• 제목/요약/키워드: 팔상도

검색결과 10건 처리시간 0.009초

멀티스케일 아키텍쳐링 기반 역오팔상 구조체 기능성 멤브레인 기술 (Multiscale-Architectured Functional Membranes Based on Inverse-Opal Structures)

  • 유필진
    • 멤브레인
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    • 제26권6호
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    • pp.421-431
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    • 2016
  • 최근 들어 정렬구조의 나노구조체를 이용한 분리막 응용기술이 큰 관심을 받고 있다. 나노구조체 분리막은 낮은 흐름저항을 통해 높은 투습성을 유지하면서도 매우 균일한 기공크기 특성으로 인해 높은 분리선택비를 가질 수 있다는 장점을 지닌다. 특히 콜로이드 입자의 자기조립체인 오팔상 및 그 역구조인 역오팔상 구조체를 이용한 분리막 기술이 각광을 받고 있는데, 기공크기를 자유롭게 제어하면서도 내부에 다양한 기능기의 도입이 가능하여 크기선별 분리 뿐 아니라 반응성 분리막의 응용에까지 폭넓게 적용이 가능하다. 더불어 다양한 멀티스케일 구조화 기술을 이용하여 기존의 분리막 소재에서는 다룰 수 없었던 다양한 형태의 기공 및 채널구조를 도입할 수 있어, 차세대 고부가가치 분리막 소재기술에 있어 큰 활용이 기대된다. 본 기고에서는 다양한 소재를 활용한 역오팔상 구조체 분리막 기술과 더불어 계층구조화를 통한 기능성 분리막의 개발에 대해 총괄적으로 살펴보고 논의하고자 한다.

탐지견 반응 및 환경 인자 분석을 통한 목조 건축물의 흰개미 피해 조사 (A Study on the Inspection of Termite-damaged Wooden Buildings through the Use of Detection Dogs and an Analysis of Environmental Factors)

  • 김영희;임보아;이정민;조창욱;김수지;박지희
    • 보존과학회지
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    • 제35권6호
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    • pp.641-651
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    • 2019
  • 본 연구의 조사대상 건물인 조사당, 불조전과 팔상전은 같은 단(段) 위에 나란히 배치되어 있고 뒤편이 축대로 막혀있는 구조로 목조 건축물에 불리한 환경조건을 갖추고 있다. 이미 조사당 뒤편 기둥에서 흰개미 피해가 발생하였고 주변으로 확장 가능성이 있어 흰개미 피해 및 환경조사를 수행하였다. 흰개미 피해는 탐지견을 이용하여 총 4회 실시하였고 환경조사는 조사대상 건물의 모든 기둥 하부에서 총 27회 조사하였다. 건물별로 흰개미 탐지견 반응 빈도가 높은 기둥위치를 파악할 수 있었으며 탐지견이 반복적으로 탐지하는 기둥에서 육안으로 피해가 발생하는 것을 확인하였다. 주변 환경적 요소에 따라 목재의 흡습성이 달라지기 때문에 건물 기둥의 환경인자를 조사하여 비교하였다. 건물별로 비교한 결과에서 조사당의 목재함수율 편차가 가장 적었고 불조전의 편차가 크게 나타났다. 통계분석으로 평균, 중앙값, 최빈값을 비교한 결과 평균과 중앙값의 차이 보다 최빈값의 차이가 크게 나타났다. 조사당과 팔상전의 최빈값은 14.5%와 10.8%로 높게 나타났으나 불조전은 6.1%로 낮았다. 흰개미 피해는 기온과 수분량에 영향을 받는데 목조건물이 위치한 주변 환경적 영향으로 서식환경이 일정하게 유지될 경우 피해가 커질 수 있다. 기후변화에 따른 평균기온의 상승으로 활동기간과 분포범위가 확장될 수 있어 지속적인 모니터링과 방제 방법 연구가 필요하다.

