• (The) Research of the performance art and culture
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• no.35
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• pp.249-286
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• 2017

This study was started the problem consciousness on the tendency of current research which has only focused on specific school even though Salpurichum, which is passed down today, has passed through the first half of the 20th century. We can classify the data in which the tradition aspect of Salpurichum can be researched, into before and after the 1930s, the former is very faint but the latter is a national data at the national level so it is considered they can give a certain degree of trust in understanding the tradition. Even though the data before 1930s is insufficient but it possesses the historical value that tells the phenomenon of that time, this study intends to analyze while reflecting many socio-cultural contexts as much as possible, tries to understand the situation since the 1930s through the actual investigation of the survey report.

• Journal of Climate Change Research
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• v.2 no.1
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• pp.33-42
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• 2011

It was analyzed climatic data in Gimje, Buan, Iksan and Jeonju in Jeonbuk Province between 1930s and 1990s. The data source of Gimje and Iksan in 1930s were Namseon Agricultural Experimental Station. Those in 1990s was Honam Agricultural Research Institute, Rural Development Administration. The data source of Jeonju of 1930s and 1990s was Jeonju Weather Station, Korea Meteorological Administration. Weather Station of Gimje and Buan were located at the agricultural area in rural paddy field. That of Iksan was located at the agricultural area in suburban paddy field. That of Jeonju was located at the downtown area. As compared to mean air temperature between 1930s and 1990s, it was increased by $0.2^{\circ}C$ in agricultural area, $0.6^{\circ}C$ in Iksan city and $1.4^{\circ}C$ in Jeonju city. On the while, increased temperature was the higher in winter than other seasons. Annual precipitation was increased by 128.1 mm in agricultural area and 169.3 mm in Jeonju city. And it was remarkable in summer season.

• The Research Journal of the Costume Culture
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• v.4 no.3
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• pp.407-426
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• 1996

The study, "a semiotic analysis on 1930′s costume", is based on semiotic theory which analyze the meaning of signs. In the novels, "흙" and "삼대", character′s costume were used as a visual language that implies massages of character′s status, class, and the view of value. Analyzing the meaning of clothing signs, clothing could deliver the people′s informations to others and could be first things when people accept new value. The object of the studies are the novels, Hulk(흙) and Samdae(삼대) which are written by lee, Kwang-Soo and Yeom, Sang-Seob. In the novels, the social structure is classed as modern and traditional after we accept the western cultures and institutions. The traditional clothing, Han Bok, were dressed by the conservative woman. However, we could find the modernized woman dress with the western dress and the modified traditional style. According to the result of the research, we could find that clothing could be a sign which indicates value and also clothing is one of the first thing to change when people acquired new value.

• Journal of the Korean Home Economics Association
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• v.30 no.4
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• pp.249-260
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• 1992

The purpose of this study is to explore the ideas about childrearing represented in the Korean central daily newspapers. the method used for this study is the content analysis and the data are Donga ilbo and Choseun ilbo from 1920's to 1930's. It is found that the contents of childrearing articles were concerned on enlightening childrearing practices during the beginning towentieth century of Korea. They claimed to replace traditional childrearing by western practices in the pregnancy-delivery, nurturing, teaching, disciplining and interfacing between home and institutional education of school. Also, they put great emphasis on changing from an adult-centered manner to a child-centered manner in the childrearing. In conclusion, these articles played an important part as the enlightening instrument trying to bring about intenal reforms in opposition to Japanese imperialism.

• Fashion & Textile Research Journal
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• v.16 no.3
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• pp.366-377
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• 2014

This paper is a comparative research study between Korean and American women's garments from the 1910s to 1930s. It focuses on the articles and advertisements of Korean women's magazines and American women's magazines. The Korean women's magazines investigated are 신여자[Siyeoja], 신가정[Singajung], 부인[Buin], 신여성[Sinyeosung], and 여성[Yeosung]. The American woman's magazine investigated is Ladies' Home Journal. This paper explores the differences and similarities between the garments that appear in these magazines. There is little evidence about women's clothing in Korean women's magazines while the American women's magazine includes a lot of information about women's dress and life. Korean women usually wore Korean traditional costumes with traditional terms like Chima and Jeogori but they wore western shoes, stockings, shawls, umbrellas, and some clothing with western materials such as lace, velvet, and rayon with borrowed words. These western accessories and some clothing materials like lace and rayon were the same fashion in America. So, Korean women wore traditional and western clothing together while American women wore clothing influenced by Paris fashion. American women wore various pieces of clothing like suits, frocks, coats and sportswear with undergarments. There were also lots of advertisements about women's under garments and sportswear which was different from Korean women's clothing during the period.

