• The Journal of the Korea Contents Association
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• v.14 no.11
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• pp.575-583
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• 2014

Roland Barthes views a myth as a chain of connotative concepts that are mutually connected. For him, a myth appears through a chain connotation that is mutually related, due to the first-stage signification system. In other words, the connotation of a particular scene is already inherent in a culture in the form of social convention or social values before it is made. In the case of Disney animation, as mentioned Barthes, it has also two layers of denotation and connotation for signification. However, Disney animation shows the tendency that seek the denotative representation and the direct communication, based on the typified character, to the representation and delivery of the myth that is inherent. Therefore, the tendency of denotative signification is seen Disney animation can be said as a branch of research methodology for the approach to the aesthetics of Disney animation.

• Journal of Digital Contents Society
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• v.15 no.6
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• pp.701-710
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• 2014

The analysis on the characteristics of the signification system of Japanese feature-length animations that this essay centrally deals with eventually examines the characteristics of representation and communication in Japanese feature-length animations. In general, most animation works focusing on characters and stories contain the signification systems related to 'denotation' and connotation.' However, tendency of the aesthetic representation and communication that appears differently, depending on the characteristics of the signification system that each animation work pursues. From this point of view, Japanese feature-length animation emphasizes connotative signification system and aesthetic representation, unlike Disney animation that strongly shows the tendency that makes the audience directly immersed in the theme and message of the work conveyed further in the myths by pursuing denotative signification system. And, in the case of Japanese feature-length animation, the 'dissenting and arbitrary interpretation' of the theme, the message that the animation work intends to convey and myths pursued is bound to appear diversely, depending on the audience's experiences and cultural and social backgrounds.

• The Korean Journal of Financial Management
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• v.14 no.2
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• pp.83-108
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• 1997

본 논문은 Roll이 제시한 딜러시장에서의 함축스프레드의 의미를 한국증권시장에 적용하여 미국을 중심으로 한 딜러시장(dealer market)과 한국의 지정가주문형 공매(公賣)시장(auction market)의 형태를 간접적으로 비교하고 시장미시구조의 주가행태에 미치는 영향을 연구하였다. 또한 공매(公賣)시장에서의 Roll이 제시한 함축스프레드 모델의 의미를 확장 재분석했다. Roll의 모델을 한국시장에서 적용하여 실증한 결과 미국을 중심으로 한 딜러시장과 한국의 공매(公賣)시장의 시장미시구조는 근본적으로 패턴의 차이가 없었다. 실증분석한 결과 함축스프레드는 거래량에 반비례하고 수익률의 분산이 크면 추정 함축스프레드가 큼을 확인하였다. Roll이 제시한 딜러시장의 추정된 함축스프레드는 실제 스프레드 자체에 의한 영향일 수도 있지만 이 보다는 일차적으로 거래량이나 거래빈도(trading thinness) 같은 시장 유동성위험 및 충격요인이 관측된 실제 거래주가가 이론적인 균형가에서 벗어나게 작용한 요인의 결과일 수도 있다.

• Annual Conference on Human and Language Technology
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• 2007.10a
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• pp.216-227
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• 2007

본고는 서로 다른 용어와 기준들로 일관성 없이 나열되어 있던 이전의 '-이나'의 의미 해석을 통합적으로 설명해 보고자 한다. 즉 특정한 양상 척도(개연성, 희구성, ${\ldots}$ 등)을 이용하여 '-이나'가 쓰인 맥락에 따라 척도 함축을 해석해 내고자 한다. 따라서 본고는 교착어의 특성을 가진 한국어의 특수조사(혹은 한정사) '-이나'의 함축 해석에서 척도의 유형을 분류함으로써 의미 해석과 형식화의 초석을 다지는 연구가 될 것이라고 기대한다. 먼저 '-(이)나'의 함축 해석에서 나타나는 척도의 유형에 대하여 논의하고자 한다. 따라서 '-(이)나'의 함축이 드러내는 척도들을 형식적으로'선형과 비선형'척도를 나누고 이러한 문장들이 들어내는 양상을 분류할 것이다. 둘째, 정대호 외(2002)에서 논의하고 있는 '~이나/도'가 분류사구와 결합한 문장이 화용론적인 개연성의 척도상에서 하한 값을 유발한다고 제안함에 따라, 본고는 양상을, 이러한 개연성의 척도를 포함한, '인식(진리, 원인, 지식, 평가), 의무(의지), 희구(기원)'의 3가지 양상으로 분류하고, 이에서 '-(이)나'가 유발하는 각각의 척도상의 함축을 기술할 것이다.