인도 굽타시대 사르나트 불전도에 대한 일고찰 (A Study on the Buddha's Life Relief in the Gupta Period at Sarnath, India)

  • 고정은
    • 수완나부미
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    • 제1권2호
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    • pp.21-41
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    • 2009
  • The Art of the Buddha's Life which depicts the life and before-life of Buddha flourished in Sanci and Bharhut in the ancient India and in Gandhara during the Kushan period. More than one hundred scenes from Buddha's life were represented in the form of relief sculpture or wall painting. They are found in Gandhara and Mathura during the Kushan period, Amaravati and Nagarjunakonda during the Satavahana period, in Mathura and Sarnath during the Gupta period, and during the Pala Period. They unfolded in various forms and styles according to the text(Buddhist scripture), layout, and expressive technique. In Mathura, where the Evolution of the Buddha image was made about the same time as in Gandhara during the Kushan period, the Buddha's life was presented in a number of scenes related to the sacred sites; in four or eight scenes. In the case of the Eight Great Events of the Buddha's Life, the four scenes out of eight were different from those that were represented in Sarnath during the Gupta period, manifesting a transitional period. The Gupta period is widely known as the time when the classic artistic style was established. The art of Buddha's Life was produced only in Sarnath during this period, and it was the time when the Eight Great Events of the Buddha's Life was established as iconography, providing a model for those of the Pala period. Also, it was the time when the single image of Buddha was produced such as the 'Buddha delivering his first sermon,' 'Buddha's Enlightenment,' and 'Buddha's Death,' thus showing the emergence of the single Buddha image from the narrative Buddha's life image. In this paper, a general introduction of the relief sculpture of the Buddha's life from Sarnath during the Gupta period was given. The art of Buddha's life gave great influences on that of China, Korea, Japan and Southeast Asia, and can be emphasized as an important subject in understanding the development of the Buddhist art in East Asia. A further study will be made on the art of Buddha's Life of Southeast Asia in the future, which will enhance the understanding of the art of Buddha's Life in East Asia as a whole.

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고혈압 환자에서 격팔상생역침범(隔八相生易鐵法)의 혈압강하 효과 (The Antihypertensive Effect of Gyeok pal sang saeng yeok chim Acupuncture Treatment in Hypertension Patients)

  • 한창현;한충희;신미숙;신선화;최선미
    • Journal of Acupuncture Research
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    • 제23권4호
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    • pp.49-60
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    • 2006
  • Objectives : The aim of the study was to investigate the antihypertensive effect of Gyeok pal sang saeng Yeok chim Acupuncture in hypertensive patients. Methods : We measured the blood pressure of the patients who were admitted in the Oriental Medical Clinic of Brother from 13th February 2006 to 13th May 2006. We included the patients only in case of the systolic blood pressure was over 120mmHg or diastolic blood pressure was over 80mmHg, thirty patients were treated by Gyeok pal sang saeng Yeok chim Acupuncture. In order to evaluate the effect of the Gyeok pal sang saeng Yeok chim Acupuncture, the blood pressure and pulse rate were measured before and after Acupuncture procedure total 10 times. Results : There were significant decrease in the systolic blood pressure and significant decrease in the diastolic blood pressure treated by Gyeok pal sang saeng Yeok chim Acupuncture 10 times but pulse rate was not significantly decreased. The effect of Gyeok pal sang saeng Yeok chim Acupuncture by measurement time on blood pressure were follows: In a systolic blood pressure and diastolic blood pressure was gradually deceased significantly from 1st to 10th but pulse rate was not significantly decreased. Conclusion : These results suggest that Gyeok pal sang saeng Yeok chim Acupuncture is effective in decreasing the systolic and diastolic blood pressure.

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영동지역 사찰의 구성요소별 화재하중을 통한 화재위험성 평가 (Fire Risk Assessment of Temple Components in Young-dong Areas using Fire Loads)

  • 이해평;김수영
    • 한국방재학회 논문집
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    • 제10권3호
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    • pp.71-75
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    • 2010
  • 본 연구에서는 강원도 영동지역의 사찰을 대상으로 불전(대웅전, 팔상전), 삼성각(칠성각, 산신각), 요사(심검당, 설선당), 루, 일주문 등 구성요소별로 구분하여 현장조사를 통해 가연물의 종류를 구분하고, 실의 면적, 가연물의 재질 및 크기 등을 조사하여 화재하중을 산출함으로써 사찰의 구성요소별 화재 위험성을 판단하였다. 사찰의 구성요소별 총 화재하중은 불전 446.96 $kg/m^2$, 삼성각 313.71 $kg/m^2$, 요사 164.14 $kg/m^2$, 루 463.91 $kg/m^2$, 일주문 1,042.14 $kg/m^2$인 것으로 확인되었다. 사찰의 구성요소별 화재하중은 일주문이 가장 큰 것으로 확인되었으며, 그 다음으로 루, 불전, 삼성각, 요사의 순으로 나타났다. 일주문은 바닥 면적이 다른 구성요소들에 비하여 가장 작은 반면, 건축 구조재는 다른 요소들과 비슷한 크기와 수량으로 구성되었기 때문에 상대적으로 다른 구성요소보다 화재하중이 높게 나타난 것으로 사료된다.

