• Title/Summary/Keyword: 3D 입체영상

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Implementation of Real-time Stereoscopic Image Conversion Algorithm Using Luminance and Vertical Position (휘도와 수직 위치 정보를 이용한 입체 변환 알고리즘 구현)

  • Yun, Jong-Ho;Choi, Myul-Rul
    • Journal of the Korea Academia-Industrial cooperation Society
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    • v.9 no.5
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    • pp.1225-1233
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    • 2008
  • In this paper, the 2D/3D converting algorithm is proposed. The single frame of 2D image is used fur the real-time processing of the proposed algorithm. The proposed algorithm creates a 3D image with the depth map by using the vertical position information of a object in a single frame. In order to real-time processing and improve the hardware complexity, it performs the generation of a depth map using the image sampling, the object segmentation with the luminance standardization and the boundary scan. It might be suitable to a still image and a moving image, and it can provide a good 3D effect on a image such as a long distance image, a landscape, or a panorama photo because it uses a vertical position information. The proposed algorithm can adapt a 3D effect to a image without the restrictions of the direction, velocity or scene change of an object. It has been evaluated with the visual test and the comparing to the MTD(Modified Time Difference) method using the APD(Absolute Parallax Difference).

The Method for Estimating Stereoscopic Object Position with Horizontal-Moving Camera (수평이동방식 입체카메라의 입체영상의 결상 위치 추정 방법)

  • Lim, Young-Tae;Kim, Nam;Kwon, Ki-Chul
    • Korean Journal of Optics and Photonics
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    • v.17 no.6
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    • pp.532-536
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    • 2006
  • The position of stereoscopic objects is an important parameter to induce three-dimensional effects such as convergence control and image distortions. There are three kinds of stereoscopic cameras : Parallel, Toed-in, and Horizontal-Moving cameras. In this paper we proposed the method for estimating stereoscopic object position with a horizontal-moving camera. In the previous methods, viewing angle ratios are used to estimate the object positions. Our method based on the horizontal movements of the camera to estimate the positions. Using geometrical models of shooting and display we experimented with two methods. Results of experiments showed the distance of stereoscopic objects on virtual screen related to horizontal movement.

Adaptive Multiview Subpixel Interlacing for Autostereoscopic Display (무안경 입체 디스플레이를 위한 적응적 다시점 서브 픽셀 재배치 기법)

  • Hong, Jong-Ui;Shim, Hyun-Bo;Choi, Yoo-Joo
    • Proceedings of the Korean Society of Broadcast Engineers Conference
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    • 2015.07a
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    • pp.450-451
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    • 2015
  • 본 논문에서는 렌티큘러 렌즈를 이용한 무안경 입체 디스플레이 환경에서 렌티큘러 렌즈의 속성과 디스플레이 장치의 속성의 변화에 따라 다중 시점에서 촬영한 영상으로부터 적응적으로 하나의 다시점 입체 합성 영상을 생성하는 방법을 제안한다. 제안 방법에서는 렌티큘러 렌즈의 기본 속성과 디스플레이 장치의 기본 속성값을 고려하여 다중 시점에서 획득된 영상의 서브픽셀들의 가중 평균을 구하고 이를 다시점 입체 합성 영상의 서브 픽셀의 값으로 사용하도록 하였다. 여러 다시점 영상을 이용한 실험을 통하여, 렌티큘러 렌즈의 속성과 디스플레이 장치의 속성이 정확히 하드웨어적으로 일치 하지 않은 상황에서도 본 논문에서 제안하는 적응적 다시점 서브 픽셀 재배치 기법을 통하여 3D 입체감이 안정적으로 제공됨을 확인하였다.

