• 복식
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• 제36권
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• pp.139-148
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• 1998

In order to know what sorts of features of neck form may be required to make plans for tight collars, the neck form of young japanese women were measured three demension-ally using GRASP(Grating Projection System for Profiling) and plaster torso. By the BASIC language in NEC computer and EXCEL program in MACINTOSHI computer, it became possible to draft a number of neck surface auomatically, therefore, we got analysis of a mass of subjects. Thed following results were obtained: 1. There was a large individual difference in the shape of neck, in particular, on the front and side curves of the neck base line, where the undulation of clavicular part of neck and inclination of shoulder are refracted. 2. When designing a stand collar, from the viewpoint of clothing strcture, it is important to grasp exactly the shapes of the neck, such as the line of the neck base, the neck gradient, back neck length, back neck width & girth. 3. According to the somatotypes(turing-over, standard, bending type), there were different the method of the basic collar pattern making.

• 한국컴퓨터정보학회논문지
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• 제27권6호
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• pp.95-107
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• 2022

본 연구는 표준체형과 구별되는 BMI 25kg/m² 이상 비만 체형을 가진 20대 남성을 대상으로 비만 남성의 체간부에 적합한 보디스 원형을 개발하고자 하였다. 이를 통해 비만 남성의 상의 의류 개발에 도움이 되는 자료를 제공하고자 하였다. 20대 비만 남성 보디스 원형에 대한 1차 외관 및 의복압평가를 통해 앞몸판 어깨선, 앞처짐분 등의 패턴을 수정하였다. 2차 외관 및 의복압 평가를 통해 뒤진동둘레, 뒤허리선, 앞처짐분의 추가 등의 수정을 실시하였다. 3차 외관 및 의복압 평가를 통해서는 2차 평가를 통해 추가하였던 앞처짐분을 제거하여 최종 패턴 제도법을 개발하였다. 20대 비만 남성체형의 경우 복부의 돌출 및 자세 등으로 앞뒤허리선 설정, 뒤진동다트, 앞어깨선 설정 방법에 있어 표준체형과 구별되는 제도법이 요구되었다. 본 연구는 20대 비만 남성의 체형에 적합한 보디스 원형제도법을 제시하였다는 점에 그 의의가 있다. 후속 연구에서는 실제 착의실험과 20대 비만 남성 상의에 적용시켜 의복 패턴을 개발하는 연구가 이루어져야 할 것으로 생각된다.

• 한국컴퓨터정보학회:학술대회논문집
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• 한국컴퓨터정보학회 2022년도 제66차 하계학술대회논문집 30권2호
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• pp.329-330
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• 2022

본 연구에서는 3차원 시뮬레이션 프로그램을 활용하여 40대, 50대, 60대 여성의 하반신 몸통 관련 부위 유형에 따라 요실금 팬티 패턴을 제작하여 하반신 몸통 유형별 요실금 팬티 패턴을 비교·분석하고자 하였다. 유형 1의 패턴은 가장 길이가 길고 폭은 두 번째로 넓은 형태를 나타냈고, 유형 2는 길이가 가장 짧고 좁은 형태를 나타냈다. 유형 3은 길이가 가장 짧고 폭은 가장 넓은 형태를 나타냈으며, 유형 4는 가장 폭이 좁고 길이가 두 번째로 긴 형태를 나타냈다. 가상착의에 대한 평가결과, 유형 2가 앞면, 옆면, 뒷면 모두에서 가장 우수한 것으로 평가되었다. 유형 3은 허리와 복부, 엉덩이와 넙다리둘레가 가장 크고, 하반신이 짧은 비만 체형으로 다른 체형과 같은 방식으로 패턴을 제작하였을 시 다리둘레와 엉덩이부위의 감싸는 분량이 부족한 것으로 평가되었다.

• 한국의류학회지
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• 제14권4호
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• pp.274-280
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• 1990

This paper is intended to grasp the characteristics of many bodices patterns which have been shown so far. The way is by selecting four characteristic kinds of patterns, making blouses offer the patterns and measuring ease. In measuring the degree of ease, $Scheff\`{e}'s$ paired comparison is made use of. In analysis, variation ratio has come out of analysis of variance, and significance is tested by producing estimated values between patterns. The Result is summed up as follows. 1. After wearing blouses made ofter different basic patterns and measuring ease, the analysis of variance is made about the sensory value of ease. The result is as follows. 1) In the ease of different patterns, all the areas are significant at the level of $1\%$ , regard- less of movements. 2) Under the influence of movements, the back area of arm hole is significant at the level of $5\%$ in narrow movements, and the front and the back area of arm hole are each significant at the level of $1\%$ in wide movements. 3) In the interaction of patterns and movements, bust and the under area of arm hole are each significant at the level of $1\%$ in narrow movements, and bust is significant at the level of $1\%$ in wide movements. 2. When comparing estimated values between patterns, the value of c is the largest and in the order of b,4, a. And in the other movements, the order changes into c,d, b and a. Thus the ease of blouses is different according to patterns. The reason for this is that the amount of ease of bust, the amount and location of darts, and sleeve cap height have complicate influences on the ease of blouses. Both sleeve cap height and the depth of arm hole have influences on the ease of sleeve. Consequently, in making clothes, it would be better to select and use proper patterns which go with the purposes and desings of clothes rather than to apply one pattern to various clothes.

