• 한국가정과학회지
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• 제2권2호
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• pp.39-48
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• 1999

본 연구의 목적은 두 종류의 다른 연구자료- 유물과 문헌자료를 이용하여 1950년대 초기에 유행하였던 미국여성복식 가운데 쉬스 드레스(sheath dress)의 디자인 특징을 고찰하는 데에 있다. 본 연구의 일차자료로는 하와이대학교(University of Hawaii)의 The Western Costume Collection에 소장된 1950년대 초기의 복식으로 추측되는 유물과 1950년부터 1955년 사이에 출판된 Vogue, Harper's Bazaar, New York Times Magazine을 문헌자료로 이용하였다. 연구결과, 1950년대 초기의 미국 여성복 디자인의 특징은 여성의 신체적 특징을 강조하며 여성스러움의 미를 극단적으로 추구하는 쉬스 드레스(sheath dress)의 ‘the straight and slender look’으로 요약될 수 있었다. 나아가 문헌분석을 통하여 본 연구의 유물자료가 50년대 초기(1950-1954)의 미국여성복식 디자인의 특징을 보여주는 대표적인 이 시기의 복식유물로 그 사용연대가 확증되었다. 본 연구는 지금까지 주로 문헌자료의 분석만으로 한정되어 왔던 한국의 전형적인 서양복식연구에서 한 걸음 나아가 과거에 실제로 입혀졌던 복식에 대한 이해를 확장하기 위한 또 하나의 연구방법으로 문헌분석과 유물분석(object study)을 병행하여 시도해 보았다는 데에 그 의의가 있다.

• 한국가정과교육학회지
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• 제19권4호
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• pp.137-151
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• 2007

1950년대 현모양처가 구성되는 조건은 매우 다양했다. 가사교과서와 여학교의 교육과정을 통해 본 1950년대의 현모양처주의의 특징은 다음과 같이 정리해 볼 수 있다. 첫째, 1950년대 가사교과서에 나타난 현모양처론은 일제시기와 달리, 유교적 여성 규율을 배제함으로써 성별분업에 근거한 '근대적' 전업주부상을 이상화하였다. 1950년대 가사교과서는 일제시기 여학생 수신교과서에 등장하는 '순종', '정절', '삼종지도' 등과 같은 유교적인 여성덕목이 사라지고 직분론에 근거한 '근대적' 주부상을 강조하였다. 이는 '민주주의'를 표방한 신생 대한민국의 국가 이념이 여성교육에 차별적으로 적용된 결과였다. 둘째, 가사교과서에서 여성 직업에 관한 내용을 강화하고 구체화함으로써 1950년대 현모양처론은 여성에게 가사 관리자 뿐 아니라 생계 담당자의 역할도 아울러 부과하였다. 기혼여성의 직업활동은 현모양처 역할을 수행하는 것을 어렵게 만드는 것이었지만, 가사교과서는 이것을 가정경제를 운용하는 '현대적' 현모양처의 임무로 수렴하였다. 셋째, 1950년대 여학교의 교육이념과 생활관교육과 같은 실제 교육 내용을 통해 본 현모양처론은 '근대적' 주부상과 '전통적' 규범을 내재한 여성상을 접목한 것이었다. 1950년대 여학교의 교육이념은 순종적 부덕보다는 '민주주의'에 부합하는 여성 인재의 양성에 목표를 두었지만, 실제 교육은 여전히 현모양처주의를 중시했다. 교육이념과 실제 교육의 이중성은 50년대 처음 시도되었던 생활관 교육에서 그 전형을 볼 수 있다. 생활관 교육은 가사의 합리적 설계자로서 '근대적' 전업주부를 이상적 모델로 하면서도 '전통적' 여성 규범을 강조하였다. 이것은 50년대 현모양처론의 특징을 잘 보여주는 것이라고 할 수 있다. 이상과 같은 사실을 종합해 볼 때, 1950년대 여학교 교육은 가사교과서와 여학교의 교육이념에서 유교적 여성규범을 일면 강조했던 일제시기의 그것을 탈피하면서도 실제 교육 내용은 여전히 '전통적 부덕'을 중시하였다. 이러한 사실을 통해 볼 때, 1950년대 현모양처는 가정개량과 양육을 책임지는 '근대적' 전업주부 모델이었지만, 또 한편으로 '서구화'에 물들지 않고 '전통적 부덕'을 계승해야 하는 존재였다고 할 수 있다. 따라서 1950년대의 현모양처는 서구의 '근대적' 전업주부상과는 달리, 윤리적으로는 '전통성'을 체현하는 한편 가정을 '근대적'으로 개량하는 주부상이었다고 하겠다.