고혈압 환자에서 격팔상생역침법(隔八相生易鍼法)의 혈압강하 효과에 대한 대조군 연구 (The Antihypertensive Effect of Acupuncture Treatment(Gyeok-Pal Sang-Saeng-Yeok-Chim) in Hypertension Patients; Control Study)

  • 한창현;한충희;신미숙;강병갑;김기진;박선희;최선미
    • Journal of Acupuncture Research
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    • 제25권6호
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    • pp.13-22
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    • 2008
  • Objectives : Aim of this study was to investigate the antihypertensive effect of Gyeok-Pal Sang-Saeng-Yeok-Chim acupuncture treatment in hypertensive patients. Methods : The research subjects were a total of 26 hypertension patients. Eligible participants had systolic blood pressure ${\geq}140mmHg$ or diastolic blood pressure ${\geq}90mmHg$ with antihypertensive drug. Both the experimental and control group were divided into 13 participants respectively with homogeneous consideration. The experimental group had acupuncture treatment, Gyeok-Pal Sang-Saeng-Yeok-Chim, whereas the control group didn't have any treatment. Blood pressure was measured before and after acupuncture treatment for a total of 12 times. Results : After 4 weeks of treatment we could identify a decrease in both systolic and diastolic blood pressure in acupuncture, Gyeok-Pal Sang-Saeng-Yeok-Chim, treated group compared to that of control group. The given results by measuring time on blood pressure were as follows: Significant decrease in systolic blood pressure from the $1^{st}$ to $12^{th}$ day of visit(P<0.05) while diastolic blood pressure did not show significant decrease. Conclusions : The results suggest that Gyeok-Pal Sang-Saeng-Yeok-Chim acupuncture treatment is effective in decreasing blood pressure but with statistical restriction compared to that of control group.

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19세기 말~20세기 초 불화에 보이는 민화적 요소와 수용배경에 대한 고찰 -16나한도를 중심으로- (A study on the factors of Minhwa(民畵) and accepted background that are appeared at Buddhist paintings from late 19th to early 20th century - focused on Sixteen Lohans painting -)

  • 신은미
    • 헤리티지:역사와 과학
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    • 제37권
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    • pp.121-150
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    • 2004
  • 일반적으로 산수표현을 많이 하는 불화 장르로는 십육나한도를 비롯하여 팔상도, 감로도, 관음보살도 등과 조선후기에 특히 많이 조성된 독성도나 산신도 등을 들 수 있다. 이들 불화는 대체로 산수를 비롯하여 다양한 배경을 갖추고 있는데, 18세기 이후 수묵적 전통이 남아있는 경우도 있지만 화려한 채색과 산수를 비롯한 다양한 경물의 표현으로 복잡해지는 경향이 강해지며, 19세기에는 흔히 말하는 민화적 요소가 등장하여 시대적인 경향을 보여 준다. 19세기 말~20세기 초에 제작된 16나한도는 이러한 경향 중에서도 배경묘사에 있어서 전통적인 요소도 있지만 그보다는 채색이나 제재면에서 시대적인 예술경향을 반영하는 민화적인 배경이 가장 다양하고 뚜렷하게 부각되어 배경표현의 주된 요소가 된다는 점에서 다른 불화와 차별된다. 즉 조선후기 16나한도에는 당시 유행하던 민화풍과 궁중화풍 등에서 보이던 청록산수식의 배경묘사가 두드러지며 십장생(十長生) 운룡(雲龍) 맹호(猛虎) 괴석(怪石) 화조(花鳥) 책가(冊架) 등과 같은 새로운 배경표현이 등장하여 폭넓은 수용 태도를 보여준다. 대체로 제재면에서는 수명장수, 부귀, 기복과 관련된 길상 상징물이 압도적으로 많음을 알 수 있는데, 이는 조선시대 서민불교로의 전환이라는 불교계의 동향, 특히 도교와 민간신앙과의 습합이라는 불교계의 자구적 모색과 밀접한 관련을 갖고 있다. 이는 16나한도나 당시 불화에 표현된 다양한 도교인물들의 모습을 통해서 엿볼 수 있다. 주로 19세기 말~20세기 초에 제작된 16나한도에 정형화된 양식의 민화풍이 등장한다는 것은 현존 민화의 제작연대를 추론하는 하나의 단서를 제공해 줄 것으로 생각하며, 불화승들이 민간의 수요와 요청에 의해 민화의 작가로 제작에 적극적으로 참여하였을 가능성을 시사하고 있다. 조선후기 불화에서의 민화적 요소의 고찰은 그 제재나 형태상의 유사점에서 출발했지만, 극단적인 희화화라든가 파격미 등은 보이지 않는다. 오히려 궁중의 장식그림과 유사한 양식의 표현이 많다는 점은 종교화로서의 기능을 갖추고 있는 불화라서 가능했던 것으로 생각한다.

