• Title/Summary/Keyword: 현대정신

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1980년대 Claude Montana의 작품연구

  • 박순천
    • Proceedings of the Costume Culture Conference
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    • 2003.04a
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    • pp.70-71
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    • 2003
  • 몬타나는 디자인 이미지를 예술성과 현대적 감각을 끊임없이 추구하여 끝없는 독창성과 개성을 입증하였다. 클래식, 미래적인 디자인, 조각과 회화 어느 한쪽에 치우침 없이 넘쳐나는 예술에 대한 열정과 탁월한 미적 감각이 바로 몬타나의 고갈되지 않는 창조성의 원천이다. 이는 특수한 표면 효과, 기존의 관점과는 전혀 다른 신선한 실험 정신으로 독특한 세계를 구축하였고, 시선을 자극하는 신(神)기에 가까운 완벽한 커팅라인으로 세상에 알려지게 되었다. (중략)

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The city of tomorrow Rotterdam 'Kop van Zuid'

  • Choe, Yeong-Hun
    • 주택과사람들
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    • s.204
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    • pp.40-45
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    • 2007
  • 세계에서 가장 큰 항구 도시 로테르담. 물 위의 메트로폴리스라 불리는 로테르담은 삶과 일, 휴식과 문화가 조화를 이룬 도시다. 제2차 세계대전 때 독일군의 폭격으로 초토화된 탓에 거의 모든 건축물이 지은 지 50여 년밖에 되지 않지만 덕분에 다양한 현대 건축의 실험과 도전 정신이 집약적으로 표출돼온 곳이기도 하다. Under construction! 지금 이 순간도 역동적으로 변화하고 있는 도시, 유럽 물류와 항만의 심장 로테르담의 오늘을 얘기해보자.

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Movie Recommendation System Based on Counseling Chatbot (고민 상담 챗봇 기반 영화 추천 시스템)

  • Ji-Ho Park;Chae-Eun Seo;Seo-Young Kim;Jae-Hyun Lee;Seung-Hoon Choi
    • Proceedings of the Korea Information Processing Society Conference
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    • 2023.11a
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    • pp.1033-1034
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    • 2023
  • 현대 사회에서 정신건강이 중요한 문제로 부상하고 있으나 국내 정신건강 서비스 이용률은 7.2%에 그친다. 코로나 발생 이후 이동성 제약 등의 요인에 따라 디지털 정신건강 관리 시장이 크게 성장할 것으로 보인다. 이에 본 논문에서는 AI 챗봇을 활용한 고민 상담을 통해 위로 및 제안을 제공하고, 대화 내용을 기반으로 영화를 추천하는 시스템을 제안한다. KoBert 모델을 이용하여 사용자의 감성을 분석하고, KoGPT 모델을 활용해 챗봇 응답을 생성한다.

Genderless Trends in Modern Fashion (현대 패션에 나타난 젠더리스 경향)

  • Yan, Xin;Kim, Hyun-Joo
    • Journal of Digital Convergence
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    • v.20 no.4
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    • pp.499-512
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    • 2022
  • The purpose of this study was to first look at genderless concepts that are different from Unix, and by grasping the trend of genderless clothes in modern fashion and examining their characteristics, we looked at genderless trends and characteristics in modern fashion. To this end, this study conducted a theoretical review and collection case analysis through domestic and foreign literature and fashion websites. Based on this, the characteristics of genderless clothes expressed in the collection were derived by analyzing designs with strong genderless tendencies in modern collections. As a result of the study, genderless fashion in modern collections could be derived from three visible results: innovation, rebellion, and future-oriented. In addition, modern genderless fashion contains various needs for mental gender and physiological gender, not simply physiological gender, and this is seen by interacting with the current social phenomenon in which gender distinction becomes ambiguous. Understanding and studying the genderless phenomenon, which has become a cultural phenomenon and popularity, hopes that many follow-up studies related to genderless clothes will be conducted in the future.

