• Proceedings of the Korean Institute of Interior Design Conference
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• 2003.05a
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• pp.93-97
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• 2003

Since late 20th century, modern society formed various thinkings. Therefore, moderns wished to exuviate law and standardization. Together, fast economic growth increased moderns' travel, These phenomenons became development opportunity of the hotel. Moderns want new culture and experience. Also, moderns preferred the special design hotels which can do different experience. I choose three typical designer of the design hotel and Wish to study about their design access method design hotel. Because their design's character have effect on other design hotel design. Therefore, this study should like to become design access method of design hotel.

• Archives of design research
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• v.16 no.4
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• pp.323-334
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• 2003

This study examines the multi-functionality of the cultural facilities and explores the architectural characteristics of cultural facilities in city environment. For this purpose, 1 examine the major cultural facilities in USA and Singapore. Recently, the inter-cultural communication methods have been diversified and the cultural facilities need to be designed to effectively accommodate the public's interests in these activities. It is also necessary to reexamine cultural facilities' functions in terms of how the multi-functionality facilities reflect the surrounding environment. This study also sheds a new light on the meaning of the relationships between cultural activity, and the cultural facility design. For this, I primarily look at the various design categories of cultural buildings and their main functions. Finally, I demonstrate how both cultural activity and cultural facility design elements are embodied in the city environment.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2001.05a
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• pp.95-99
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• 2001

This study aims from being meaning of centrality to possibility of space composition in the Contemporary Interior Space os forming of center and way of being. There it is studied analysed architect's work on character of certrality. This study mentiones not as analysis of location and perception aspect on uabanism but as various forming and changing in the contemporary interior space composition. it is definitioned as centrality in architecture space which is base in the course of congiting and organizing and is core space in forming area, It is moaned not as Euclidean plan but as three demeasional vector space in space express architectual space exists except for perception of human and takes center and direction in perculiarly.

• Journal of Industrial Convergence
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• v.22 no.1
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• pp.41-54
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• 2024

Contemporary ceramic art as a new art form, how to convey the visual information of contemporary ceramic art works to the audience through the design and display of exhibition space is the primary problem of exhibition space design. Based on the current lack of research on contemporary ceramic art exhibition space design, this study focuses on the characteristics of contemporary ceramic art exhibition space design, in order to achieve the best exhibitions effect of contemporary ceramic art. Firstly, summarize the previous research and examine the "Spirit of Porcelain" -2021 Jingdezhen International Ceramic Art Biennial Exhibition held by the Art Museum of Jingdezhen Ceramic University. From the perspective of human factors engineering, combined with comparative analysis of the overall spatial layout and display space form, the scientific unity of the overall layout of the display space and the flexibility and sustainability of the exhibition space form design are obtained. The theoretical knowledge obtained in this study provides theoretical guidance and important practical significance for the design of contemporary ceramic art exhibition spaces; Simultaneously contributing to the development of contemporary ceramic art exhibition space design in China and even globally.

• Korean Institute of Interior Design Journal
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• v.16 no.1 s.60
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• pp.119-125
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• 2007

Changing depends on the one and only out of many design elements constituting the outside, and a Lighting design has an easy characteristic among space. Therefore accuse various sensitivity to watch when lighted up the same environment with Lighting of other colors, and it is an interesting point to show a communication tendency of a Lighting design in the present age escape from a general idea transmit a change of sight to a man of experience directly, and to clarify space simply, and to show various power of expression. The study of a book tried to make a searching examination for a generation cause of this tendency by trying to observe the modern Lighting design tendency that various desires were reflected in of the modern society in various general ideas of communication.