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A Study of 3D Stereoscopic TV Animation Production: A Case Study of Pororo, the Little Penguin (3D TV 입체 애니메이션 제작에 대한 연구: <뽀롱 뽀롱 뽀로로> 4 시즌 테스트 제작사례분석을 중심으로)

  • Choi, Sung-Kyu;Oh, Jun-Heon
    • Cartoon and Animation Studies
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    • s.28
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    • pp.101-124
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    • 2012
  • Success of brought a large revolution in the world of cinema and the media market. They have predicted new industrial possibility for 3D Stereoscopic image and trends started to support for producing in the field of various media platform. We can see our domestic technology creates higher added value in the sphere of hard-wear for the market of worldwide home TV electronics. But in reality we are short of effective and organized pipeline of producing and we should analyse cases more for Stereoscopic 3D animations. Therefore in this paper, we present case study on animation made into Stereoscopic 3D animation to build up suitable Stereoscopic 3D TV animations pipeline. We differentiate from any other Stereoscopic content by applying artistic elements and technological elements, especially human factor and 3D Sweetening to elevate the level of 3D Stereoscopic effect for main audience, children. We propose how to strengthen the competitiveness of Korean animation for world animation market.

3D Display Method for Moving Viewers (움직이는 관찰자용 3차원 디스플레이 방법)

  • Heo, Gyeong-Mu;Kim, Myeong-Sin
    • Journal of the Institute of Electronics Engineers of Korea CI
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    • v.37 no.4
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    • pp.37-45
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    • 2000
  • In this paper we suggest a method of detecting the two eyes position of moving viewer by using images obtained through a color CCD camera, and also a method of rendering view-dependent 3D image which consists of depth estimation, image-based 3D object modeling and stereoscopic display process. Through the experiment of applying the suggested methods, we could find the accurate two-eyes position with the success rate of 97.5% within the processing time of 0.39 second using personal computer, and display the view-dependent 3D image using Fl6 flight model. And through the similarity measurement of stereo image rendered at z-buffer by Open Inventor and captured by stereo camera using robot, we could find that view-dependent 3D picture obtained by our proposed method is optimal to viewer.

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A Survey of Subjective Quality in Multi-view Video Coding (다시점 영상 부호화에서 주관적 화질 개선에 관한 연구)

  • Lee, Wan-Jae;Ha, Chang-Woo;Jin, Soon-Jong;Jeong, Je-Chang
    • Proceedings of the Korean Society of Broadcast Engineers Conference
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    • 2006.11a
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    • pp.67-70
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    • 2006
  • 디스플레이 장치와 영상 기술의 발전으로 3D 입체 영상에 대한 관심과 기술적 접근이 어느 때 보다 활발하다. 입체 영상의 경우 통상 복수의 평면 영상을 이용하여 합성하게 되는데 이 과정에서 각 영상의 객관적 화질을 서로 달리 함으로써 주관적 화질을 향상시킬 수 있다는 연구가 진행되어 왔다. 그러나 객관적 화질을 지나치게 달리 하거나 전반적으로 낮은 화질의 영상에서는 경계선이 제대로 재현되지 않아 입체감을 떨어뜨리는 문제가 발생한다. 또한 기존의 연구는 스테레오 영상에 한해서만 위의 가설을 검증하였으나 최근의 입체 영상에 관한 연구는 스테레오 영상뿐만 아니라 다시점 영상에서도 활발히 진행되고 있다. 본 논문에서는 스테레오 영상과 9시점 영상에서의 비대칭 영상 부호화가 주관적 화질에 미치는 영향을 검증하고 구체적으로 어느 정도의 객관적 화질 차이를 유지하는 것이 비대칭 부호화에서 가장 효율적인지를 밝힌다. 또한 기존의 비대칭 영상 부호화와 비교하여 주관적 화질을 개선할 수 있는 더욱 효율적인 알고리듬을 제안한다. 제안되는 알고리듬은 경계선의 강도를 기준으로 매크로블록의 양자화 파라미터를 달리 하여 영상의 경계선을 보호하는 방법으로써 기존의 비대칭 영상 부호화보다 더욱 향상된 주관적 화질을 얻을 수 있다.

