• Korean Journal of Logic
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• v.15 no.2
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• pp.273-294
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• 2012

In my previous article "An Inferentialist Account of Indicative Conditionals" and "An Inferentialist Account of Indicative Conditionals and Hasuk Song's Objections", I argued that the so-called Uncontested Principle is not uncontestable. According to the Uncontested Principle, an indicative conditional '$A{\rightarrow}C$' logically implies a material conditional '$A{\supset}C$'. In his recent paper "On the Recent Controversies surrounding the Uncontested Principle" Wonbae Choi presents three objections to my claim. First, my denial of the Uncontested Principle implies rejecting modus ponens. Second, my denial of the Uncontested Principle is tantamount to taking the truth-conditions of an indicative conditional as weaker than those of a material conditional, which are usually taken to be the weakest among conditionals. Third, my view that we can warrantedly assert '$A{\rightarrow}C$' even when 'A ${\therefore}$ C' is inductively justified is based on a misunderstanding of the way in which indicative conditionals are justified. In this paper I argue that Choi's objections are all based on misunderstandings of my view. First, I do not deny the validity of modus ponens (as a form of deductive reasoning). Second, the fact that the inductive warrantability of 'A ${\therefore}$ C' does not imply the truth of '$A{\supset}C$' does not show that the truth-conditions of an indicative conditional is weaker than those of a material conditional. Third, Choi's claim that a contingent conditional '$A{\rightarrow}C$' is true only when 'C' can be deductively derived from 'A' in conjunction with a hidden premiss is not well grounded, nor does it fit the facts.

• Journal of Korean Philosophical Society
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• v.126
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• pp.159-190
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• 2013

Feminist critics have criticized Aristotle as a sexist, misogynist, male chauvinist or masculinist, or, at least, their chief spokesman. Indeed, he says in the Politics that the male is by nature superior to the female and, also, that women possess the same deliberative part of the soul as men, but without authority, etc. In the Generation of Animals, he claims that the male supplies the form and the efficient cause, whereas the female supplies the material cause only in reproduction and describes the female as a mutilated being. When these remarks of Aristotle are read without considering their overall context, it hardly seems possible for him to escape from such severe criticism and condemnation. On the contrary, in what follows, I shall claim that the criticism and condemnation that has been ascribed to him is unfair. Although it is undeniable that Aristotle has made such remarks, it does not immediately follow that he was a sexist. In particular, I shall show his view on the status of men and women by analysing the value of matter and form ascribed in two of his main philosophical theories, the theories of hylomorphism and four causes. In consequence, we shall arrive at the conclusion that, since the theories do not imply the significance or necessity of either form or matter alone, but of both, there is no sign of sexism or misogyny or male chauvinism in Aristotle.

• Journal of Korean Philosophical Society
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• v.129
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• pp.291-313
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• 2014

The aim of this paper is to clarify the Aristotle's conception of change(kinesis). Aristotle defines the change as a process which actualize a potentiality. From Aristotle's definition of the change, a number of consequences flow directly about how to conceptualize it. First, the change is fundamentally directional. Second, if we do not know what the change is directed toward, we do not understand what the change is. Third, everything that changes is caused to change by a distinct cause of change, a changer. Fourth, there is a single actualization of cause and subject of the change. All change, for Aristotle, is the change of an enduring subject. And all change occur in the infinite(to apeiron) which is time, space, matter. It would be absurd to equate the whole and the infinite, for that would be to say that the unlimited had a limit. The infinite does not contain, but in so far as it is infinite, is contained. And due at least in part to its potentiality, the infinite is unknowable. Because it lacks a form. The infinite traditionally derived its dignity from being thought of as a whole in which everything is contained. But Aristotle removes the infinite from its position of majesty. Aristotle's this idea was a revolution in philosophical perspective.

• Journal of Korean Philosophical Society
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• v.145
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• pp.195-215
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• 2018

Plato said that our cosmos was created from the union of nous and $anank{\bar{e}}$ in Timaeus. In addition to this, 'the third kind', namely $ch{\bar{o}}ra$, exists already with genesis before the birth of the cosmos. Plato explains this $ch{\bar{o}}ra$ with several metaphors. That is, 'receptacle', 'mother', 'gold', 'space', 'place' etc. From Aristotle to contemporary scholars, generally three types of interpretations are presented. First, $ch{\bar{o}}ra$ is a kind of a 'void.' Secondly, $ch{\bar{o}}ra$ is Aristotle's $prot{\bar{e}}$ $hyl{\bar{e}}$. Thirdly, $ch{\bar{o}}ra$ has two aspects of space and matter. I will accept the third opinion. Plato's $ch{\bar{o}}ra$ has both a spatial aspect and material aspect. $Ch{\bar{o}}ra$ is a place that accommodates all sensible things in itself. On the other hand, $ch{\bar{o}}ra$ seems to be a mother who nourishes sensible things like a child. In this, Plato lacks a logical consistency. The research of $ch{\bar{o}}ra$ can not deviate from the limits of $eik{\bar{o}}s$ logos.