• Korean Institute of Interior Design Journal
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• no.20
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• pp.26-32
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• 1999

The point of this study consists in analysing influences of the postmodern design in the contemporary architecture. Since the modern architecture, new concept of architectural design has been materialized in the Late-Modern and the High-tech style but the revolutionary changes has been tempted by the postmodern architects who introduced the Rhetorical language in the contemporary architecture. In concrete terms postmodern architecture divided architectural elements from existing function (according to U. Eco, it is the primary function of architecture) and gave another function which is the secondary function or the symbolic function or architecture. And the methods of deviation from the conventional code is exactly the rhetorical expression technique which governed the history of art in Europe (but these technique is more intensively applied in the postmodern architecture) So this study is purposed to analyse the different rhetorical "figyres" regarding the syntax and semantic of the architectural langyage, and particularly to approach to the basic mechanism of the New Design Concept in the Contemporary Archiecture.chiecture.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2006.11a
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• pp.156-159
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• 2006

Meaningless in such a rapidly grown society to have a conventional and tedious understanding and interpretation of the public only in terms of the relationship of others. This study, therefore, investigates and developed the notion and the importance of the public that has been formed and developed with the urban growth and that has disappeared through modernization. The arument will be focused on how to revitalize the public in the contemporary cities through a right interpretation of the public in the contemporary. The ultimate purpose of the thesis is to propose a design strategy by which the new public sphere will be reconstructed within the contemporary office space.

• Proceedings of the Korean Institute of Navigation and Port Research Conference
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• 2019.11a
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• pp.127-129
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• 2019

전라남도 완도 연안여객선 터미널에서 2018년 10월 연안여객선 현대화편드 1호에 의한 선박 '한일고속페리 실버클라우드호'가 취항식을 가졌다. 국내 여객선 시장은 그간 해외 중고선에만 의존해왔는데 순수 국내 기술로 건조된 여객선이 등장한 것이다. 이에 따라 우리나라 여객선 산업은 기술발전과 디자인 등 그 품질이 향상 될 것이다. 그간 여객선 이용객의 수요는 꾸준히 증가하고 있으나 영세한 규모의 국내 선사는 비용 부담 때문에 신조를 건조하기 어려워 해외 중고선을 수입하였다. 이로 인해 국내 여객선의 실내 인테리어의 노후화, 인테리어 개조에 따르는 선박 성능의 저하 등 다양한 문제점을 가지고 있었다. 따라서 정부는 2018년 현대화펀드를 통해 노후된 연안여객선을 대체할 새로운 선박의 건조를 지원함으로써 연안여객선은 이제 선사의 사적 소유물을 넘어 공공적 성격이 교통수단이 되었다. 이로써 연안여객선은 이동 편의 향상을 비롯하여 승객에게 더 큰 만족을 줄 수 있는 디자인 개선방안이 요구된다.

• Korean Institute of Interior Design Journal
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• no.5
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• pp.37-44
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• 1995

Memphis originated from Radicalism in Italy came into being in 1981 as a experimental design group. Basically Memphis represented changed concept of design and the task of the designer by innovative design with unusual shapes and colors. What Memphis intended to demon-strate is the diversity of expression of design creativity and possibilities of new stimuli. As a result, Memphis has shown ways of redefining the field of design. In the 1990, the diversity of design movenment reflects the plualism of fragmented, specialized society. Design is faced with new task. It must do more than merely de-fine an object and its function. So from this point of view, this study interpretates ideas of Memphis design theory and attitude.

• Korean Institute of Interior Design Journal
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• v.22 no.6
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• pp.241-250
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• 2013

In contemporary society, spa has become one of the important healing spaces. As the present urban life has been more and more complex and competitive, space of recreation and healing are dramatically increased in terms of its number as well as location. In the past, there were three kinds of spa visitors. The first was the people who visited spas for medical reasons. The second was the people who visited spas for leisure and refreshment. The third was for social gatherings like in the ancient Rome. In present time, these three reasons are mixed together. As the spa program became rich and various, visitors tends to seek an appropriate spa environment that suits their needs. This is the main background for contemporary spa designs. In any case, concept of healing has been always the core element in spa. Light and sense have vital role to make a unique spa design. This paper aims to study different light and sense applications in contemporary spa designs. Specific focus is to find how light and sense in spa designs act to create a healing environment. 4 spa projects built in Europe after 2000 were selected and were analyzed based on the 4 light and sense characteristics. In conclusion, case analysis was summarized to suggest future possibilities.