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Changes in Visual Function After Viewing an Anaglyph 3D Image (Anaglyph 3D입체 영상 시청 후의 시기능 변화)

  • Lee, Wook-Jin;Kwak, Ho-Won;Son, Jeong-Sik;Kim, In-Su;Yu, Dong-Sik
    • Journal of Korean Ophthalmic Optics Society
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    • v.16 no.2
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    • pp.179-186
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    • 2011
  • Purpose: This study aimed to compare and assess changes of visual functions in viewing an anaglyph 3D image. Methods: Visual functions were examined before and after viewing a 2D image and an anaglyph 3D image with red-green glasses on seventy college students (mean age = 22.29${\pm}$2.19 years). Visual function tests were carried out for von Graefe phoria test, accommodative amplitude test by (-) lens addition, negative relative accommodation (NRA) and positive relative accommodation (PRA) test, negative relative convergence (NRC) and positive relative convergence (PRC) test, accommodative facility, and vergence facility test. Results: Assessment of the visual functions indicated that near exophoria and accommodative amplitude were reduced after viewing a 3D image, and although there were small changes in relation to these findings, NRC and PRC showed tendencies to increase and decrease at near, respectively. There were no significant changes with NRA and PRA, and accommodative and vergence facility were shown to have improved. Conclusions: Changes of visual functions were more in the 3D image than the 2D image, especially at near than distance. Particularly, the improvement of accommodative and vergence facility could be related to an effect of subsequent accommodation and vergence shift to have stereopsis in the 3D image. These results indicate that an anaglyph 3D image may, to some extent, be the effect of vision training such as anaglyphs.

The study of stereoscopic editing process with applying depth information (깊이정보를 활용한 입체 편집 프로세스 연구)

  • Baek, Kwang-Ho;Kim, Min-Seo;Han, Myung-Hee
    • Journal of Digital Contents Society
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    • v.13 no.2
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    • pp.225-233
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    • 2012
  • The 3D stereoscopic image contents have been emerging as the blue chip of the contents market of the next generation since the . However, all the 3D contents created commercially in the country have failed to enter box office. It is because the quality of Korean 3D contents is much lower than that of overseas contents and also current 3D post production process is based on 2D. Considering all these facts, the 3D editing process has connection with the quality of contents. The current 3D editing processes of the production case of are using the way that edits with the system on basis of 2D, followed by checking with 3D display system and modifying, if there are any problems. In order to improve those conditions, I suggest that the 3D editing process contain more objectivity by visualizing the depth data applied in some composition work such as Disparity map, Depth map, and the current 3D editing process. The proposed process has been used in the music drama , comparing with those of the film . The 3D values could be checked among cuts which have been changed a lot since those of , while the 3D value of drew an equal result in general. Since the current process is based on an artist's subjective sense of 3D, it could be changed according to the condition and state of the artist. Furthermore, it is impossible for us to predict the positive range, so it is apprehended that the cubic effect of space might be perverted by showing each different 3D value according to cuts in the same space or a limited space. On the other hand, the objective 3D editing by applying the visualization of depth data can adjust itself to the cubic effect of the same space and the whole content equally, which will enrich the 3D contents. It will even be able to solve some problems such as distortion of cubic effect and visual fatigue, etc.

Study on intuitively 3D Solid Contents Authoring Tool based on Multi-View Camera (다시점(Multi-View) 카메라 기반 직관적인 3D 입체 콘텐츠 저작도구에 대한 연구)

  • Roh, Jin-Lee;Lee, Jeong-Joong;Joo, Sang-Hyun;Baik, Sung-Wook
    • Proceedings of the Korean Information Science Society Conference
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    • 2012.06c
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    • pp.436-438
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    • 2012
  • 본 연구는 최근 혁신적인 영상 기술 발전에 따른 3D 디스플레이 환경에 활용 가능한 3차원 기반의 다양한 입체 콘텐츠 제작을 위한 다시점(Multi-View)카메라 기반의 3D콘텐츠 저작도구 개발에 대한 연구 결과 및 활용사례를 소개한다. 3D입체 콘텐츠 저작기술은 양안시차를 고려한 다시점(Multi-View) 카메라 배치 및 렌더링 기술을 적용한 방식으로 전문가뿐만 아니라, 일반 사용자도 일정품질 이상의 생동감 있는 3D 입체 콘텐츠를 쉽게 제작 및 활용 가능하도록 사용자 편의를 고려한 직관적인 인터페이스로 구현하였다.