• Title/Summary/Keyword: 토루

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The symbolic representation of Fujian tulou in the animation (애니메이션<나의 붉은 고래, 2016>에서 재현된 푸젠성 토루의 상징성)

  • Gu, Xue-ping;Lee, Hyun-Seok
    • Proceedings of the Korea Contents Association Conference
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    • 2018.05a
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    • pp.127-128
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    • 2018
  • 애니메이션 영화 <나의 붉은 고래, 2016>는 처음으로 전통 건축인 토루가 영화와 직접 연관 지어 제작된 애니메이션 작품이다. 토루가 갖는 역사성, 민족성, 전통사상은 극의 서사와 배경구성에 긴밀히 결합되어 애니메이션화 되었다. 이에, 본 논문은 푸젠성 토루의 상징적 역사적 의미와 문화가 어떻게 애니메이션 <나의 붉은 고래, 2016>에서 재현되었는지 알아보고자 한다.

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A comparative study about community characters of Chinese Fujian Tulou and Korean Yangdong Village (푸젠 토루와 양동마을 커뮤니티 특성 비교 연구)

  • Lee, yeong sik;Chung, Mi Sun
    • Korea Science and Art Forum
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    • v.35
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    • pp.315-329
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    • 2018
  • This study starts from the points of comparative analysis about cultural differences of old traditional communities. Those communities are Chinese Fujian tulou and Historic Villages of Korea Hahoe and Yangdong. (i..e.Yangdong ) I worked field study on traditional communities in two countries and literiture study. I have analysied on characteristics of Fujian tulou and Yangdong. and compared Fujian tulou's characteristics with traditional characteristics of Yangdong The results of this study are as follows. First, Fujian tulou was built according to the nature, and they have worshipped their anscestor and they are the blood relative community. Second, Yangdong was built according to the nature, too. But Yangdong has been completely reflected the confusianal societies' classes.( ex : yangban and slave ) Yangdong has the characteristics on confusianal community. From the results of this study, I think that further study is needed about non- physical cultural factors which were served to maintain the traditional community like governance, self doctrine and community rules.

A Study on Spatial Structure Characteristics of Earthen Walled Fortresses (토성(土城)의 공간구조 특성 연구)

  • Lee, Sang-Seok;Jang, Mi-Ran
    • Journal of the Korean Institute of Traditional Landscape Architecture
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    • v.32 no.1
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    • pp.74-82
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    • 2014
  • The purposes of this study is to investigate spatial structure characteristics of earthen walled fortresses based on topography, which are locational and Plane morphology, Cross sections of earthworks. Target areas of this study are 37 earthen walled fortresses which are designated as cultural properties. This study is conducted with methodologies of literature review, field investigation, investigation on topography materials and relation analyses of topography&spatial structure. The results from study on spatial structure of earthen walled fortresses are as follows. First, Earthen walled fortresses on flat topography were adjacent to water systems like rivers or streams. Plane morphology showed regular shapes. The cross section morphology presented trapezoid the most with earthworks of which outer and inner walls were built. Second, More than 70% of earthen walled fortresses on hilly topography had water system within close range of approximately 1.5km. Plane morphology was mainly with more than 73% of irregular types. Cross sections of earthworks were of morphology with more than 86% of bordered type and another type leaning against existing topography like mountains. Third, 59% of earthen walled fortresses in mountain areas had water system within their close range, which indicated that they depended on external water system less than those with hilly topography. Plane morphology was mainly with more than 67% of irregular types. Cross sections of earthworks were of monoslope method with more than 94% of bordered type and another type leaning against mountains.

한국산 넙치에서 분리된 버나바이러스의 유전자해석

  • 정성주;오명주;다테테쯔지;스즈키사토루
    • Proceedings of the Korean Society of Fisheries Technology Conference
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    • 2000.05a
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    • pp.438-439
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    • 2000
  • 지금까지의 연구에서 한국산 넙치 치어에서 분리된 버나바이러스는 MABV (Marine Birnavirus)와 혈청학적으로 유사하며, VP2/NS 경계영역의 염기배열도 MABV와 높은 homology를 가지고 있음을 밝혔다. 본 연구에서는 genome segment A를 중심으로 한국의 넙치에서 분리된 버나바이러스의 유전자해석을 행했다. (중략)

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Separation of the Heavy Metals by macrocycles- mediated Emulsion Liquid Membrane Systems (거대고리 화합물을 매질로한 에멀존 액체막게에 의한 중금속이온의 분리)

  • 정오진
    • Journal of Environmental Science International
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    • v.2 no.1
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    • pp.61-72
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    • 1993
  • Result of this study indicate that two criteria must be met in order to have effective macrocycle-mediated transport in these emulsionsystem. First, one must effective extraction of the post transition metals, $Cd^{2+}$. $Pb^{2+}$ and $Hg^{2+}$ , into toluene membrane. The effectiveness of this extraction is greatest if log K values for the metal-macrocycle interaction is large. Second, the ratio of the log K values for the metal ion-receiving phase to the metal ion-macrocycle interaction must be large enough to ensure quantitative stripping of the metal ion at the toluene phase interface. Control of the first step can be obtained by appropriate selection of macrocycle donor atom, substituents, and cavity radius. The second step can be controlled by selecting the proper complexing agent for inclusion in the receiving phase. The order of the transport, when using the several $A^-$ species such as $SCN^-$, $1^-$, $Br^-$ and $Cl^-$ is the order of the changing degree of solvation for $A^-$ and the transport of the metals is also affected by the control of concentration for receiving species because of solubility-differences. In this study, we can seperate each single metal ion from the mixture of $Cd^{2+}$, $Pb^{2+}$, and $Hg^{2+}$ ions by using the toluene membranes controlled by optimized conditions. Transport of the single metal is also very good, and alkaline and alkaline earth metals as interferences ions did not affect the seperation of the metals in this macrocycle-liquid membrances but transition metal ions were partially affected as interferences for the post transition metal ions.

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Sound Design, Electronic and Ambient Music for Film -with study of Toru Takemitsu and Brian Eno- (영화음악으로써의 사운드 디자인, 일렉트릭, 앰비언트 뮤직 -'토루 타케미추'와'브라이언 이노'를 고찰하며-)

  • Na, Hoon-Ju
    • Proceedings of the KAIS Fall Conference
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    • 2012.05a
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    • pp.49-51
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    • 2012
  • 클래식 음악만이 영화음악의 소스가 아니며, 이것은 작곡에서 최근에 생긴 변화도 아니다. 1906년에 '캐힐'이 텔하모니움을 발명하고 100년 이상이 지났으며, '피에르 쉐퍼'가 1948년에 뮤직 콘크리트를 시도한 이후 약 60년의 시간이 흘렀다. 사운드를 제어하는 기술과 장비는 하루가 다르게 변화하고 있으며, 대부분의 영화음악 작곡가들은 컴퓨터와 다양한 사운드 모듈을 통해 효과적이고 창의성 높은 다양한 소리를 만들어 내고 있고 이것은 그들의 강력한 작곡 도구이다.

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