• Proceedings of the Korean Society for Information Management Conference
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• 1999.08a
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• pp.53-57
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• 1999

본 논문은 1930년에 창간하여 당시 한국인 의학연구집단의 중심적 학술 커뮤니케이션 장을 담당하였던 조선외보에 대하여 연구하였다. 먼저 조선의 보가 출현하게 된 배경으로써 한국에 서양근대의학이 도입되어 교육되는 과정을 살피고, 1930년 이전까지 의학자집단에 형성과 소식지 및 학회지의 발간 사항을 살펴보았다. 이러한 과정을 통하여 조선의보의 발간에 미친 직·간접적인 영향을 찾아보고자 하였다. 또한 조선의보로 발간하였던 조선의사협회의 결성과 그 성격에 대하여 언급하였으며, 본격적 의학 학술지로써의 조선의보의 면모에 대해서도 살펴보았다. 아울러 이 저널에 게재되었던 논문을 분석하여 당시 의학적 관심과 핵심적인 의학 연구자 집단을 구성해보았다.

• Economic and Environmental Geology
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• v.44 no.4
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• pp.337-344
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• 2011

• Journal of the Korean Society of Clothing and Textiles
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• v.42 no.3
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• pp.544-559
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• 2018

Korea's traditional aesthetic criterion changed with a new makeup culture that followed the social change caused by modernization. Such transitional features are well seen in the cosmetic advertisements of the 1920's and 1930's. To investigate the cultural characteristics and aesthetic-criteria changes of makeup culture at this period, this thesis analyzes cosmetic advertisements carried in newspaper media of the 1920's and 1930's from an aesthetic perspective. This study found that after the late 1920's, more diverse tones were used for face-powder makeup, collapsing the visual, powder-focused makeup which had been considered criteria for beauty, in combination with smelling and tactile senses such as scent or touch. Domestic makeup had the highest value attached to basic skincare in terms of the aesthetic effect via powder makeup; however, Japanese makeup still stressed the importance of color. Besides, particular facts were found as to social significance of makeup acts such as powder users' age group, safety, superiority and rivals of products, and appeal for makeup popularization. This thesis demonstrates how traditional female beauty appears in powder advertisements in the modern period and how it is related to present-day female beauty.

• Journal of the Korean Society of Costume
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• v.2
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• pp.35-50
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• 1978

This paper is an observation on the woman's warming hoods such as Nambawi, Pungchae, Ahyam, Jnbawi and Gullae worn form 1800's through 1930's. At the late era of Chosun dynasty, The every day lifes of people were greatly influenced by invasion of western world, in particular the styles of clothing are changed from original one to Western-like. So the hoods of our own's were dissappcared gradually, and the interests of them were reduced accordingly by the western culture invaded. Therefore this paper is intended to participate in the study of clothing culture by considering of hoods, one of the almost disappeared clothes, and review the wisdom and sense of beauty of our ancestor by unique ornament. The warming hoods in this paper are from a category of ear-protection gear and also deformed from man's one. The ear-protection gear was a warming hood from Tae Jong, the king of the early era of Chosun, and usage classifications of them were strict according to the class division at the early and mid era of Chosun, but generally diminised at the late era, thery were used freely, but the differences in decorations represented the division of the rich and poor. General feature of it is open top, but covers all of head and is used for warming clothes, with has many decorations on it, this decorative tendency was more clear at the late era. Namely, the shape had been modified from tough one to modish one, and fur, the material of it, are from stiff and long to soft short and well refined. This warming hoods were used until 1930's then disappeared by the population of western mufflers and wraps. Jobawi is now already forgotten even its name except for the ornament in picturing the baby in first birth day. In revewing the consideration of warming hoods mentioned. It is found that the subtlety of the ancestor, and there are supplication for the happiness of life even in the decorations.

• Journal of Fashion Business
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• v.20 no.1
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• pp.82-97
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• 2016

This study attempted to summarize the characteristics of fashion in the 1930s which were the background of 'Bonnie and Clyde' and analyze how fashion in the 1930s was expressed through costume in the movie, focusing on some critical scenes. For this, previous studies and domestic & foreign books, magazines and DVDs relating to movie costume were examined. For analysis of movie costume, 'Bonnie and Clyde (1967)' DVD was referred to. In the movie, meaningful scenes were captured using a GOM Player. Then, the study results found the followings: First, in terms of women's fashion in the 1930s, adult look and slim & long silhouette which naturally revealed breast, waist and hip with a long skirt, a military look with strong shoulders and tailored costume were found. In terms of men's fashion, in contrast, the Duke of Windsor Style (a slim silhouette jacket and loose pants) was popular. Second, in the movie, Bonnie's costume started with a slim linen H-line dress at her first meeting with Clyde. While committing crimes and becoming a famous gangster, she displayed the fashion styles which were in vogue in the 1930s such as fancy and luxurious slim dress, tailored suit and trench coat. Third, in terms of Clyde's costume, from his first meeting with Bonnie to his first crime, he put on common costume (ex: pants, vest, shirts, etc.) which revealed his open and unconventional character. After he became a famous gangster, he would wear the Duke of Windsor style (jacket, vest and pants). The study results well describe movie costume's role as visual language which expresses characters' inner circumstances and outer situations that reflect socio-cultural background.