• Korean Journal of Logic
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• v.14 no.3
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• pp.85-100
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• 2011

Recently Byeong Deok Lee has denied the validity of the so-called uncontested principle, which says that the indicative conditional implies the material conditional. I show that his denial means that modus ponens is not valid and that the truth-conditions of indicative conditionals are weaker than that of material conditionals. It seems that what made him hold this view is related to some misunderstanding of indicative conditionals.

• The Journal of the Korea Contents Association
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• v.13 no.10
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• pp.151-159
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• 2013

Formalism narrative theory adopts the dualism of Fabula, story material and Sujet, story substance. The recent theories of storytelling convert the dualism into story and storytelling. This essay delves into the mechanism of contemporary storytelling by comparatively analyzing the storytelling of two films, A Korean film, Family Ties and A Hollywood film, Little Miss Sunshine, which are considered to represent contemporary storytelling. While the latter builds its structure through desire usually shown in the classical Hollywood films, the former has the structure which has nothing to do with causality by displaying fragmented stories. And the latter has typical characters, while the former shows totally different reality, using the obscure characters. In conclusion, Little Miss Sunshine has a storytelling which puts audience feeling in tune by controlling it, and Family Ties has one which delivers director's intention.

• Korean Institute of Interior Design Journal
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• v.18 no.2
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• pp.3-15
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• 2009

In the swirl of change in the world, Media, the development of information technology, and the enterprise-oriented capitalism have tied the world as one unit, and have entered the period of adaptation. With the view of introspection of these concepts, this paper is mainly written by the theory of "matter as the content" with exploration of the design of essence and scientific approach. The design process is the condensational process which is developed by the exchange of reason and sensibility. This process, which is characterized by the objective manipulation of a given condition and the intervention of extrapolation, is the new way of thinking and approach rather than the concept of the way and means. The research of this paper is based on paintings and the analysis of essential experiments in design, the definition of the terms of content in the view of philosophy and design, and the analysis of the cases in architecture and spacial design. As a result, this paper shows that these designs are not just "Simulacre" but the essential eidos, and "content" is the core of these designs which can produce prototype as machine. Also, these designs can relatively be the persuasive methodology for the reflexive modernization.

• Korean Journal of Logic
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• v.17 no.1
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• pp.197-217
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• 2014

In my previous papers, I have argued that the so-called 'Uncontested Principle' does not hold for indicative conditionals based on inductive reasoning. This is mainly because if we accept that a material conditional '$A{\supset}C$' can be inferred from an indicative conditional based on inductive reasoning '$A{\rightarrow}_iC$', we get an absurd consequence such that we cannot distinguish between claiming 'C' to be probably true and claiming 'C' to be absolutely true on the assumption 'A'. However, in his recent paper "Uncontested Principle and Inductive Argument", Eunsuk Yang objects that my argument is unsuccessful in disputing the Uncontested Principle. In this paper, I show that his objections are irrelevant to my argument against the Uncontested Principle.

• The Journal of the Korean dental association
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• v.30 no.1 s.272
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• pp.65-68
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• 1992

21세기를 눈앞에 두고도 아직까지 과학의 힘으로 그 근원을 알 수 없는 지병의 균주는 끊임없이 증폭되고 있음은 이미 주지의 사실이다. "판도라"의 상자속에는 인간을 폐망시킬려는 이러한 질균으로 꽉 차있는 것인지도 모른다. 특히 근간에는 폐수, 대기오염 등의 환경공해로 인한 치유될 수 없는 질병이 만연되고 있으며 어떤 경우에는 병의원(치과의원포함)에서 질병을 얻어오는 경우도 왕왕 발생한다. 환자나 환자를 치료하는 모든이들이 할 수 있는 한 최선을 다해 이러한 치명적인 상황을 최소한으로 유지하여 쾌적하고 깨끗한 질료실내외의 환경을 조성하고 건강한 삶을 위해 노력을 해야하겠다.

• Journal of Korea Game Society
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• v.16 no.2
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• pp.75-86
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• 2016

Game studies of theatrical approach explained interactive property of game in humanistic background. Those studies analyze the game, and based on Aristoteles Poetic Attribute. But theatrical approach has a problem by user's unpredictable intervention in narrative (Active narrative). This paper intended to see in the glance of any impact on the Aristotelian model by active narrative. As a result of the active narrative remake the causality between materials of drama. Also, it can be seen to define a kind of the "Improvisation" in theatrical view. But it exposed a essential difference in the form an expression by substance and material of media. It was defined forms of improvisation in the gaming environment which are 'Self-generated Individuality', 'Self-definition Faction', 'Eccentric Behavior Contending', 'Trolling' and 'Bug Play'. Finally this paper proposes the characteristics of the improvisation of the game and the direction to be improved game analysis model in humanities through forms of improvisation in game environment.