• Title/Summary/Keyword: 향리

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The Existence Aspects of the Hyangri Class in Imsilhyeon, Jeolla Province in the Latter Half of Joseon - With a focus on Woonsuyeonbangseonsaengan (조선후기 전라도 임실현 향리층의 존재양태 - 『운수연방선생안(雲水?房先生案)』을 중심으로 -)

  • Kwon, Ki-jung
    • (The)Study of the Eastern Classic
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    • no.72
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    • pp.157-183
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    • 2018
  • The purpose of this study was to investigate the existence aspects of the Hyangri class in Imsilhyeon, Jeolla Province in the latter half of Joseon based on Woonsuyeonbangseonsaengan, which provides lists of Hyangris in Imsilhyeon from the fourth year(1724) of King Gyeongjong's reign to the early 20th century. It contained the names of total 704 Hyangris, who included 119 Kims, 103 Eoms, 103 Jins, 87 Parks, 86 Muns, 66 Lees, 31 Baeks, 27 Hwangs, and 17 Taes. In addition, there were 12 more family names that produced fewer than ten Hyangris. Based on the share of representative family names among the Hyangris of the area, it is estimated that the dominant family names were Kim, Eom, Jin, Park, Mun, and Lee. Another interesting aspect is that the Jeon and Yang families produced no Hyangris in the 19th century, whereas the Hwang family produced 5% of Hyangris in the century with the Jin family accounting for 10% or more. These findings show that little changes were consistent within the community of Hyangris despite the fact that a couple of families were dominant. The family clans of the family names were checked in Nosogyean, which records that they were the Kim family of Gyeongju, Eom family of Yeongwol, Jin family of Namwon, Park family of Hamyang, Mun family of Nampyeong, and Lee family of Gyeongju. The study then examined the family names of 76 Hojangs that were recorded to hold the Hojang title in Woonsuyeonbangseonsaengan to see whether the family names that produced higher-level Hyangris were the same as the ones above. There was an overall agreement between the family names that produced a lot of Hojangs and those that produced the most Hyangris, but there were differences according to the periods. Six family names produced Hojangs in similar percentage in the 18th century, and only three family names, which were the Jin family of Namwon(13), Mun family of Nampyeong(9), and Eom family of Yeongwol(6), produced more than ten Hojangs in the 19th century. Other noteworthy changes in the 19th century include the rapidly rising frequency of Hojangs serving the term twice or more compared with the 18th century and the concentration of Hojangs on certain family names. These findings indicate that six family names coexisted in the active production of Hyangris in the community of Hyangris in Imsilhyeon in the latter half of Joseon, that there were changes to the family names of higher-level Hyangris internally according to the periods, and that a shift happened toward the leadership of certain family names in the society of Hyangris.

KAPE, 축산 명인을 만나다 - 경기도 화성시 매향리 대지목장 대표 지일진

  • 축산물품질평가원
    • KAPE Magazine
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    • s.250
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    • pp.10-11
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    • 2017
  • 이름 그대로 매화 향기가 그윽할 것 같은 매향리. 이곳엔 <대지목장>이 있다. 이곳 대표는 매향리가 고향인 농부로 벼 농사일만 하다가 1995년에 축산의 길을 선택한 <대지목장>의 대표인 지일진 대표가 있다. 소 9마리로 시작하여 현재 150마리를 사육하고 있는 그의 하루 일상을 둘러보고 그만의 축산 노하우를 살펴보자.

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A Study on Hyangcheong and Jakcheong's Official Duties and Personnel Practices of Anbyeon of Hamgyeong Province in the 19th century - Focusing on an article of 'a list of Hyangcheong and Jakcheong's officials' - (19세기(世紀) 함경도(咸鏡道) 안변(安邊)의 향청(鄕廳)·작청(作廳) 직임(職任)과 인사관행(人事慣行) - '향청·작청 직임 명단' 문서를 중심으로 -)