• 복식문화연구
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• 제31권5호
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• pp.640-650
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• 2023

This study aimed to suggest a suitable collar pattern by visually evaluating the appearance of the amount of collar drape by the starting position of the lapel line of a double-breasted tailored jacket using a 3d virtual fitting program. It created an avatar based on the mean size of women in their 20s (the 8th Size Korea) using clo network (double fastening: 10cm, collar width: 4.5cm, collar stand: 3cm, and lapel width: 8.5cm). The starting of the lapel twist line was waistline level, the 1/2 level of bustline and waistline, or bustline level, and collar laying amount was 4.5, 5.5, 6.5, or 7.5cm. It was evaluated by garment construction experts using 5, 6, and 4 items on the front, sides, and back, respectively. Descriptive statistics, F-test, Duncan-test, and reliability analysis were conducted using SPSS 22. When collar laying amount was 6.5cm, it was best rated regardless of the starting point. Under waist line, when collar laying amount was 6.5cm, it was best rated regardless of the starting point. When collar laying amount was large, the collar's outline length increased, resulting in unnecessary wrinkles from the neckline to the lapel, affecting the overall collar appearance. When collar laying amount was the smallest, the collar was lifted and the width was narrowed, exposing the seam connecting the collar and neckline. The length of the collar's outline varied depending on collar laying amount, which was important to make the outline sit comfortably on the body.

• 복식문화연구
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• 제31권4호
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• pp.558-571
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• 2023

In recent years, young Chinese consumers have become more favorably inclined toward products relating to traditional culture. Therefore, this study aimed to develop a textile design that incorporates traditional Chinese patterns and cultural symbolism that will appeal to consumers from the MZ generation (millennials and Generation Z). Through a literature search for traditional Chinese patterns and symbols regarded as auspicious, our design concept and motives were established. We selected peony, lotus, and frog motifs as representative of a "wealth and eternal prosperity" design theme. In textile design work 1, we used hand drawing and watercolor techniques, color transformation with Adobe Photoshop, and colorway and end-use 3D simulation with TexPro. The 3D simulation work suggests that this textile pattern is suitable for women's outerwear, mufflers, and tote bags. Textile design work 2 conveyed the 'wealth and eternal prosperity' design theme and had a graceful mood that embodied the nobility of the lotus flower whilst also encompassing the symbolism of money and status. The end design is a modern reinterpretation of traditional Chinese patterns and motifs. As such, it is hoped that it will satisfy the needs of young consumers for cultural values yet offer a unique new aesthetic distinct from existing textile designs. These qualities can be expected to enhance the competitive market value of textiles bearing this design.

• 복식문화연구
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• 제31권5호
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• pp.586-606
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• 2023

This study initiated research aligned with the body positivity movement, aiming to explore size diversity for groups facing relative size discrimination due to their deviation from average body types. Using KS adult women's apparel dimensions as a reference, jackets were developed for women in their 20s to 30s who belong to the small petite-size (S[P]) category, which is characterized by a height under 155cm (petite) and a bust-circumference from 72cm to less than 82cm (small). Using 3D virtual-fitting, we conducted experiment-pattern production and refinement and subsequent real-fitting evaluations by participants to objectively validate aesthetics and comfort. The study's findings are as follows: First, utilizing a 3D virtual-fitting program by identifying 'creases' and 'garment pressure points' in the jacket appearance, experiment patterns were refined and real jackets were produced. This approach addressed challenges in recruiting participants with specific body types and allowed for efficient research in terms of cost and time. Second, through real-fitting evaluations, basic-fit and slim-fit jackets labeled as <79-88-150> were developed for the S(P) size. we presented 'size spec' and 'ease allowance' for jackets by waist fit. Both fits received positive evaluations with approximately 53.5cm sleeve length, and 11.7cm shoulder length. The ease allowances for the basic-fit jacket were approximately 9.2cm at the bust circumference, 12.8cm at the waist circumference, and 6cm at the hip circumference. Similarly, the slim-fit jacket exhibited ease allowances of about 4.8cm at the bust circumference, 4cm at the waist circumference, and 4cm at the hip circumference, receiving positive evaluations for aesthetics and comfort.