• 한국식생활문화학회지
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• 제24권1호
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• pp.10-22
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• 2009

This study was conducted to evaluate changes in food consumption during the 1950's on the basis of articles that reflected national policy and changes in society during that time period. Many factors are involved in the development and changes in food consumption culture, and these factors can affect each other. As a result, the process involved in the development of food consumption culture acts as a living system. This study evaluated the food consumption culture during the 1950's because this period was subjected to obvious influences that may explain the modern food consumption market logic and commercialism. Changes in the national food consumption are dependent on natural changes such as income enlargement or cultural exchange with a foreign country. Accordingly, food consumption during the 1950's was influenced by changes in economical, social, and political needs. In addition, the influx of surplus agricultural products from the United States had an adverse effect on local agriculture and resulted in an increased external dependence on food during the 1950s. Moreover, the import of raw materials and simple manufacturing techniques led to the development of an industrial food processing industry that enabled accelerated mass production of food at a low-price. Furthermore, the importation of surplus agricultural products from the United States that were used as the raw materials for foods that had traditionally been produced domestically led to an increased burden and qualitative decline in the local food-service industry. Taken together, the results of this study indicate that during the 1950's fresh food began to be replaced with processed foods in Korea.

• 한국의상디자인학회지
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• 제22권1호
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• pp.45-59
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• 2020

In the 1950s, Korea was forced to rely on foreign aid, relief supplies, and contraband because of the Korean War. At the same time, Western culture also flowed into the country rapidly, which is believed to have had a great impact on the Korean clothing culture of the time. It is thought that this trend could be found in magazines and newspapers of the time. In the 1950s, newspapers served as the main channel for information acquisition and dissemination. I would like to analyze this tendency focusing on a newspaper article in the Dong-A Ilbo in the 1950s. According to the article, the hanbok was viewed as an old custom that needed to be improved or old clothes that had to be changed to Western clothes. As a result, the doubles system of both hanbok and Western clothes collapsed, and hanbok changed to an evening or ceremonial dress. From the 1960s, Korean fashion quickly changed to a more western style.

• 복식
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• 제66권5호
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• pp.113-121
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• 2016

The purpose of this study is to analyze the types and characteristics of wedding ceremony robes in the Jeju area from the 1950's to the 1980's. The analysis used 413 wedding pictures. The results of the study are as follows: 1. The following are the propotion of robe types used wedding ceremonies. 1.0% of Danryeong & Jangot, 6.5% of Danryeong & Wonsam, 1.5% of Danryeong & Chima+Jegori, 2.7% of Durumaki & Chima+Jegori, 24.7% of suit & Chima+Jegori and 63.7% of suit & wedding dress from the 1950's to the 1980's. 2. The Korean-style robes gradually decreased from the 1950's, and disappeared in the 1970's. The Chima+Jegori was introduced in the 1950's, reached its peak in the 1960's and its popularity continued to the 1970's. In the 1980's, after the Korean-style robes disappeared, the western ceremony robes were used in all the ceremonies. 3. After the Western-style robes, in which a bride wears a wedding dress, was introduced in the 1960's, its usage rapidly increased in the 1970's and is still popular today.

• 한국콘텐츠학회논문지
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• 제21권12호
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• pp.713-727
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• 2021

본고는 1950-2010년대 한국영화를 대상으로 광화문과 주변지역이 영화적 공간에서 어떤 의미작용을 하는지를 고찰하고자 한다. 첫째, 1950-1960년대 한국영화에서 명동(남촌)과 북촌·서촌·동촌은 강렬한 욕망과 치명적 좌절, 근대화의 그림자와 갈등을 통해서, 화려한 도시의 지하세계와 비극적 파토스를 보여주는 원초적·지각·실존 공간이다. 둘째, 1970-1990년대 한국영화에서 명동·종로(남촌·북촌)와 서촌·동촌은 자유/악의 이분법과 부/빈곤의 이분법을 통해서 공적 복수와 사적 소외를 보여주는 지각·실존 공간이다. 셋째, 2000-2010년대 한국영화에서 광화문(서촌)과 북촌·남촌·동촌은 국민의제와 저항운동, 욕망과 상실, 비참한 현실과 죽음을 통해 시민사회 에토스와 암울한 진혼곡을 보여주는 지각·실존 공간이다.