고려(高麗) 금동탑(金銅塔)을 통해 본 법주사(法主寺) 팔상전(捌相殿)의 구조형식계통(構造形式系統) (The Structural Lineage of Palsangjeon in Pubjoo Temple Analyzed through Gilt-bronze Pagoda in the Koryo Period)

  • 김경표
    • 건축역사연구
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    • 제14권1호
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    • pp.89-105
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    • 2005
  • The central aim of this thesis is to see if the structure of Palsangjeon(捌相殿) in Pubjoo Temple(法住寺), a five sto wooden pagoda in Chosen(朝鮮) Dynasty, was handed down from the ancient and middle ages. This study was performed through an analysis of Gilt-Bronze Pagoda built in Koryo(高麗) period. In other words, it is aimed at analyzing which lineage the structure of Palsangjeonbelongs to as a wooden pagoda. In analyzing the structure of Palsangjeon, I attempted to find out its source from the remains of Koryo period prior to the Chosen Dynasty. Examples are the Gilt-Bronze Pagoda, built during the Koryo period. I have also examined its relationship with other existing wooden pagodas and remains. The analysis of Palsangjeon, a five story wooden pagoda in Chosen Dynasty, focuses on the following: First, I explored the possibilities of whether the structure of Palsangjeon was newly invented in Chosen Dynasty, or if it had been derived from the wooden pagodas in the Koryo period. Secondly, I tried to find out if the stable vertical planes, with a great successive diminution ratio, were derived from the middle age, i.e. Koryo period. The results of the study of Palsangjeon through Gilt-Bronze Pagoda analysis are as follows: 1. The structure of Gilt-Bronze Pagoda, a wooden pagoda from the Koryo period, is roughly classified into the accumulation type, using pipe pillars, and the one story type using whole pillars. In the accumulation type, stories are connected in either a flat format or an intervening format. The Gilt-Bronze Pagoda is mainly composed of pipe pillars, with some whole pillars. However, the central pillar was omitted in the building structure. Generally, the upper and lower stories are connected by pipe pillars in a crutch format. All the pillars, whether they are pipe pillars or whole pillars, used Naiten(內轉) technology. The Eave supporter has the Haang type(下昻) and the Muhaang type(無下昻). In most cases, high balustrades are furnished, but few tables of high balustrades have been found. The slanting roof formats have been handed down from Paekche(百濟), Silla(新羅), or Koryo(高麗). However, the structure of the octagon is assumed to be derived from Koguryo(高句麗). The structure of the Gilt-Bronze Pagoda from the Koryo period is mainly composed of accumulated flat squares, with some spire types. intervening format, the structure of Palsangjeon used whole pillars in a half story format in which upper level side pillars are installed on the lower level tie beam. From the Bronze Pagoda from the Koryo period, we can assume that the half story format of wooden pagodas that has stable vertical planes with a great successive diminution ratio was created during the mid-Koryo period at the latest and had been idly developed by the time of the Chosen Dynasty. 3. The whole pillars in Palsangjeon are also found in Gilt-Bronze Pagodas from the Koryo period. Hence, all of the pillars in Palsangjeon seem to have been handed down from the ancient construction technology. They were also used in the construction of wooden pagodas from the Koryo period. Therefore, it is assumed that Palsangjeon was constructed using the construction technology of the Chosen Dynasty that had been developed from the wooden pagoda construction technology of the Koryo period. The stable vertical planes with a great successive diminution ratio in Palsangjeon are derived from ancient Korean wooden pagodas, which have developed into indigenous Korean wooden pagodas with fairly stable vertical planes and a great design, in the half story format of Koryo and Chosen Dynasty. Therefore, it is assumed that the structure of Palsangjeon has a systematic relationship with traditional Korean wooden pagodas and is one of the indigenous Korean wooden pagoda structures. 4. In China, the intervening format has been mainly used between stories in multi-story architecture since the ancient days. At the same time, the flat format as also used in ancient and middle ages. However, the flat format was replaced by whole pillars during the Ming(明) and Manchu(淸) Dynasties, in favor of simple and compact construction. The half-story format, in which upper level side pillars are installed on tie beams, has been found in some cases, but it doesn't seem to have been the primary construction technology. Few traces of the half-story format have been found in multi-story architecture in Japan, and it has not been used as a general construction format. By contrast, the half-story format, which seems to have been derived from the Koryo period, was used as a general construction format in multi-story architecture of the Chosen Dynasty. The construction technology of multi-story architecture is related to that of multi-story wooden pagodas, but they have different production technologies. It seems that the structure of Palsangjeon did not just adopt the construction technology of multi-story architecture in the Chosen Dynasty, but it was developed from wooden pagodas in the Koryo period, including the Gilt-Bronze Pagoda. 5. Since the ancient days, most Chinese and Japanese wooden pagodas have adopted an accumulation type of structure using pipe pillars, with accumulated pointed towers. On the other hand, though most Korean wooden pagodas have also adopted an accumulation type of structure from the ancientdays, one story type using whole pillars was created in the Koryo and Chosen Dynasties. The wooden pagoda structure of Palsangjeon, with stable vertical planes in a half story format, is a unique Korean construction technology, different from the construction technologies of Chinese and Japanese wooden pagodas. This thesis clearly determined the structural characteristics of Palsangjeon. However, various remains have yet to be analyzed in depth, to establish an accurate construction technology system. In the beginning of this thesis, I had difficulty in precisely interpreting the internal structure of the Gilt-Bronze Pagoda from its appearance. However, in the process of study, the more serious problem was that there are few remains or ruins of multi-story architecture in ancient and the middle ages of Korea. Therefore, it is urgent to discover various remains in the future. This thesis succeeded in determining the structural characteristics of Palsangjeon. However, it fell short of clarifying the structural lineage of the stable vertical planes, although they show indigenous Korean architectural taste, representing the unique national emotion, and the construction format of multi-story wooden pagodas in Korea. I hope this is clarified in the future research.

