1 |
T. Jurgen, Classics of Semiotics, Plenum, 1987.
|
2 |
B. Roland, Mythologies, Hill & Wang, 1972.
|
3 |
S. Ferdinand, General Linguistics, Philosophical Library, 1959.
|
4 |
W. Paul, Understanding Animation, Routledge, 1998.
|
5 |
L. Jay, Eisenstein on Disney, Seagull Books, 1986.
|
6 |
B. Roland, Mythologies, Hill & Wang, 1972.
|
7 |
N. Russel, The Unembarrassed Muse: The Popular Arts in America, Dial, 1970.
|
8 |
H. Maria, "ideological dimension of media message," Culture Media Language, Hutchinson, pp.122-127, 1980.
|
9 |
C. Karl, "The Importance of the FBI's Walt Disney File to Animation Scholars," Animation Journal, Spring, pp.67-77, 1995.
|
10 |
B. Roland, Mythologies, Hill & Wang, 1972.
|
11 |
L. John, "Principles of Traditional Animation Applied to 3D Computer Animation," ACM Computer Graphics, Vol.21, No.4, 1987.
|
12 |
W. Paul, Understanding Animation, Routledge, 1998.
|
13 |
W. Paul, Understanding Animation, Routledge, 1998.
|
14 |
R. Stephen, "Life Reproduced in Drawings: Preliminary Comments upon Realism in Animation," Animation Journal, Vol.13, pp.65-85, 2005.
|
15 |
S. Charles, "Animation: Notes on a Definition," The Art of the Animated Image: An Anthology, The American Film Institute, p.11, 1987.
|
16 |
F. Maureen, Art in Motion: Animation Aesthetics, John Libbey, 1998.
|