• 복식
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• 제50권
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• pp.183-196
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• 2000

Andy Warhol is one of the great artists in the modern history of art who compares favorably with Picasso. His activities had his object on pervasion of a pop art and profit of the art industry. Many previous studies on his activities have attracted and held the attention of his works of art after 1960s. However in spite of his working as publisher of a fashion magazine fashion illustrator fashion model displayer and etc. in 1950s. there are few studies on his activities of 1950s. Hence this study investigates his works of art in 1950s. and intensively analyzes his effect on modern fashion. In 1950s, Andy Warhol had already been distinguished in works of art from other commercial designers through the illustration for advertising design window display of stores and usage of Hollywood stars as anessential element in his works for whom he had sighed when he was young His works were also characterized by a rejection of they originality of commercial arts. He had an great effect on youth's fashion in 1950s and has activities in 1950s had influence on the diffusion of the public punk fashion in 1970s and the street fashion in 1980s.

• 한국의상디자인학회지
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• 제10권1호
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• pp.135-144
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• 2008

The reason that we are familiar with fashion from the 1950s is because of the work such as New Look done by a french fashion designer, Christian Dior who had taken on an almost mythical significance by his name. Moreover, in the sense of popularity, the appearance of Marilyn Monroe and Audrey Hepburn, two typical Hollywood actresses who each has directly-opposed image, is the symbol of youthful America of the 1950s and represents the remarkable start of the American fashion. Still, these days designers and mass medias recall the fashion from the 50s remaking and parodying it to suit public's taste. Being due to the World War II, Europe suffered not only the loss of its national tradition and reputation but also got a fatal blow politically and economically. On the other hand, the United States of America occupied a primary position in the world and outstandingly became the most powerful country. The American fashion of the 1950s represents youth and newness and rejects outdated and outmoded style. In this period, appears the indication which announces previously the youth culture. Poodle skirt is the fashion item that acquired popularity among young american women and girls in the late 1950s. In effect, it is the fashion as American as apple pie. A costly A-line skirt had been transformed into a cheap felt skirt. Instead of a real poodle dog which was carried by French women like an accessory, they embroidered a poodle dog on the lower edge of their skirt. As deriding the snobbish gait, they swayed themselves frantically to the rhythm of Rock n' Roll which swept those days. This was an attitude of young Americans against the existing trend of Europe. Poodle skirt showed the free spirit and intention of young people unbound to custom and established vogue. In addition, in the aspect of comprising the American spirit of independent, pioneer, and subjective American people, it goes beyond the bounds of common concept of fad. Poodle skirt is an unique symbol of the 1950s' American fashion which prognosticates the advent of the United States and the success in modern fashion world which was changing after 1950s.

• 한국가정과학회지
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• 제4권2호
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• pp.48-67
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• 2001

The purpose of this study is both to describe and to explain the shapes and the changes of Kwangju women's productive activities from the middle of 1950's to the end of 1990's. Productive activities in this study include wage labors as well as economic activities in informal labor sector and domestic labor. Three factors - economic structure, the family, and women's consciousness - are drawn to explain women's work in Kwangju. The period from the middle of 1950's to the end of 1990's has been divided into 5 stages and the characteristics of women's work at each stage are as follows : Kwangju women during 1950's worked hard and contributed to the family economy not only inside but also outside the family : during the second stage from 1960's to 1970's, they accomplished not only the traditional women's role but also industrial wage worker : the third period of the first half of 1980's was the time for the development of social consciousness : the fourth period from the end of 1980's to the beginning of 1990's was the time when women tried to solve their problems by themselves: during the last period from the middle of 1990's to the end of 1990's. Kwangiu women wanted to establish their identities in the independent area from their families.

• 한국식생활문화학회지
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• 제25권6호
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• pp.639-651
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• 2010

This study investigated women's magazines and women's food consumption stories of the 1950/s. That is, it attempted to comprehend the connection between the public and private aspects of food consumption as discussed in the 1950's. The public aspect of culture was investigated using the women's magazine "Yeo-won" which reflected the social and intellectual hegemony of the time. The private aspects of culture were investigated by reviewing the daily life of women though in-depth interviews. Mass media reflected the social and intellectual hegemony and indicated that a cultivated woman who supported western food was a wise mother and a good wife, and that a woman who consumed flour-based food was a reasonable and modern consumer, ahead of her time The admiration for the U.S. and its advanced civilization through free handouts of flour and powdered milk accelerated the consumption of industrialized flour-based foods such as noodles, hardtack, and steamed bread. This lead to the rigid traditional food-eating habits of boiled rice, and side dishes changed to flour-based and processed foods. That is, food represented a cultural identity.