• Proceedings of the Korea Information Processing Society Conference
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• 2016.10a
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• pp.695-696
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• 2016

탄막 슈팅 게임이란 적기의 총알로 가득 찬 탄막을 피하는 게임이다. 탄막 슈팅 게임은 탄막을 발사하는 각도, 좌표, 충돌들을 계산하는 알고리즘을 필요로 한다. 탄막의 움직임이나 형태, 그리고 플레이어 캐릭터와 보스들의 각각의 충돌 범위들과 좌표를 제어하고 관리하는 메소드들을 구현해야 한다. 본 논문에서는 탄막 알고리즘을 이용한 슈팅 게임 설계 및 구현 결과에 관한 내용을 다루고 있다. 추후 본 논문의 알고리즘을 활용하여 안드로이드 환경에서도 탄막 슈팅 게임에 쉽게 접근할 수 있을 것으로 기대한다.

• The Journal of the Korea Contents Association
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• v.20 no.10
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• pp.268-283
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• 2020

The purpose of this study was to examine the effect of exposure to body image in media and bullet screen on weight loss intention by specifically focusing on Bilibili, a video sharing website of China. For the study, a 3 (Social viewing: no bullet screen vs. complimentary bullet screen vs. critical bullet screen) x 2 (Body image in media: ideal vs. realistic) between-subjects factorial design was conducted. A total of 310 Chinese women in their 20s were recruited to participate in an experimental survey. The main results showed that viewing the ideal body image with the complimentary bullet screen and realistic body image with the critical bullet screen strengthened the participants' intention on weight loss. Finally, the interaction effect of social viewing and the types of bullet screen were examined. The higher weight-loss intention was revealed when social viewing was conducted with the complimentary bullet screen of the ideal image. The results of this study can enhance the understanding of the bullet screen as a type of social viewing and its effect on user behavior intention.

• Trans-
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• v.15
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• pp.81-104
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• 2023

This paper analyzes the danmu phenomenon with the concept of participatory culture proposed by Henry Jenkins. Unlike other comments, Danmu is a function that allows users to post anonymously while watching a video, and comments posted at that time are immediately displayed on the screen and can be viewed by other viewers. The service was first launched by Niconico. In this paper, the danmu phenomenon in the Chinese video platform Bilibili is analyzed by focusing on three aspects. First, in terms of creative sharing under collective intelligence, we explore how users create their own creations and share them with other users through danmu. Second, in the collaboration model under public participation, the method and meaning of collective cooperation through users' interaction is dealt with. Third, in terms of financial support of commercial capital, the influence of danmu videos to create commercial profits is analyzed as a case. In addition, the negative aspects and challenges of participatory culture in Bilibili are analyzed. Negative aspects such as participation gap, copyright infringement, excessive use of danmu and problems of anonymity were reviewed, and major challenges to realize the potential of danmu as a participatory culture were suggested. This paper comprehensively analyzes danmu using research methods such as literature review and case studies, and through this, tries to derive insights on how participatory culture and danmu interact and evolve in modern society. Danmu, as a participatory medium, is an important tool that promotes individual and collective creation and interaction, and is pioneering a new boundary between the media industry and its users.

• Proceedings of the Korean Society of Computer Information Conference
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• 2017.01a
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• pp.183-186
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• 2017

본 논문에서는 부드러운 탄막 슈팅 게임 구현을 위해 GDI와 GDI+ 각각의 장단점을 알아보고, 이 두 가지를 혼용하였을 때 GDI의 단점인 생산성과 안정성, 그리고 GDI+의 단점인 속도 문제까지 해결할 수 있음을 확인하고 이를 이용하여 탄막 슈팅 게임을 구현하는 방법에 대하여 연구하였다.

• Proceedings of the Korea Information Processing Society Conference
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• 2023.05a
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• pp.37-38
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• 2023

컴퓨터 부품의 고성능화로 점점 게임이 요구하는 사양이 높아지는 추세이다. 따라서 게임 개발에 있어 최적화가 필수적으로 요구된다. 본 논문에서는 '오브젝트 풀링'이라는 메모리 최적화 기법을 소개한다. 따라서 '오브젝트 풀링'을 적용한 탄막 게임을 만들어 메모리 최적화를 직접 구현해보고 연구한다.

• Proceedings of the Korean Society of Computer Information Conference
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• 2016.01a
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• pp.47-48
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• 2016

전 세계 게임 시장을 분석해 보면 온라인 및 PC게임 시장 보다 모바일 게임 시장이 크게 성장하고 있는 추세이다. 본 논문에서는 기존 슈팅게임에 색다른 재미인 탄환 흡수 및 특수 스킬 기능을 추가하여 구현한다. 장소의 제약을 덜 받는 원 핸드 플레이 게임을 구현하고, 캐릭터의 터치를 쉽게 조작할 수 있도록 하며, 몰입도를 위한 화려한 탄막들을 설계하고 개발한 것이 특징이다.

• Proceedings of the Membrane Society of Korea Conference
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• 1999.10b
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• pp.74-75
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• 1999

• Proceedings of the Membrane Society of Korea Conference
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• 2000.04a
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• pp.105-108
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• 2000

• Proceedings of the Korean Environmental Sciences Society Conference
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• 2006.05a
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• pp.431-434
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• 2006

폴리머 라텍스의 탄화와 메탄-질소 혼합가스의 CVD법으로 Carbon whisker를 가진 활성탄막을 개발하였다. 이 막의 PMMA 현탁물질 여과실험과 실제의 현탁물질과 용존유기물을 함유한 오래된 수도관으로부터 얻어진 적수여과실험 결과, Carbon whisker의 유무가 fouling에 의한 막의 flux를 억제하는 것으로 밝혀져, 실제의 정수공정에의 응용 가능성을 보였다.

• Cartoon and Animation Studies
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• s.50
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• pp.23-42
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• 2018

Currently, two-dimensional culture is the main keyword in Chinese contents market. In China, many capital and economic giants have entered into two-dimensional cultural market because the number of users and the interest of the public for two-dimensional culture are increasing day by day. The reason for the rise of the two-dimensional culture into the mainstream culture is not only the switching of the mainstream consumer class but also Two-Dimensional Culture forms a huge industrial chain covering many areas including movies, performances and theme parks in addition to ACGN (Animation, Comic, Game and light Novel), the second is that more people are participating in Two-Dimensional Culture due to the specific audience with high social environment and loyalty and the third is looking for the role of the users in Two-Dimensional cultural content from three characteristics, such as strong cultural prevalence. This study analyzed the Chinese two-dimensional cultural environment through PEST(Political, Economic, Social and Technological analysis) In addition, as the ecological environment and communication method of Two-Dimensional Culture users changed, the users became active participants and the second producers of contents. I examined the way of using the users' contents through the phenomenon of 'Barrage'. Therefore, this study discussed the appropriate development path for the user-oriented contents industry in the Chinese Two-Dimensional cultural environment.