Mathematical Infinite Concepts in Arts (미술에 표현된 수학의 무한사상)

  • Kye, Young-Hee
    • Journal for History of Mathematics
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    • v.22 no.2
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    • pp.53-68
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    • 2009
  • From ancient Greek times, the infinite concepts had debated, and then they had been influenced by Hebrew's tradition Kabbalab. Next, those infinite thoughts had been developed by Roman Catholic theologists in the medieval ages. After Renaissance movement, the mathematical infinite thoughts had been described by the vanishing point in Renaissance paintings. In the end of 1800s, the infinite thoughts had been concreted by Cantor such as Set Theory. At that time, the set theoretical trend had been appeared by pointillism of Seurat and Signac. After 20 century, mathematician $M\ddot{o}bius$ invented <$M\ddot{o}bius$ band> which dimension was more 3-dimensional space. While mathematicians were pursuing about infinite dimensional space, artists invented new paradigm, surrealism. That was not real world's images. So, it is called by surrealism. In contemporary arts, a lot of artists has made their works by mathematical material such as Mo?bius band, non-Euclidean space, hypercube, and so on.

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The Study on Modern Neo-Confucianism in China : Accepting and Understanding Modern Neo-Confucianism in China (중국의 현대신유학 수용과 이해 - 1980년대 현대신유학 연구를 중심으로 -)

  • Park, Young-Mi
    • The Journal of Korean Philosophical History
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    • no.23
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    • pp.349-392
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    • 2008
  • Modern Neo-Confucianism was formed as a school by solving the modern problems in China through accepting western philosophies with Chinese basic philosophies since New Cultural Movement. Marxism, Liberalism, and Modern Neo-Confucianism are called three representatives of Chinese modern philosophies. Since the People's Republic of China was founded in 1949, Modern Neo-Confucianists have tried to keep their philosophy and cultural conservatism in Hong Kong and Taiwan. Modern Neo-Confucianism which had been prohibited before 1978 was brought again to people's attention in the middle of 1980s by their active lectures and writings. Furthermore, the study on Modern Neo-Confucianism was supported by the Chinese government in 1987. China was trying to find the way to enhance Chinese tradition and to develop China to a modern society at the same time through the study on Modern Neo-Confucianism. The purpose of Modern Neo-Confucianism is to keep Chinese tradition which was broken off, to develop China to a modern society, to control the problems caused by capitalism socially, and ultimately to strengthen socialism in China in the political aspect. The study on Modern Neo-Confucianism in the 1980s focused on introducing, organizing, and understanding Modern Neo-Confucianism as its early stage. This study was led by Marxists with their methods and viewpoints. Even though the acceptance and understanding of Modern Neo-Confucianism was limited in a short period, the study on Modern Neo-Confucianism in the 1980s propagated Modern Neo-Confucianism. Modern Neo-Confucianism also played an important role to grow the argument about the critical succession of Chinese tradition and to reconsider the fact that modernization does not mean only westernization.

Origin of Aggression in Modern Society: Based on Film 'American Psycho' (현대사회 공격성의 근원: 영화 '아메리칸 사이코'를 중심으로)

  • Hong, Sumin;Ha, Jee Hyun
    • Psychoanalysis
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    • v.29 no.4
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    • pp.63-71
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    • 2018
  • One of the most striking features of modern society in the 21st century, is increased levels of aggression. Aggression refers to aggressive or hostile behavior, and is manifested in suicide or an attack against others. Aggression in modern society is more accidental, reckless, and aimless than before. As more patients visit hospitals due to the serious problem of aggression control, we need to address the nature of this growing aggression. The authors analyzed sources and the nature of aggression, based on the movie 'American Psycho.' The main character of the movie, Patrick, is similar to many people today, with traits such as egotistical thinking, lack of empathy, demand for attention and admiration, and exploited and superficial relationships. Patrick's aggression is in reaction to narcissistic injury. Through this, one can think of pathological narcissism, behind growing aggression in modern society. There are a number of social and environmental factors, attributable to increasing narcissism in modern society. Among them, change in parenting practices, and parent-child relationships, is likely to have affected increase in narcissism in terms of personality development. In conclusion, when treating patients exhibiting aggression in psychotherapy, it is critical to fully consider the possibility of pathological narcissism and its use in analysis.