  • Park, Kyoung ha
    • Journal of Korean Historical Folklife
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    • no.44
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    • pp.145-176
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    • 2014
  • This study analyzed official duties and personnel practices of Hyangcheong(鄕廳), administrative organization in which sajok(士族) participate this office, and Jakcheong(作廳), hyangree(鄕吏)'s office, of Anbyeon of Hamgyeong Province in the 19th century. Although there have beeen somewhat of case study of Gyeongsang, Honam, etc., study on Hamgyeong Province has been almost nonexistent because of the limitation of materials. Hence, this paper specifically examined Hyangcheong and Jakcheong's official duties and personnel practices through an article of 'a list of Hyangcheong and Jakcheong's officials' of Anbyeon, newly found, which is in the possession of this writer. Especially, this study virtually traced individual ststus and family by analyzing Hyangcheong and Jakcheong's 40-official duties and a list of 330-ofiicial duties for sixs years. And then by comparing it against Jokbo(族譜), I have grasped 19-Famlily of them. Executives of Hyangcheong could be grasped as they were status of Yangban(兩班), but members of Jakcheong were hardly identified because they were status of hyangree, thus most of them were not enscrolled in Jokbo. Hyangcheong and Jakcheong's official duties could be found by compare it with other area in Ehubgi(邑誌) Hamgyeong Province. the features of officiak duties are as in the following. On general administrative organization, Sajok's Hayngcheong, Jakcheong as general administrative organization and Jangcheong(將廳) as police work existed. As Pyeongando and Hamgyeongdo were border areas, Jangcheong was independent and led other institutions. However, in Anbyeon, Hojang(戶長) of Hayngcheong and Jakcheong divided dudies and commanded. Hojang'role was higher than any other areas, Because Hojang is in charge of Jangcheong's functions. Jakcheong was centrally operated by Hojang, Eebang(吏房), and Hyeongbang(刑房), so-called 'Samgonghyeong(三公兄)', Whereas Anbyeon was operated by Hojang, Eebang, Chunchong(千摠). In the general areas, While Juasu(座首) Byeolgam(別監), Executive of Hyangcheong, manages each warehouse(倉) where the nation's tax revenues are kept, In Anbyeon besides Joasu, Hyangso(鄕所). The principle of Hyangcheong and Jakcheong's personnel practices was one-period, but there were many consecutive terms, every other year terms, or tranference into other area. Police work was assumed by specific persons because it was relatively specialized job, However in case of Ghamsaek(監色) of each warehouse(倉), Hyangso(鄕所) of Hyangcheong or Hojang of Jakcheong had held plural offices, and was solely responsible it. On the overall features of its operation, Hyangcheong held plural offices, but rotation was made only within Hyangcheong. On the other hand, in the case of Jakcheong, Hojang, Eebang, and even Buriebang circulated their positions, but the other Hyangree rotated each Saek(色) and Guamguan of each warehouse(倉). This writer confirmed that unlike Gyeongsang and Hamgyeong, Hyangcheoung or duties of Hyangree were not handed from generation to generation by several families and, many families shared their work by circulating positions.

동행+함께하는 마음 - 길에서 찾은 건강, 길에서 만나 미각 - 태양의 바다 초록빛 물결로 가득한 무.안 백.련.지. 초의선사 탄생지에서 그윽한 차 향기와 만날 수 있는 여행

  • Jang, Tae-Dong
    • 건강소식
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    • v.34 no.9
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    • pp.30-33
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    • 2010
  • 계절마다 빼 놓지 않고 가는 여행지가 있는데 그 중 한 곳이 연꽃으로 가득한 연밭이다. 연꽃은 꽃마다 피는 시기가 달라 여름부터 초가을까지 볼 수 있다. 화려하면서도 단아한 연꽃은 고혹하다. 향기가 없는 것 같으면서도 향리 천리를 간다는 연꽃의 향은 꽃의 자태와도 잘 어울린다. 초록 잎이 끝없이 펼쳐진 연밭은 태양의 바다다. 해바라기 보다 넓은 잎을 펴서 이글거리는 태양의 열기를 다 받아낸다. 포화된 열기는 희고 붉은 꽃으로 피어난다. 무안군 회산 백련지는 초록빛 연잎의 바다에 보석 같은 연꽃을 피워내고 있었다.