• Journal of Digital Convergence
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• v.9 no.3
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• pp.69-79
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• 2011

This study is the text discourse of agenda setting through media policy on the three communities. The materials of subjects are the 71 text discourses that appeared in the columns, the special manuscripts, and the comments on the contemporary topics in 33 media. The subjects focuses on the metaphor, metonymy, and binary transposition. This kind of connotation tends to be imploded into people through media, so that it produces hyperreality. This process produces the regulation and strengthens the reality through the circuit of culture. Thus this research tries to develop the theoretical foundation for analysing the text discourse produced by the media. Also it focuses on widening the research scope to study the effects that the circuit of culture provides on the politics, society, and economics. Therefore The first, the objective meanings(denotation)which the referents of the community as T'PALACE, I'PARK, and STARCITY are 'larger scale', 'high and skyscraper', 'the rich people and the plutocrats who have very high academic career' and ' the residence place for the famous stars and successful CEOs', etc. and the subjective meanings, connotations which the referents of the community are 'The first street' transposes '1%' 'their own space' into the characteristics of the wealth of Gangnam district or Korean wealth', the additional significations which the metaphors such as 'the noble community', 'the sample for the high -level residential space', and 'the greed of 1%'. Conclusion, The significations of the symbols became imploded into the population and circulated along with the cultural streams through the media. The referents are recreated and consumed among the other communities such as the named 'PALACE', 'I'PARK', 'STARCITY' in the other areas. This kind of ideology tends to create the myths such as 'the 1% rich people of Gangnam', 'the first street of Korean wealth', and create the regulation such as 'the compound taxes for the real-estates', 'the policy of reducing the taxes for the rich', 'the policy of reducing the taxes for the 1% of the rich'. Also these regulations make the politicians operate new policies and are being utilized as 'slogan' for the politicians.

• 기호학연구
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• no.57
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• pp.59-90
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• 2018

This paper examines the discussions related to image and signification through the theories of Roland Barthes. We have already been able to see through the studies of Semiotics and Anne H?nault that the denotation is distinguished from the connotation in the linguistic dimension. Through the analysis of the advertising image of Barthes, we have seen that the syntagmatic relationship can make the sense of the image objective. From this study, we also emphasized that it is possible to subjectively interpret images that deviate from the syntagmatic relationship. In addition, we examined the concepts of Studium and Punctum by Barthes. With this we have found that the definition of a personal meaning to objects has a theoretically clear position. Finally, we have been able to understand the concept of 'le sens obtus' through the article ${\ll}$ Le troisi?me sens ${\gg}$. The notion of 'sens obtus' makes it possible to realize that the objective and clear sense of object is not the one chosen primarily from the subject. By facing an object such as an image to be interpreted, the subject is placed in a situation where he is not compelled to choose a meaning but rather he chooses one of the possible senses. This makes it clear that the semantic levels provided by semiotic theories are limited to the analytic dimension.

• Proceedings of the Korean Society for Language and Information Conference
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• 2004.06a
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• pp.1-16
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• 2004

• Journal of Korea Multimedia Society
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• v.14 no.2
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• pp.282-287
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• 2011

The attribute grammar is a grammar for static semantic rules to overcome the difficulties of type checking. But this attribute grammar is difficult to write and understand by its additional rules. A grammar would be preferable if it has simple and small size of an attribute grammar. This paper shows how to decrease the size of an attribute grammar for an expression using LH method. This approach considers the types of an expression. That is, the construction of a semantic relation between the types of the expression can make it possible that an attribute grammar be written with its simpler and smaller size.

• Journal of Digital Convergence
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• v.13 no.11
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• pp.1-6
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• 2015

This study is based on semiotic analysis with a focus on film 'Veteran'. The film is to the reproduced movie in the sign for social problems facing our society. The purpose of this study is to interpreted the implication is that referents and presents of the film to be directed by semiotic. The methodology is the study that the Saussure's semiology as a signifier and signified, and Peirce's semiotic as iconic, index, symbols in contemporary scholars. The Semiotics is analyzed on the basis myth and ideology of Barth. The film director thinks the 'veteran' was replaced by the implications of the role of the actor as a signifier that is the out referent of our society. Thus, the film was sublimated into more than the real as myth in our society desires. So, our society is to implement the right ideas as ideologies process. that is, rewarding the good and punishing the evil, and eventually implement justice society. The implications of this study is going to create a society that is not for specific groups tycoon, is for mutual dependence like the interpretation of the song of the film veteran.

• Landscaping Tree
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• v.81 no.7_8
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• pp.29-32
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• 2004

우리말 속담에 “왕대 그루에서 왕대 나온다.” 라는 표현이 있다. 이 속담의 의미는 우량한 개체나 씨앗에서 우량한 생명체가 발생한다는 너무나 당연한 자연의 섭리를 우리조상들이 쉽게 표현한 속담이라 할 수 있다. 이 속담에 함축된 의미에서도 볼 수 있듯이 지구상에 모든 생명체는 아비와 어미의 유전형질에 따라 우량과 불량한 후대가 끊임없이 발생하게 되는 것이다.(중략)