The symbolic signs in Ontology and its philosophical development (주자 천도론의 상징부호와 철학적 전개)

  • Kang, jinseok
    • The Journal of Korean Philosophical History
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    • no.23
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    • pp.393-421
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    • 2008
  • This thesis has an intention to reorganize the topic of Ontology that has not unnoticed, investigating the symbolic signs of Zhuxi. The symbols in Ontology visualize in an anthropomorphic form or a form of animals that we can usually find in the nature. The visible symbols have characteristics of the dynamic rather than the stillness. The symbols of human and a horse have developed as different interpretations depending on the relative importance. The movement of stream symbolize the Movement of Daoti that manifests thorough all things in the Dao and have a structure of 'Ti-Xiang-Yong'. The Substance of Metaphysics embodies an action thorough 'Metaphysics' or 'with Metaphysics'. Accordingly, 'a stream' symbolizes 'the Movement of Daoti' in that it manifests the form of Daoti makes body. A kite and a fish symbolize the form of a kite flies up into the sky and the shape of a fish plays in the pond. These not only represent an outlook on the world, but also symbolize the stage of the Movement of Daoti. 'Human', 'a stream', 'a kite' and 'a fish' include activeness, domination, dynamics, manifestation, visibility, naturalness.

The Taoist Ideology of Psychoanalytic Psychology and the Future Development Trend of Art Therapy (정신분석 심리학의 도교사상과 예술치료의 미래 발전 트렌드)

  • Li Huisshu
    • The Journal of the Convergence on Culture Technology
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    • v.9 no.2
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    • pp.437-444
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    • 2023
  • With the development of modern society, society provides people with a quick and convenient life, but it also causes anxiety, depression, other psychological and mental illnesses, so art can also be used as a way and path to treating psychological disorders. Art therapy is a creative method of delivery used in therapy, resulting from the fusion of art and psychotherapy. Art is a service and public art activity, mainly aimed at solving human psychological problems, providing nonverbal expression and communication opportunities, and treating psychological and psychological entanglement by improving emotion, stability, and indirectly inappropriate behavior through multi-disciplinary convergence. Art therapy, as an independent discipline, began in Europe in the 3rd and 40th centuries and was mainly influenced by two psychologists, Sigmund Freud and Carl (Gustav Jung). We Starting with the theoretical foundation of psychoanalysis, this paper explores the effectiveness of modern people's psychotherapy, analyzes the similarities between the two ideas, explores the application of art therapy and the development of science and technology, and provides the public with various ways of art therapy and the validity of science and technology.

한국전통건축의 좋은 느낌(1) - 병산서원

  • Kim, Seok-Hwan
    • Korean Architects
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    • no.3 s.383
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    • pp.92-99
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    • 2001
  • 96년 미국과 멕시코로 루이스 칸과 바라간 등의 건축 답사를 다녀온 후로, 우리 전통 문화유산을 두루 보러 다녔다. 그동안 가까이 있는 것은 언제건 보겠거니 하고 미뤄 온 터라, 우리 것을 너무 도외시해 온 것 같은 자책감이 생겼기 때문이다. 그리고 건축관에 변화가 있는건 아니지만, 답사하면서 이따금 좋은 느낌을 만나 반가웠다. 솔직히 말해서 다 그런 것은 아니고 손꼽아 말할 수 있었다. 그러면서 필자는 건축적 가치의 획득이 고전과 현대 또는 양식의 차이에 의해서가 아니고, 자체의 성공 여부에 있다는 것을 확신하게 되었다. 건축의 본질은 변함없으며, 건축에 반영된 시대 상황이 다를 따름이라 생각한다. 우리는 훌륭한 문화유산을 많이 갖고 있다. 하지만 국가나 개인의 살림이 넉넉해서 그렇게 되어졌다고 생각지는 않는다. 종묘가 만들어진 것은 정신적 힘에 의해 이룩됐을 것이다. 그렇게 해서 지금 우리에게 위대한 모습으로 남겨 있는 것이 감사하다. 전통건축은 현대 사유 체계로는 추구될 수 없는 이상적인 모습을 띠고 있다. 그리고 오늘날 건축의 자본주의 행태와 대조되는 교훈도 느낀다. 도대체 우리 선조들에게는 구도하듯 짓는 어떤 전통이 있었기에 그렇게 훌륭한 건축이 남겨질 수 있었을까? 그 흔적을 나름대로 찾아보고자 한다.

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