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해안 지역 농촌지하수 시스템분석 (화성시 매향리 일대)

  • 김윤영;이기철;정형재;박종철
    • Proceedings of the Korean Society of Soil and Groundwater Environment Conference
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    • 2003.04a
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    • pp.422-425
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    • 2003
  • Many pumping station of Maehang-ri of Hwasung city are established for irrigation water supply, and brine permeation phenomenon is happening thereby. Proposed optimum pumping fluid amount conclusion model that use tidal efficiency and Ghyben-Hertzberg theory so that brine does not permeate in pumping station hereupon and applied this in study area.

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한국의 전통 - 역사의 부침과 함께해온 전통주

  • Park, Rok-Dam
    • 식품문화 한맛한얼
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    • v.2 no.1
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    • pp.32-37
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    • 2009
  • 우리나라의 전통주는 어떤 재료, 어떤 방식으로 만들어됐든 고래(古來)로부터 우리나라 사람이 주식(主食)으로 삼아온 쌀로 빚는 술로서, 지금처럼 내다 파는 술이 아니라 가정에서 빚어 상비(常備)해두고 나눠 마시는 가양주(家釀酒)를 그 뿌리로 하여 발달해왔다. 특히 천신목적(薦新目的)에서 출발하여 신인공음(神人共飮)하는 음식으로, 반주(飯酒)를 비롯하여 부모와 향리(鄕里)의 노인 봉양(奉養)과 손님 접대, 그리고 농사일에 쓰는 농주로 사용되었다는 공통된 문화와 역사를 바탕에 깔고 있는 것이 특징이다.

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A Study on the Costumes of the Characters of Higyongru Banghwoedo (<희경루방회도(喜慶樓榜會圖)> 속 인물들의 복식 고찰)

  • Bae, Jin-Hee;Lee, Eun-Joo
    • Korean Journal of Heritage: History & Science
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    • v.51 no.4
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    • pp.44-65
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    • 2018
  • This study examined the costumes of the characters in the painting titled Hig yongru Banghwoedo, which was designated as National Treasure No. 1879 in September 2015, and is currently kept in the Dongguk University Museum. The painting depicts a social gathering of Joseon aristocrats held at the higyongru, or watch tower, of the Gwangjumok, a government office, in 1567. It is characterized by the delicate illustration of the government officials, the main characters of the gathering, and the hyangri, ajeon, najang, chorye, akgong, and yeogi, the lower-class employees of the office. In order to investigate the costumes they wore, diverse materials including literature, costume artifacts, and paintings were used as reference sources. The scope of the study was limited to the characters' headdress and gown, and the accessories attached to the former. The study of men's clothing revealed that officials wore a samo and a red dalryeong as basic attire. In addition, it is presumed that they wore a belt indicating their official rank in the hierarchy, and a pair of black shoes. Retired officials wore a heuklip wrapped in horsehair or silk fabric with a red jing-nyeong and a doah. The hyangri wore a heukjukbanglip on their head, as well as a white jing-nyeong and a belted doah. In the Goryeo period, the banglip was a type of official headdress worn by members of the aristocratic elite ranked immediately below the king, but in Joseon it was demoted as the official headgear of the hyangri class, which was confirmed through Higyongru Banghwoedo. The ajeon wore a heuklip on their head, and a white jing-nyeong and a doah at the waist. As a rule, the najang wore a chogun on the head, and a banbieui on cheolrik and chungmokdai, but the najang in Higyongru Banghwoedo are depicted wearing a chogun and a cheolrik without a banbieui. Also, the chorye wore a heuklip wrapped in hemp cloth with a red cheolrik, whereas the akgong wore a somoja and a red cheolrik. Female entertainers, both adults and children, are depicted in the painting as either serving the aristocrats, dancing, or playing a musical instrument, wearing their hair in a voluminous, round, high bun, and dressed in a red daiyo, a hwangjangsam with a straight or reclined collar, and a belt. Notably, the donggi, i.e. young gisaeng, are shown wearing their hair in two short braids, and ddressed in a red gown with a y-shaped collar, or po.