• 한국컴퓨터정보학회논문지
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• 제26권10호
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• pp.125-137
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• 2021

본 연구는 신한복 철릭 원피스에 대한 선호도 조사를 통해 추출된 신한복 철릭 원피스 디자인의 신한복 철릭 원피스 원형을 개발하고자 하였다. 이를 통해 신한복 철릭 원피스 생산의 기초가되는 패턴에 관한 정보를 제공하고자 하였다. 시판 철릭 원피스 패턴 비교에서 우수한 것으로 선정된 D패턴을 변형하여 실험의 패턴을 제작하였다. 패턴에 대한 외관평가 분석에는 SPSS 26.0 프로그램을 활용하였다. 외관 및 의복압에 대한 1차 평가 결과, 어깨, 소매길이, 치마길이, 소매통의 수정이 요구되어 소매길이는 8.0cm를 줄이고 소매통은 총 1.0cm를 줄여 주었다. 치마길이도 5.0cm를 줄이고 어깨끝점을 양쪽에서 0.5cm 안으로 들여 어깨폭을 줄여 주었다. 2차 평가결과, 허리부위, 소매통, 치마 주름에 대한 수정이 요구되어 허리 2.0cm, 소매통 1.0cm를 줄여 주고 앞중심과 옆선 부위 주름을 제거하여 최종 패턴은 높은 평가를 받았다. 1차, 2차, 3차 간에는 유의미한 차이가 있었다. 향후 연구에서는 소재와 연령에 따른 철릭 원피스 원형 연구와 실제 제작된 의복의 착의실험을 통한 연구가 이루어져야 할 것으로 사료된다.

• 한국의상디자인학회지
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• 제23권4호
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• pp.149-166
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• 2021

This study tried to suggest a drafting method to draft tight fit torso patterns suitable for adult males with a sway back somatotype and a bend forward somatotype by setting and distributing the ease through the completion of the somatic surface pattern using the 3D body surface segment method. It was intended to be presented as a drafting method. As for the research method, the suitability of the somatic surface patterns and the tight fit torso patterns were confirmed by the evaluation of virtual wear, and the patterns were modified and supplemented. The research results are as follows. In the first evaluation of the tight fit torso patterns, the average, for 55 evaluation items, was 3.92 points for the sway back somatotype and 3.89 points for the bend forward somatotype. In the second evaluation, the bend forward somatotype was 4.51 points and the sway back somatotype was 4.62 points. The chest circumference ease amount for the bend forward somatotype and the sway back somatotype are 6.5% (6.8 cm) and 7% (6.8 cm) of the chest circumference, respectively, and the distribution of the front and back ease is the same at 4:6 (2.72 cm:4.08 cm). The waist circumference ease amount is 6.5% (5.8cm) and 6.5% (5.6 cm) of the waist circumference dimensions, and the distribution of the front and backease are 5:5 (1.45 cm: 1.45 cm) and 4:6 (2.24 cm: 3.36 cm), respectively. The completed tight fit torso patterns were converted into institutional formulas and presented as a drafting method.

• 한국지역사회생활과학회지
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• 제28권1호
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• pp.69-79
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• 2017

The purpose of this study was to compare fitting of the upper garment by brassiere cup size and types of bodice block. This study conducted a 3D virtual garment system by applying three types of bodice block (I, II, III) and experimental pattern of the bodice block to 3D avatars of four individuals with the following measurements: under bust circumference of 73.5 cm and bust circumferences of 83.5 cm, 86.0 cm, 88.5 cm, and 91.0cm. The results of the study were as follows. First, for 83.5 cm bust circumference (A Cup), appearance of the three types of bodice block (I, II, III) was appropriate. However, as bust circumference increased in size, shape became inappropriate. The depth and width of the armhole, within 15 cm and 11 cm, respectively, were found to be appropriate. In case of 91.0 cm bust circumference (D Cup), all three bodices (I, II, III) were inappropriate. Second, the results of the draft of the experimental patterns of the bodice block of bust circumference measuring 83.5 cm, 86.0 cm, 88.5 cm, and 91.0 cm in the 3D avatars of the four individuals revealed similarities in the frontal view of the silhouette in the four avatars; in the case of the lateral view of the silhouette, lateral width grew wider as bust circumference of the silhouette became larger, but the shape of armhole showed no changes. The depth of the armhole showed little changes from 15.1 cm to 15.22 cm, and the height of sleeve (armscye depth 13.6 cm within +2 cm) remained similar. The difference in width of the armhole from 11.26 cm to 11.37 cm was rather small. The width of the upper sleeve (8.97 cm) seemed to be appropriate as it remained within the 2-3 cm boundary.