

Mona Hatoum and community make unlikely bedfellows. From her beginnings as a teenage exile to her maturity as an internationally celebrated artistic nomad, Hatoum defies classification within any single geographical or cultural community. Attempting, however, to locate specific points of contact between her and certain communities in terms of artist-in-residence projects in which she participated might be a particularly fruitful way of circumventing her notorious critical resistance to identity and her refusal of homogeneity. This paper starts with Miwon Kwon's critique of contemporary practices in community-based art, which locate an essentialising force that isolates a single point of commonality and overlooks authentic differences. It then turns to Jean-Luc Nancy's reconceptualization of community as 'unworked' and 'being-in-common' to provide analytical tools for avoiding the dangers of essentialism. By examining the three residencies that Hatoum accepted in the mid-1990s in the light of Nancy's observations and theories, and by bringing the idea of artistic nomadism and that of community into juxtaposition, we hope to show that Hatoum succeeds in finding an equilibrium between art and community, and that this sheds new light on the issues raised in recent discussions on such relationship.

• 로봇학회논문지
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• 제11권4호
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• pp.293-299
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• 2016

In this article art performing applications of industrial dual-arm robots are introduced. It was real collaboration among robot researchers and artist. Artist designed the performance to use dual-arm robot. Robot researchers collaborated with artist by providing robotic constraints and configuring robot motion. Two art performances were configured with two industrial dual-arm robots. In both performance robots carry objects to be used as moving screens. Both performances rely on the high power and high precision of robots. In addition human-like appearance make those performances be familiar to public.

• International Journal of Advanced Culture Technology
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• 제9권3호
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• pp.243-252
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• 2021

The Gwangju Daein Art Market, once declared as a declined market, was regarded as a success after an inflow of artists. However, the number of resident artists decreased from 100 at the end of 2015 to 39, to 9 in 2018, and to 6 in 2021. The project site showed signs of decline toward the completion of the project, leading to a Longitudinal study on the project's sustainability. The purpose of this study is to investigate the causes of outflow of artists and the network characteristics of the remaining artists from a sustainability perspective and thereby draw policy implications. As an analysis method, in-depth interviews and surveys were conducted. After that, we checked the remaining artists in 2018 and 2021 and identified the network characteristics. Based on the interview results, the causes of outflow were classified into programmatic, physical, and other factors. The results of a comparison showed that the levels of understanding, satisfaction, and frequency of exchange decreased. The study also provides policy implications. First, a sustainable, long-term program for the artists must involve the improvement of physical space. Second, participation in the market should be encouraged by working with artists on program composition or business progress. Third, programs for supporting exchange among artists should be further strengthened.

• 한국콘텐츠학회논문지
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• 제11권3호
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• pp.230-240
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• 2011

갤러리는 미술작품을 소통을 목적으로 생산 공급자인 작가와 중개자인 기획자, 경영자 그리고 수요자인 소장자, 대중의 만남을 이루고 소통의 장을 제공하는 공간으로써의 기능을 제공하고 있다. 이러한 역할을 수행하고 있는 갤러리에 대한 대전지역의 현황을 원도심을 중심으로 한 현황분석과 그들의 기능적 역할을 심층면접 및 3차에 걸친 델파이 방법을 통해 분석하였다. 대전지역의 원도심에서 운영되고 있는 갤러리들은 열악한 환경 속에서도 그들의 사명감과 자부심으로 지역의 젊은 작가와 미술트랜드를 형성해 나가고 있다. 델파이 조사의 결과 갤러리의 역할은 지역작가 발굴과 미술 트렌드와 패러다임에 대한 제공 및 사회적, 문화적 책임을 수행하는 문화공간으로 인식하고 있다. 갤러리 측면에서 작품의 선정요인으로는 작품성, 시장성 및 갤러리와의 조화를 중요한 요인으로 인식하고 있으며, 작가의 측면에서는 갤러리의 전문성, 갤러리의 인지도 및 작품 판매 능력을 중요한 능력으로 인식하고 있다. 따라서 이제 갤러리들도 수동적이고 1차원적인 기능에만 머물 것이 아니라 다양한 문화 체험의 공간으로써, 문화 서비스 공간으로써의 기능을 고려해야 해야 할 것이다.

• 한국산학기술학회논문지
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• 제19권2호
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• pp.279-292
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• 2018

2008년 글로벌 금융위기의 파급효과에도 불구하고 빠른 회복세를 보인 세계미술시장과는 달리 한국 미술시장은 현재까지도 이전 수준을 회복하지 못하고 있다. 한국 미술시장은 화랑 편향의 유통시스템, 취약한 1차 시장 기능, 소수 컬렉터 중심의 시장 구조로 신진 및 중견작가들로 하여금 시장 진입의 기회를 어렵게 하고, 결과적으로 작가들의 경제적 양극화를 심화시킨다. 또한 높은 작품 가격은 일반인의 시장참여를 제한함으로써 시장의 저변확대를 가로막고 있다. 본 연구는 한국미술시장의 가장 근본적인 문제는 시장 저변의 허약함에 있으며 이를 개선하기 위한 방안으로 '대안형 아트페어'가 허약한 우리 미술시장의 체질을 개선하는 단초가 될 수 있다는 점에 주목하고 한국 미술시장의 현황과 예술경영지원센터의 '작가미술장터' 사업 사례를 분석하였다. 분석 결과 '작가중심형 아트페어'는 일반인의 미술시장에 대한 관심을 환기시키고, 신진 및 비인기 중견작가들에게 전시 및 관로를 열어줌으로써 시장 저변을 확대하는 방안 중 하나로 미술시장 대중화를 촉진하는 대안형 아트페어이다. 나아가 국내 미술 시장의 체계적인 유흥 체계 구축과 더불어 견고한 작가군을 형성할 수 있도록 하는 기초직업이기도 하다. 현재로서는 시장편중 현상이 다른 나라에 비해 뚜렷하고 대중화가 부진한 우리 미술계의 현실, 그리고 자생력이 부족한 시장의 현장 등을 고려할 때 '작가중심형 아트페어' 육성을 위한 공공부문의 마중물 역할이 반드시 필요한 것으로 보인다. 하지만 장기적으로는 직접적인 지원방식이 아닌 홍보플랫폼의 제공이나 소비자 금융지원 등 간접적인 지원방식으로의 전환을 통해 '작가중심형 아트페어'의 지속가능성과 그 발전을 도모할 필요가 있다.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2014년도 춘계 종합학술대회 논문집
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• pp.303-304
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• 2014

• 건축사
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• 통권589호
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• pp.48-55
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• 2018