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동양목조탑파(東洋木造塔婆)의 구조형식(構造形式)에 관한 연구(硏究) - 법주사(法住寺) 팔상전(捌相殿)과 법륭사(法隆寺) 오중탑(五重塔)의 비교분석적 측면에서 - (The Structure of Oriental Wooden Pagoda)

  • 김경표;등정혜개;이민섭
    • 건축역사연구
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    • 제1권1호
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    • pp.88-105
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    • 1992
  • This dissertation aims to investigate the structure of Palsangjeon, a five story wooden pagoda in Pubjoo Temple which is the only wooden pagoda existing in Korea, by a comparative study of the Palsangjeon with Japanese counterparts. By doing so, the writer of the present investigation attempts to find out its structural originality. The main finding of this study are as follows. The upper part of Palsangjeon is constructed with square log frameworks called GuiTl and Sacheon-Ju around the central column. The four walls along Sacheon-Ju from the 1st level to the 3rd well resists the outside horizontal piressure. And Gui-Tl structure on the 5th level copes much better with shear force. So this frame consisting of Sacheon-Ju and log frameworks might be viewed an semi-core system, This core is supported once again by the frame of Go-Ju. That is to say. Go-Ju supports frame of Sacheon-Ju. And the frame of Pyeong-Ju on the 4th and the 5th levels also supports it. The frame of Go-Ju is supported by the frame of Pyeong-Ju on the 1st and the 2nd levels. So this structure is designed to resist the wind and also keep the balance by properly distributing vertical pressure. The plan and the elevational structure of Palsangjeon keep the balance by the perfect symmetric structure. And the frame of Sacheon-Ju forming semi-core system can resist both the lateral load and the vertical pressure for the balance of its structure. The five story pagoda in Horyuji used to stand on a central which is desigend to support the main body of the pagoda from the first level. The principles of balance is used between the Ha-Aag and short to react the rafter. Sacheon-Ju and edge column is against the lateral load. The structural jointing system is stable thanks to the log framewroks formed on every level. The five story pagoda in Horyuji poseses the structual system originated from the ancient wooden pagoda. The pagoda is found to express simple, sincere and straight forward form. On the other hand, it could be seen as a stucture resisting the earthquake and the lateral load, Palsangjeon is an excellent building which religions function is well harmonized with its structure and appearance. It not only functions extremely well as a regions place like other pagodas, but also excellently shows how multi-story wooden building should be structured.

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